There are few feelings better than stumbling across an artist that instantly amazes you. It’s a rare occurrence, but when it happens it’s strikingly memorable. When I came across Oddisee’s Odd Renditions early last year I thought, “who is this guy and why have I never heard of him?” I pride myself in being in the know when it comes to music and the fact that a hip-hop artist that is this amazing wasn’t on my radar was unsettling. Needless to say I became familiar with him very quickly with his music constantly on repeat. As I started to frame this write-up in my mind, I began drawing parallels to legends: A one man OutKast? Talib Kweli with a southern sound? A 2014 Q-Tip? In the end I concluded that comparing Oddisee to another artist is unjust…so just pretend you didn’t read that last sentence. What makes him so great? Everything. From his production, to his flow, his lyrics to his voice and overall sound. He’s original, introspective, and a breathe of fresh air, yet he almost immediately seems familiar.
His most recent release Tangible Dream is a mixtape that exemplifies his current position. Oddisee is man living his dream. Unlike many he doesn’t strive for Penthouse’s, Private Jets, $1000 Champagne bottles or even immense fame. His dream is tangible and he his living right now, “All I want to do is make music for a living so that I can live to make music.” It’s message that should be taught in every classroom and embedded in the minds of society. Though the project was released as a mixtape it was easily one of the best bodies of work in hip-hop last year and could be mentioned in the conversation for album of the year (though it’s not technically an album). His best work to date, Tangible Dream showcases his versatility and sharp wit. The album opens with the title track where Oddisee paints pictures of his grind over a massive backdrop with militant snares. ‘Yeezus Was a Mortal’ takes aim at rappers who liken themselves to gods while flaunting his own skills.
“They see themselves as God or regard them selves as the chief/ The streets is hungry for kings, the kings are hunting for rings/ My nigga I don’t wear jewelry so fuck who rocking a chain/ I’m just rocking a beat, mo I’m just doing my thing/ Making money from rapping who claiming that talk is cheap/ If record sales and talent was ever one in the same/ I’d be running the game if that rule were ever to change/ But this a tangible dream, I don’t do it for fame”
‘Killing Time’ combines ominous loops with hard hitting drums for an anthem that’ll have you rapping along with ferocity. It’s also one of my favourite songs in the past 12 months. As the project progresses the vibe becomes more laid-back with Oddisee reflecting on life and relationships. His intelligence, wordplay, wise views and conversational style are reminiscent of legendary chi-town MC Common (there I go drawing comparisons again). ‘Yeah & Nah’ is another standout with the rapper displaying the lack of black and white that is life. “Is all about the business? Yeah and nah/ All for the music and lyrics? Yeah and nah/Do I fuck with niggas? Yeah and nah/ Do I care about who gone hear this? Yeah and nah”. From beginning to end Tangible Dream provides proof that Oddisee continues to refine his skills and get better with time.
The Beauty In All was released alongside Tangible Dream. The album is a 12 track instrumental effort that showcases Oddisee as a producer. It’s a mellow and easy listen that is the perfect backdrop to a Sunday afternoon or a great companion while studying. Standout tracks include ‘After Thoughts’, ‘The Gospel’ and ‘Patience in Play’ though I’d recommend just letting it play from front to back. In 2012, Oddisee released his first official solo album People Hear What They See. Taking an interesting approach Oddisee wrote the entire album outside while listening to the instrumentals he previously produced. The unorthodox approach paid off allowing for songs that transcended his individual experience yet still feel genuine and uncontrived. Can’t miss tracks include ‘Ready to Rock’, ‘American Greed’, ‘The Need Superficial’, and ‘Another’s Grind’.
The final project I would like to highlight is Odd Renditions. The four track EP saw Oddisse remixing and rapping over some of his favorite artists which included K-OS, Bon Iver, Metronomy and Marvin Gaye. The end result is stunning, unique, and timeless. The project is a strong argument for why remixing music is immensely beneficial for everyone from the original artist, the remixer and most importantly the listener.
Moving from his earlier work to present day, Oddisee recently linked up with french producer 20syl for ‘Ongoing Thing’. A perfect match with a flawless fusion of hip-hop and electronic influence to create a smooth summer anthem. On the track he raps ‘I ain’t asking for change, I’m good at coining a phrase/ What I want is more than ever and never to fade away/ Is that too much to ask? Good, cause I ain’t askin’/ Already into action, I’ll have your answer retracted”. Considering his drive and the amazing music he has already created he’s poised to do just that. Oddisee’s catalog goes far deeper than the music showcased within this post. For even more Oddisee be sure to check out his BandCamp page and official website.
Follow Oddisee on Facebook, Twitter and SoundCloud.
Follow FUXWITHIT on Facebook, Twitter, and SoundCloud.
