The Summit Part 3
The first event I attended was The Summit Part 3. This was split up into two sessions, the first session an all female DJ course and the second an open session on MPC work and “Pad Life”.
Lets start with the female portion. Organizers did a really great job at keeping this specifically for females, many watched the door and kindly asked others trying to get inside to come back or wait outside until the session was over. Chippy and Kara our instructors then proceeded to walk us through everything they possibly knew about setting up and using CDJ’s and a Controller, they even provided handouts! As someone who is somewhat familiar with the set up I can definitely understand how much information this is and the trouble with not knowing where to start, however I feel Chippy and Kara did a really great job. What I also liked is that they peppered the session with tid bits of information and industry experience on how they have been treated as a female DJ. In some cases I felt they may have scared the girls a bit with comments and stories of how some sound people at certain clubs would touch and reconfigure their equipment without their permission, not trusting that the females understood what they were doing, however to counter this, as a friend put it, better knowing it could happen then not to expect it at all.
The session ended with everyone crowded around the table taking turns using the equipment, asking questions and also some freestyling.
Part two of the session was held by Fresh Kils and Creeazn with the doors now being open for men as well. I was happy to note that a lot of females from the first session hung around to check out what was next.
Kils opened the session with introducing himself and Creeazn and then playing out a set for everyone on the MPC. Easy to say that he pretty much rocked everyones socks off. While I did find this session a bit less structured than the other, I did like the amount of questions being asked and the infinite number that surrounded the controversy of sampling other peoples music to create your own. Some references were made about Dilla, Pete Rock and of course Prince.
The guys covered how to load the MPC with music as well as where they go to find it, and what they like to look for personally when creating certain sounds or vibes. This session ended with everyone at different tables using the various MPCs with Kils and Creeazn walking through the room (classroom) from table to table (student to student).
The overall vibe of the night was extremely chill and open with all questions welcome. Each instructor was supportive and patient and truly felt that in order for their community to grow we need to start helping each other. So many feels.
BJ the Chicago Kid at Adelaide Hall.
First of all the show was packed with talent. When I arrived the lineup was down the block. I’d never been to Adelaide Hall so this helped with finding my way in. When in doubt follow the people right?
Once inside, it filled up quick and I stationed myself at the front of the stage. Unlike a lot of shows, though it was busy, people kindly would let you step up front to do a photo and let you hang out. The place was packed and by the time they finally got started with performances the DJ had warmed everyone up with some classic old school hip hop joints that everyone was singing along to.
First up Adria Kain, wow just wow, this woman made my heart swell. I felt like the first time I heard Frank Ocean. She seemed calm and humble and would sing talk to the crowd.
I’ll admit aside from her beauty I don’t have too much to say on Allie.
BJ was live, he works the crowd, he’s done this before. People knew him and rapped/sang along. His energy is like Kanye but not obnoxious like Kanye, kinder and for the people. Without a doubt he’s gonna keep rising.
Between Adria, Allie and BJ each set was heartfelt, powerful and empowering.
If these are the kind of artists Manifesto brings together. I’m disappointed I missed the others and I look forward for years to come.
Words and Views by Tania Hiriart Mosca. Follow her moves here.
