Anna Lunoe’s HYPERHOUSE Was One Hell Of A Night [Review]

This past Saturday was a night that defied expectations several times over. The event was Anna Lunoe’s HYPERHOUSE tour, which saw her touching down at The Hoxton along with DJ Sliink and Vindata. When I saw the line-up I knew I had to be there. I’ve been waiting to see Sliink since 2012, enjoy Vindata and kept hearing about Anna Lunoe. I expected Sliink to murder it, and for the other two to be good, but I greatly undervalued the talent of Vindata and Anna Lunoe. The whole night was incredible from beginning to end. Here’s how it all went down.

I got in just before 11 and the crowd was still pretty sparse. The mood was laid-back as people socialized and grabbed drinks while Local DJ/Producer Cosella was warming things up with some deep bass. As Vindata took the stage it seemed the venue instantly grew more packed. The spead out crowd was magnetized to the front of the room. As I moved closer, I warned my brother that their set may be a bit slow for his tastes (I turned out to be very wrong). I’m a casual Vindata fan and expected a mixture of chill trap and future bass. What they delivered was well beyond my expectations in both quality and energy. Yeah, they played some future bass, most notably their Mija collab ‘Better’ (which killed), but they took it so much further. From mashing Green Day into Moombahton, to ‘Ni**as In Paris’ into flute-ridden trap and Mr. Carmack. They started slow, pulling the crowd in and had it in full party mode shortly after. A ‘Panda’ x ‘Purple Lamborghini’ mash-up went off and they even had us crankin’ that Soldier Boy. Midway through the set Anna Lunoe popped up to show some love, and as their set neared it’s end, Sliink came through with some shots of Henny to celebrate with the duo and warm himself up. The scene was a great display of camaraderie and love between the DJs that only made it feel like more of an inclusive party for all.

As Sliink took over the decks, he let everyone know where he’s from with ‘Nwxrk’ (Jersey!), the beautiful build and vocals gave way to the rawness of A$AP Ferg’s ‘Work’ and it was on. Sliink showed love to OWSLA boss Skrillex with his classic ‘Cinema’ flip and fellow label mate Yogi with ‘Burial’. With flips of ‘Hotline Bling’ and ‘Show Me Love’ Sliink proved that there’s a Jersey remix for everything. When I heard Ma$e come in for ‘Mo Money, Mo Problems’ it was a wrap. It’s not often you here Ma$e and Skrillex in the same set, but I assure you it’s something special. I went into this set expecting Sliink to kill it, and that’s exactly what he did. Lunoe came out once more to party with Sliink before it was her time to take over.

I have a confession. I’ve been sleeping on Anna Lunoe. She’s been on my radar as someone I need to check out and dive into, but I’ve never took the time. That said, I went into her set expecting to see a pretty good house set that would leave me satisfied. What I got instead was straight up fucking wow’d. Anna Lunoe is incredible. From her selection, to her mixing and her energy, she’s everything that makes a DJ great. She bounced across genres as effortlessly as she did the stage. Moving from O.T. Genesis to Gesaffelstein, ‘I Love Kanye’ into rave house and classic Prodigy into Getter x Ghastly. She kept the filthy club vibe from Sliink going for some time and even dropped some Athletixx. She brought in some classic breakbeats before dropping them into some crazy new shit. She proved she can play anything with ease and without losing the crowd for a second. Just when you thought things couldn’t get any more crazy, Hunter Siegel and Autoerotique rolled up for an impromptu b2b with Lunoe. This just added to the ill house party feel that engulfed the night. When the lights finally came on and the music stopped there was no way to feel other than wow’d. HYPERHOUSE was one hell of night.

Photos by WIll Selviz. Check him out on Facebook & Instagram.