As one of the most shining prospects to touch the ranks of Icon Collective music school, Kyle Hagberg’s previous experience as a drummer has given him an acquitable advantage that has translated wondrously into his career as a distinguished name in the dubstep genre producing and performing under the guise Kompany.
While his list of accomplishments extends almost infinitely, one of the most remarkable aspects of Kompany’s sound is his ability to switch effortlessly between a more traditional, tear-out style of dubstep and his own high-octane rendition of the bass heavier side of trap. Regardless, however, of the appeal the track assumes, impeccable production and flawless drum patterns shine through in every release Kompany lays his hands on.
Despite an extensive list of spectacular collaborative efforts with the likes of Holly, G-REX, Wooli, and IVORY, Hagberg settled on a solo expedition for his latest release via Never Say Die Records, the Metropolis EP. Exploring the breadth of his production, the project presents an opportunity for Kompany to erect massive soundscapes with astounding depth and detail, crafting a complex labyrinth of bass to captivate and absorb the listener.
An epic introduction into the exploration journey that follows, ‘Firewall’ opens one’s mind to the beauty of such a grandiose expedition through awe-inspiring synths and energy-building percussion. A serrating growl hints at the arrival of the city’s underground culture before Kompany unleashes the subterranean demons to incite mayhem throughout the streets. Creating a drastic contrast from the initial extravagance, the talented producer reveals that his Metropolis has more to it than meets the eye.
Depicting the aftermath of the ruckus caused by the initial riots, ‘Seething’ shines light into the city’s inner-workings. A haunting chorus and Amazonian drums further paint the opposing cultures within the Metropolis, as the monumental establishments and palatial facades are littered with rumbling basslines that threaten their structural integrity. Straddling the lines between trap, dubstep and bass house, ‘Seething’ is a true representation of the diversity found within every concrete jungle.
The robust natural beauty tucked within the suburbs of ‘Take It All’ go nearly unnoticed within the crude industrial context of the EP. A heavenly chanting welcomes you to the secluded safe haven as tranquilizing vocals courtesy of KARRA revitalizes your muscles from toilsome municipal exploration. Dazzling floral synths line the streets as you come upon the thriving heart of the main drag, composed of immersive walls of pulsating bass and electrifying subs that enshroud you completely.
A city of such grandiosity demands an intricate underbelly of pipes and transportation passages to ensure its sustainment. As depicted in ‘Last Man Standing’, the roots of the Metropolis provide a suitable farewell for your expedition. Composed of a harsh, commanding vocals from Virus Syndicate and delayed bass thrusts, even the deepest caverns of this great metropolitan reveal subtle complexities.
With ‘Firewall’ kicking off SKisM’s Never Say Die Vol. 6 mix, fans already had a glimpse into how epic the Metropolis EP would be. However, the project stands out as one of Kompany’s most exceptional works to date as he continues to establish himself among the industry’s finest producers.
Words by A. Samuel Lewis and Steph Contant.
