Eprom and G Jones Display Otherwordly Innovation In ‘Daemon Veil’

by Steph Contant

Eprom and G Jones are not human. Despite a lack of scientific evidence, there are inclinations that suggest that these two come from a distant planet where bass music producers are leagues ahead of those from Earth. As two pioneers in the experimental scene, it seems everything these two touch, be it solo or collaborative, is miles beyond what anyone has ever attempted to conjure up in the past. Although they are no strangers to working together and have proven their joint ingenuity in the past, their last collaboration came back in 2017 and it was due time for their reunion. Today, the order in the bass music world is disturbed once again as Eprom and G Jones come together on ‘Daemon Veil,’ a beast of epic proportions.

Showcasing their expansive musical capabilities and artistic synchronicity, ‘Daemon Veil’ is a wicked collaborative triumph. It is truly remarkable how each artist makes himself heard as the track progresses, before the lines completely blur into sonic insanity. G Jones makes himself heard in the introduction with his ‘EVERYTHING ALL AT ONCE’ sounding chords and usual breakbeat-inspired percussion, before a commanding vocal sample gives us a taste of both producers working cohesively. When the drop hits at the eighty six second mark, listeners are thrown into a whirlwind of resonating synths and pulsating effects, where all hope of distinguishing the two musical geniuses is lost. An intricate arrangement of chaotic drums, vibrating basses and futuristic stabs shine at the forefront in the following section, displaying Eprom and G Jones’ ability to turn complete disorder into complex harmony.

‘Daemon Veil’ is the true embodiment of boundary-pushing, forward-thinking bass music. Check it out below.

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