A Colorado transplant from California, the Dreamers Delight project initially began to take shape in 2015 and has quickly flourished into one of the most imaginative future bass visions of its kind. Conceived through the inspiration of the unconscious mind, each track emulates a rendition of a lucid dream, utilizing components of nature and spatial sound techniques to craft a…
A. Samuel Lewis
-
-
Freeform production mogul ZEKE BEATS looks to revitalize the craze and infatuation that has feverishly surrounded the release of ‘Babatunde’, with an analog-infused rendition that both exceeds the expectations of its predecessor, while diving fearlessly into an experimental dimension of its own. An inexplicably energetic snare roll hunts fervently in the backdrop of the introduction as a languid echo of…
-
The vanguard for aspiring dubstep producers worldwide, Sydney-based Mastadon has matured with frightening efficiency. Wielding a malicious style of tear-out dubstep, each track from the Australia-native mimics a cataclysm of violent bass and malicious subs, questioning the distinction between dubstep and high-powered sonic artillery. In his latest bass exploration, Mastadon further polishes the bells and whistles of his production, leveraging…
-
Based out of Sydney, Australia william.’s talent for production first materialized via an impeccable rendition of Flume’s ‘Wall Fuck’ that caught fire the moment it was released and is still utilized as a staple build and drop in live sets to this day. “T1R and I started writing that track when he was over in Sydney last. In just a…
-
Eclectic beat maker and minimal trap connoisseur, LOWKEY first caught our attention with an outstanding remix of Eptic’s ‘The End’, which has received tremendous support and recognition from the likes of TYNAN, Kompany, and Krischvn in live sets and was followed shortly thereafter by an opportunity for the Serbia-native to feature as a special guest on our FUXWITHIT Mix Series.…
-
A lifetime of accomplishments under his belt already, west coast production sensation Moore Kismet is as bewildering as talents come. With two EPs, a Never Say Die Records debut and an official remix for TOO KIND’s ‘Crash’ in tow, the 14-year old prodigy ceases to amaze as he continues to reveal the depth and breadth of his craft. His latest…
-
Chicago-born, Denver-living, Kyral x Banko are maximizing output within their new living arrangement, kicking off 2019 with a handful of fresh releases including ‘Scovie’ with Mport, ‘Rambo’ with SoDown and a release via the debut MorFlo Records compilation Alchemy. Wielding a hybrid style that nestles comfortably between a production-heavy trap and a more experimental freeform sound, Kyral x Banko are…
-
A by-product of cross-country amalgamation, Dallas-based Chow Chow and Baltimore production duo Runnit consolidate styles with the release of ‘Rob Repeat’. What initially began as a mutual appreciation for each other’s craft has quickly developed into a creative alliance that composes the technical proficiency and ear for obscurity that each component brings to the table. We were delighted to catch…
-
Unleashed from captivity on Halloween of 2015, ‘Lurid’ depicts the earliest spice and flare of South Jersey’s Charlie Quigley in the days when the forward-thinking, boundary-shattering DIGITAL ETHOS project was just beginning to take shape. Still one of my favorite ETHOS tracks to-date, ‘Lurid’ utilizes a mesmerizing introduction equipped with tight-wound percussion and firm bass notes to build a sense…
-
Freeform bass pioneer WEKS is swiftly becoming a hot ticket item, distinguishing his experimental, production-heavy style from the masses with the release of his highly anticipated Terp Sauce EP, which dropped just shy of two weeks ago. The earliest releases from the New Hampshire-native depict a more trap-focused guise with tight percussion and crisp beat breaks, which have provided ample…