Bass

Dave Nardolilli, better known as Dubloadz, has forged his own trail in the dubstep scene ever since stepping foot into the electronic music world. With influences from everything hardcore and metal to hip-hop and funk, he carries some of the highest energy and craftsmanship with his production skills. Whether in the studio or on stage, Dubloadz guarantees triumphant execution of…

Canadian duo Zeds Dead have been working like absolute madmen as of late. With their own record label, Deadbeats Records, their own tour, radio show, and just life in general, it’s almost absurd to think that they would be also able to produce new tracks as well. Miraculously though, Hooks and DC have pulled it off again, and in truly…

Freeform production mogul ZEKE BEATS looks to revitalize the craze and infatuation that has feverishly surrounded the release of ‘Babatunde’, with an analog-infused rendition that both exceeds the expectations of its predecessor, while diving fearlessly into an experimental dimension of its own. An inexplicably energetic snare roll hunts fervently in the backdrop of the introduction as a languid echo of…

As one of Australia’s fastest rising stars in the bass scene, Yvng Jalapeño is making a name for himself through consistent boundary-pushing productions. In the last month alone, he has released the eclectic ‘Yeah Nah‘, before going on to officially remix QUIX’s ‘Ride Or Die‘. Fans can never really predict what is coming next as the talented Aussie continues to ride his…

Coming out of Boulder, Colorado is Indra. Not your typical artist by any means, it’s clear even from his name. Indra is a Vedic deity known as the god of the heavens, lightning, thunder, storms, rains and river flows. This isn’t a moniker he randomly adopted, it’s actually his middle name, a fact which is less surprising given he was…

The vanguard for aspiring dubstep producers worldwide, Sydney-based Mastadon has matured with frightening efficiency. Wielding a malicious style of tear-out dubstep, each track from the Australia-native mimics a cataclysm of violent bass and malicious subs, questioning the distinction between dubstep and high-powered sonic artillery. In his latest bass exploration, Mastadon further polishes the bells and whistles of his production, leveraging…

Late last year, one of our posts for our #tbt series featured Moody Good‘s remix for Slum Village’s ‘Fall In Love‘. We capped off that article by wishing for more from the musical genius in 2019, as it had been almost two years since his last official work. A tweet on February 5th confirmed his return to releases this year,…

Eclectic beat maker and minimal trap connoisseur, LOWKEY first caught our attention with an outstanding remix of Eptic’s ‘The End’, which has received tremendous support and recognition from the likes of TYNAN, Kompany, and Krischvn in live sets and was followed shortly thereafter by an opportunity for the Serbia-native to feature as a special guest on our FUXWITHIT Mix Series.…

The San Diego based producer jordnmoody is an experimental trap and bass enthusiast. As far back as his track ‘UNGH‘ (and even further back) he has always tested genre limits and naturally carried a forward-thinking image. He adds to his inventory of originals with the latest release titled ‘MØNEY’. Continuing with an emphasis on trembling bass, he keeps the listener…

Tripzy Leary kicked off 2019 with a bang, unleashing his biggest body of work to date with the otherworldly Space Migration LP. With various originals and remixes released since the big project, it is evident the eclectic producer is only showing fans the tip of the iceberg when it comes to his creative ideas. Just last week, he shared his…