D&B

If Denali Records are not on your radar yet, that needs to change now. Curated by the talented artists who also run Bonsai Collective, the platform was created out of a desire to showcase harder tunes that fall under the bass umbrella while still showcasing some of the most promising underrated artists. Case in point, today’s latest release coming from…

Despite constantly exploring different genres and executing these at an elite level, there’s no denying that drum and bass is Posij‘s bread and butter. Fresh off the release of ‘Blood‘ via MAD ZOO, the Groningen-based creative returns to the forward-thinking imprint today with three new tunes that fall under the broad umbrella of the genre, and the Blood EP sees…

Few producers can brag about getting support on their bass tunes from legends such as Noisia, while also releasing one of the catchiest house songs of the year on a label such as bitbird. As a constant source of unbridled innovation, Posij has slowly made his mark across various realms of electronic music, refusing to conform to genre expectations and always…

Backed by legends and dedicated to quality music, no matter the size of the following. Evident through their consistent support of up-and-coming talents in VISION Radio as well as their debut MISSION compilation, Noisia’s VISION Recordings is an established platform dedicated to shining a light on talented creatives, with a handful of releases in 2021 that have truly blown us away.…

Few have honed in on their branding as well and as consistently as Eptic. From his sound, to his visual identity, to his undeniable comedic talents, Eptic is a pinnacle example of how to play the industry marketing game – and the fact that his music is killer certainly doesn’t hurt. Returning to Monstercat with his third single of the…

Calvin Harris’ ‘You Used To Hold Me’ is a certified classic. Coming off his sophomore album Ready For The Weekend, the track was a standout smash alongside hits like ‘Flashback,’ ‘The Rain,’ & ‘Dance wiv Me.’  Combining emotional and catchy vocals with a driving electro-house beat made it a mainstay at festivals and in DJ sets. Released at a pivotal…

Time flies and we’re already near the 1 anniversary of ‘Bleach‘. Although this April is already full of significant occurrences both musically (Porter Robinson’s album) and non musically (Attack On Titan’s final chapter) related, this recurrence makes me wish that May will arrive as soon as possible. Not only because it was Rohaan’s debut LP but most importantly because it…

In late 2018, Bensley made his debut on Pilot Records with the infectious ‘Time‘ alongside T & Sugah and C. via the debut Destinations compilation. Now, over two trips around the Sun later, the Toronto-based artist makes his grand return to the imprint with his first original of the year following a triumphant bootleg of Tame Impala’s ‘It Might Be…

Fans of FUXWITHIT should be quite familiar with Perth-based Silva, as the talented beatsmith has continuously impressed us with his unique take on trap and future bass, most recently with the release of his debut project, Motions. However, most are probably not familiar with sammythesinner, largely due to the fact that her first official release only came to fruition late…

From heading the community-focused Bassment to concocting mean beats of his own, Auckland-based KATANA remains an important force in the underground New Zealand bass realm. Embodying a vision to create a scene that is inclusive for all, KATANA now looks to revitalize his We Will Figure It Out EP with remixes of the project featuring tons of Kiwi talent such…