Despite first coming together on a track when remixing RL Grime’s ‘Era‘ late last year, WAVEDASH and Shadient are no strangers to each other’s work. Having both made the move to NGHTMRE and Slander’s Gud Vibrations label this year, it was only a matter of time until these bass heavyweights came together on an original. The Austin-based trio and Essex-based…
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KOAN Sound’s debut album Polychrome was a leap into the unexplored realms of dance music, with the duo offering a project that was truly unique in its entirety. Released late last year, Polychrome was a mesmerizing piece that reminded fans of dubstep from earlier this decade just how talented and influential KOAN Sound are as artists. Nine months later, the Bristol-based duo are…
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PREMIERE: bd hbt & leet Collide For Aptly Named ‘The Big Festival Banger’
by Alex Bellby Alex BellExperimental trap wizards Sam Delgado and Harrison McCord, also known by bd hbt and leet, have had absolutely tremendous 2019 campaigns. McCord released his stellar In Light of Recent Darkness LP just a month ago, and Delgado has had releases on some of the biggest bass labels in the game. Today, they’ve pooled their collective creative juices to bring fans…
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After taking a few months off following the release of his incredible NOISE LP, thook is back with a new single entitled ‘OVERLOAD.’ A fitting title for a release that’s sure to leave your senses in a state of shock. Known for crafting new worlds with his work, thook’s latest brings us into a post-apocalyptic wasteland. Ominous energy encapsulates you…
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Unshackled from the extensive archive of Spag Heddy’s unreleased material as a commencement to festival season this past July, ‘Zoom’ has remained one of the most enviable tracks of the summer, combining a playful layering of trap horns that builds an inescapable sensation of momentum before catapulting into a merciless siege of bass. For a track that utilizes a simple,…
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DEVAULT is back with his sophomore EP and his lead single, ‘SAPPHIRE,’ that will give you retro feels and a futuristic after taste. DEVAULT’s latest single ‘SAPPHIRE’ showcases the artist’s unique style; a sort of silky, retro dark-electro. Through his nods to classic rhythms and synth, the foundation of electro, he demonstrates commitment to both riding the cutting edge of…
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DJ Ride And ELEX Pair Up For First Installment Of Quality Treats With ‘Stay Away’
by Tony Leonardby Tony LeonardQuality Goods Records says everything you need to know about them with the title of their label alone. Emphasizing all things trap and discovering quality talent that appropriately deserves the recognition, they are single-handedly making the trap scene thrive. “All the big labels were going into a pop direction to get playlist placements so you know, I felt like we…
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Bleep Bloop Discusses Creative Subsistence, New Imprint, & ‘Gain the Axe’ EP [Interview]
A remarkable embodiment of persistence and consistency, production maestro Bleep Bloop possesses a superior work ethic and ceaseless desire for innovation that allows him to remain full strides ahead of even himself, producing nearly three times as much content as meets the public ear. Released this past February, The Psychic Staring Effect is a two-part sonic epic that dove deep…
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Formerly known as Woolymammoth, San Francisco-based Jason Wool is a sheer monument of creative fortitude and production ingenuity, remaining discreetly secluded from the public spotlight despite an admirable career that originated in 2015 and has fostered numerous creative projects such as Filling Spots or the Nova Jaunt Mixtape. Equally as advantageous in any number of solo efforts, such as ‘Kindred…
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Sydney’s Liam Irvine has carefully plotted and planned his ascent, taking every deliberate measure at his disposal to careful hone his production craft in an effort to elevate his career as Thorns into the upper echelon of modern electronic musicians. While Irvine’s style rests cordially with the current trend for experimental, genre-defying bass, his latest single demonstrates an equal proficiency…