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The mix is (almost) exclusively his own music, featuring collabs, edits, and originals with a ton of unreleased IDs. As for the interview, we dive into his journey as an artist, including his rebrand, the most important thing he has learned as an artist, what’s on the horizon for 2026, and much more.

Give us a preview of the mix. What should we expect when we press play?

I’ve got a ton of unreleased stuff from me and friends of mine, super excited for everyone to get a taste of what I’ve been working on these past few months.

Tell us about your journey as a producer. When did you start? How have you evolved over time?

I started making music when I was 11, currently 24 now. I made tons of mid-tempo and brostep stuff under the alias “DropDead” in my early days and have slowly just incorporated all of the music knowledge learned then to push this project further.

It’s always been about making the kid inside me happy, my 11-year-old self would have loved the stuff I’m doing now.

Scrolling through SoundCloud, it looks like you dropped a few tunes way back in 2018/2019 and then took about 5 years off. What prompted the time away? How did it impact your music?

I began working jobs and life got in the way of music production, I eventually decided to rebrand from “DropDead” to “FEEL SUITE” and take music a bit more seriously in terms of building a proper brand.

What drives you to create?

It’s always been about making the kid inside me happy, my 11-year-old self would have loved the stuff I’m doing now.

Don’t take criticism as a point of failure. People may not like everything you do as an artist, but overcoming that sets you apart from the rest.

What’s the most important learning or “aha” moment you’ve encountered in your production journey?

Don’t take criticism as a point of failure. People may not like everything you do as an artist, but overcoming that sets you apart from the rest.

What are the key ingredients to Feel Suite tune?

There’s always an underlying purpose or goal to every track I put out, I think that translates.

What brings you joy outside of music?

I’ve got a bunch of animals, 2 dogs and 2 cats they bring me more joy than anything!

What’s the last piece of art that truly impacted you? What made it resonate with you so strongly?

The most recent albums Skrillex has been dropping has been really influential on me, not just because of how great the production is, but because of how intentional it all feels.

Dropping a ton of music I’ve kept vaulted away for awhile, it’s going to be nice to share it all with the world!

What do you have planned for the rest of 2026?

Dropping a ton of music I’ve kept vaulted away for awhile, it’s going to be nice to share it all with the world!

Any final words for fans?

Thank each and every one of you for believing in this project and following the journey. I don’t plan to let my fans down any time soon, this is just the beginning.

FEEL SUITE FUXWITHIT Guest Mix Tracklist

FEEL SUITE x NARIEL – ID
FEEL SUITE – HAMMER TIME
FEEL SUITE x WAVHART – ID
FEEL SUITE x SMALLTALK – RUN THA BLOCK
FEEL SUITE x LUHV – SWERV
WRECKX-N-EFFECT – RUMP SHAKER (FEEL SUITE FLIP) VIP
WRECKX-N-EFFECT – RUMP SHAKER (FEEL SUITE FLIP)
FEEL SUITE x MYRIAS – ID
FOSSILS x NORTHSTVR – ID
JUSTIN BIEBER – GHOST (FEEL SUITE x RICO 56 FLIP)
FEEL SUITE – STOP MOTION
FEEL SUITE x SPITFYA – RUDESTAR
FEEL SUITE x RICO 56 – ID
ELVIS CRESPO – SUAVEMENTE (FEEL SUITE FLIP)
FEEL SUITE – RIDE WIT ME
FEEL SUITE x STABBY – ANGEL 099
FEEL SUITE – ID
FEEL SUITE – BIG BAD
FEEL SUITE x CHAMPAGNE DRIP – ID
FEEL SUITE x AEON GREYH – ID

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ablon!

ablon! first landed on my radar last year when his track ‘Andas’ landed as the 20th and final contribution to Good Dub’s THE SOUND DESIGN CLUB II compilation. To be honest, the only thing that brought me to the compilation was Leotrix’s track, but when I started making my way through the rest of the collection, I was pleasantly surprised by the sheer volume of great tracks from artists I had never come across. Among those artists was ablon!,  a young Swedish producer who created the perfect ending to the impressive compilation. ‘Andas’ starts with (presumably) Swedish vocals layered above a minimal instrumental section that isn’t super complex but still drives emotion and movement, before the artist continues to build on that emotive energy. Diving deeper into ablon!’s discography, I discovered a common theme of minimal club energy, future bass, and trap all uniquely intertwined to create a distinct signature sound. Don’t sleep on ablon!.
-SC

Klo

With a style spanning 140, UKG, and bass house, Los Angeles-based producer Klo has been steadily taking over. My first exposure to Klo was ‘ROUND N’ ROUND’ alongside SVDKO, which made me audibly yell out “wooooooooo” on my first listen. The combination of ridiculously catchy vocals, shuffly hats, and those ludicrous basslines is enough to drive any basshead wild. But Klo is far from a one-hit wonder. ‘SAY SOMETHING’ offers a similar catchy 140 energy with a vibey reese bass-driven intro and breaks to mix in some feels. She’s also got a collection of dope flips, including reworks of EsDeeKid, JT, and fred again.., to name a few. She’s also been absolutely exploding on social media while getting support from some of the biggest names in bass music, so expect to see Klo everywhere in 2026.
-C

HLRTY

It’s spelt HLRTY, it’s pronounced HILARITY. This is the moniker behind this Palermo-born, now Bologna-based DJ and producer, who describes himself as “more of a craftsman than a producer.” Closely linked to an artist we’ve previously mentioned here on Focus Five, COIDO, HLRTY is a producer who approaches club music from many different angles without being confined to a single genre. Each of his tracks is an exercise in technical minimalism (he himself says, “I’ve always been afraid of having to complicate the tracks to give them structure”) but more than anything else, an expression of his heart. He pours his whole identity into his beats—his knowledge and experiences, his past and the future he envisions. HLRTY embodies the stereotype of the brilliant Italian producer who is hard to spot in the hyper-fragmentation of the Italian bass scene. He tackles this head-on in the new compilation *ITAITAITA, released by the collective *asterisco, of which he is a co-founder, featuring him alongside seven fellow Italian artists.
-AA

LEWP

UK-based producer LEWP has made a name for himself in the DnB scene with years of dope releases, but it’s his recent foray into 140 that made me really pay attention. ‘Energy’ flips the iconic “Liquid means rewind,  gunshot means forward” vocals into a blistering 140 anthem. Chopped vocals, hypnotic leads, snapping drums, beastly horns, and some killer basslines make this one an undeniable anthem. If you’re looking for something a bit more vibey, his liquid DnB flip of Sampha’s ‘Too Much’ has you covered with minimal groove. And if you’re a grime head, he’s also got a fire flip of JME you have to peep.
-C

Raucous

For a good while now, Raucous has been shattering frequency ceilings with his mind-bending pieces. Showcasing constant evolution with every release, filled to the brim with constant ear candy. Proving to be one of the best in the game. From releases with Partica Artist Group, Dumb Collective, and more, the complexity of his works will make any crowd beg for more. Being heavily underrated, the artist has been working day and night to rise to the top. And in doing so, he’s pushing the electronic trap scene higher and higher. No matter which track of his you choose, you’re in for a wild experience. From his most recent stellar and violent tune, ‘PUMP IT,’ to an earth-shattering tribute to LYNY’s, ‘Fire,’ his perseverance knows no bounds. Completely leaving his audience in a frenzy. It’s overdue for the world to know his name and what he’s truly capable of, and we’re stoked to hear much more from him throughout the year!
-JD

Written by Alessio, Colin, John & Steph

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