Thank you so much for hopping on today’s guest mix! What kind of vibe are we about to hear from you?

Hey! Thank you so much for having me. Expect some groovy animal sounds blended with hard ahh beats. Just having fun with it, really.

Can you give us a little bit of background about yourself? What made you begin a career in music?

My dad got me a toy keyboard when I was around 5—I had no clue what the buttons did, but I kept pressing them and got hooked. Later, I joined the school band and picked up the guitar at 12. From there on, it just snowballed.

I’m sure most of our readers aren’t intimately familiar with the music scene in India. How would you describe it? Do you think it deserves more recognition internationally?

Absolutely. India has an incredibly diverse music landscape—each region has its own flavor. Producers here have been pushing ethnic sounds with modern beats for years. Even big names like Skrillex are incorporating Indian vocals and vibes now. I think most Western music has its roots in jazz and rhythm-based genres, but here, we’re blending centuries of tradition with new-age sounds. Look at artists like Hanumankind and Kalmi—they’re already breaking through. The underground scene here is evolving fast, and it’s only a matter of time before more Indian artists start showing up on global charts.

Everyone’s using the same synths and plugins, but it’s those real, raw, human elements that stand out to me.

There’s obviously a lot of cultural influence when it comes to the instrumentation in your tracks. What’s your favorite sound/instrument that we don’t hear American and European producers use very often?

I listen to a lot of world music—everything from African to Arabic. But I love the sound of a real sitar, the thump of a dholak, flutes from different cultures… even a distorted guitar or piano can feel so alive. Everyone’s using the same synths and plugins, but it’s those real, raw, human elements that stand out to me.

Do you play any live instruments yourself? If so, what are they?

Yeah! I’ve been playing keyboard since I was a kid. I also mess around with guitar and ukulele, and I have a whole cabinet of percussive instruments and flutes. I’ve got a melodica, a harmonica I’m still figuring out, ghungroos, and even a hang drum. I love picking up new instruments—it comes naturally after watching live musicians.

I think it’s safe to say that your Hell Raiden EP on Quality Goods Records really helped you gain some attention abroad. How did it feel being able to release on such a prominent label? Any future releases in the works with Quality Goods or anyone else?

Honestly, it was surreal. I come from a small town where most people don’t even know what dubstep is. I discovered electronic music thanks to the internet—ripping UZ, Hucci, TroyBoi tracks off EDM.com. So when I saw UZ comment on Reddit about one of my songs and then repost it? That was a full-circle moment. Working with QGR was such a learning experience, especially on the promotion and curation side. Would love to work with them again, or anyone pushing the envelope.

When we proposed this guest mix, you mentioned it had been a while since you had done a proper mix to release. Does that mean most of your time lately is spent in the studio working on new songs instead?

Definitely. I’ve been working more as a record producer than a DJ these days. There aren’t many consistent ways to make money from music here unless you blow up, so I’ve been doing freelance audio engineering and production work to pay the bills. On my off days, I’m back in my own world—making beats, finishing tracks, and sending stuff out to collaborators.

Just listening to all kinds of music and thinking: “What made the artist make this?” I love diving into new genres, studying older contemporary music, and reading about art in general. I’m pretty much immersed in music all the time.

Who or what are your biggest sources of inspiration when it comes to music?

Just listening to all kinds of music and thinking: “What made the artist make this?” I love diving into new genres, studying older contemporary music, and reading about art in general. I’m pretty much immersed in music all the time. Some of my all-time inspirations are A.R. Rahman, Skrillex, Mithoon, Amit Trivedi, Sneha Khanwalkar. Bollywood music is in my DNA—it shaped the way I hear and create music.

Are there any big plans you have for 2025, music-related or otherwise?

Yes! I’m currently working on my first album as a singer-songwriter/producer. I’ve also got a bunch of dubstep stuff ready for the good ol’ SoundCloud fam. And some collabs from last year are finally dropping soon. Exciting times!

Who are some underground artists you’d like to shine a light on for our readers? Bonus points for more Indian artists that deserve some attention!

Haha, love that! Shoutout to Kriday, Brijplease/Three Oscillators, UKato, and Kalmi—some truly innovative sounds coming from them. Also, my favorite collaborators: Nanku, Karun, GHILDIYAL, and Frappe Ash. They’re all pushing boundaries and bringing something new to the table.

Do you have time for any hobbies outside of music? How do you spend your free time?

I’ve recently gotten into reading and have been trying to learn how to cook—planning to move out on my own soon. I spend a lot of time chatting with my parents and friends, and I try to go out now and then just to clear my head.

AI can make you melodies but pressing keys and putting out the vibrations of the heart is only a living Human’s ability!

What words of inspiration would you like to give to anyone aspiring to learn how to produce?

I would say focus on being a good musician, AI can make you melodies but pressing keys and putting out the vibrations of the heart is only a living Human’s ability! Also, use your DAW and technology as your toy.

Any last words for our readers? Anything at all!

It’s been so nice talking about dubstep again after ages. As the (not-so-new) Skrillex album says, “Skrillex is dead”… but I’m excited to see what’s next.

Baajewala FUXWITHIT Guest Mix Tracklist

Baajewala – Chul
Baajewala – Pandu
LYNY – Noxious (Jon Casey remix)
Losco & ONHELL – Carnal
UZ – Futon (Baajewala Remix edit)
Sorza – Dumble
borne – Give It To Me
PARA – Nikki
latesleeper – Resplendent
Volume Unit – From The Top
Dabow – Ole (William. Remix)
Chloe Robinson & DJ ADHD – Dream
Hanumankind – Big Dawgs (brijplease flip)
Baajewala – Shitty Ryda
Baajewala – Annihilate edit
Erotic Cafe’ – Newrave2020
Brent Faiyaz – Rolling Stone (shonci Jersey Club)

The post Guest Mix + Interview – Baajewala appeared first on FUXWITHIT.

Alexis B

Alexis B is a Mexican producer who has been setting SoundCloud ablaze with a multitude of firey UKG and DnB cuts. My first exposure to the artist came when listening to borne’s exceptional Deep End EP. ‘Don’t Go’ sees Alexis B joining borne for an absolutely beautiful garage anthem. The combination of emotive vocals, masterful vocal chops, stirring keys, and booming bass with stripped-back drops is nothing short of exceptional. Proving his skills on the solo side, the artist has been unleashing a barrage of incredible bootlegs and flips including ‘ Don’t Phone Me,’ ‘Too Much Sauce,’ and ‘TODO.’ If you’re in the mood for dark and moody cuts that’ll get you moving Alexis B is an absolute must-listen.
-C

Baajewala

It’s been a little over five years since FUXWTHIT’s last mention of Baajewala, so I’d say now’s as good a time as ever to shine the spotlight back on this monster of a producer. Hailing from Betul, India, Baajewala’s tunes exude an eclectic mix of influences ranging from Bollywood bangers to American dubstep and everything in between. This is the kind of gritty, granulated bass that arrests your ears’ attention away before you even realize what’s happening. The rhythmically undulating basslines, combined with Bollywood vocal samples and traditional instrumentation like the sitar and tabla, make for some emphatically groovy beats that make it hard to sit still.

I recently stumbled upon his TOKEN EP and was positively blown away the second the first drop hit on ‘BOSSMODE.’ There’s something about the minimalism of a flute sample over 808s that drives me crazy in the best way. On the other end of the spectrum are more dub-heavy tracks with bouncier drum patterns like ‘AAO BABU,’ released only a few days ago as part of LoFreq Records Cypher Vol. 5. I sincerely hope the sound that Baajewala and others have been so carefully curating in India continues to make its way overseas. Presently, it feels like there is so much music out there in the world, that it’s become increasingly more difficult for anyone to create a standout, unique sound. Everything is derivative to some degree. Yet, here are these producers in India experimenting with sound design in a way that reminds me of the early days of trap music here in the States, and that’s really refreshing to hear. Big ups to Baajewala, can’t wait to see where the future takes you.
– BG

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canary yellow

Spring is going full speed in the northern hemisphere, preparing the ground for the advent of another summer. Nature has awakened, as have our biorhythms. Our bodies quiver and the ancestral rhythms that nestle within us have resumed their primordial dance. So what could be better than a good dose of groove to tune with this rite of passage? canary yellow‘s music is the perfect match. I got to know this producer duo thanks to the good people at Tabula Rasa and since then they soundtracked all my early morning walks. Their glossier and progressive-oriented interpretation of garage (which evolved from their initial deep house releases) is the ideal point of contact between the overdrive of the traditional UKG sound and the softness of many of the deep house producers I follow. Within their discography, you can find some bangers too, but canary yellow’s creativity shines bright when vocal chops and psychedelic arpeggios roam free over broken rhythms and crispy drum patterns. Close your eyes, press play, and get ready to fly high with canary yellow.
-AA

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JPKy

Shattering barriers of sound with swift and relentless powers of mass destruction, JPKy has been delivering some of the craziest electronic music. One after another, each of his tracks will make your mind explode while being transported into the earth’s core, exploring unexplained forces that will take over your soul with each second. Comprised of different unique qualities and impressing many to the highest degree. His sound design is unmatched, setting nothing but a beautiful example for many upcoming musicians. From remixes of nvadrz, Knock2, Tisoki, and more, to unleashing energetic singles to match the rest, you do not want to miss out on anything this artist is cooking. He’s even released two full mixes of unreleased music that completely show his diverse range! He’s next up.

His remix of Charli XCX is a deadly and uncontainable force of nature. From a fun and sporadic club environment to that heavy bass lead within the chorus, it’ll leave you with a pure smile on your face while desiring more and more. Not to mention those drums are truly well chosen and fit perfectly with the overall structure. His newest remix for KLAXX’s, ‘getup’ via MONTA highlights some of the best techniques and raw organic power JPKy has up his sleeve. He completely honored the original’s vision while making it his own. Adding a flare you’ll find only from the artist. The movement and pacing of this one really makes you want to hear this one live on large loud speakers. One thing is for certain, things have only just begun for the young artist. And we have the utmost confidence that he’ll be continuing to explore new realms while creating electronic music you won’t forget. Making the underground proud.
-JD

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“I had just gotten into a relationship when I started working on this EP. But, it was my first big shot, it is QGR we’re talking about. It was my first relationship ever, and I wanted to keep it going as well as I could. But, I was mid deadlines and I had a lot of stuff going on at the same time. I just couldn’t manage it all together. It was the most frustrating time of the year, when you want a thing but you don’t want it at the same. So, I made choices and some compromises. That’s when I started ‘Mixed Emotions’,” Baajewala states about the tumultuous roller coaster behind the heavy track.

‘Mixed Emotions’ begins in a leaden essence, before tribal chants gradually make themselves heard among other eerie effects. Baajewala progressively ups the tempo and energy, before a piercing vocal leads listeners into an epic climax. With rhythmical precision of clapping drums and mechanical synths, Baajewala ties ‘Mixed Emotions’ with captivating sounds in the pristine production. Repeating this theme twice over, the Indian producer manages to captivate your attention for the entirety of the track with an outstanding second half. Don’t miss it below and buy it here!

The post PREMIERE: Baajewala Draws From Personal And Cultural Experiences In ‘Mixed Emotions’ appeared first on FUXWITHIT.

Ever since impressing us with an appearance in Hydraulix’s QGR MIX011 in mid-2018, the up-and-coming Indian producer has continued to establish himself as a dominant force in the trap realm, drawing influence from his maiden land and previous experiences to create wildly entertaining tracks. In his Quality Goods Records showcase, Baajewala further displays his command over heavy-hitting beats, offering an engaging mix of his upcoming tracks. “This EP is the story of how a small town kid turned his biggest failures and heartbreaks into his weapon of mass destruction. I wanted to put out a storyline for the tracks of the EP so I put a lot of my own original stuff around the tracks so people get a vibe of what I want to express,” he tells us about the mix. Press play and lose yourself in the trap madness with Baajewala’s QGR MIX015 below. Don’t forget to grab the free download too.

Tracklist:
Baajewala – ID
Baajewala – ID
Baajewala – PANDU
Baajewala – ID
Milano – Serpents
UZ – Futon (Baajewala Remix)
Dabow x LoJ – Slide
Baajewala – ID
Baajewala x Yojas x Bdos – ID
Baajewala – ID
Baajewala – ID 1
Baajewala – ID
Micro Men 4
Baajewala – ID

The post PREMIERE: Baajewala Depicts Storyline Of Upcoming EP With New QGR Mix appeared first on FUXWITHIT.

With exciting new additions around nearly every corner, 2018 may have been the most remarkable year for QGR to date. Bolstering the ranks with remarkable talent such as Krischvn, thook and Rome in Silver, the label capped off a diverse year of releases with the annual label compilation, which revealed yet another noteworthy batch of exciting young names to watch in the coming year.

Without breaking stride for an instant, Quality Goods Records starts the new year off on the right foot with the release of the highly-anticipated remix compilation from UZ’s coveted Rebirth, which debuted last spring. Teeming with creativity and innovation, the release compiles contributions from the label’s veteran constituents as well as a few new faces, each revealing a novel exploration from the direction of the original tune.

Kick up your feet, sit back, and enjoy as Quality Goods Records demonstrates yet again why they are the point of origin for all things trap.

Leading the pack is Rome in Silver with his take on the minimalistic track ‘Mad’. Orchestral chants are layered above an energetic revamp of the original track, before Rome in Silver jumps into the first drop in full swing with a barrage of wonky basses and tribal percussion. Don’t be fooled by the heaviness of the first half though, as the versatile producer adds lustrous beauty to the bass in the latter half of the remix. 

Exploiting the tantalizing vocals from the original rendition of ‘Rebirth’ to his advantage, Los Angeles based Eliminate contrasts the floral, emotional melody of the track with a gripping, low-frequency drop. Sonic disparity gives the remix a raw, authentic appeal, while a deliberate emphasis on production smooths out the rough edges of the track for a silky smooth listening experience.

We know, you’ve heard this one already. It’s simply too good not to share twice, though. Silva’s dainty sounds have captivated the attention of many as of late, and his contribution to this remix pack is a perfect embodiment as to why. The Australian producer’s take on ‘Leave It’ will incept vivid imagery of nature with its whistling leads and ethereal soundscapes, allowing listeners to relax between bass heavy productions.

First making his debut appearance in the recently released 4th installment of the annual QGR compilation, Baajewala makes his return with a captivating remix of ‘Futon’. Enlisting fluid production enhancements, absorbing bass patterns and enriched synth medleys the latest QGR addition weaves an impassioned touch into a remarkable original.

Krischvn is another promising up-and-comer who is quickly becoming a QGR favourite. Tackling ‘Flash,’ Krischvn makes himself heard from the get-go, accentuating Bok Nero’s vocals with a raspy, metallic synth and a wretched sub bass. An elongated build-up leads you into an assertive showing of Krischvn’s pristine production talents, where contorted synths and glitchy samples shine.

In the vocal-rich ‘Cray’, Hydraulix keeps the original essence of the track alive in the introduction. After a short verse, the Sydney-based producer leads listeners into mayhem, adding a fat layer of bass to tickle all of your senses. The bombardment of resonating bass is enough to turn the vocal-driven original into a set-ready heater.

Capping off the wildly entertaining remix pack is Jon Casey with his take on the serene ‘Castle’. The talented South African takes Nevve’s calm vocals to build into a fury of trap insanity. In a real contrast from the original, Jon Casey uses penetrating drums and crushing bass to transport you to the depths of the Amazon, flexing his musical prowess once again.

Words by A. Samuel Lewis and Steph Contant.

The post UZ’s ‘The Rebirth’ Catches a Fierce Second Wind appeared first on FUXWITHIT.

Today we have the pleasure of premiering his most impressive work since ‘Lunatic,’ the aptly titled ‘Shotgun’. “Before I started making this track, I was playing PUBG Mobile for the whole day. And ‘Shotgun’ was the thing that saved my life a bunch of times. Also when I started making this track, I didn’t have any idea what I’d want the track to be like, I was just doing hella random shit. But, as I progressed I just had this feeling on the drops that a shotgun was continuously getting reloaded and shooting,” BAAJEWALA tells us.

From the trippy distorted vocals to the head-splitting drops, ‘Shotgun’ is a straight up killer. BAAJEWALA combines an almost cartoon-inspired aesthetic with a filthy and devastating energy to achieve a balance that’ll leave your brain blown. Stream below and grab the free download.

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