Toting a catalog of releases that would rival the sheer magnitude and girth of a Category 5 hurricane, the Round Table is responsible for heavy-hitting projects that have spanned the length of 2018, including UZZI’s Future Dab EP, Adair’s Spellmaker EP, and Subtronics Thermal Expansion EP.

Released only a few short months after the label was founded, the first volume of Knights of the Round Table offered an opportunity for each constituent of the newly formed label to share in the spotlight, contributing towards the overall diversity that the label has to offer, while providing just a taste of what each artist brings to the table with their own style.

With a remarkable year of releases in the wake, it only made sense that the 2nd segment of Knights of the Round Table provides the ideal adieu to the first complete year for the imprint. While its predecessor packed tremendous volume, the latest installation demonstrates unparalleled diversity and truly encapsulates the growth that Disciple and its artists have experienced over the past year.

Welcoming back veteran names Virtual Riot, Barely Alive and Dirt Monkey, while presenting a massive influx of fresh talent, such as UBUR, Stabby, Bandlez, & Hi I’m Ghost, Knights of the Round Table Vol. 2 comprehensively illustrates the diversity that dubstep can afford. We expect nothing but quality and innovation in 2019 from Disciple and the Round Table imprint, give a listen to the project below and let us know what your favorites are!

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Yes, Virtual Riot can make some pretty complextro and even some electrifying super bass as well as, if not better than most in the scene. However, his true musical genius comes out when his sound design is at the forefront of his tracks, and his German Engineering EP and Preset Junkies EP are prime examples. And, when he pairs this impeccable engineering with riddim (*cough* ‘Shindeiru’ *cough*), fans start to sweat profusely. In his contribution to the latest compilation, Virtual Riot continues to impress with ‘Cry Some More’. Utilizing Team Fortress 2 samples, he bridges a short yet punchy introduction into sound design insanity. ‘Cry Some More’ is nothing but a flex from Virtual Riot, where he creates a vibey riddim track tied together with mind-melting growls and Earth-shattering synths. Everything from the flow of the track to the complexity of each sound is flawless, again showcasing Virtual Riot’s twisted ingenuity.

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A transitional year has seen Stabby hop from label to label, trying to find a fit for his unique sound. A track on frshblood and Never Say Die kicked off his busy 2018, before unleashing a highly underrated three-track EP on Buygore and a plethora of independent singles. Despite all the bouncing around, Stabby sounds right at home with ‘Chain Protocol’, his contribution to Knight of the Round Table Vol. 2. With his signature percussion and a captivating melody leading off the track, listeners are brought into a realm of old school Stabby. A rapid rise in tension with filtered synths brings us into the drop, where Stabby flips the script with a bass-in-your-face approach that is both aggressive yet entertaining all at once. ‘Chain Protocol’ with undoubtedly bring out your nastiest bass face.

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One of the latest additions to the extensive roster of Disciple talent, Modestep were surely aiming to make a splash with their debut contribution to the Round Table imprint. A resounding ensemble of horns welcome the duo with confidence as a distant siren disguises an increasing tempo. A crisp drumroll breaks seamlessly into a vigorous riser, building the track to a peak before a harsh crack of the whip catapults the track into a cascade of relentless synths and aggressive bass ripples. Despite the threatening volume, ‘WIP’ flows effortlessly as a tribute to Modestep’s decisive percussion breakdowns and meticulous sound design.

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Bandlez is one of the few bass producers to successfully utilize comedy as a primary component of his persona, weaving tidbits of a mock police chase in progress, the track launches into a signature breakdown of audacious synth swells and playful fills, which flow together in perfect synchronicity. A retro melody straight out of a Law & Order episode offers a brief reprise, as the revving of an engine kicks the tune into a gunfire-ridden buildup that unleashes a second round of relentless wobbles. If the past is any indication of the future, ‘Hot Pursuit’ will be the first of many spectacular releases from Bandlez in the coming months.

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Returning to his seat at the Round Table, INFEKT seems to have flourished immensely over the course of the past year, even despite an overwhelming popularity within his sect of the riddim subgenre of dubstep. Companioned with a fresh new face at the Round Table, INFEKT & Griefer concoct a remarkably seamless collaboration ‘Spazz Out’, which contrasts grungy synth jabs and drawn out bass roars in a track that flows perfectly from start to finish. We look forward to the ways in which INFEKT will continue to refine and differentiate his sound in 2019.

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Don’t let the playful cartoon ghost fool you, Nathan & Tiago of Hi I’m Ghost pack some of the heaviest bass of up & coming talent in the scene, and are putting a noteworthy finish on a standout year performing and producing with their Round Table contribution ‘Ghosts Do It Better’. A punk guitar riff provides the introduction for the tune, disguising a catchy vocal loop, which lines the backdrop. Two decisive bass notes unleash a beastly synth riser and ominous siren, which surge uncontrollably, dropping into an onslaught of reverberating metallic notes and walls of overwhelming bass. Illustrating the depth and volume of their signature ‘Ghost’ style, Nathan & Tiago provide the perfect spooky addition to the ranks of the Round Table.

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A dark horse in the bass scene, London Nebel have managed to release hard-hitting tracks on dubstep’s biggest labels while still remaining an underground name. Nonetheless, the German duo sure know how to pack a punch, offering a somber melodic touch to riddim and dubstep. Their latest track ‘Bang Bang Bang‘ featuring Leroy is no exception, where a hip-hop-inspired introduction leads fans into wonky madness. Utilizing their distinctive synths layered over ear-shattering percussion, London Nebel captivate fans for a full four and a half minutes with their catchy melodies and impeccable production.

Capping off a year filled with unparalleled compilations, albums, and EPs from some of bass music’s best, Disciple and their Round Table counterpart brought the heat one last time to bid farewell to an epic year. If the Knights of the Round Table Vol. 2 is any indication of their future, it’s safe to say 2019 will be even bigger and better for the artists and fans alike.

Words by Steph Contant and A. Samuel Lewis.

The post Disciple ‘Knights of the Round Table: Vol. 2’ is Absolute Mayhem appeared first on FUXWITHIT.

Six months ago, the label teamed up with esteemed streamer Jericho to deliver a gaming-inspired compilation featuring both new and old releases from Disciple’s talented artists. Soon after, they unveiled the fourth installment of their label compilation titled Alliance, which featured sixteen wicked originals from every one of their signees, not to mention an astounding mega-collaboration of 13 artists coming together on a single track. One would think that such an outpour of new music would have to slow down at some point, but Disciple and their heavier imprint Round Table have shown no signs of slowing down. Keeping the compilation theme alive, Disciple has now joined forces with popular YouTuber Mini Ladd to unleash fifteen more action-packed tracks from old and new label favorites.

While impossible to touch on every track, we thought we’d highlight a few of our favorites below!

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Oliverse has been killing it for a few years now, but business has only started booming for the UK-based producer in the last year or so. An infectious remix for Tchami’s ‘After Life’ and Modestep’s ‘Higher’ put him on the map for many dubstep enthusiasts, and signing to Disciple earlier this year solidified his breakout year. In a riddim-saturated dubstep scene, Oliverse’s melodic approach to the genre is both nostalgic yet forward-thinking, offering heavy-hitting bass with no absence of musicality. Consistently blurring lines between music to dance to and music to headbang to, Oliverse’s contribution to the Mini Ladd compilation titled ‘Somethin Good’ is further proof that melodies do belong in dubstep, and that Oliverse is among the best at doing so. Powerful female vocals are backed by gritty synths and punchy percussion to drive home his signature sound. Keeping you entertained for a full four and a half minutes, ‘Something Good’ definitely lives up to its name.

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Virtual Riot needs no introduction. With two EPs and countless singles and remixes under his belt this year alone, the German-born, LA-based producer is on another level when it comes to productivity and consistency of releases. Swaying between dubstep, future bass, and everything in between with ease, Virtual Riot is easily one of the best producers in the game. His 2017 Throwback EP brought us back to his complextro roots, and his contribution to the latest compilation does so once again. Flexing impeccable sound design, ‘How Do You Turn This On’ is one of those feel-good electro tracks that brings bass fans back to their roots. The project file for this track must be insanely CPU-heavy, with hundreds of meticulously arranged sounds making themselves heard throughout the insanely catchy song. ‘How Do You Turn This On’ is the perfect anthem for early dubstep lovers.

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Two rising Disciple stars at the forefront of the experimental bass scene, Eliminate & PIERCE team up with vocalist PLTO for an unexpected clash of emotion and riveting production in ‘With Me’. An emotional vocal intro paints a delicate setting for the track, backed in full force by a commanding piano melody and taut percussion. As the cadence of the track hastens, a warped out vocal takes the tune into a darker direction, unearthing a siege of compact snare drums and precise synth jabs.

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Regarded as one of the select few dubstep artists to have stood the test of time, Barely Alive pays a small homage to the predecessors of dubstep and the earlier, more emotional and less bass-ridden days. A delicate melody sets the stage, before a more synth-involved cadence of the track kicks into motion, demonstrating yet again the duo’s unmatched talent to blend raw emotion into their energetic buildups. A critical sample booms in the backdrop, expressing its disdain with lack of emphasis, unleashing the true identity of ‘You Suck’ and launching into a funky breakdown which contrasts low, grumbling bass hits and fiery synthesizer patterns.

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Each experts in their respective crafts, PhaseOne has established dominance in combining aggressive drum patterns and exquisitely timed breaks in his tear-out style of dubstep, while YOOKiE concoct some of the most spine-tingling walls of subs that your body has ever experienced. A collaboration from the two would demand a setting of chaos, and thus fittingly titled ‘State of Emergency’ the tune packs an immeasurable capacity of bass, overwhelming surges of subs and daunting production accuracy.

Failing to miss a beat the entire year, Disciple is gaining momentum by the minute. With the initial patchwork compilation Jericho, the teamed expressed an interest in maintaining a firm foothold in the realm of dubstep and riddim, allowing each artist within the roster to formulate their own contribution to the project. The more recent joint effort with Mini Ladd affirms the previous inclination, while also unveiling an inherent desire to preserve the foundation of bass music, paying tribute to the earlier days of dubstep with more visible attention to harmony, melodies, and vocals. Needless to say, this entire compilation makes a resounding splash and is surely a tell-tale sign for what the future holds for Disciple and its constituents.

The post Reminisce On The Evolution of Dubstep With The Disciple x MiniLadd EP appeared first on FUXWITHIT.

Today saw the release of their highly anticipated sophomore album Odyssey, and boy was it ever worth the wait. If you had been following the releases of the singles leading up to today, you probably felt like us and had no idea what to expect from the full project. ‘Deeper In Love’ and ‘Buddy’ displayed a funky, Chromeo-esque side to the producers that we had never heard before, while ‘New Coupe: Ride Out’ showcased their ability to handle rap vocals and create a grimey hip-hop beat that perfectly complements the Iamsu! verses. However, that’s not all when it comes to the legendary producers’ versatility.

Along with the album’s title track, ‘Shutdown’, ‘Know About Me’ and ‘Bad Thang’ which incorporate the classic Barely Alive synths that fans have grown to love over the years, the bass aficionados explored other realms of heaviness. Tracks such as ‘Warrior’ dwell into the depths of DnB in a style that is reminiscent of Dirtyphonics, while ‘Wompum’ will emerge the riddim beast inside you and make you headbang until your neck falls off, before taking a complete one-eighty into a gnarly trap drop.

Barely Alive’s ability to explore almost every genre of electronic music and to incorporate them into one cohesive project is unparalleled. Each track is worthy of multiple listens from start to finish to truly appreciate these multi-talented musicians, and you’re bound to find at least one track you’ll want to add to your favourite playlist. Stream the full album below and let us know what you think!

The post Barely Alive’s Sophomore Album ‘Odyssey’ Is A Must-Listen appeared first on FUXWITHIT.

Returning after once again dominating the bass music game with a huge tour and killing it at global festivals, the Canadian somehow found time to put together this massive collection of tracks and remixes of his last album, Virus. As expected it’s a bass fest – unrelenting, loud and in your face; check for the pounding womp of Barely Alive’s ‘Harambe’ remix for proof.

There’s so much on here (18 tracks to be precise,) it’s hard to cover it all – but just know it’s uncompromisingly great and you need it. You can stream it from below, and full release comes on September 12th.

The post Excision’s ‘Virus’ Is Brought Back To Life Via A Banging Remix LP appeared first on FUXWITHIT.

Twonkilation Vol.1 – Tracklist

1. Brillz, Jackal, Kstylis – Twerk Star
2. Hydraulix – Head Bang
3. Bro Safari, ETC!ETC!, UFO! – Badd
4. Barely Alive, Nonsens – Kaos
5. 2SCOOPS – SOCIO
6. DISKORD, JVST SAY YES – Be Alone
7. YOOKiE, Holly – Money Shotz
8. Wuki – Catch Ya Breath
9. Lil Texas – Hey Ho
10. Willy Joy – Get Down
11. Sam F – OSGD
12. Tascione – Run Away
13. Eliminate – Jump Kick
14. Masayoshi Iimori – Rubbish
15. Command Q – Choo Choo
16. Trav Piper – In This Bitch

Twonkilation – Vol. 1 Artwork

The post Seeing Different Versions Of This Image On Your Favourite Artists’ Socials? Here’s What It Means appeared first on FUXWITHIT.

The variety and depth of mixing skills is evident as they each bring together many different classic dub-step sounds and hip-hop elements. Barely Alive’s remix of ‘Dirty Work’ is a more cerebral apparatus than Herobust’s banging VIP of ‘Skurt Reynolds’, and Da-bow’s rework of ‘Weigh Home’ is reminiscent of a husky R&B tune dropped into a bass-bath.

There is a little something for every one here. It is worth a close listen in order to appreciate the leaps Herobust is making with his new projects, and Mad Decent’s ability to bring stellar experimental artist together for us to enjoy in one sitting.

Check it out below.

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The post Mad Decent’s Scientists Resurrect Herobust’s ‘I’m Aloud’ appeared first on FUXWITHIT.