Bassweight Records Archives - FUXWITHIT

Gawm Raises Bass Lovers From The Grave With ‘The Resurrection’ EP

Alex Bell — Sat, 28 Mar 2020 03:09:16 +0000

Los Angeles’s Kris Rod, also known by Gawm, has been devastating sound systems as of late with his unique take on excessively hard-hitting trap beats that walk closely with dubstep levels of heaviness. In the last year he’s had immensely successful releases in the form of a remix for RL Grime and Juelz’s ‘Formula‘, ‘Undead‘ with Dessigner Toys that we had the pleasure of premiering, and a massive remix of Space Lace’s ‘DAW.’ Garnering roughly 130,000 streams on SoundCloud alone from just those tracks, and getting his music played out by some of the biggest names in the community, Gawm only has total domination at the forefront of his mind. Now, he plans to expand even further on his sonic campaign, this time in the form of his debut EP The Resurrection, a sure-fire one-way ticket to a prime ruckus.

‘Lamia’ opens up the crypt that is The Resurrection, a fitting introduction into the lethal air wiggles that inhabit this body of work. Sporting an exceedingly aggressive aesthetic with pounding drums and smacking snares, this is an adrenaline pumping thrill-ride from start to finish. The first drop is thick, crunchy, and down-right filthy. The Resurrection is a fitting title for the EP, because this track will have corpses snapping their necks whipping them around in the direction of this piece. ‘Lamia’ gains its name from a mythological monster of old, said to prey on human beings and suck the blood of little children. Lock your doors and hide your children, Gawm has nothing but evil intentions with this one.

Gawm joins forces with one of the most forward-thinking trap+bass producers in the game right now in the form of Runnit. Their tag team effort, ‘Break Em,’ aims to body every able-bodied person in sight, while moving and grooving along the way. Featuring an immensely joyful amount of bounce for a piece with diabolical undertones, you’ll be bopping around with a devious grin firmly plastered on your grill. The final drop will have you dropping faster than the stock market right now, with the hips gaining major emphasis.

If you ever wondered what a pissed-off cybernetic entity from the future sounded like, look no further than ‘Dexter.’ Sounding like a robot that didn’t get his nightly oil fix and is in one hell of a mood, you’ll be left swaying back and forth like a metronome, completely entranced by the morbid digital master. Equal parts grimy and immaculately clean, it’s a true dessert for the ears. If there’s one question to ask this poor robot, it’s “who hurt you?”

Rounding out the EP is ‘Nephilim,’ a collaboration of titanic proportions with an artist that is no stranger to disgusting products, Foreign Suspects. What comes forth from their collective creative minds is the equivalent of an anti-aircraft super gun shooting down targets in the sky. Featuring thick, deep bass lines and brutal, crashing highs, you’ll be left fully crippled by the end. The latter drop is even more wild, taking the already level 10 of aggression and turning up to 12, completely skipping 11. The switch-ups are precise, deadly, and successfully expand on each added accent introduced beforehand, always keeping you on your metaphorical toes.

The Resurrection is one hell of a debut EP for Gawm, and expertly showcases his already honed-in trademark sound and the artistic expansion he’s had in the past 12 months. This is a fantastic body of work from start to finish, and a must-rinse for fans of the spicy heavy shit. Make sure to check out the EP in full below!

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AVANCE Wages Sonic Warfare On ‘The Odious’ EP

A. Samuel Lewis — Thu, 05 Mar 2020 03:32:29 +0000

A diverse figment of music production, Dan Dixon has been steadily gaining composure over the course of a 5-year audible conquest producing and performing under the guise AVANCE. While the concept of being confined to a single genre can be a crippling mentality for some artists, Dixon has in-turn leveraged a propensity for a variety of styles as a primary catalyst in his work, utilizing his equally-weighted craft as a cunning advantage in his ever-burgeoning list of solo and collaborative efforts.

Following the release of his Destroy All Humans EP last April, AVANCE returns to Bassweight Records with a vengeance for unfinished business and an insatiable thirst for dubstep. The Odious probes further within Dixon’s production acumen, unmasking sonic brutality that takes shape over the course of the project, which features three solo endeavors as well as a merciless collaboration with K-NINE.

Outfitted for auditory warfare, AVANCE’s latest is not for the faint-hearted or soft-stomached. Be sure to check out The Odious EP in full below!

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AVANCE’s ‘Destroy All Humans’ EP is Geared for World Domination

A. Samuel Lewis — Mon, 29 Apr 2019 22:40:03 +0000

Perched atop a throne of unreleased music, an unfaltering eruption of music since the turn of the year has allowed Sydney’s AVANCE to quickly seize and captivate the attention of his audience, littering the battlefield of 2019 with lethal self-released artillery such as ‘OVERTHROWN’ and ‘DEATH RAY’ as well as an aberrated experimental collaboration alongside fellow Aussie-native ZEKE BEATS.

Following nearly 3 years of meticulous planning and diligent rehearsal, AVANCE is at long last equipped for battle, barking out final commands to his troops as he prepares to lay siege with his latest EP via Bassweight Records, Destroy All Humans.

Revealing the calamitous fringe of his production capabilities, the EP adopts a ruthless demeanor, leveraging inconspicuous suppressed melodies as the introduction to the title track for the project and ‘DEMON’, luring unsuspecting listeners into a captivating trance before unleashing a sudden lethal onslaught of bass.

Kei Leeza mobilizes the survivors, purling a commanding vocal cadence laid crisply over effervescent spews of bass in ‘CHAOS‘. The rhythmic pounding of hostile war drums echoes hauntingly in the distance, rallying every ounce of morale AVANCE & P0gman muster one final stand launching into an unceasing final reprisal of bass-clad vengeance.

Armed to the teeth, Destroy All Humans further exemplifies the range and dexterity of AVANCE’s style, unveiling baleful collaborative efforts with P0gman & High Zombie as well as three standalone singles for a gauntlet of bass that will have you limping for a week. Be sure to check out the full project below!

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