[soundcloud url=”https://api.soundcloud.com/tracks/249525709″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post Brenmar + Dj Sliink = Club Perfection appeared first on FUXWITHIT.

80. The Hi-Yahs x Our Time – Call me

The Dallas x OKC connection that is The Hi-Yahs and Our Time was nothing short of perfection on ‘Call Me’. The seductive and infectious deep house cut is the perfect concoction of feel good vocals and deep bass. With everyone from Oliver Heldens to Skrillex and Tiesto showing support this was a big tune.

[soundcloud url=”https://api.soundcloud.com/tracks/190597528″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

79. Zeier x P.Keys – Shuffle On

P.Keys is no stranger to riding a wide variety of electronic based beats. After making a name for himself for his incredible flips he connected with Zeier for a massive original. ‘Shuffle On’ is a seamless blend of catchy bars and futuristic bass house. It’s a certified party starter that landed in the setlists of Tchami, Dr. Fresch, Chuckie, Ghastly and more.  

[soundcloud url=”https://api.soundcloud.com/tracks/205304787″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

78. Instant Party x Party Thieves – Savages

Party Thieves and Instant Party! pumped out a plethora of trap heaters but it was their collaborative effort ‘Savages’ that really stood out. It packs everything you want from a trap banger: massive builds, menacing drops and a ton of bass. But it also packed a cinematic feel. It was as unsettling and enthralling as a horror film while still remaining incredibly turnt.

[soundcloud url=”https://api.soundcloud.com/tracks/204976000″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

77. Louis Futon – Oakland Tho

Despite the fact that he isn’t from ‘Oakland Tho,’ Louis Futon still managed to craft one of the biggest city inspired anthems of 2015. Flipping Vell’s ‘Oakland’ the producer perfectly balances gangster raps, a touch of Mustard’s west coast bounce and a tsunami of bass. The drops are complete madness but somehow fit perfectly. The track also proved that 100 bpm is still alive and open for innovation.  

[soundcloud url=”https://api.soundcloud.com/tracks/207509803″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

76. Flosstradamus – TTU (TroyBoi Remix)

What was long a secret weapon for TroyBoi finally got a public release alongside his contest winning ‘Mosh Pit’ Remix. TroyBoi’s rework of ‘TTU’ was nothing short insanity. The vocal bends are beyond next level, the drops are deeper than the ocean floor and just as cold. Waka Flaka has never sounded this good.

[soundcloud url=”https://api.soundcloud.com/tracks/194021627″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

75. Logic – Young Jesus feat. Big Lenbo

Logic returned to the scene with ‘Young Jesus’ serving as his first single for the eventual (and phenomenal) sophomore album. Featuring Big Lenbo on a couple verses and longtime producer and friend 6ix on the beat, Logic captured the 90’s Golden Era feel spitting bars in the perfect form. Big Lenbo’s Fat Joe and Big Pun nods (“Ay, Yo fuck all that” and “Smack you with the pump”) also add to the overall appeal of the track but no doubt both artists bring excellent lyricism and delivery to this knocker about Mary’s baby.

[soundcloud url=”https://api.soundcloud.com/tracks/224446118″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

74. Gramatik – Native Son feat. Raekwon and Orlando Napier (Medasin Remix)

Medasin spent a good part of the year blending future bass, hip-hop and trap to create his own sound. The best example of this came when Medasin decided to flip Gramatik’s ‘Native Son’. A near 180 from the original, Medasin dragged the track deep into the darkness making Raekwon sound his hardest in years. If Wu-Tang came out in 2015 this is what they would sound like.

[soundcloud url=”https://api.soundcloud.com/tracks/222074928″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

73. Prince Fox –  Wait Until Tomorrow (NIGHTOWLS Remix)

NIGHTOWLS burst onto the scene in early 2015 with some killer reworks and never slowed down. There’s a few tracks that could’ve found their way onto this list but it’s their official remix for Prince Fox that nabs a slot. The beautiful and infectious vocals of the original are the perfect embodiment of the LA scene, “I can’t keep waiting till tomorrow for fame” and the way they are twisted and bent deepens the seriousness of the sentiment. What makes this really stand out is the poppy melodies contrasted against the disgusting deep bass. It makes the breaks seem that much prettier and the drops that much more dirty. This was one of the hottest bass house tunes of 2015 hands down.

[soundcloud url=”https://api.soundcloud.com/tracks/227672713″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

72. AObeats, Robokid, Manilla Killa – Helix 2.0 feat. Blaise Railey

We’ve been supporting Moving Castle since the early days and seeing their progression has been amazing. Redefining the power of an artist collective, the team continues to push envelope. Their first official iTunes release ‘Helix 2.0,’ is infectious as ebola. The vocals from Blaise Railey will be stuck in your head for days and have you hitting replay. The production is forward thinking and poppy yet inventive. It’s pure joy; guaranteed to make you smile and isn’t that what music is about?

[soundcloud url=”https://api.soundcloud.com/tracks/216883612″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

71. Future – Move That Dope (Woolymammoth x QUIX Remix)

The last thing we needed in 2015 was another ‘Move That Dope’ remix. The song got killed with remixes in 2014 but two of the trap genres most inventive producers decided to resurrect it. The remix took the track to a level of darkness never before explored. With absurdly wonky bass lines, pitched down vocals and some mind-numbing sound design, they made the original somehow seem soft. It doesn’t get harder than this. I guess we did need this remix after all.

[soundcloud url=”https://api.soundcloud.com/tracks/205460831″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

70. Fetty Wap – My Way Remix feat. Drake

Drake’s midas touch continued to work its magic this year when he dropped a cool verse on Fetty Wap’s ‘My Way’. Though Fetty earned his way in with his hit ‘Trap Queen’, it wasn’t until Drizzy jumped on this remix that he garnered some serious attention from people within the industry and listeners. With a knack for writing catchy ass hooks, Fetty delivered one of the most simple but effective hooks of the year. Fetty’s ability to create melody that is actually singable is one of the biggest reasons behind his success because let’s face it, people want to have fun.

[soundcloud url=”https://api.soundcloud.com/tracks/204088308″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

69. Mr. Carmack – Les Djinns

Carmack’s remix of Drakes ‘Trophies’ floated around online for quite a while before being released on Carmack’s RED EP. 2015 was a very productive year for Aaron Carmack, releasing multiple EP’s while at the same time touring internationally. Carmack’s work ethic and raw talent combined give him a signature sound that seems to resonate well with both the rap and EDM world, which is no easy task. It’s no surprise that Carmack appears multiple times on this years list, and this remix is just one reason why.

[soundcloud url=”https://api.soundcloud.com/tracks/203273300″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

68. Rick Ross – Moving Bass (GTA Remix) 

Few duos manage to pack the energy into a production like GTA. Case in point, their Rick Ross and Jay Z assisted rework of ‘Moving Bass’. Keeping the verses and hook intact they inject some serious bass. It comes in at 8/10, moves up to 9 and manages to land at 11 by the time the drop hits. It’s skull splitting for a brief period then it slows down and does it all again. It’s a perfect mesh of sound and tempos that truly lives up to their Death To Genres mentality.

[soundcloud url=”https://api.soundcloud.com/tracks/196649160″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

67. Dr. Fresch – Another Level

Dr. Fresch came into the year on fire and let off some of the hardest bass records of 2015. I struggled to decide which record deserved a spot on the list (there’s so many), but in the end the innovation on ‘Another Level’ was too strong to deny. Instead of crafting just another bass house banger, Fresch decided to really push the boundaries and fuse genres like a mad scientist. ‘Another Level’ sees elements of house and dubstep, moombahton breaks and even evolves into some hybrid trap. Pulling this off seamlessly is proof that Fresch really is on ‘Another Level’.

[soundcloud url=”https://api.soundcloud.com/tracks/218942093″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

66. Jack Ü – Mind

The entire Jack Ü album killed 2015 but one of the tracks that really stood out was ‘Mind’. From Skrillex and Kai exchanging vocals to the wonky futuristic fun that makes up the drop, it was a summer anthem that sounded like nothing else.

[soundcloud url=”https://api.soundcloud.com/tracks/193270665″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

65. Meek Mill – Classic

Meek Mill had a tough year – I mean let’s be real, he pretty much committed career suicide going after the biggest rapper in the game. Unfortunately the beef with Drake overshadowed how nice his sophomore album actually was. One of the best tracks of 2015 is the Swizz Beatz and Jeremih assisted ‘Classic’. Over a cool ass beat, Meek switches his flow and takes a more relaxed approach jumping over extra kicks and snares and meshing bars together effortlessly.

64. Brenmar – Hula Hoop

Coming off Brenmar’s Award EP, ‘Hula Hoop’ sees the club master connecting with Jersey’s own UNiiQU3. The track is  a certified dance anthem complete with choreographed dance moves, big brass and a healthy helping of sexy. With major support from heavyweights like A-Trak and Diplo this was a party anthem that held down the early part of 2015 and still kills in a set.

[soundcloud url=”https://api.soundcloud.com/tracks/185898498″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

63. Donnie Trumpet & The Social Experiment – Wanna Be Cool feat. Big Sean & Jeremih

Chance the Rapper has been on a steady rise since the explosion of Acid Rap. Aligning with contemporary jazz musicians under a group name seems an unlikely progression for a young rapper, but hasn’t stopped Chance from challenging Kanye West’s position as Chicago’s hip hop ambassador to the world. Using his new found popularity, he has mastered the art of using a positive message in his music without being preachy and overbearing. He has organized a free music festival for Chicago teens, headlined the festival himself, and also recently became a father. Chance is fully aware he is a role model for kids, and ‘Wanna Be Cool’ is the perfect evidence.

[soundcloud url=”https://api.soundcloud.com/tracks/207767624″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

62. Zeds Dead x Oliver Heldens – You Know

Toronto-native bass legends Zeds Dead and Dutch-born house producer Oliver Heldens teamed up in early 2015 for ‘You Know’, a bass line driven house track that bounces along nicely. While this style is fairly in line with Heldens’ signature sound, the ever-eclectic Zeds Dead bring a bit of experimental energy to the mix. Incorporating slightly grittier sound design into Heldens relatively smoothe bass line-led house style makes for a great track and gave both ZD and Heldens something a bit outside of their usual sound to work with during live performances.

[soundcloud url=”https://api.soundcloud.com/tracks/185069964″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

61. Vic Mensa feat. Kanye West – U Mad

Vic Mensa had a hell of a 2015. He appeared on a few tracks with Kanye West, signed a deal with Roc Nation and dropped some of the hottest tracks of the year. ‘U Mad’ spawned remixes for days on end and became a fan favourite since its drop. The track features banging drums and horns of epic proportions while Mensa and West kill the beat with energetic bars and delivery.

[soundcloud url=”https://api.soundcloud.com/tracks/200245393″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Previous:
| 100-81 | 

The post Top 100 Songs of 2015 – [80-61] appeared first on FUXWITHIT.

100. Choppa Dunks – Fade

100 bpm twerk anthems with pitched down rap vocals are nothing new or terribly original. Yet somehow Choppa Dunks managed to make ‘Fade’ feel incredibly fresh. Something about the swagged bars and distorted low-end bass make this inescapable and absolutely murderous live. It’s the type of low end bass that you feel in your chest even if you’re listening with headphones on. It reverberates deep into your soul and that’s something special.  

[soundcloud url=”https://api.soundcloud.com/tracks/192669244″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

99. G-Eazy – Random

G-Eazy hit a lot of cities in 2015 performing music from his debut album with little snippets of singles from his latest. One of the illest tunes from his latest offering is ‘Random‘ and trust us, this definitely deserves a spot on the list. The track features an aggressive and ignorant beat and an equally aggressive flow from the Bay area rapper. Though it hasn’t reached new heights in popularity, the track was only fully released recently but was a major hit among his core fan base.

[soundcloud url=”https://api.soundcloud.com/tracks/231028553″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

98. Fetty Wap – 679 feat. Remy Boyz

What a year for the Paterson, New Jersey come up. In 2015, Fetty Wap jumped on the scene with an arsenal of hits, one of which happens to be ‘679’. It technically dropped in 2014, but was re-released with a video in 2015. With a snappy, feel good beat combined with an infectious hook, ‘679’ became a big hit. The track also features some of Fetty’s Remy Boyz including Monty and P-Dice. Of all the verses on this track the clear winner is Monty who brings a very Mase-like flow to open, hold and close out his verse. The melody on ‘679’ feels like early 2000’s stunt type shit but it’s got that 2015 trap flavour with its drum arrangement.

[soundcloud url=”https://api.soundcloud.com/tracks/153330529″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

97. Drake and Future – Jumpman

Both of these artists individually had huge years. Drake’s If You’re Reading This It’s Too Late went platinum while Future’s DS2 proved that his work ethic matched his consistency in making hits. When the two rappers began hinting towards a collaborative project, the Internet went nuts. Some fans went as far as creating a website that hosted a countdown to said project. However, it was actually revealed through a few Instagram posts from Drizzy and Hendrix that they would release an 11 track collaborative mixtape titled What A Time To Be Alive. The tape dropped September 20th and ‘Jumpman’ instantly became a fan favourite. With Metro Boomin behind the production, Drake and Future stunt all over the beat with one of the year’s catchiest hooks (“Jumpman, Jumpman, Jumpman!”). You can bet this song will still ring off in the new year but it definitely killed in the latter half of 2015. It’s basic AF but you love it and so do we.

96. Lil Dicky – Save Dat Money feat. Fetty Wap and Rich Homie Quan

The most serious funny rapper with the funniest name ever did a track with one of todays biggest hitmakers (Fetty) and Rich Homie Quan – and it killed. Lil Dicky rose to fame throughout 2015 with the help of this single and the incredible music video that came along with it. The rapper used a pop rap beat, added Fetty as the hook man and got half a verse from Rich Homie Quan – blending his marketing chops with his undeniable lyricism and flow.

[soundcloud url=”https://api.soundcloud.com/tracks/209723078″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

95. Milo & Otis – Trap Arms

How can you not like a track dedicated to the genre’s greatest body part dance. In the past few years trap arms have become a global phenomenon, so it’s only right someone dedicated a track to them. With a cinematic intro, a fair bit of humour and a smashing trap drop, this became a certified trap anthem. Arm yourself.

[soundcloud url=”https://api.soundcloud.com/tracks/197301774″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

94. Future – Fuck Up Some Commas

Future had a big year. A phenomenal year. His tracks were everywhere – radio, clubs, cars and social networks. DS2 performed commercially and satisfied critically. When Future dropped ‘Fuck Up Some Commas’ it took a couple weeks for it to bubble to the top of the trap but when it did, it was instantly everywhere. Produced by Southside, ‘Fuck Up Some Commas’ featured a money hungry Future working to earn and spending it all in one night. The catchy hook coupled with a banging trap beat was an easy home run for Future Hendrix.

[soundcloud url=”https://api.soundcloud.com/tracks/185913093″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

93. Braeden Bailey – Legend

Dallas producer Braeden Bailey breathed new life into Drake’s ‘Legend’ with his synth heavy remix, released on the independent producers’ EP Seven. According to Bailey’s Bandcamp page, the producer is “…searching to find a new sound.” Taking some time to look through and listen to said Bandcamp page reveals the work of a strong up-and-comer with solid production abilities and a respectable output. Keep an eye on Braeden Bailey to continue climbing the ranks in the future.

[soundcloud url=”https://api.soundcloud.com/tracks/210268591″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

92. Lady Parts – Samson

What happens when you blend Half Baked samples with abusive percussion and some mind bending sounds? Thankfully Lady Parts decided to find out. ‘Samson’ is a perfect mash of pop culture and raw production that is fully laced. The drum patterns are pure insanity and any time you flip Dave Chappelle successfully you get extra love.

[soundcloud url=”https://api.soundcloud.com/tracks/205616073″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

91. Caribou – Can’t Do Without You (Kidswaste & Manilla Killa Cover)

Taking on Caribou’s ‘Can’t Do Without You’ is no simple task. The original packs so much beauty, emotion and progression that most re-imaginations couldn’t begin to simulate. That said, Manilla Killa & Kidswaste managed to do some major justice. Everything about it is different, from the vocals tones to the melodies. What remains in tact is the deep emotional mood that is implored. Twinkling keys meet tuned vocals and massive future bass drops for a lush 2015 sound.

[soundcloud url=”https://api.soundcloud.com/tracks/221569164″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

90. Riff Raff – Tip Toe Wing In My Jawwdinz (Jauz Remix)

2015 has been a big year for Jauz. With the Bass House subgenre steadily rising in popularity, Jauz’s solid mix of hard hitting house beats with gritty dubstep-like sound design seems to borrow the best of both worlds, as evident in this Riff Raff remix. Jauz makes great use of Riff Raff’s polarizing style by turning his catchy hook into an anchor for the song while sprinkling in rhymes and pieces of verses to give the track some vocal tone. All while shuffling hi-hat rhythms and a fat, womp-y bassline push the track forward with a fun intensity.

[soundcloud url=”https://api.soundcloud.com/tracks/192121815″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”166″ iframe=”true” /]

89. Ghastly – Every Night

2015 was a huge breakout year for Ghastly and his strongest offering came in the form of ‘Every Night’. From the gorgeous LA inspired breaks to the massive deep wubs, this track payed homage to the classic house sound all while showcasing the future.

[soundcloud url=”https://api.soundcloud.com/tracks/194234227″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

88. Rowdy Rebel – Computers ft. Bobby Smurda (Vices x Gutta Remix)

You’d be hard pressed to find another track that demonstrates the evolution and pushes the boundaries of what Jersey Club can be. The upbeat intro sets an expectation that is absolutely obliterated as gun-cocks give way to one of the hardest club drops you’ll encounter. The viciousness subsides for just long enough for them to hit it once more with a deeper wonkier section. Add to the fact that this can make a hater fall in love with a Rowdy Rebel & Bobby Smurda track and it’s quite a feat.

[soundcloud url=”https://api.soundcloud.com/tracks/203312044″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

87. Habstrakt – Gimme ft Badjokes

Dubstep seems to be making somewhat of a comeback – possibly related to the rise in popularity of Bass House, a subgenre frequented by some modern dubstep producers that allows wiggle room outside of the usual dubstep tempo and production practices. Habstrakt, a (mostly) dubstep producer, pushes all the right buttons with his track ‘Gimme’; a thumping house track with enough wobbles and metallic synths to satisfy the basshead in us all. By pushing stylistic boundaries and working to create a fusion between traditionally opposed genres, this track, and others like it give us that dark and grimey sound we all know, but in a new package that moves faster and is less alienating than the somewhat undesirable label that dubstep has become in recent years.

[soundcloud url=”https://api.soundcloud.com/tracks/194592764″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

86. Tsuruda x G Jones – Push

When two unique and creative producers like G Jones and Tsuruda team up, you know the result is going to be interesting. While both of these producers had big years and released some solid tracks, this one is by far our favourite for its creativity alone. What starts off as a head-bobbing West-coast style trap beat quickly melds into something much more, utilizing a plethora of interesting sounds and building some serious energy that surely moved more than a few dancefloors in 2015. Keep an eye on both of these producers in 2016 as they will surely continue to reinvent old styles and push the boundaries of whatever genre-labels us woeful music bloggers impart on them.

[soundcloud url=”https://api.soundcloud.com/tracks/200021738″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

85. Jack Ü – Febreze feat. 2 Chainz

Diplo and Skrillex formed their partnership long ago but it was in 2015 where they killed the charts, radio, clubs and festivals with their Jack Ü tracks. ‘Febreze’ featured a hype trap beat complete two verses from 2 Chainz formerly known as Tity Boi. While the horns wail over a combination of epic builds and equally epic drops Chainz spits the hilarious but effective line “I’m the shit, I should have febreze on me”, inspiring the track title and the several vocal chops throughout the track. The duo’s production skill is unquestionable and they shine throughout the year but shine brighter on this track securing the 85th spot in the top 100 – and surely some of the top 20.

[soundcloud url=”https://api.soundcloud.com/tracks/193270670″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

84. Kehlani – The Way (Gladiator Remix)

As Gladiator continued to explore a wide variety of genres in 2015 they’re future R&B  rework of Kehlani’s ‘The Way’ was by far their strongest offering. The progression and movement from downtempo to sunshine future bass and back around make this one truly special. The breakdown for Chance’s verse helps to make it a focal point while creating a completely different realm of emotion. Kehlani got remixed a lot this year, but this is the one you need to be listening to.

[soundcloud url=”https://api.soundcloud.com/tracks/208802332″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

83. Branchez – Cuenta

After remaining quiet for most of the year Branchez crept out of the jungle with a fierce mind-fuck of a trap smash. ‘Cuenta’ packs everything from verbal gun shots, to military inspired snare rolls, high-pitched vocal chops and a bazooka of bass. This is the auditory equivalent of chewing too much Khat while wandering through an enemy infested the jungle, but way more fun.

[soundcloud url=”https://api.soundcloud.com/tracks/230155206″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

82. Rihanna – BBHMM (Brenmar x Gutta Remix)

In a year littered with ‘BBHMM’ remixes one stood above them all. The collaborative effort of Brenmar and Gutta took the smash hit to the club. It was as infectious and catchy as the original but took it to new heights. The added Drake samples, vocal chops and immense energy made this an irresistible favourite.

[soundcloud url=”https://api.soundcloud.com/tracks/204086063″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

81. Madeon – You’re On (Feat. Kyan)

Hugo Pierre Leclercq (Madeon) became a viral sensation in 2011 with a YouTube video of him performing a mashup he called ‘Pop Culture.’ It contains almost 40 different songs live on a Novation Launchpad. It’s an impressive example of how remixing and producing can be adapted into a live show.

When his first official album, Adventure, dropped in March, I didn’t have any expectations. I felt that his style was a bit gimmicky, perhaps because of his instrument of choice. Surprisingly enough, Adventure is a cohesive and interesting electronic album; a linear project that gives the impression that it is, in fact, an adventure. From start to finish, key vocal additions and catchy pop arrangements end up contributing to one of my favourite dance albums of all time, and ‘You’re On’ is represents it well.

[soundcloud url=”https://api.soundcloud.com/tracks/180512168″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

The post Top 100 Songs of 2015 – [100-81] appeared first on FUXWITHIT.

[soundcloud url=”https://api.soundcloud.com/playlists/72810823″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post #FUXWITHITFRIDAYS – Week 49 appeared first on FUXWITHIT.

[soundcloud url=”https://api.soundcloud.com/tracks/184967011″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post Brenmar – Award feat. Dougie F appeared first on FUXWITHIT.