So it’s with our greatest honor and pleasure to welcome him for his very own guest mix and interview! Within is packed full of mind-enriching tones, frequencies, and rhythmic structures. We also talk about his beginnings along with where he wants to head in the future to come!

First, thank you so much for taking the time to join us! How’re you doing? 

Thank you so much for having me! I’m doing well- trying to stay cool in this 90 degree weather we’re having over in NY.

What can listeners expect when diving into this incredible mix? 

Like most projects I put out, a little bit of everything. there are some unreleased songs from friends, all-time fav tunes, music I’ve been listening to recently, and plenty of drak ids!

I’ve never been good at finishing songs, so the album really forced me to finish a lot of stuff that I probably would’ve just given up on otherwise.

Congratulations on your debut album ‘drakdrakdrak.’ Such a stellar project. What was the creative process like creating it? What were some of the major challenges you had to face? 

Thank you!! It was quite the journey. At first, I didn’t know what I wanted the album to be- I just knew that I wanted to make one. I started making songs, discarding songs, revisiting old songs, and the project just kinda slowly revealed itself to me. I’ve never been good at finishing songs, so the album really forced me to finish a lot of stuff that I probably would’ve just given up on otherwise. The most challenging thing about making ‘drakdrakdrak’ was finding time and energy to actually make it happen. Between working a full-time, labor intensive job, having a girlfriend, a dog, and just generally being busy, quality time to sit down and create was hard to come by. There were a lot of days where I had to force myself to work on the album when I really only had energy to lay down after work and go on my phone.

Throughout the years, your sound has continued to evolve and become an everlasting essence of harmony, where do you see your project in the next 5 or 6 years down the line? 

I honestly have no idea. I definitely want to put out more albums in the future, but I couldn’t possibly tell you what kind of music will be on them. I think playing shows would be cool, but all I really want is for people to appreciate and resonate with my music in some way. To me, the album format is the most appealing way to achieve this.

Have you always wanted to take this creative path or were you pursuing something before your journey started? 

Ever since I first started using fl studio, I knew that music production was for me. I was 16 and hadn’t done much creatively besides some writing and playing piano/bass clarinet. Producing scratched an itch I didn’t even know I had- it gave me the chance to make any kind of sound I wanted, something that I could never achieve with a traditional instrument.

Growing up, what kind of music were your parents playing in the house and do those styles and artists influence your works today? 

There was a lottt of classic rock in the car. Q104.3, 92.3 K-Rock, 95.9 The Fox… anyone from New York probably remembers those stations. I really don’t think they influenced my music that much though. When I was alone in my room, I would listen to Hot 97 on my little mp3 player. And scary monsters and nice sprites. That was middle school.

If you could perform anywhere in the world, where would you go and why? 

I’ve never really wanted to be a DJ, so I don’t have an answer for this. Anywhere where people are actually engaged and there for the music, I guess.

I think there’s still just as much heat on SoundCloud today as there was 5, 10 years ago- you just have to know where to look.

What are your thoughts on the electronic trap scene and its environment currently? Where do you see the movement going?

The electronic trap scene will always hold a special place in my heart. I love all of the little offshoots it’s produced, the subgenres-within-subgenres. I think there’s still just as much heat on SoundCloud today as there was 5, 10 years ago- you just have to know where to look. It seems like there’s discourse every couple of months on the state of electronic trap, whether it’s people debating on if it should be called “trap,” debating whether or not it’s dead, or declaring that “trap is back!!!” I think the fact that all of this discourse exists shows that people do care about it, even if it may not be represented in a lot of edm festivals. I don’t see trap ever dying- between producers like Isoxo, LYNY, and Jon Casey, as well as collectives like Partica Artist Group, I think the future of trap is in good hands.

Do you have any specific hobbies you like to do or are trying to get into outside of the music realm?

Yes! I am very into disc golf, and try going upstate to play at least a couple times a month. A new course at a park near me in NYC just opened, so I’m very excited about that. once I can afford a new computer I plan on getting more into video editing and making videos, both music related and non-music related. I’m also a big Mets fan!

I think regular people making the best of their lives and the lives of people around them is inspiring…

Besides music, what or who inspires you today?

Music is definitely my main source of inspiration, so that’s a tough one. I think going to shows and seeing artists I like showcasing their art is inspirational. I think regular people making the best of their lives and the lives of people around them is inspiring, whether on a TV screen or in real life. I’m not too big on influencers or role models.

What are your top 5 pieces of cinema? Can be either a show or movie in any form! 

Uncut Gems is my favorite movie of all time. Love how frenetic it is, love that it’s an NYC movie made with actual New Yorkers, love everything about it. The Princess Bride is also one of my all time favorites. I love silly shows about ridiculous people, so I’d put Trailer Park Boys and always sunny up there too. I’ll give my final spot to Westworld, which had the best first couple of seasons of any show I’ve ever watched.

Just make good music, make good friends, and make good tiktoks. That should do it.

For those wanting to get into this crazy industry in any fashion, what advice would you bestow upon them? 

I don’t really consider myself “in the industry” so I have no idea!! Just make good music, make good friends, and make good tiktoks. That should do it.

Now that you’ve accomplished such a huge goal with your album, what’s next for you and the rest of 2024? 

I have a mostly-done ep that I may or may not decide to release! Besides that, I’m just going to try to promote my album and release a few singles to put drak on the map again.

Any final words you’d like to share with our viewers and listeners? 

If you’ve made it this far you are truly goated. If you’ve already listened to ‘drakdrakdrak,’ thank you. If you haven’t listened, you probably should- there’s a little something for everyone on there. I hope you all enjoy the mix and I hope to connect with as many of you as I can! I love you all.

drak FUXWITHIT Guest Mix Tracklist

drak- ID
ql1x- ID
Dink The Poof- ID
golden child x asáu- mahahaha
drak- ID
drak- runwild
Robu- Just like that
drak- ID
drak- cloak
Space Laces – D.A.W (Jon Casey Flip) (drak flip- unreleased)
drak- ID
Olswel- 2012
milye- Libelle
drak- ID
drak- FRIGHT (alternate version- unreleased)
golden child x asáu- mahahaha (drak remix- unreleased)
drak- ID
GURF x wasteurself- ID
episcool x drak- ID
aprovoli- separated

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I imagine it’s super difficult to bring TWENTY-THREE artists together to finish a track. They got Dabow, capshun, So Sus, and episcool, to name a few. Even label heads Gurf and Runnit make an appearance. Just run through the list yourself and see the undeniable talent. Dabow himself shares on Twitter, “partica got us all together to create the biggest collab I’ve been part of. and it bangs super hard. friday.” Partica really did that. And the, “it’s Patricia,” vocal sample towards the end was really playful and fun.

Onto my personal critique—and let’s preface this by me admitting that collaborations rarely do it for me, but I tried to keep my own bias aside and listen to ‘FRANKENSTEIN’ for what it is—and it’s a good track. However, while there are some great trap builds, for a song marketed as ‘trap 2’, its drops and most memorable moments are on the dubstep and experimental bass realm. The song that has some of the best trap producers right now, so that part was a bit disappointing for me. Additionally, for a Halloween track, the spooky factor could have been turned up a notch. The intro was haunting, but once it hit the 30-second mark, I forgot it was a Halloween track until the “Frankenstein” sample came in.

I also get that the real Frankenstein is having so many different producers bring a different part in to create a mammoth of a track, though. And overall, it’s cohesive and a great tune. The artwork is also flames. So listen to the Partica mega collab ‘FRANKENSTEIN’ for yourselves below and let us know your thoughts!

The post Partica Unleashes Monstrous 23-Artist Collab ‘FRANKENSTEIN’ for Halloween appeared first on FUXWITHIT.

Ever since the beginning, Partica has been a huge symbol of inspiration and hope for many up-and-comers. Their impressive roster of gems have molded their brand into something purely remarkable and memorable. Helping producers out no matter the skill level. Always putting their love for the community first. And with this brand new chapter, they’ve yet again taken over the underground by storm. As well as honoring their incredible discography of musicians.

The HEATWAVE compilation is the next best step for the future of groovy bass music. Focusing on pure rhythm and sound design, each collaboration has its own distinct features from the highlighted artists. Adding signature textures we’ve all come to notice and adore. From funky arrangements, whimsical sample selection and out-of-this-world sound design, you’ll start to notice who these hard-working souls are as humans as well as creative individuals. Each track is carefully formed and taken care of with passion.

The unpredictability from just the names on here alone sets the bar quite high. But it’s easy to say their efforts and unique work ethics have done themselves and the Partica brand justice. You’ll find yourself bopping your head or moving your feet through every second of this album. Creating a lifelong and positive feeling you’ll cherish forever. Bravo to this incredible community and its artists. We’re excited to hear where they go next. But for now, make sure to go support these icons by streaming The HEATWAVE compilation everywhere via Partica Artist Group.

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‘MOTOROLA’ is a fiery wave of bounce. Starting off, they introduce an intoxicating rhythm. Showing everyone what they can really do as a team. Combining many drum elements as the main attraction, these two know how to take up the frequency spectrum to their liking. Using every bit of their power to get their impact on music across through every track. And spicing it up with such a simple but clean lead on top for the melody really shakes things up. Shaping this journey into an everlasting experience. They even throw some suave vocals in to keep the listener on their toes. Making the track flow even smoother. Every pocket is filled to the brim with surprises to catch with each listen. Forming an addictive feeling you won’t want to let go. Altogether, it’s a clear practice of hypnotization thanks to their intricate and out-of-the-box thinking. You’ll have this track on repeat for quite some time.

LASSE and DRAK are some huge innovators within this scene. Each track holding some special and unique characteristics. And this collaboration is pure proof. So make sure to go support these two by streaming and downloading ‘MOTOROLA’ on SoundCloud.

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The post LASSE And DRAK Get Funky With ‘MOTOROLA’ appeared first on FUXWITHIT.

When asked about the creative process behind his latest release he explained, “Conquest was one of those songs where everything kinda just fell into place. As is the case with many of my songs, I started by fooling around in synplant. I wanted to make something hard, but also something that told a story. I ended up making a lead in synplant for the intro, and used a sample I had recorded of me flicking a pan with my finger for the first drop. The main lead of the second drop is a door creak. I always try to use samples creatively in my production. In terms of the emotions I was trying to convey, Conquest should feel triumphant and powerful. This feeling of triumph is one that I think comes up often in my music.”

A calm sense of empowerment and electricity is one that is readily felt when listening to this piece, oozing a cool confidence and unwavering character. The instrumental section after the first drop is exceedingly thought-provoking and easy to get entranced in. The latter section of the song is equatable to a psychedelic Indiana Jones movie score, with a thrilling sense of adventure coupled with a dash of confusion. The pacing in ‘Conquest’ is seductive, reeling in the listener while keeping the energy and suspense at the same levels.

As is a true sign of a person with major creative tendencies, he laments “I’m usually working on anywhere from 5-10 projects at once, which is probably a bad thing because I don’t end up finishing most of them.” Thankfully though, he continues “However, I do have a remix of one of the tracks off Kanye’s new album coming very soon, as well as a remix of ‘G5’ by SOMETHING that I’ve been working a lot on. I’m also slooowly assembling what I hope will be my debut album, which would release sometime in 2020. Post-apocalyptic vibes.”

With so many works already slated for next year, for fans of full-character trap music, this is an artist you absolutely do not want to sleep on. For now, check out ‘Conquest’ for yourself below!

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