Pushing the Savage Wonk style that he has perfect over the last few years, the Sharp Objects EP is a five-track endeavour that goes deeper and darker than Dubloadz has gone before. “Sharp Objects is a love letter to my deeper and darker styles of production. Over my years of making music I’ve stopped frequently to make a deeper track in the sea of heavier stuff but it had been awhile since I sat down to write a cohesive EP in that style. This EP has a heavy focus on dark atmospheric elements, space and attention to small details. It’s a different style of writing process from making aggressive stuff and one I personally enjoy most,” the versatile producer states about his latest work. We think Dubloadz nailed the description, so we won’t try to convince you further. Expect wonky, experimental beats boasting quintessential Dubloadz sound design – what more could one need?

The post Dubloadz Gets Weird & Wonky In ‘Sharp Objects’ EP appeared first on FUXWITHIT.

‘Grease’ is an amplified sound presentation of the two styles these artists have to offer and their capability of being able to blend their textures together. With the vocal samples saying what the rest of us have been, “Everybody waiting on it,” we thankfully don’t have to wait any longer. In the first drop we hear quick risers and what seems like a frenzy of sounds racing by your ears. The follow up drop brings in a thick low end bass that causes a quick halt before an all out bounce and sway session ensues. While they could have easily called it done after that, they had more to offer. Stick around after the credits at the end of the movie because we have ourselves a third drop that oscillates between the first two drops in a cohesive manner. It takes the zippy sounds and unifies it with the slower low end bass fills.

A track that properly displays the skill of each producer and provides new life in each drop heard. ‘Grease’ is just one of the three auditory exhibits on the EXOPLANET EP out now via Deadbeats.

The post Dubloadz and G-REX Present Auditory Pandemonium in ‘Grease’ appeared first on FUXWITHIT.

In their first collaboration since their Christmas-themed track almost three years ago, Spag Heddy and Dubloadz are back with a weapon of a tune. Out today on Never Say Die, ‘Blood Of The Weak’ sees the two dubstep dons mesh their unique styles into one cohesive bass belter. Many of the sounds can be attributed to a specific artist, from Dubloadz’s crisp ad libs and wonky fills to Spag Heddy’s mean sound design. However, the piece flows incredibly naturally from start to finish, with a perfect balance between tension-building and pure, unadulterated insanity.

A banging track to get you in the spirit of Halloween, ‘Blood Of The Weak’ is a quintessential banger from Spag Heddy and Dubloadz. Check it out below!

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When artists find a fellow collaborator that they can really build from and smash together off-the-wall ideas, this is when the most monstrous of beats are created. Dack Janiels is definitely the peanut butter to Dubloadz’s jelly, as their sounds and styles just flat-out work in tandem. Harnessing both of their ridiculous arrangements and sound design so crispy you’ll want to take a big honking bite out of it like your morning bacon. ‘Holy Shmo!’ isn’t thunderous in sound, but the wobbles are most assuredly vicious, reminiscent of a neighbor’s dog fiending to finally catch the mailman. Sitting at a prime 11/10 on the “songs sure to make you wiggle” meter, you can expect the utmost alien of dance moves. The end of the track says “that’s one spicy son of a mama”, and this writer couldn’t agree more.

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Next up, Suahn tag teams ‘Dungeon Crawler’ with Nardolilli, an electro-house ode to the 8-bit arcade video game days, making one think of the glory days of hitting the flag at the end of an OG Mario Brothers level or finding a hidden cave in Hyrule as Link in the Legend of Zelda. For the people that are on the fence about house music but frequent rinsers of wubby bass, this would be a great introductory piece as it melds the best of both worlds. Dubloadz’s house productions have so much variety and style included within that it really is a breath of fresh air to the genre as a whole. Paired with Suahn’s unique sound design and creativity, this is a track that will surely get you moving and surprise you along the way.

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Rounding out the EP is a second collaboration with Dack Janiels, ‘Killer Instinct,’ a snug fit of a title if I’ve ever seen one as this track would surely be an absolute maniac if it were a person. The vocal sample “check this out” is slotted right before the build, making sure you brace yourself for the insanity about to be thrust into your ears. This track is one part wonky and two parts savage, as the switch ups leave you constantly wondering what could possibly be coming next. It’s a mental workout just following along and actually focusing on this piece, but in the best possible way. After a massive first drop that leaves you battered and bruised, this pair smash you once again with an insanely clean hardstyle drop at the end, once again showcasing the immense amount of diversity in production in this body of work.

Dubloadz has proven again that he’s one of the most forward-thinking minds in the bass music arena, constantly branching out and challenging himself to push boundaries while still staying true to that original savage wonk that we all know and love. The House of Ghosts EP is a pleasure to listen to, and I hope that you’ll share that same sentiment after a few rinsings of your own. Check out the full EP in all its glory for yourself below!

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Taking things back to the infancy of the dynasty, ‘Brain Food’ presents an unanticipated pairing of styles between Dubloadz & Dabow as a constituent of the genre-oblivious album Titan, released in July 2015. Embracing a more minimal guise, the track leverages middle-eastern flutes and tribal percussion to create expansive spatial depth, which rests cleanly over heroic spires of effusive bass.

Be sure to check out the collaborative heirloom below!

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Having collaborations and remixes stretching across the bass spectrum and originals that carry support from dubstep dons such as 12th Planet and Excision, Dubloadz implements his savage-wonk sound design across the world. His debut album Dubloadz and the 9000 Ghosts LP was only a further spectacle of his cemented position among the underground and heavyweight hitters in the bass scene. He also had his welcoming to the Never Say: Die Black Label with the release of the Ghost Gang EP.

Continuing to showcase his growth as an artist since leaving the Disciple label in 2018, he has released ‘Salt’, ‘Pepper’, and his latest collaboration with SUAHN, ‘I Am The Light’. Each of these come with a consistency of meticulously crafted wonky bass that sheds attention on the Dubloadz brand while also pushing forward with current trends. In addition to these originals, he also boasts staple remixes of the tracks ‘THE DROP’ by Gammer and ‘Cyan’ by Dion Timmer.

Furthermore, his latest progress can be seen in the mix Savage Wonk Undead Vol. 2 where he merges the eerie low end bass wobbles of his fine tuned wonky sound with a reckoning of catastrophic riddim. This convergence of skull shattering dubstep is exactly what is served up in his return project to the Never Say Die: Black Label, the Necronomicon. 40 Oz Cult enthusiast Dack Janiels to additionally scribe the Dubloadz legacy.

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An aggressive vocal introduction suggests pushing everyone out of the way, much like Dubloadz has had to do in his rise to the top. Leading up to an attack of laser-like sounds and crunchy bass distortion, the title track sets the tone for the entire project. The original Necronomicon is a textbook of magic and this track is the grimoire of savage wonk. In many cases, these books are believed to be imbued with magical powers themselves, and this introduction may have you thinking you’re under a spell. The final drop returns with even more power and induces uncontrollable head banging, with a rhythm that cascades into furious foot stomping bass.

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Beginning its life as ‘Out Tha Way’ featuring vocals by Young Buck, ‘Space Goats’ is that traditional Dubloadz sound that we all know and love. Talk about a track that will have rails praying for their metallic lives. Featuring intensely grimy bass that sounds like an interstellar monster with whooping cough, this is a track that will surely send listeners’ limbs into a frenzy. A clear trait in his tracks that is prevalent in this as well is a constant change of both note structure and sounds that keeps the listener’s ears on edge, yearning for more. Each drop is notably different, but even the subsections of each drop carry enough variance elicit a constant stank-face.

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‘Dead Inside’ feels like a welcome departure from Dubloadz’s traditional style, incorporating more robust and longer drawn-out bass lines, it makes the song have more of a weight to it. Traditionally, he’s used quick, sharp notes that come out almost like a belt-fed machine gun, but this is more like a grubby slow dance with a necromancer, rather than something that induces one into a finger gun frenzy. With the metal-influenced vocals “I’m dead inside” and the spooky midtempo overall sound, this is a perfect combination for those edgy high school kids that talk about nihilism and wear all black.

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‘Blue Bomber’ creates a feel of a post apocalyptic video game where collecting items becomes a very vital point to surviving. With samples of collecting these necessary items introducing us to the stage, the alarm sounds build, questioning if you are ready for battle. The final boss approaches with a grim smirk and tests the limits of your skills. Containing expected chaos in this fight, it becomes difficult to remain in control. A back and forth battle comes to a halt when the boss acquires the upper hand. Regaining some of your health and reloading, all weapons have their sights aimed to destroy and work towards victory. The final meter of the rivals health declares it is time to go all out in this final drop. Coming out beaten and bloody, victory is attained with the assistance of Dack Janiels as Dubloadz continues his journey of summation. This battle is over, but the savage wonk war has just begun.

Necronomicon is an ode to all things that go bump in the night. Curating his consistently dark, metal heavy aesthetic, Dubloadz has secured his spot among the pillars of dubstep. People had doubts once he left Disciple, but he’s showcased time and time again that he’s here to stay. Cultivating relationships with 40 Oz Cult leader Dack Janiels and with multiple releases through Never Say Die: Black Label, it seems Nardolilli has easily found other like-minded individuals to take the world by storm. Whether it be his music, his artwork (he does the cover art for all his releases), or just his overall persona, fans continue to be on the edges of their seats for what comes next. While his sound continues to bloom over time, what’s most certain is that it will assuredly be savage, wonky, and evil.

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Words by Tony Leonard and Alex Bell.

The post Dubloadz Generates a Horde of Broken Rails in Latest ‘Necronomicon’ EP appeared first on FUXWITHIT.

Six months ago, the label teamed up with esteemed streamer Jericho to deliver a gaming-inspired compilation featuring both new and old releases from Disciple’s talented artists. Soon after, they unveiled the fourth installment of their label compilation titled Alliance, which featured sixteen wicked originals from every one of their signees, not to mention an astounding mega-collaboration of 13 artists coming together on a single track. One would think that such an outpour of new music would have to slow down at some point, but Disciple and their heavier imprint Round Table have shown no signs of slowing down. Keeping the compilation theme alive, Disciple has now joined forces with popular YouTuber Mini Ladd to unleash fifteen more action-packed tracks from old and new label favorites.

While impossible to touch on every track, we thought we’d highlight a few of our favorites below!

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Oliverse has been killing it for a few years now, but business has only started booming for the UK-based producer in the last year or so. An infectious remix for Tchami’s ‘After Life’ and Modestep’s ‘Higher’ put him on the map for many dubstep enthusiasts, and signing to Disciple earlier this year solidified his breakout year. In a riddim-saturated dubstep scene, Oliverse’s melodic approach to the genre is both nostalgic yet forward-thinking, offering heavy-hitting bass with no absence of musicality. Consistently blurring lines between music to dance to and music to headbang to, Oliverse’s contribution to the Mini Ladd compilation titled ‘Somethin Good’ is further proof that melodies do belong in dubstep, and that Oliverse is among the best at doing so. Powerful female vocals are backed by gritty synths and punchy percussion to drive home his signature sound. Keeping you entertained for a full four and a half minutes, ‘Something Good’ definitely lives up to its name.

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Virtual Riot needs no introduction. With two EPs and countless singles and remixes under his belt this year alone, the German-born, LA-based producer is on another level when it comes to productivity and consistency of releases. Swaying between dubstep, future bass, and everything in between with ease, Virtual Riot is easily one of the best producers in the game. His 2017 Throwback EP brought us back to his complextro roots, and his contribution to the latest compilation does so once again. Flexing impeccable sound design, ‘How Do You Turn This On’ is one of those feel-good electro tracks that brings bass fans back to their roots. The project file for this track must be insanely CPU-heavy, with hundreds of meticulously arranged sounds making themselves heard throughout the insanely catchy song. ‘How Do You Turn This On’ is the perfect anthem for early dubstep lovers.

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Two rising Disciple stars at the forefront of the experimental bass scene, Eliminate & PIERCE team up with vocalist PLTO for an unexpected clash of emotion and riveting production in ‘With Me’. An emotional vocal intro paints a delicate setting for the track, backed in full force by a commanding piano melody and taut percussion. As the cadence of the track hastens, a warped out vocal takes the tune into a darker direction, unearthing a siege of compact snare drums and precise synth jabs.

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Regarded as one of the select few dubstep artists to have stood the test of time, Barely Alive pays a small homage to the predecessors of dubstep and the earlier, more emotional and less bass-ridden days. A delicate melody sets the stage, before a more synth-involved cadence of the track kicks into motion, demonstrating yet again the duo’s unmatched talent to blend raw emotion into their energetic buildups. A critical sample booms in the backdrop, expressing its disdain with lack of emphasis, unleashing the true identity of ‘You Suck’ and launching into a funky breakdown which contrasts low, grumbling bass hits and fiery synthesizer patterns.

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Each experts in their respective crafts, PhaseOne has established dominance in combining aggressive drum patterns and exquisitely timed breaks in his tear-out style of dubstep, while YOOKiE concoct some of the most spine-tingling walls of subs that your body has ever experienced. A collaboration from the two would demand a setting of chaos, and thus fittingly titled ‘State of Emergency’ the tune packs an immeasurable capacity of bass, overwhelming surges of subs and daunting production accuracy.

Failing to miss a beat the entire year, Disciple is gaining momentum by the minute. With the initial patchwork compilation Jericho, the teamed expressed an interest in maintaining a firm foothold in the realm of dubstep and riddim, allowing each artist within the roster to formulate their own contribution to the project. The more recent joint effort with Mini Ladd affirms the previous inclination, while also unveiling an inherent desire to preserve the foundation of bass music, paying tribute to the earlier days of dubstep with more visible attention to harmony, melodies, and vocals. Needless to say, this entire compilation makes a resounding splash and is surely a tell-tale sign for what the future holds for Disciple and its constituents.

The post Reminisce On The Evolution of Dubstep With The Disciple x MiniLadd EP appeared first on FUXWITHIT.

Monday saw Dubloadz return to releasing original material on a familiar label; the notorious Never Say Die: Black Label. The announcement of the Ghost Gang EP had dubstep fans buzzing, as the community knew it was time for Dubloadz to unleash some of his highly-anticipated IDs to the masses, and boy did he not disappoint. The album’s title and only solo track presents no shortage of the original Dubloadz that fans have grown to love over the years, with his unique and quirky samples flawlessly meshed with the raw grit that one can expect from the talented producer. He then teamed up with Midnight Tyrannosaurus, a Black Label favourite, on ‘Don’t Deal With The Devil’ to rattle your speakers to the max in a guttural riddim-inspired heater that highlights the strengths of both artists to a tee. An extremely dynamic and intricate collaboration with Yakz titled ‘Ghost Vomit’ follows, which sees the sound design capabilities of both artists impeccably complimenting each other. Finally, the EP is capped off with the monumental ‘Wonk Wars’, a collaboration with Monxx and Rico Act that has been teased since ‘The Savage Wonk Undead Mix’ from last October. All in all, the Ghost Gang EP is easily the heaviest project you’ll listen to today, but in the best way possible as Dubloadz and friends have delivered quality bass.

Check out the Ghost Gang EP below!

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Returning after once again dominating the bass music game with a huge tour and killing it at global festivals, the Canadian somehow found time to put together this massive collection of tracks and remixes of his last album, Virus. As expected it’s a bass fest – unrelenting, loud and in your face; check for the pounding womp of Barely Alive’s ‘Harambe’ remix for proof.

There’s so much on here (18 tracks to be precise,) it’s hard to cover it all – but just know it’s uncompromisingly great and you need it. You can stream it from below, and full release comes on September 12th.

The post Excision’s ‘Virus’ Is Brought Back To Life Via A Banging Remix LP appeared first on FUXWITHIT.