Artists such as asáu, Runnit, ql1x, episcool, and more have all included major filth within their pieces throughout. Creating spaces of pure happiness and inspiration for all to bask in. All highlighting signature tones while delivering brand new techniques and sounds to the table. Showcasing their constant evolution from beginning to end. So grab a cool drink and become immersed in this exciting and everlasting new chapter from these legends.

HEATWAVE: Vol. 2 consists of five out-of-body experiences. Honoring what makes the label stand out in various ways. From soul-enriching grooves to goal-driven arrangements, this volume has a lot of surprises lurking around every corner. And if you’ve been following these artists for some time, you’ll catch them immediately from just the first listen. GURF’s wavy style, Dink the Poof’s extraterrestrial tones, there’s nothing you won’t find satisfying to the ear within. And it only gets better and better with each listen. Making you become fully immersed and addicted to what these musicians have to offer! One thing is for sure, your Summer will not be completed until you listen to this gorgeously crafted comp of gems. So make sure to show your support for them all by streaming HEATWAVE: Vol. 2 everywhere via Partica Artist Group!

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anti. is one of the most underrated producers in trap right now and ‘FLEX’ serves as another reminder he’s next up. The track perfectly balances OG trap tendencies with a heavier bass vibe for a certified banger. ‘SAFEWITHME’ jumped out among the first section with the track proving to be one of Farrah most impressive releases to date. The bounce is immaculate, mixing booming low end with futuristic and mean club energy.

Anytime HUCCI drops it’s a treat and ‘Low Charge 6000’ is no exception. When it comes to making moody trap beats, there’s still no one better.

If you’re looking for some DnB the tape also has you covered. Jon1st’s ‘Step Up’ takes iconic rap vocals and creates a menacing off-kilter bruiser. Drawing on a similar dark energy, Rohaan unveils the monster that is ‘Sabertooth.’ This one takes you down dark alleys and into questionable dank basements for a raw rave aesthetic.

FUXWITHIT favourites Losco & golden child team up for the trap banger you’d expect from the two. The track finds that perfect balance between cartooney fun and brutish street sound. Another FUXWITHIT mainstay So Sus amazes with ‘Whale Song’ a track that draws from nature to create an epic sonic journey.

Anytime I explore a compilation I am hoping to find at least one or two new artists that truly wow me. So Durand and WERK checked that box with two of the most impressive offerings on the project. So Durand’s ‘Do2me (feat. Sacha Foster)’ is nothing short of an anthem. The emotive and catchy vocals lock listeners in while drops absolutely bang. Meanwhile, on ‘GEDDIT’ WERK bring a TNGHT-inspired sound that is nothing short of masterful. Warning: you may want to sell your soul to the devil just to ‘GEDDIT.’

TL;DR: Boost Tape 03 is one of the hardest compilations of the year to no one’s surprise. Listen below and grab it on Bandcamp. All proceeds go to MusiCares.

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Track one comes out swinging with the legendary Tsuruda. In addition to this blessing, Tsuruda enlists a special guest, cousin litt, to gift us ‘Bruiser’. Effortless rhymes dive over a steady bassline with cousin litt, giving these bars character. reeel. then takes over the next song with ‘Pockets’ and pushes the limits of a defined genre. He combines agitated left-field bass with hidden trap elements that are given more life in the last drop. We are then led to the return of [SUS] Tape veterans, asáu and jordnmoody, who have teamed up on this edition. ‘Emissions’ spits out dark trap tones with a no-nonsense attitude. An infective beat that hits hard and will lead to involuntary head bobbing. Up next, listeners are battered with the high-energy concoction ‘Wugmanti’. This creation comes from Dankhai Shroom which is one-half of the bass-defying duo Shanghai Doom. ‘Wugmanti’ is playful and well crafted that carries a steady bounce. ‘Castles Made of Sand’ by snuggles is after that. This song is a display of pure audio perfection. It is expertly designed with a listening experience that brags on the knowledge level of snuggles. While it is a testament of skill, it also proves why the included artists deserve a proper platform to shine.

[SUS] Tapes would not be in existence if not for the one and only episcool, so it only makes sense to see her appear with ‘Unhinged’. In this, we see episcool partner with insowmya whip up quality ear candy. An aptly titled track sees the first half calm and collected that soon will up the ante. Moving towards the end of the track is where things truly become unhinged as neither artist holds back.

What else goes into helping curate a proper [SUS] Tape you ask? Some dirty, grimy hip-hop flips. Volume 13 enlists the perfect team to tackle this with the trio of Lasse, Ql1x, and Goldscrolls. Their track ‘Salt’ throws the Ying Yang Twins ‘Salt Shaker’ through proper trap treatment. This reimagination will destroy festival floors and deserves to be played out across the world. After that, we are met with a very special inclusion. A FUXWITHIT Champion, a personal favorite, and [SUS] Tape OG: KUREI. KUREI broke onto the [SUS] scene back in Vol. 5 with ‘Street Fight‘ while making continued contributions to this project. The release of ‘Whippin’ marks her official return and first release in over 8 months. I could not be more stoked and what better place to return than the [SUS] Collective. In addition to the previous rap flip, KUREI cuts up ‘Can’t Touch This’ by BIA in ‘Whippin’. It comes with all the classic KUREI vibes but also pushes their creativity to a new level for the new year.

Moving on to number 9 out of 13—if you are still reading, I have so much love for you as I tackle each track. JuLo and Sterfry dissolve the limits of trap and give a barbaric bass tone in ‘Mob Wobble’. If you could take an alien invasion and repackage that experience into audio, it would be this track. However, just as you feel you are about to be abducted the mood is lightened with a bit of airy future sounds before returning to the battlefield to end the song. Arriving at the last quarter of contributions, Dink The Poof dispenses ‘Exploders’. Dink has distinctively disfigured a question mark symbol in a way for your ears to digest it. Removing all boundaries for what music might be, they still provide a cohesive way to find rhythm and make you move. ‘Exploders’ will definitely pique the interest of your hearing senses. Following that is ‘Dope’ by Aztek. In this track, you will find what would be described as an inverted triangle. Meaning, this track may start out simple and basic but over time it will build on itself. Eventually, this leads to a fusion of trap and house leaving me asking if I should shuffle or nod my head. ‘Uh Ho’ by Kazantzakis is next. He had an incredible 2021 and recently dropped off his interview and guest mix for FUXWITHIT. The track almost goes by too quickly but provides just enough substance to make you wish it were longer. Rounding out Volume 13 of the [SUS] Tapes is Lewcid with ‘Network’. This creation delves into the profound world of trap with swaying 808’s that interplay on the off-balanced environment. The structure provides a unique journey of audio that leaves a feeling of diving off the deep end.

[SUS] Tapes grow my love for the collective and what they represent. I hope it can provide that same love to all those who find themselves listening. They have a vision of passion that holds on to the roots of what brought us all to SoundCloud, to begin with, while hitting it with a modern approach. There are few if any that could stand toe-to-toe with [SUS] Collective and what they provide to this niche community. Being my first article in some time I wanted to give proper efforts to [SUS] and the artists it delivers. I appreciate those of you who took on the task of completing this lengthy article and I look forward to what this year has in store for us. [SUS] Tape Volume 13 can be streamed in full below with each track containing individual free download links.

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I imagine it’s super difficult to bring TWENTY-THREE artists together to finish a track. They got Dabow, capshun, So Sus, and episcool, to name a few. Even label heads Gurf and Runnit make an appearance. Just run through the list yourself and see the undeniable talent. Dabow himself shares on Twitter, “partica got us all together to create the biggest collab I’ve been part of. and it bangs super hard. friday.” Partica really did that. And the, “it’s Patricia,” vocal sample towards the end was really playful and fun.

Onto my personal critique—and let’s preface this by me admitting that collaborations rarely do it for me, but I tried to keep my own bias aside and listen to ‘FRANKENSTEIN’ for what it is—and it’s a good track. However, while there are some great trap builds, for a song marketed as ‘trap 2’, its drops and most memorable moments are on the dubstep and experimental bass realm. The song that has some of the best trap producers right now, so that part was a bit disappointing for me. Additionally, for a Halloween track, the spooky factor could have been turned up a notch. The intro was haunting, but once it hit the 30-second mark, I forgot it was a Halloween track until the “Frankenstein” sample came in.

I also get that the real Frankenstein is having so many different producers bring a different part in to create a mammoth of a track, though. And overall, it’s cohesive and a great tune. The artwork is also flames. So listen to the Partica mega collab ‘FRANKENSTEIN’ for yourselves below and let us know your thoughts!

The post Partica Unleashes Monstrous 23-Artist Collab ‘FRANKENSTEIN’ for Halloween appeared first on FUXWITHIT.

Super grateful to everyone who’s rocking with us to make this show happen. There’s a lot of trust being instilled in Good Society right now, as one of the newer promoters coming up in the scene, that I hope to return 10 times over.

JOSH YAMINI, FOUNDER OF GOOD SOCIETY

The record label/live event company will be throwing a show every month for the rest of the year, hoping to expand into different territories and eventually a music festival. In partnership with digital streaming service, Audius, Good Society is throwing this event with FUXWITHIT favorites like Vindata and episcool, and even our label launching artist, capshun! We’re hyped to see Lophiile throw down in person and headliner Alexander Lewis‘ throwback set. Really hoping a trap horn gets blown in my face.

“This show is sort of a hallmark for Good Society. I’m bringing together many of my favorite artists, each of whom has pioneered different corners of the same scene, and it’s all going down at 1720 which is a hub of the culture in LA. W’s all around for the team,” Founder Josh Yamini expresses. “It’ll also be one of our few shows, up until this point, hosting live instruments as Alexander Lewis showcases his signature blend of hip hop, trap, and jazz with the trombone. I’m definitely going to lose my shit when that happens haha.”

Check out the full lineup below and get your tickets here to reserve your spot!

The post Good Society Throws It Back in LA with Alexander Lewis, Vindata, Capshun, & More appeared first on FUXWITHIT.

Where are you taking listeners in this mix? What can they expect to hear?
New music, IDs, collabs, and everything I’ve been listening to lately.

When did you begin producing and what was your influence to start?
In like 2014 I started making beats on garageband lol. I went to my first festival that summer and then I discovered SoundCloud and I would spend hours on there every day. I found Aztek and that led me to the courteous crew (hapa, derg, tsuruda etc.) I was so blown away by the sound they were all creating and that’s what really pushed me to start making beats and get into that scene.

You recently hit 5k SoundCloud followers, describe what it felt like to reach that goal?
I try not to worry about numbers too much but it is definitely a good feeling to reach those milestones that used to seem so far away <3

What was it like being included in vol. 160 of the Team Supreme beat cypher?
It’s always an honor to be featured in the TS cyphers. I used to look forward to those every week I hope they bring them back!

Outside of music, what else has your interest?
Art, clothes, hiking, snowboarding, dogs, food, nature, friends, family, God.

Probably the creative freedom you have to make literally anything you want.

What is the most enjoyable part of the process for you when creating a new track?
Probably the creative freedom you have to make literally anything you want. I’m always learning new things about Ableton and every track you make is like a whole different experience.

I originally pronounced your name as ‘epi-scool’ until seeing it as ‘e-p-is-cool’ on your SoundCloud, how did this name come together?
e p is my initials (Emily Patterson). ‘episcool’ was originally my Xbox gamertag when I was a kid and all my friends used to call me EP so that has always been my username for everything.

I wanted to focus on the underground scene and to have a platform to put on smaller artists that were trying to get noticed like myself and I wanted a label that was all inclusive and that everyone could have a chance to be a part of.

As the founder of [SUS] Collective what is the main vision of this project?
The main goal was to just make music and make art and clothes and create a community that shared art in all forms. I wanted to focus on the underground scene and to have a platform to put on smaller artists that were trying to get noticed like myself and I wanted a label that was all inclusive and that everyone could have a chance to be a part of.

What’s your secret to finding the freshest names?
Naming songs is probably the hardest part of the whole process for me lol there’s really no secret it’s always super random.

Are there plans for the [SUS] Collective takeovers to travel or invade festival lineups?
With the state of the world right now I’m not sure if there will be any sus events happening this year, but hopefully we’ll be back in 2022 ;-)

As a fellow Champion of the Underground, who are some artists people should have their eyes on at this moment?
dink the poof, lyny, goldenchild, jordnmoody, snuffy, ooga, kilamanzego, robu, saka, julo, samsin, oakk, yojas, mirrormaze, bd hbt, kurei, something, stosu, sterfry, cumulus frisbee, deafadil, ql1x, cm., lyqd, wreckno, vctre, gurf, runnit, black carl!, chef boyarbeatz, tsunami, whereisalex, moore kismet, chromocinni, capshun, Jestic, aedfx, Aztek, fly, all of Lostdogz, Partica Artist Group.

You have a fascinating record of collaborations with artists such as Dabow, camoufly, aedfx., Adiidas and more. How did you connect with all of these artists? What has been the most memorable or fun collab for you?
I originally connected with everyone through SoundCloud and then we eventually started playing shows and festivals together and hanging out more and now our whole community is super tight. All of my collabs have been pretty memorable, someone I’ve been working with more recently who has really impressed me is goldenchild. This mans is the fastest I’ve seen someone send collabs back and will make the craziest shit in like 2 hours.

Should we be expecting anything else from episcool for the remainder of 2021?
New music, maybe an EP… going on a U.S. tour next month with jordnmoody & tape b so lots of show announcements coming up!

thank you to everyone who has supported me and supported sus these past 4 years, I wouldn’t be here without you guys and I’m excited for what the future holds for all of us <3

Any last words?
I want to say thank you to everyone who has supported me and supported sus these past 4 years, I wouldn’t be here without you guys and I’m excited for what the future holds for all of us <3

Tracklist:
lyny – ID
dink the poof – ID
eazybaked – ID
yojas – ID
dink the poof – dutchess.
episcool x julo – torch her
episcool x golden child x lasse – yucca valley
dink the poof – ID
dabow – trap on my mind
yojas – bb
dj scheme x ski mask the slump god x danny towers – e-er (feat lil yachty)
eazybaked x vctre – ID
episcool x dankhai shroom – ID
black carl! – mind
cm. x runnit – chromegat
dink the poof x something – baddest
episcool – it’s a wrap
dink the poof x belak – ID
megan thee stallion – thot shit
l*o*j – future slam
mo vibez – basssssss
yojas x lyny – ID
integrate – ID

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Ever since the beginning, Partica has been a huge symbol of inspiration and hope for many up-and-comers. Their impressive roster of gems have molded their brand into something purely remarkable and memorable. Helping producers out no matter the skill level. Always putting their love for the community first. And with this brand new chapter, they’ve yet again taken over the underground by storm. As well as honoring their incredible discography of musicians.

The HEATWAVE compilation is the next best step for the future of groovy bass music. Focusing on pure rhythm and sound design, each collaboration has its own distinct features from the highlighted artists. Adding signature textures we’ve all come to notice and adore. From funky arrangements, whimsical sample selection and out-of-this-world sound design, you’ll start to notice who these hard-working souls are as humans as well as creative individuals. Each track is carefully formed and taken care of with passion.

The unpredictability from just the names on here alone sets the bar quite high. But it’s easy to say their efforts and unique work ethics have done themselves and the Partica brand justice. You’ll find yourself bopping your head or moving your feet through every second of this album. Creating a lifelong and positive feeling you’ll cherish forever. Bravo to this incredible community and its artists. We’re excited to hear where they go next. But for now, make sure to go support these icons by streaming The HEATWAVE compilation everywhere via Partica Artist Group.

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Kicking off the project comes Acrillics’ ‘What Do You Want.’ It’s no secret we’ve been longtime fans and supporters and it’s always great to see the duo making big moves. Serving as a perfect introduction, it starts as a slow burner with emotive undertones before unveiling a bass-leaning trap nature. Blending feels with aggressive and powerful energy makes this a can’t miss.

Chromonicci has become renowned for his diversity, from future beat finesse to lofi chill tunes and trap slaps, he can do it all. With ‘Singularity’ he finds a perfect fusion of off-kilter future beats and the chest-pounding energy of raw trap. It’s smooth yet, banging. Experimental but approachable and dare I say… smooth. In short, it’s spectacular.

The stash of unreleased heat that Dabow is sitting on right now is absolutely insane. Any time we get one of his highly sought-after IDs for release we relish it. ‘Poder’ has been a staple in Dabow sets and mixes so it’s great to finally get the proper release. From the bent vocal loops, to ice-cold keys and the blistering brass, this is trap music at its best. People really need to stop sleeping on Dabow’s greatness.

Possibly the biggest surprise on the tape is Giraffage’s’ ‘idgaf.’ Based around the vocal “I don’t give a fuck,” this is a blistering banger here to set speakers ablaze. Booming bass, precise vocals chops, and an almost absurd party vibe make it undeniably infectious. It’s the type of banger you could see getting spun out in trap or bass house sets or serving as the perfect bridge between the genres in a setlist. I didn’t know Giraffage went this hard.

Other mid-to-late tape standouts include Great Dane’s ‘aya hua’ which fuses tribal and spiritual energy with some serious bump, LYNY’s bossed-up anthem ‘Stumble,’ and RamonPang’s beastly ‘Santoor Unkown.’

Last but not least I have to highlight Rome In Silver’s ‘Little Demons.’ I’ve been waiting for this one to drop since I included it as an ID in my Electric Hawk Takover Mix in early 2020. Electric basslines, swooning vocals, crisp claps and a forward-thinking soundscape are expertly intertwined. The drops are funky and inviting while remaining mean. It exemplifies the exceptional balance that Rome In Silver has managed to master.

BOOST TAPE 02 is everything you wanted and more. Stream the full project below and be sure to grab it on Bandcamp.

The post ‘BOOST TAPE 02’ Is Top Tier appeared first on FUXWITHIT.

Seemingly overdue for a release through this collective, ‘It’s A Wrap’ is the perfect debut for the SUS COLLECTIVE founder herself. In the intro episcool plays with YBN Nahmir’s ‘Rubbin Off The Paint’ before expediting straight to a bounce infested drop. The swing behind the percussion elements weave smoothly through the vocal chops while incorporating organic sounds in between. Navigating into the last half of the track, she allows the verses to pop off as she ups the energy and expands the bass intensity. Prepare for the bounce in ‘It’s A Wrap’ below and snatch that free download here.

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‘Mean Mug’ opens the doors and invites you in with its soft build that allows each sound to have its own lane before it is all integrated into a homogeneous trap experience. A focus on the elaborate production with minimal but effective design is what sets ‘Mean Mug’ apart from the rest. It creates a bass haven that immediately lays the foundation for the forward-thinking percussion. This track unifies the connection between these three producers and constitutes what the [SUS] Collective brand strives to represent. Check out the rest of the compilation here and listen to ‘Mean Mug’ below to bring out your inner sus.

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