To the pleasure of many, the pair of producers announced Acid Disk Vol. 2 earlier this week, a follow-up to their 2017 project. With the announcement comes the first single, ‘On My Mind,’ which further showcases the outside-the-box mentality that the pair continuously strive towards. It’s difficult to do this one justice with words. Aside from the obvious acid touch, ‘On My Mind’ boasts influence from breakbeat, dubstep, and even jersey club, simultaneously sounding chaotic as it does controlled and complex. It’s eclectic yet grounded, and ominous yet lively. ‘On My Mind’ is truly something only G Jones and Eprom could ever create. Don’t miss it below.

The post G Jones & Eprom Reunite In Acid-Infused ‘On My Mind’ appeared first on FUXWITHIT.

Upon pressing play listeners should be prepared for immediate impact as EPROM smacks on a thick layer of speaker sauce that pushes dark bass pairing perfectly with the disfigured vocals. He uses a minimalist approach that allows for a powerful knock to exist. While the beginning of the track focuses on forceful bass and gritty sound design the last section pushes past all boundaries previously known. A barrage of wild call and response noises takeover the song to carry it out to its conclusion. EPROM’s ‘Look What I Got’ remix is a disorderly arrangement of both chaos and order that can be heard in full below.

[soundcloud url=”https://api.soundcloud.com/tracks/1075948519″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

The post EPROM Dismantles ‘Look What I Got’ in Latest Remix appeared first on FUXWITHIT.

Practically cornering the market on an inky aesthetic, EPROM’s dark attire fits the overall mood and aesthetic of his pieces like a glove. Sounding like an alarm straight out hell, ‘FleshNet’ makes damn sure evil and doom never felt so pleasant. With enough thunderous low-end to confuse even the most seasoned of geologists for a catastrophic earthquake, this is one piece that royally deserves as big and sophisticated a sound system as humanly possible. A true master of manic manipulations, EPROM once again has proven that he can produce some of the most progressive pieces of our time. ‘FleshNet’ truly is as titanic a piece as they come, and surely one that will put any speaker through the ringer. Check it out for yourself below!

The post EPROM Alerts Richter Scales With Ominous ‘FleshNet’ appeared first on FUXWITHIT.

Slowly unwinding one continuous thread of gritty bass from the spool of his latest AIKON EP, EPROM has gently prodded at the burgeoning anticipation with a breadcrumb trail of releases that began late February with Deadbeats debut ‘The Cat’. Continuing to unravel tenebrous strands of distorted frequencies with the successive release of ‘Daemon Veil’ with G Jones and the newly anointed ‘Hope,’ further etching a level of detail and premeditation that is holistically unrivaled in the scene.

‘Phoneme Gothic’ aims to maneuver the project to a faultless conclusion, establishing a vivid contrast between cogent percussion, gritty unrefined synths, and distorted plunges of bass that heighten the senses before the tantalizing melody of ‘Shirow Softworks’ tapering the EP to a compelling salutation.

Immerse yourself in the sounds and textures of EPROM in his latest AIKON EP, out now via Deadbeats!

The post EPROM Precipitates Nonconformity in ‘AIKON’ EP appeared first on FUXWITHIT.

Distorted strands of vocals resonate amid steely thrusts of echoing percussion as the track bridles an arrhythmic tempo. A brief audible reticence unleashes a sinewy fiber of synths that wavers seamlessly along the length of the track.

Cut straight from the earliest pages of the SHADES catalog, ‘Chiron’ is cohesive in nature and execution, and a terrific segue deeper into the dark minds of EPROM & Alix Perez, check out the full track below!

The post #tbt – EPROM & Alix Perez – Chiron appeared first on FUXWITHIT.

Showcasing their expansive musical capabilities and artistic synchronicity, ‘Daemon Veil’ is a wicked collaborative triumph. It is truly remarkable how each artist makes himself heard as the track progresses, before the lines completely blur into sonic insanity. G Jones makes himself heard in the introduction with his ‘EVERYTHING ALL AT ONCE’ sounding chords and usual breakbeat-inspired percussion, before a commanding vocal sample gives us a taste of both producers working cohesively. When the drop hits at the eighty six second mark, listeners are thrown into a whirlwind of resonating synths and pulsating effects, where all hope of distinguishing the two musical geniuses is lost. An intricate arrangement of chaotic drums, vibrating basses and futuristic stabs shine at the forefront in the following section, displaying Eprom and G Jones’ ability to turn complete disorder into complex harmony.

‘Daemon Veil’ is the true embodiment of boundary-pushing, forward-thinking bass music. Check it out below.

The post Eprom and G Jones Display Otherwordly Innovation In ‘Daemon Veil’ appeared first on FUXWITHIT.

Fittingly so, Black Heart Communion furthers the endeavor for opposition, plunging head-first into the vague, but undisturbed darkness as tenebrous strands of ‘Lurking’ embrace you. A precursive aura lingers, cloaked exclusively by an obedient rhythmic clicking before the prodigious, unrelenting vespers of ‘Two One Six’ prevail.

[soundcloud url=”https://api.soundcloud.com/tracks/597967764″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

The acute precision of the project transpires as fulminating billows taper a jagged, irresistible acoustic environment on ‘Iron Sharpens Iron’, launching crisply into a sinewy, guileful analog cadence. Palpable, impenetrable darkness persists spiraling further into the aphotic chasm of the unknown as ‘Black Heart Communion’ contorts into tilted slats of incongruously dominant bass and entrancing digital mixdowns.

‘Womb’ presents a prophetic salutation, gently prodding the campaign toward an ominous fate, instilling one final shred of uncertainty as Black Heart Communion reaches a perilous conclusion.

[soundcloud url=”https://api.soundcloud.com/playlists/740929875″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

The post Shades ‘Black Heart Communion’ EP Is Prophetic Sacrament appeared first on FUXWITHIT.

[soundcloud url=”https://api.soundcloud.com/playlists/325056837″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post FUXWITHITFRIDAYS – 171 appeared first on FUXWITHIT.

Their latest collaborative song, ‘Creepin,” is off their upcoming EP, Night of the Dreadless Angel. As the name suggests, the song feels like it inches towards you like a massive swarm of angry insects, then makes no hesitation in unleashing some low-down, gritty bass for the rest of its entirety. Combined with the use of half-time cuts, heavy distortion, and all-around filth, you can’t help but feel it overwhelm you and reverberate through your body as you embrace the lowest of frequencies. The track even feels like it has the slightest hint of riddim embedded deep within it.

The EP itself is set to be released on March 24th, and is available for pre-order on Bandcamp. In the meantime, check out ‘Creepin” below!

[soundcloud url=”https://api.soundcloud.com/tracks/312383051″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post SHADES tease their upcoming EP with ‘Creepin” appeared first on FUXWITHIT.