GALAZY’s unpredictable production mixed with Karezza’s destructive sound is a match made from the universe itself. These two knocked it out of the park. Grabbing the listener’s attention with ease from the beginning, all the way to the end. Making you want to go back and witness it all over again.

A cinematic and ominous start creates tension with style. Their sound design is echoed with a brisk melody and catchy vocal sample to send shivers down your spine as it takes over your mind. Making listeners purely curious and stoked to hear what’s next. Once the chorus section finally introduces itself, it’s a pure reawakening within. The wonky drums as a base with those bass leads swirling all over really turns the frequency spectrum into a frenzy. Its sporadic and positive attitude keeps the spirit flowing while your aura is moving constantly throughout. And just when you think it’s over, they come back swinging with an even bigger effect. It’s a gift that keeps on giving. So make sure to show your support by streaming ‘CHOP CHOP’ everywhere via The Music Blender!

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REBOUND is their first-ever compilation and focuses on some of the meanest and bounciest beats you’ll ever hear. Completely throwing your mind for a loop, artists such as Galazy, Kazantzakis, kutsu. and more have each made their own whimsical pieces. Honoring what the label stands for while showing off what makes their styles so interesting and fun. This compilation is full of interesting tones and only gets better and better with each go around.

From a silly and heat-infused banger from Ethanplus, to a saturated paradise of wonder from Skoot, there’s no telling what you’ll hear next thanks to the compilation’s stacked and unpredictable cast of musicians. Delivering only the latest and the greatest within the electronic trap and bounce genres. Making this a huge highlight of 2023. Everyone did a remarkable job and the spirit of it all is truly addicting and priceless. So make sure to show your support by streaming the REBOUND compilation everywhere via The Music Blender!

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The project opens with Golden Child & Kazantzakis coming together for ‘Elevated.’ The swing, vocals, and synths pull you in while precise percussion and booming bass set the tone for what’s to come. It’s an addictive tune that you’ll have stuck on repeat. PRYZMS takes the energy to the next level with the heart-racing ‘Back2Tha’. The track practically defines what high-octane trap music sounds like in 2022. ‘Quartz’ slow things down with a spell-binding slapper that’s the pinnacle of less is more. OG trap fans are going to lose it for KUREI‘s latest.

Halifax duo dope come through with the aptly titled ‘Hypnotic’ which fuses entrancing vocals with brutish bass and a mean hip-hop swagger. Next up DROPWIZZ takes listeners to the battlefield with the fierce ‘Gulag,’ a bass-heavy heater inspired by your favourite first-person shooter. Take a break from battle and uncover Lenny and SL!DE‘S ‘Oasis,’ an exotic tribal trap smash. Looking for some bounce? You know BAGG and GALAZY have you covered with ‘Repeat.’ Building off this dynamic but with its own distinct flavour comes ‘Big Pizzo’ from Gurf. The track explores his recent future beat sound with a twist of the Partica “Trap2” swagger.

Providing the perfect shift into the more melodic back half of the compilation Haan808‘s ‘Main Phase’ brings the feels with laidback energy that still bumps. Norway’s Borny blesses us with a heavenly future beat banger that’s fittingly titled ‘Skywalker.’ The shimmering synths and uplifting bounce will have you moonwalking in the clouds. The project’s biggest surprise comes from none other than L*o*J. The duo has become renowned for their experimental and heavy approach to bass music. ‘Sunken’ is their softest and most stunning work to date. A beautiful bop that feels like summer love.

As the project nears its close we drift into more cinematic territory. sebjin‘s ‘Rights’ leverages his signature sound providing an immersive futuristic soundscape that’s yours to explore. Hontis & Zodiaque deliver a finale that is nothing short of epic. The slow-burning ‘Extinguish’ opens like a movie score, rich with emotion that deepens with each passing bar. With over two minutes of carefully crafted tension building, the release in the drop is monumental. The track packs a near-spiritual experience while maintaining a sense of ferocity.

Champions Of The Underground – Vol. 1 proves the underground is and always will be the most exciting space in music and art. The future is here. Stream Champions Of The Underground – Vol. 1 and be sure to grab the free download.

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The mix is a hard-hitting, fun-filled collection of bops and bangers while the interview gives us a deeper insight into the artist. We talk about Sweden, his music style, his role at Audius, balancing two unique artist projects, and more. Listen below or on Audius.

Tell us about the mix. What was your goal when putting it together?

Oh man, mixes and sets are always such a fun way of showcasing what inspires me musically. I love sharing incredible music with incredible people so this mix is really just a collection of what’s getting me going at the moment. It of course contains a lot of bounce, but it also has a good amount of trap and melodic tunes as well (both of which I’m really passionate about). I even threw in a new declares track as well as an unreleased banger from my good friend GURF.

How is Sweden treating you? Were you born and raised there?

I’ve definitely moved between countries a lot but yeah, I was born in Sweden and it has been the “home base” for most of my life. Up until age four, me and my family lived in Sweden full time, then up until a year or so ago we’ve kind of been all over the place, jumping between countries. Now I’ve settled in Sweden to lay my full attention on education even though my family is still actively traveling.

Sweden is an absolutely lovely place to be. Lots of awesome and creative people, lots of opportunities, and lovely landscapes, I truly couldn’t be happier.

after a lot of trial and error, a billion different genres, and what’s soon to be 6 years, we’ve ended up with Galazy and declares.

How long have you been producing? Did you have any musical training prior?

I grew up in a very musical household so music was pretty much always around in some way and my parents both come from a background of music and theater, but my journey in production has more or less been me figuring things out as I go along. I enjoyed playing the drums when I was younger so I did that for a few years, but that was more or less the only form of musical experience I had when getting into production.

It more or less started when I first stumbled upon the Avicii in the Studio video on YouTube and thought “Woah, I want to do that too!” Then after a lot of trial and error, a billion different genres, and what’s soon to be 6 years, we’ve ended up with Galazy and declares.

You’ve described your sound as “straight sound effects.” How do you take so many different sounds and translate them to a full track?

Describing the full production process of a track is tough but essentially most of it comes down to entertaining the smallest little ideas that pop into my head. Whenever I hear a little sound in my head, I try to find it and make it work. Whether it’s a sick drum fill, a cartoon sound effect or anything in between, I always enjoy the process of trying to convert the ideas in my head into actual music. Some people don’t like my approach as much as others, but I find that limiting my sound and sample selection severely limits my creativity.

I love blending styles and vibes together, so people such as ethanplus (bounce+goofy) and Anomalie (electronic music+jazz) really inspire me to challenge what I think should and shouldn’t fit in a song. There have been a lot of cases where I’ve shown other producers my workflow and my production techniques and they question why I do certain things or add certain elements (because “it’s inherently bad” or “it sounds stupid”). But when they listen to the releases without knowing what goes into making them, they typically love them. I think it’s fun to challenge people’s expectations and managing to do so successfully usually leads to a lot of fun reactions.

Aside from Galazy, you produce under declares. What prompted the two unique artist projects? Is it challenging to run both concurrently?

I love working on an abundance of different styles, genres and vibes. I of course write a ton of bounce as well as other bass tracks, but I also have a big love for RnB, Pop, Jazz, Funk, Punk, Metal and a TON of other genres. I write a lot of RnB and Pop as well (most of which never gets released) but the two main styles I’ve confidently landed in publishing is the Galazy bass bounce and the declares melodic bounce.

Whilst both of those styles are in a similar realm of music as a whole, I find there to be quite notable differences between the two, primarily in which “energy” they portray. Therefore I found it fitting to pursue both styles separately opposed to limiting myself to one. declares is definitely a LOT more relaxed and goofy in contrast to Galazy and that’s also kind of why I love it so much.

You’re also the Community Manager at Audius. How did that opportunity come about? What do you enjoy most about the role?

I started working at Audius around September 2019 just by helping them moderate their Discord community after a call they put out for new staff and from there things have only grown and it’s truly been such an incredible experience to be a part of. The Audius community has really stood the test of time and I’m incredibly happy to be a part of it, let alone to be helping it succeed into the future.

Even though I actively use and push my own music through platforms such as SoundCloud and Spotify, I really do believe that Audius has a great foundation to do great things for the music industry. I’m excited for the years to come…

We strongly prefer quality over quantity so don’t worry, we’re only building our arsenal…

Is the Music Blender on a permanent break or will it be returning soon?

Myself and The Music Blender team are currently taking a step back from releases, but we’re working on revising the brand and building a stronger foundation to be able to come back even stronger when we’re ready! We strongly prefer quality over quantity so don’t worry, we’re only building our arsenal…

What should fans expect from you this year musically?

Whatever comes naturally…Even though there may not be a clear roadmap for what’s to come, my passion for music will always stick around and there’ll always be new bleep bloop tunes eventually <3

Good music, good vibes and good people = happy galazy.

When you’re not producing or working in music, what do you enjoy doing?

Music is a massive part of my life so it’s hard to imagine a life without it, but beyond music, I have a big love for graphic design, sports, and in general just vibing. Good music, good vibes and good people = happy galazy.

Any final words for fans?
Oh man, thank you. If you listen to or enjoy my music, I appreciate you endlessly and I couldn’t imagine a world without you. I love everyone and I hope you’re all staying safe out there <3

Tracklist:

0:00 | Dabow – Stop
1:39 | ql1x & ZCR – ASTRO
2:57 | Dink – Theft
4:09 | san – plated
5:12 | GURF – GO CRAZY! [UNRELEASED]
6:16 | Boybap – PRADA
6:55 | declares. – jenny from the bounce [UNRELEASED]
8:17 | OhGodDC – MIX IT UP!
9:25 | GALAZY & kutsu – BRIM
10:22 | TWRK – BaDINGA! (Ethanplus Remix)
11:37 | Lasse & roshaworld – Jahil
13:27 | TICES – falling
15:14 | camoufly – me de amor flip
16:23 | ImBN – pa ti
17:58 | borny – reach
18:43 | katala. – percussion trip
19:37 | LYNY & church. – walk
21:09 | yojas. – why
21:52 | Mo Vibez – ghost
23:03 | milye – plottwist
23:38 | South, Naz3nt, kydksy & llewop. – whiplash
24:53 | BAGG & GALAZY – Brush It Off
26:26 | sweatyszn – hygiene
28:04 | knick., milye & Keeth – snickers
29:48 | Lasse, GALAZY & sweatyszn – Tell Me

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Being not only a producer but a community manager for Audius as well as the A&R for The Music Blender, the icon has been keeping very busy within the industry. Doing everything in his power to help evolve the community in a stylistic and impactful fashion. Supporting new talent, while also molding timeless records. From releases on Partica Artist Group and FORIAH RECORDS to teaming up with shining talents such as kutsu and LASSE, he’s continuing to impress not only his listeners but his peers as well. Leaving a memorable and important mark on history. And with his newest tune, he’s going full-throttle on energetic qualities and pure groove.

‘TOP’ is a fun and bounce-filled wonderland. The attention to detail mixed with whimsical sample choices is truly inspiring. You can easily tell the artist had a blast writing this one. From colorful melodies throughout the track to top-tier wavy patterns, it’s a track that keeps on giving. You’ll find yourself bopping your head over and over again to the constant and everlasting motion. Everything flows naturally and organically while pushing for something new and exciting. Succeeding to the highest degree! We’re very excited to see where he goes next! For now, make sure to go support by streaming ‘TOP’ via SoundCloud.

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Galazy has been making his way throughout the underground for a while now. His highly acquired skills have taken him to unexplored realms. Making his way to the top. And his rhythmic structures within his work can make any crowd go crazy with excitement and energetic praise. From releases on Partica Artist Group, FORIAH RECORDS and more, he’s continuing to amaze his audience and friends with mind-blowing works of art.

As for Paron, the Sweden-based musician has been working hard to achieve his many goals for the future. Dabbling in house music, this is a big and brand new step for the up and coming legend. Taking him out of his comfort zone, and gaining even more experience to take to his own style. Together, these heavy hitters are a perfect team and just made another big move for their careers.

‘Move Ya Body’ is a bounce-inducing drug to satisfy all needs. Combining both of their powerful and stand-out characteristics. From an impactful reggae vocal to get the energy high and ready, to inebriating and addicting chorus sections, this is by far an instant classic from both icons.

Their strong and formidable teamwork is truly inspirational and shown all around each section of the track. Everything flows together in an easy-going and lively fashion. Making you want to bounce right out of your seat and start dancing like no one is watching. A feeling you won’t want to leave. A feeling we all need nowadays. The sound design is top tier and infuses beautifully with every other part of the song. Making it stand out to the listeners entirely. There’s nothing about this track you won’t enjoy. Creating a positive stasis and mindset to start your day. So make sure to go support them by streaming and copping the free download of ‘Move Ya Body’ via Presently Lifted!

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Presently Lifted · Paron x Galazy – Move Ya Body

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‘WHY THE FUCK’ combines the pure beauty of drum selection, frequency manipulation, and overall arrangement. Whenever you hear a track from either of these two, they really have fun with their process. Which can be clearly heard throughout. From a ghastly introduction, teasing the main lead in the distance, to a monstrous chorus section which will blow anyone away, both artists gave it their all to honor the brand new label. What stands out in this piece is the gentle and addictive rhythm going on each second. Using each element to compliment the rest of the song. And every pocket of space is dealt with carefully to make sure it keeps it going. In an addictive and pleasant fashion. Most of all, it shows how good of a team these two make when creating true art for all to enjoy. So make sure to go support LASSE and GALAZY by streaming ‘WHY THE FUCK’ via FORIAH RECORDS. We’re excited to see and hear what they bring next!

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