‘Jungle Juice’ ropes you into a false sense of security with a very tranquil, mellow opening. The vibe shifts almost immediately when the vocals state “deep in the jungle,” bringing in drums with an echo effect that adds an air of mystery. “Jungle” is looped as the song builds creating unearthly amounts of tension before devolving into what I can only describe as what would happen if crunches and wubs got drunk at a bar one night and then woke up next to each other. The bass lines are sensationally rich and have a rounded texture to them, creating this all-encompassing feeling that makes the music even more impactful.

This is a song that will most assuredly be fantastic on a large system. If Indiana Jones wanted to add dubstep into its movie score, this would be a perfect fit as the tribal chant vocals mixed with the melody and flute elements make you feel like you’re raiding an ancient temple deep in the Amazon rainforest, looking for an abundance of treasure. Although you may not have found the physical reward you were searching for, the real treasure is this incredible soundscape that you get to put on repeat for the next several weeks.

Check out ‘Jungle Juice’ in all its glory below!

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With a tour about to kick off that will crisscross the United States, we can expect Ganja White Night to bring warm reggae vibes, beaming with dubstep bass, and smashed with their signature wobble sound, to masses of anticipating fans. It is hard to deny that their success isn’t palpable. After spending ten years building a dense discography of playful dubstep that was unadulterated by the scene across the ocean, Benjamin “Bamby” Bayeul & Charlie “Erwan” Dodson, have developed a unique sound blending trap, reggae, house, hip hop, and dubstep elements into a quirky-weird, drippy-dankness.

They released their promo mix for 2018 which you can check out below, and it is nothing but scintillating psychedelic synths, dramatic and emotional wubs, purring machinery effects, and rumbling bass. If you haven’t already, check out their website here, for their tour dates and locations.

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There were hints of ninja-related influences in the EP before it, particularly in its artwork; this time around, the theme runs rampant throughout, visible not only through the track names and cover art (which is similar to that of its predecessor), but also in some of his choices of sounds/samples between the unrelenting bass. His shadow clan includes the likes of powerhouses jPhelpz, Ganja White Night and Excision, to aid him in his conquest of darkness.

‘Pressure Plates’ is the perfect storybook opener for the EP – a bright start which ushers in something grand with its triumphant synths, along with elegant vocals to uplift the spirit, to help prep for a new adventure. Nearing the end, it transforms into a wobbly beast of a tune, with the synthwork becoming much more mechanic, as well as a switch in the vocals to help put on the pressure.

His first track with Virtual Riot, ‘Warriors of the Night’, follows closely behind in intensity, and has resemblances to Knife Party‘s ‘Centipede‘- an ominous opener, with a dude (possibly some renowned expert) giving some knowledgeable insight to the subject at hand – proof as to how the silent-yet-deadly ninja is superior to the loud and boisterous samurai (like how ‘Centipede’ boasts the giant tropical centipede’s superiority over the tarantula). The riddim onslaught continues for the next few tracks, with Ganja White Night and jPhelpz joining in the foray.

Datsik’s second and only other solo track, ‘You’ve Changed’, could very well be a personal homage to Datsik himself, since it stands out from the crowd by flashing hints of his older style. It could be seen as a sort of treat to those who have come this far with him along his journey, experiencing his personal growth to the point that he’s at now.

His and Virtual Riot’s second collab on the album, ‘Freakuency’, really lets loose – it has its own version of a freakout, complete with a well-timed curse for added rage, before unleashing a three-way final blast with ‘Find Me’ – which features Kelowna basslord, Excision, along with rising sensation Dion Timmer, forming a bass trio which incorporates each artists’ style, to conclude in the heaviest way imaginable.

To coincide with the release of Master of Shadows, Datsik’s also going on a huge ninja expedition all across North America! He will be accompanied by fellow audio assassins Space Jesus, Riot Ten, Wooli, Carbin, and Swage, as well as other special guests throughout their journeys. The crew will have within their arsenal a PK Sound setup, and Shogun-inspired visuals (courtesy of Wolves Live Visuals) to demonstrate their definition of silence.

You can grab tickets for the tour here – while you’re at it, make sure your ninjutsu skills are at peak performance before the Master of Shadows infiltrates your village!

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