anti. is one of the most underrated producers in trap right now and ‘FLEX’ serves as another reminder he’s next up. The track perfectly balances OG trap tendencies with a heavier bass vibe for a certified banger. ‘SAFEWITHME’ jumped out among the first section with the track proving to be one of Farrah most impressive releases to date. The bounce is immaculate, mixing booming low end with futuristic and mean club energy.

Anytime HUCCI drops it’s a treat and ‘Low Charge 6000’ is no exception. When it comes to making moody trap beats, there’s still no one better.

If you’re looking for some DnB the tape also has you covered. Jon1st’s ‘Step Up’ takes iconic rap vocals and creates a menacing off-kilter bruiser. Drawing on a similar dark energy, Rohaan unveils the monster that is ‘Sabertooth.’ This one takes you down dark alleys and into questionable dank basements for a raw rave aesthetic.

FUXWITHIT favourites Losco & golden child team up for the trap banger you’d expect from the two. The track finds that perfect balance between cartooney fun and brutish street sound. Another FUXWITHIT mainstay So Sus amazes with ‘Whale Song’ a track that draws from nature to create an epic sonic journey.

Anytime I explore a compilation I am hoping to find at least one or two new artists that truly wow me. So Durand and WERK checked that box with two of the most impressive offerings on the project. So Durand’s ‘Do2me (feat. Sacha Foster)’ is nothing short of an anthem. The emotive and catchy vocals lock listeners in while drops absolutely bang. Meanwhile, on ‘GEDDIT’ WERK bring a TNGHT-inspired sound that is nothing short of masterful. Warning: you may want to sell your soul to the devil just to ‘GEDDIT.’

TL;DR: Boost Tape 03 is one of the hardest compilations of the year to no one’s surprise. Listen below and grab it on Bandcamp. All proceeds go to MusiCares.

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Following a string of remixes spread over the last few months, GANZ returns today with a captivating original titled ‘Over Being Nice’ featuring poignant vocals from Australian singer Nicole Millar. Released via his own imprint The Orchard, ‘Over Being Nice’ pairs everything we love about pop and future bass, from the catchy lyrics to the uplifting melodiousness. Doing what he does best, GANZ lets Nicole take center stage in the introduction, highlighting her clean vocals above a minimal layer of crisp production. Around the fifty-second mark, GANZ ups the energy with quintessential, lively future bass elements without ever undermining the lyricist that remains present for the majority of the track. As the piece progresses, its hypnotizing appeal only continues to grow, making ‘Over Being Nice’ a certified bop. Don’t miss it below.

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First hinting at the project with the enthralling ‘Rufio’s Theme,’ GANZ has gone above and beyond with the Lost Boys EP. Each track embodies the graceful style that the talented producer has honed over the years, without ever growing repetitive. It would be a dishonour to try to describe each piece with words or to pick a favourite, as the project as a whole is a journey in itself. Cohesive yet not monotonous and captivating with a perfect amount of throttle to hook you in during the highs while drawing introspection during the lows, the Lost Boys EP is an exquisite project displaying GANZ at his best. Deserving of a few plays from start to finish, it comes as no surprise to see such a pristine collection on such a barrier-pushing label. Don’t miss it below.

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Last week, Quality Goods Records kicked off their inaugural digital festival, Quality Goods Exports, with sets from Ian Munro, Perk Pietrek, UZ, HWLS, and more. The event continues May 14-16 with Dabow, GANZ, Cozway, tapecut and many others. The fest showcases some of the best musical talent from around the world, so we thought it would provide the perfect opportunity to find out how artists around the globe have been adapting to the pandemic. We caught up with Cozway (Canada), Dabow (Argentina), GANZ (Netherlands), HWLS (US/Australia), Ian Munro (Australia), & Perk Pietrek (Singapore) to see how things are where they are, what they’re doing to stay motivated/sane, how fans can help artists during this difficult time and much more. Check out our full interview with the artists below!

How are things where you are right now? What are your days like? 

Cozway: Things have been pretty good. I’ve been working on lots of music stuff. One thing I have noticed is that I’ve been getting to bed and waking up later than usual haha.

Dabow: We are in complete lockdown! I think it’s going to be over soon, but it’s going well, I mean it could be worse… My days are pretty much the same as before, I wake up, breakfast with my gf, work on music a little bit, work out a few mins, eat, I watch something online, eat, maybe watch some Twitch again, eat dinner, and go to bed haha.

GANZ: I’m sort of used to the fact of working at home. I got my setup in my apartment, although I do miss being around people and my students sometimes! I’m teaching my students via internet right now (yes, I’m also a teacher nowadays). Since the Corona situation I’m waking up with with the curtains half open/closed to get used to the light. This is because I’m normally waking up at midday but now I’m trying to get more out of my day. So, waking up between 8:00-10:00, getting some latte macchiato or Red Bull and see what things I need to finish, doing the things I like the least such as accounting first. After that I’m having lunch around 12:00-1:00 and doing some Netflix after for an hour to break the day a little! Until dinner I’m continuing all the earlier stuff and getting started with the more creative stuff such as mixing tracks and working on new ideas. After dinner I’m trying to finish heaps of stuff and watch some Netflix or something later on before I go to sleep.

HWLS: I was in LA but came back home to the most isolated city in world (Perth, Australia) to isolate and spend time with my fam but my days are mostly the same, day to day hasn’t changed a great deal.

Ian Munro: To be honest, this end of the world is definitely managing it pretty well. That being said, our days are mostly spent inside, or at least away from people.

Perk Pietrek: I think things are pretty in control out here in Singapore. Obviously we all need some adjusting to but what matters is that we’re safe and with our loved ones. My days are pretty much the same as before except that I can no longer travel to my studio.

Making a lot of music for shows that nobody can hear right now. I’ve got more time now to find new music and come to new ideas. – GANZ

What’s been keeping you sane/motivated/excited through this?

Cozway: For me it’s been the hope that everything comes roaring back to life once this is over.

Dabow: Mostly working on my album, making samples, and some other online stuff like collabs and being in touch with the community, also being with someone during this quarantine, being alone could make it more difficult. I’m having fun mostly.

GANZ: Making a lot of music for shows that nobody can hear right now. I’ve got more time now to find new music and come to new ideas.

HWLS: Getting outdoors and a bit of exercise where I can has helped, but just learning new things in music and life helps to keep days occupied, just gotta keep working.

Ian Munro: Haha it’s hard, but I’ve just been trying to keep my head down and get shit done. I guess the only real driving force is the knowledge that I’ll never have this much free time again — it feels like a waste if I don’t at least attempt to make the best out of it.

Perk Pietrek: Now is a good time for me to think through what’s next after all of this. Make some exciting plans and look forward.

I’ve definitely felt a lot looser, and more relaxed these days. I’ve always been too much of a perfectionist when it comes to work so now’s a good time to change that into a more positive experience. – Perk Pietrek

Have you been able to find any positives or unexpected upsides as a result of the current situation?

Cozway: Yes, this is basically like someone froze time and let every artist work on their art without worrying about much else. In many ways it’s a huge blessing in disguise for us.

Dabow: Yeah, I think that the music industry is going to do a backflip after this, I am not sure in what way but changes are coming. Also not having the possibility of going to the outside world makes you go to the inside and get deep on stuff you didn’t see before. Or you didn’t make time for it.

GANZ: I’m able to work on more music and finding inspiration in new ways by seeing the world being super empty and quiet and I think a lot of people are exploring heaps of new music these days.

HWLS: It’s been good to get back to the simple things in life and learning new techniques with hardware I already have, the positives are to just make the most out of what you have.

Ian Munro: I picked up skating again — something that I haven’t done in like 8 years, but used to be such a huge part of my life. I’m rusty as fuck but it’s definitely keeping me active and giving me a reason to get out of the house.

Perk Pietrek: I’ve definitely felt a lot looser, and more relaxed these days. I’ve always been too much of a perfectionist when it comes to work so now’s a good time to change that into a more positive experience.

A few weeks ago I went to a shop and they told me I couldn’t get in without a face mask, I said, “oh do you sell these here?” “Yeah, but you can’t get in,” and I was like, “how can I get one if I can’t get into the shop to get one?” – Dabow

What’s the weirdest change or experience you’ve had amidst the pandemic?

Cozway: Having to lineup to get into limited capacity stores has been pretty odd, also not being able to sit and eat in my favourite restaurants.

Dabow: It’s not weird but it’s funny, a few weeks ago I went to a shop and they told me I couldn’t get in without a face mask, I said, “oh do you sell these here?” “Yeah, but you can’t get in,” and I was like, “how can I get one if I can’t get into the shop to get one?” Made no sense and they didn’t know what to say, I left and made one at home lol.

GANZ: Not being able to do shows or going to other artists shows!

HWLS: I haven’t felt to much change within myself or any experiences, I guess people are a little more hesitant to just go out for no reason at the moment, hopefully the paranoia will be something humanity can get through quickly post COVID-19.

Ian Munro: We moved from New Zealand to Australia one week before the whole world locked down. It’s definitely been a crazy adjustment living in a new country but being confined in four walls.

Perk Pietrek: It’s weird because this was actually the life I had in the past 1-2 years after I got out of the army. I was at home all the time working on music, and barely went out. But this time due to different circumstances, everyone else is going through it too.

How much has the closure of clubs and shut down of touring impacted you? What do you miss most about performing?

Cozway: It has certainly impacted me. I miss the audience and the ease of plugging in USBs and playing a set without having to worry about green screens, lighting or recording it.

Dabow: Oh man, I had the biggest show of my life coming. Two weeks before they announced it was postponed by the pandemic, I was supposed to play Lollapalooza Argentina at the end of March, now it’s supposed to happen end of November.

GANZ: Since I was planning the new EP drop, I hoped to do shows! Which unfortunately isn’t happening at this moment but I hope it’ll be sometime soon again. I miss seeing crowds going wild on your tracks and seeing their faces when dropping some demos.

HWLS: Hasn’t affected me too much, I haven’t really played a proper show since early 2018 so my time is still spent in the studio. I do look forward to getting back out there again in the future though, I am feeling more excited about performing again.

Ian Munro: Well, I quit my job right before this all happened, so no income is dope — but that’s part of the industry I guess. If I wanted stability, I should’ve been a fucking accountant haha.

Perk Pietrek: I think all performers are pretty bummed out about this. And we all definitely miss performing. We all just need to hang tight and things will get better in time

Have you been exploring any new revenue streams lately? If so, what are they and how are they panning out?

Cozway: Hmm not really, in Canada we’re blessed to have a government that is providing pandemic relief money to most citizens. But I will be looking into artist grants soon too.

Dabow: I’ve released a secret collection of 12 unreleased songs only on Bandcamp, for the Friday they gave artists 100% of revenue, that was a great way to get support. Also been working on samples, hopefully will get something going soon. And I am trying to get SYNC’s on my music too. I think that it’s something that could really help finances in the long term. Also I’ve been trying to get closer to my label idea, I just gotta keep working on it!

GANZ: I’m now able to find more time to do mixes for other artists.

HWLS: I still have my businesses outside of music to worry about and stay on top of so that keeps my days back home busy. At the moment I just been watching the stock market a lot too.

Ian Munro: Doing a bit of ghost prod, and a bit of graphic design where I can. Pretty much just picking up odd jobs to get the rent paid. We’ve just launched a YouTube channel too — so I’d love to build that to a point where we can monetise.

Might start trapping or start an onlyfans, who knows.

Perk Pietrek: We’re working on some stuff and will announce them hopefully soon!

Support the music and artists you care about. That doesn’t have to be financial either. Spread their music, get them heard, tell everyone about them, interact with their posts on social media – we do well when there’s demand for our work, so create that demand. – Cozway

What can fans do to help support artists right now and in the future? 

Cozway: Support the music and artists you care about. That doesn’t have to be financial either. Spread their music, get them heard, tell everyone about them, interact with their posts on social media – we do well when there’s demand for our work, so create that demand.

Dabow: Buy their art, sample packs, albums, singles, donate directly to PayPal. There’s a campaign on Spotify to help artists by donating directly but it’s not available for Argentina and a lot of other countries, and that’s kind of sad.

GANZ: Keep on streaming their music and don’t forget about them although there are no shows besides streaming shows.

HWLS: They can listen to their music, make playlists and share songs that are helping them, buy an artists merch if they have any for sale, donate through Spotify directly and cut them out. Basically just help anyway you can so they can keep creating and delivering you the goods.

Ian Munro: It’s hard, because as much as I believe we should support our local/favourite artists — I don’t think the responsibility should lie on the fans to keep us afloat. I guess the best thing we can all do is just do what we can. Tune in to a livestream or two. Stream music that you love. And once all this shit dies down — GO TO LIVE SHOWS.

Perk Pietrek: Buy their merch, support their bandcamp, share their music. And most importantly, fans need to engage with their favourite artists and show them support.

I’m really hoping that if there is something good to come from it all, that it gives local talent a time to shine. Since the borders are all shut, we need to be building up the talent from our own neighbourhood. – Ian Munro

What long term effects do you think the COVID-19 pandemic will have on the industry?

Cozway:  I think digital festivals and livestreaming are here to stay and will become another important way for artists to build a fanbase.

Dabow: A huge cleanup, hopefully!

GANZ: I think the clubs will be closed for a while and some people might be afraid because of getting too close to others again in venues.

HWLS: I think things will be downsized for a few years while the live aspect builds up. Probably more local support and line ups in the near future because travel will be minimal for some time. I hope promoters and industry people will see more talented people get opportunities they deserve during this time and put them on rather then build someone up because of a certain look/demographic.

Ian Munro: I think it’s hard to tell the extent to it all. I’m really hoping that if there is something good to come from it all, that it gives local talent a time to shine. Since the borders are all shut, we need to be building up the talent from our own neighbourhood.

Perk Pietrek: I think for some people, it is a good lesson to learn how to diversify their income streams. As for the music industry, this might just be the tiny nudge/push for everyone else to start spending more time and money investing into newer ideas and technology rather than sticking with the old

Just keep busy, keep doing you, keep learning. Be passionate about something and apply yourself to it during this time. You can make the most out of this time or you can sit around being bored out your fucking mind. – HWLS

Any final thoughts on the situation?

Cozway: I hope everyone’s doing well out there and keeping healthy! Better days are coming

Dabow: Appreciate everyone who’s helping each other. And never take anything for granted, what the media says, what the government says, do your own research, there’s info you can understand only by yourself.

GANZ: I hope it’ll bring people more together now and find love in music they didn’t know excited

HWLS: Just keep busy, keep doing you, keep learning. Be passionate about something and apply yourself to it during this time. You can make the most out of this time or you can sit around being bored out your fucking mind.

Perk Pietrek: Hope everyone is hanging in there! If you need to talk to someone, we’re here for you.

Everyone is dealing with the pandemic differently. Stay strong, stay healthy, stay smart, support your favourite artists. We’ll all get through it together.

The post How Artists Around The World Are Adapting To The Coronavirus Pandemic [Interview] appeared first on FUXWITHIT.

Released on UZ’s innovative imprint known as Quality Goods Records, GANZ presents a euphoric backdrop filled with star-gazing instrumentals and a high-pitched melody which flows discretely during the initial phase. As the track progresses, the appealing melody begins to build as a bass-boosted signature and perfectly positioned frequencies bring a sense of balance to the single. With subtle 808s and reverberating synths which cohesively flow to remind listeners this catchy single has the ability to be played on repeat, GANZ’s powerful display of enhanced sound design is definitely special within this one.

Check out what GANZ had to say and be sure listen to the track below.

“Being a music producer and DJ is the most wonderful job in the world. There is no better feeling than the taste of freedom and living by your own rules without any restrictions – the best decision I ever made, despite the challenges that crossed my path. This song is about passion and believing in yourself. This is about celebrating life – celebrating you.” -GANZ

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On June 1st, GANZ shared an emotional single titled ‘Let’s Fly Away Together’ featuring vocals from LUNA MAY that kicked off a string of tracks leading to yesterday’s Skin In The Game EP released on Dim Mak. The beautiful, melodic first single set the bar high for the remaining four tracks, but in usual GANZ fashion, he was able to meet the expectations with every following piece. A pop-electronic follow-up titled ‘Slippin’ featuring CUT_ displays GANZ’s ability to combine his ingenuity with the distinct style of his fellow collaborators. The final single titled ‘I’ll Be Gone’ is a segway into the remainder of the EP as well as into the apparent future direction of the GANZ project, as it meshes meticulous vocal chops with euphoric synths that are further intensified in the following track, ‘Skin In The Game’. The fourth track presents quirky fills and raunchy bass that is reminiscent of SOPHIE yet distinct enough to stand out on its own. GANZ closes out the project with ‘Playing With Fire’, a future bass/trap hybrid highlighting the Amsterdam native’s versatility and raw passion that he puts into his works.

The Skin In The Game EP is sixteen minutes of pure bliss, so check it out in its entirety below.

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