As a project that was teased by Getter for the last couple of months, expectations were high as fans didn’t know what was coming, but all had high hopes. In short, Getter delivered. In the six-track project, the talented artist cohesively fuses a wide array of his musical influences and past tendencies, from dubstep to hip hop, and from trap to future bass. Few have mastered such a diverse sound palette as well as Getter, and this mastery is on display from start to finish in the NAPALM EP. The project isn’t excessively long or drawn out, as Getter opts for meaningful, penetrating cuts instead of superfluous and unnecessary details. It seems as though Getter purposely tried to create tracks that embody their titles, with parts of ‘BAD ACID’ and ‘CLOROX’ leaving listeners uneasy in an oddly satisfying way. From the unsettling opening to the ethereal closing, every moment is precisely calculated and Getter has not disappointed.

Don’t miss the NAPALM EP below.

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The original ‘Head Splitter’ is one of Getter’s most memorable tracks, and it’s safe to say that Yvng Jalapeño has done it justice and then some. Despite running for less than two minutes, the edit packs a mean punch, wasting no time getting into the meat of things. The 140 BPM slapper is paralyzing with its complexity and dizzying with its aggressiveness. It’s a mean conglomeration of the various styles that Yvng Jalapeño has proven to master, further attesting to his raw talents. Don’t miss his ‘Head Splitter’ edit below.

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Despite not releasing a heavy tune in over a year, it seems Getter is ready to return to his roots as his newest single titled ‘Represent’ is ingenious bass music at its finest. Combining a Terror Reid-inspired beat with mind-melting sound design, ‘Represent’ is a fusion of all the styles Getter has skilfully honed over the years. It’s quick to the punch, with repeated stabs of bass layered above insanely crisp percussion sending listeners into a hypnotizing trance. A simple idea executed to perfection, ‘Represent’ is unlike anything we’ve ever heard before. Don’t miss it below.

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The emotional ‘Solo’, euphoric ‘All Is Lost’, and minimal yet melodic ‘Made For You (Alone Again)’ gave impatient listeners a taste of what was to come, and the excitement continued to build until now. Today, we can finally listen to one of the most anticipated albums of the year, and boy it does not disappoint. A Visceral thread on Reddit has people commenting their favourite tracks, with no song being mentioned twice in a row, yet every song is mentioned at least once. If this is not a testament to the diversity and quality of the album as a whole, we do not know what is.

You will only be disappointed by Visceral if you go into it expecting the old Getter. It has been made clear that this was not the direction he was going with it, so you’d be a fool to still think otherwise. Even then, some of the tracks such as ‘Numb’ and ‘Hold On Tight’ have that classic Getter “future bass” feel (think ‘Something New’ or ‘Ode 2 Phife’) to them with crisp production found in Terror Reid tunes. Any electronic music fan will appreciate the clean, sophisticated production and raw emotion that every track invokes. The sensations that emerge when listening to ‘On My Way Out’ and ‘Best Of Me’ almost make it seem as if you are feeling Getter’s emotions when he was writing these songs.

Strap in and listen to Visceral from start to finish below; you won’t regret it.

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The nostalgic wonky synth melody from the original leads the remix in a familiar direction, as the coveted pre-drop sample unleashes, the song takes a swift, deep turn. A grungy, crunching synth introduces SHARPS envious knack for eloquently crafted drops with expertly timed breaks and a rotating pattern of crisp synths and reverberating hums.

Further illustrating his ability to take an emblematic tune and weave in his own flare and tastes, SHARPS’ latest remix is further testimony of his unparalleled style of production. I am looking forward to seeing what he has in store for the coming year, and have confidence he will continue to test the expanse of his creative capability with each new release.

The post Bust Your Skull Wide Open with SHARPS Remix of ‘Head Splitter’ by Getter appeared first on FUXWITHIT.

Taking place June 8th-10th at Bingemans, this year’s lineup has amusement park rides, a waterpark, and a slew of top-notch artists sure to unite bassheads and festivalgoers across the GTA (and beyond). All things combined, it’s set to be an entire weekend of music, fun, as well as potential neckbraces the following Monday.

Last year was well known for its back-to-back-to-back set, which featured Cookie Monsta, 12th Planet, and Funtcase. The good news is that such an experience will be making a return this year – what’s more is that this year will feature an additional 7 back-to-back sets on top of that:
–Flux Pavilion & Doctor P;
–Midnight T & Megalodon;
–Excision & Datsik (Sunday’s headliners);
-and Zomboy & Skism, to name a few.

Pure dubstep/Riddim aside, there’s also going to be features such as Hydee for some solid dnb action, Space Jesus & Liquid Stranger bringing some glorious space music, and Sullivan King, who knows the intricacies of the guitar like the back of his hand.

Those who are more into the house side of electronic music will be pleased to hear that Saturday will feature some of the best in the genre! Claude VonStroke will be headlining on Saturday, along with a wide variety of variations of house. From French bass house sensation Dombresky, to the return of Daniel Portman, whose groovy set was much-talked about after last year’s festivities, to AC Slater bringing his Night Bass vibe to the grounds, there’s an entire afternoon of shuffling and g-stepping for those itching to do so.

There’s also a petition going around to help justify sound levels & curfew for the festival, which have proposed changes after last year caused a surge in noise complaints on the final evening. Considering how much energy everybody put into the Sunday closers, Zeds Dead, it’s not all too surprising, though – yet one can only hope that the residents and festivalgoers can come to an acceptable agreement.

Tickets for Ever After can be bought here – don’t sleep on this though, since this year’s already looking very promising! Take a look at the full lineup below.

Featured image courtesy of Ever After/Facebook; Zeds Dead picture courtesy of Tania Hiriart.

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Returning after once again dominating the bass music game with a huge tour and killing it at global festivals, the Canadian somehow found time to put together this massive collection of tracks and remixes of his last album, Virus. As expected it’s a bass fest – unrelenting, loud and in your face; check for the pounding womp of Barely Alive’s ‘Harambe’ remix for proof.

There’s so much on here (18 tracks to be precise,) it’s hard to cover it all – but just know it’s uncompromisingly great and you need it. You can stream it from below, and full release comes on September 12th.

The post Excision’s ‘Virus’ Is Brought Back To Life Via A Banging Remix LP appeared first on FUXWITHIT.

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