Each remix has their own special quality and blueprint. From a heavy sound modification from msft, to an airy and melodic take from CORTR, there’s something for every electronic music lover out there. No matter who you listen to, every remix will leave you wanting more. Ending your week on a very high note. There’s a very good reason to why these artists were chosen to serve this track justice. From beginning to end, you’ll have this package on repeat while driving around your area. It’s an excellent body of work thanks to the souls who gave it their all to shine a brand new light. Honoring the original as well as their own style of art. Make sure to go support all these legends by streaming the remix EP on all platforms.

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‘Rockstars Are Dead’ expertly blends crunchy, grimy basslines with the vocals of ‘Rockstar,’ guaranteeing that the early 2000’s rap/funk-rock retains its original feel while gaining newfound layers. The chorus, “You can’t be me I’m a rock star, I’m rhymin’ on the top of a cop car, I’m a rebel and my four four pops far so, It’s almost over now, it’s almost over now,” drives the listener into a proverbial frenzy, with “it’s almost over now” repeated on the build up for emphasis before it devolves into drops that are equal parts lively and weird. Keep GLD on your radar for 2019, as consistent releases like this will surely land them a huge year.

Words by Alex Bell.

The post GLD Triumphantly Flips Nostalgic ‘Rockstar’ appeared first on FUXWITHIT.

This duo, Matthew Christian and Jacob Holzman, hailing from Waterbury, CT has been in it since 2014 and have made good on their promises to redefine electronic music through their debut  four track project au_79. Influenced by some of electronic music’s contemporary artists such as Flosstradamus, A-Trak, Diplo, Skrillex, GTA, and many more they still are able to maintain a unique sound.

The biggest smash off this fresh collection is ‘Crimez’ which can be described as a hyper aggressive trap track that combines the emotions of the Jaws theme song and NWA’s ‘Fuck the Police’. The track is filthy, laden with eerie guitar rifts, shrill sirens, and just an over all feeling of raw, fiery fierceness.

Next up is ‘Handz’ which draws sinister parallels between putting them up to surrender to a dope performance, or to an intimidating authority. The track’s snare heavy intro builds up into a staccato, synth-slicer with the power to give palpitations. With so many twists and turns, GLD leave fans hot and happy like a clown-themed haunted house. A similarly steamy track is ‘Riotz,’ the high energy banger where GLD’s darker tastes are showcased. The vibrating bass keeps pace with the racing rhythm creating an intricate, and rapid-fire experience.

The final track ‘Revolutionz’  is a quirky concoction of taunting synths, and a bare-bone percussion section. It is a fresh-airy sound that still feels disturbingly dark. This track goes through several transformations that showcase just how hard GLD push against conventional boundaries. The epically powerful and enigmatic outro is moving and hints at the potential of GLD’s future endeavors.

Check it out below.

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