For many years now, Grandtheft has always been a strong and forward-thinking soul within the trap and overall music scene. Always experimenting, evolving, and delivering only the highest quality of art to date. Inspiring many up-and-coming artists around the world. Following in his legendary footsteps to create their own unique styles. Pushing the industry to brand new heights every year. And the fact he’s been working long and hard to complete this new album makes you even more excited to hear it in its entirety. Witnessing history. And it’s safe to say he’s created one of the most suave-sounding albums of 2021. You definitely don’t want to sleep on this.

Wild Ways is a complete roller coaster of groove and attitude. Highlighting Grandtheft’s old-school touch as well as showcasing brand new abilities. From beginning to end, it’s a blast of energy through each track’s intoxicating environments. But he wasn’t alone during this process. Joining him on this wild ride are heavy hitters Jazz Cartier, FH Snoop, Flosstradamus, and many more! Each being placed in their own sonic environments where they completely shine. Comforting and easily adaptable arrangements to bring out the best within them. Helping to drive the album down a road of success. It’s a pure masterpiece to say the least. No matter what song you choose, you’re bound to have a fun and memorable experience. So make sure to go show your support by streaming Wild Ways everywhere via Fools Gold!

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Connecting with Cadence Weapon, Grandtheft gets back to the gritty. Cadence Weapon comes through with swagged out bars that are pitched down for an extra layer filth. Snapping drums and chest-rattling bass will have your speakers set ablaze. ‘Jackson Pollack’ feels like the 2018 version of ‘Keep It 100’. It’s a no-nonsense banger primed to decimate clubs. Stream it below and grab it on Deadbeats.

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“We’re doing it for a good cause, but we might say fuck it and turn all the way up on a Wednesday!”

-Grandtheft

The best nights are the spontaneous ones. Sure, it may throw you off the following morning, especially if you have to work since it’s only the middle of the week. However, at times it can be for a good cause, along with some of the best memories.

Grandtheft and Embrace had a massive turn-out at The Velvet Underground for their event, Relief – which was only announced a day in advance, and with very little promotion compared to other events going on in the city. Nonetheless, the venue was packed well before midnight, and there were really no set times – just upwards of 10 different artists, from Strangerman to Pusher to JayemKayem to Skratch Bastid to Keys N Krates‘ turntablist Jr Flo to Hunter Siegel to Shaun Frank to Grandtheft himself, between 4 CDJs and 2 turntables – spinning one after the other (sometimes together) for 4 straight hours as one crazy back-to-back-to-back-to-back, with free reign over what was played. There were also a few appearances by Delaney Jane, who was on the mic singing her collaborative songs with Grandtheft and Shaun. Overall, the party vibe very much resembled that of Hunter Siegel’s No Neon series.

The set starts off with some funky disco samples, to help groove/warm up the crowd as people were trickling in to the venue at a moderately fast pace. As the first hour progressed, the vibes already started getting much harder. We were bestowed with trap, hip-hop, future house and bass house alike, as well as classics like Daft Punk’s ‘Around the World‘. Whatever it was, it was always a song to ensure the energy was kept high until the very end. There was even a solid segment of dubstep, which caused the room to go absolutely bonkers for a solid 10-15 minutes.

At intermittent moments, Delaney would cause a break in the madness to spread some inspirational words to the crowd, which further lifted everyone’s spirits. At one point, she even admitted to having never crowdsurfed, and the crowd fully supported her and helped her float around the room.

There were some repeat tracks, as is to be expected in such an occurrence – A$AP Ferg & Future‘s ‘I’m on a New Level‘ played at least 3 times; Travis Scott‘s ‘Antidote‘ dropped a couple of times as well. More than once, I hollered out “BAYBEEEEEEEEEH” in unison with Ferg’s ‘Work REMIX’.

After the b2b concluded, a few artists and Delaney turned to the mic and gave praise to those who turned out, and took a moment to talk about the devastation left behind by Hurricane Maria, not too long ago. All the proceeds from that night went to Global Giving and International Relief Teams, to give aid to Puerto Rico.

The event left us all energized afterwards, which felt sort of weird, yet rejuvenating for a mid-week evening. Nonetheless, knowing that proceeds were going towards helping Puerto Rico and the Caribbean, we felt like it was very justified, helping out fellow human beings. If this were to happen again, or even become a series based on good intentions, I’m sure that the cityfolk would most definitely be down to help show some support once more.

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This event will take place at Velvet Underground (Queen St. W) on October 11th, and is set to help raise funds for two charities – Global Giving and International Relief Teams, who will be receiveing all proceeds. The roster consists of some local all-stars, including Grandtheft himself, Delaney Jane, Hunter Siegel, Skratch Bastid, Keys N Krates, and likely some special guests as well, for the perfect mid-week turn-up to help out a great cause. You can buy tickets via TicketWeb, and RSVP on Facebook. Join us for a night of good will and good times!

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We caught up with STFU and asked them what they wanted people to get out of the rework, “Just enjoy the fucked up, fun aesthetic of it, and play it at parties, or whatever. We want it to be a crazy song. And you’ll probably see us performing something like it with keyboards and guitars in the future. It’s always an experiment for us. So thanks Grandtheft & Mad Decent for having us check it out! Oh and watch the voice-leading on the drop.” Stream below.

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In order to properly say goodbye you know they had to throw one last rager to go down in history. It was only fitting that Hunter Siegel’s No Neon took over the club one last time. The event series has been a staple in the city for the past two years with Hunter bringing through some of the best new talent and throwing down legendary impromptu B2Bs. With Hunter scheduled for an open to close set and special guests practically a given, the club was packed from the time it opened. I arrived before 10:30 and the line-up was already massive. There was a bittersweet energy in the air; a mixture of excitement and sadness. There was a huge buzz outside with everyone talking about who might show up for a quick guest set and discussing their disbelief that this was truly the last night out at The Hoxton. Every person you talked to shared the same sentiment, “I can’t believe this is it”.I got in just before 11 and it was already filling in nicely. Fast forward 30 minutes and it was packed with Hunter Siegel throwing down heavy. If it were any other night, you would of thought that it was easily 1:00 am. Considering the size and intensity of the crowd, he didn’t need to hold back, saving things for later, he just let it flow. This was underscored by him joking on the mic about wanting to save ‘Bad and Boujee’ for later and then dropping it before midnight. Although the special guests were a highlight to many, it needs to be mentioned that Hunter deserves an incredible amount of respect. Not many DJs can murder a party for 6+ hours and he did just that. Now on to the special guests. Going to the event everyone knew the finale was destined to see another iconic B2B session featuring some of Canada’s finest. Things kicked off with Grandtheft and never slowed down. From them debuting Hunter’s ‘Easy Go’ remix to Zed’s Dead’s DC straight up slaughtering things. The stage became a revolving door of incredible acts. Omar Linx hopped on the table to deliver some classics before getting into his most recent smash ‘Keep It Mello’. Oh and Sleepy Tom and Keys N Krates decided to drop in, cause why not right? In many ways the event was legendary but also felt like another night at The Hoxton. I say that not to disrespect the finale, but rather to highlight the fact that incredible B2Bs, guest appearances and overall amazing vibes are what made The Hoxton the best club in Toronto. Although it’ll never be replaced, let’s the hope its spirit can live on (likely at Velvet Underground). To all the DJs, organizers and staff, I thank you for 6 incredible years and a very special finale. #RIPHoxton.

Check out some of the pics below and head over to our Facebook album for the full gallery. All photos by Eryn McCarthy.

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