What makes Super Future’s remix stand out is his honoring of the dubstep genre through his sound design and drum programming. Not to mention the trippy arrangement. His past work says it all. Creating a new world for himself, he’s managed to gain a solid fanbase through his years of crafting fresh new bass music. Every release holds something unique and special. And he’s taking no prisoners with this new remix.

Showing no mercy, the track already pops off in the best ways possible. Introducing the vocal accompanied by a filthy and distorted bass line, it goes together smoothly with his organic drum pattern. Honoring the original, but with a twist. And once the chorus drops, it knocks you back, creating a feeling of shock and awe.

The rhythms Super Future incorporates always makes a huge difference. Making any bass lover go nuts wherever they are. The second drop is no joke either. Throwing in some new elements and patterns elevates the track by a ton. Keeping an addicting atmosphere for many to adore.

Super Future is an artist you want to pay attention to. He’s next on the come up of the underground. Pushing different frequencies and elements is one way he’ll gain your respect and love for his work. We’re excited to see and hear what he brings next. Go support him by streaming the remix below.

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Now returning to Deadbeats with the sixth instalment of the aforementioned series, GRiZ has seemingly outdone himself once more. Teaming up with Jauz on ‘No Doubt,’ the two icons have created an anthem that will transport you back an entire decade, delivering wubs and wobbles capable of destroying the strongest of foundations. It’s always fun to hear an exquisite take on old-fashioned dubstep with modern sound design, and GRiZ and Jauz have executed to a tee. Also part of Bangers[6].Zip are a collaboration with Blunts & Blondes that is equally a wonky as the opening track, in addition to a heavier yet still fun solo piece titled ‘Brain Fuzz.’

More GRiZ. What more could one want? Dive in below.

The post GRiZ’s ‘Bangers[6].Zip’ Takes Us On A Trip Down Memory Lane appeared first on FUXWITHIT.

Chasing The Golden Hour Pt.3 is an electro-soul lover’s wet dream. ‘Know Time Like The Present’ is the beautiful beginning of this record, reminding listeners to look on the bright side, even when times are tough. ‘Won’t Be Long’ and ‘Sweet’ are 2 Motown-heavy tracks that are saccharine in the best way. ‘Floating’ is aptly named, with light and airy synths that take you adrift, leading you to instrumental-focused ‘Where Will I Go.’

Like all electro-soul projects, Chasing The Golden Hour Pt 3 is something you have to experience in your core. It’s introspective, soothing, and healing. While fighting the power is important, so is self-care. And with this meditative mixtape, you’ll have no choice but to relax and let go.

Experience GRiZ Chasing The Golden Hour Pt 3 with us below.

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“Word up it’s the anthem, put your fucking hands up, smiling cause I’m young, rich, gay and I’m handsome” are the opening vocals of this immensely spicy piece, right before you’re greeted by the absolutely delicious sub bass that caresses every crevice of your being. The blending of Wreckno’s love for hip-hop stylings and Griz’s longstanding attention to detail in all facets of his production creates a piece that makes medical waivers a necessity for chronic dislocated hipbones from dropping it low. Flaunting an infectious amount of movement and swing, ‘Medusa’ may turn to bigots to stone, but your feet will be set completely ablaze as the beat takes control. A fantastic gift to the LGBTQ during pride month, this should be an unmistakable anthem for years upon years to come. Check it out for yourself below!

The post Griz & Wreckno Turn Bigots To Stone With Mythological ‘Medusa’ appeared first on FUXWITHIT.

With a powerful guitar riff aligned with seducing vocals, a bubbly beat begins to lead the single into a tech house inspired heater. Through the use of drum claps and cutting edge instrumentals, GRiZ’s reverberating bass undeniably keep his audience moving all night long. As GRiZ goes even deeper into the underground vibes,  subtle bass chords and a hint of distortion really convince listeners that they could dance with GRiZ no matter what genre he produces. Celebrating his debut on Night Bass, this track was undoubtedly a success to all those craving some tech-house with a side of funk.

The post ‘Could You’ Get Groovy With GRiZ On The Dancefloor? appeared first on FUXWITHIT.

While it typically takes a few weeks for the stream of remixes to trickle through the nooks and crannies of SoundCloud’s thriving underground audience, a tune such as ‘Griztronics’ was certain to receive a stampede of attention. Taking the behemoth of a collaboration one notch further, YDG untethered a vigorous treatment to the track just last week, which features subtle permutations in cadence and a wobbly bassline enhancement giving the track a flavor of its own.

Check out the YDG Edit of ‘Griztronics’ out now below!

The post YDG Puts Together a Riveting Bass Treatment to ‘Griztronics’ appeared first on FUXWITHIT.

First being premiered at Electric Forest, ‘Griztronics’ hits a little differently, containing a trap and bass convolution. Exceeding 150k plays on SoundCloud, this may be the anthem for the remaining festival season. ‘Freak The Method’ falls back to the future funk sound we are familiar with hearing. An infusion of bass and soul that provides a fervent hook created by GriZ himself. Supported by a groovy bass line and a live like drum complexity, this track causes a natural sway for listeners. The synths only add to the layers and enhance to intermittent verses that are tossed in throughout the drops. ‘Push The Vibe’ takes the to the next level with a much quicker paced track and displays an amusing vocal pattern. The percussive elements of the final track present high levels of energy and ends with a dose of trap on the final drop.

An unexpected release through Deadbeats has me itching for more of this heavier based sound of GriZ and increases the levels of interest for future installments of this series.

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He picks up the pace on the original, and flips the psychedelic electro-soul tune into a crunchy dubstep banger,  with the original’s sultry sax tones intermittent throughout. These are a complete contrast in pitch to the low-to-the-ground, electro-inspired synths of each drop. Dirty Audio himself said that he had “…fun remixing the real instruments that GRiZ uses in his music.” Eric Krasno‘s first verse is also present, and paints some colourful imagery onto the track.

The entire remix album features a remix for each track, done in the same order to the original album. Check it out on your favourite music platform!

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The post Dirty Audio Lays Down a ‘Wicked’ Remix of GRiZ appeared first on FUXWITHIT.

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Listen to the original:

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