Built around the flex-filled Gucci Mane vocals, ‘Bands’ mixes rap, dubstep, and festival trap tendencies for an absolutely devastating banger. The intro is trapped out as Gucci skates over the minimal backing. The lyrics are repeated for an anthemic feel before the pair drop it out into a distorted industrial aesthetic that’s off-killer and destructive in all the right ways. With gritty and massive production and the swagged out raps, expect this one to be a staple this festival season.

Stream Dirty Audio & Bobby Blakdout’s ‘Bands’ (feat. Gucci Mane) [Dabow & Hekler Remix] below.

The post Dabow & HEKLER Rework Dirty Audio & Bobby Blakdout’s ‘Bands’ (feat. Gucci Mane) appeared first on FUXWITHIT.

Opening up with those lush chords working together perfectly with Jessy’s vocals makes quite the introduction. Giving listeners a taste of what’s to come. As her vocals swirl through your hearts and souls, HEKLER and Dabow prepare to unleash their power beyond belief. Amping up the stakes as they incorporate monstrous drums in the form of a crazy buildup. And then, the chorus drops with a pure electrifying feeling. That percussive lead taking the spotlight will instantly knock you out of your seats. Throwing you off and making you truly appreciate the direction they went. It’s unpredictable and fun to the core.  Showcasing the artists’ versatile abilities in their craft. Bravo to them all! It’s an addictive experience you’ll keep coming back to! So make sure to show your support by streaming ‘HEARTBREAK PARADISE’ everywhere via MONTA Records!

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The post HEKLER, Dabow And Jessy Covets Escape The Darkness To ‘HEARTBREAK PARADISE’ appeared first on FUXWITHIT.

Today, Hekler looks to turn to a new chapter of his musical endeavours, leaving behind his old self for something fresh and exciting – but drawing influence from his vast experience. About the change, Hekler states, “I’ve always felt lost musically and really never knew how to express myself as an artist. That has changed dramatically.” With the announcement of an album on the horizon and the first single, ‘One I Want,’ out today, Bacus is ready to take the scene by storm once again.

According to the artist, ‘One I Want’ is “a love song with ambient infectious melodies representing someone you love and showing them that they’re the one for you.” Featuring lush vocals from Misdom, ‘One I Want’ is one of few vocal-driven pieces from Hekler, but his ability to make these work over his pristine instrumentals does not go unnoticed. From painting a serene soundscape under Misdom’s lyrics, to taking the limelight with shimmering synths in the drop sections, Hekler creates an vividly emotional piece in his latest, attesting to his undeniable talent. Don’t miss ‘One I Want’ below.

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‘Data Transfer’ begins in a peaceful and tranquil way, very gradually building in energy but keeping an ethereal and almost orchestral aura throughout. It’s only when an “evacuation sequence, activated” sample comes about that the hints of impending madness appear, before an ominous countdown transitions ‘Data Transfer’ into the beast that it is. Hekler’s distinct metallic sound shines in the first drop as punchy percussion and mechanical fills accentuate the lead. A rejuvenating bridge brings listeners to the latter half of the track, before Hekler unleashes all hell in a dubstep-leaning second drop.

There’s no denying that this is one of Hekler’s most impressive releases to date. Don’t miss ‘Data Transfer’ below.

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Now, Hekler returns to Never Say Die with another hybrid heater titled ‘Sync Mode’ that is sure to drive any listener straight to the insane asylum through its menacing frequencies. Certainly not for the faint of heart, Hekler builds up from an intriguing opening into true robotic chaos, unleashing distorted synths and rumbling punches to no end. The trap-influenced percussion paired with the heavy dubstep-leaning sounds are further proof of Hekler’s undeniable ability of combining the two genres with ease.

Don’t miss ‘Sync Mode’ below!

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Displaying a dexterity and versatility that is unparalleled in the bass realm, the What The Hek EP is not for the faint of heart. ‘Get Loose’ kicks the project off in full force, where Sam King’s distinct vocals are used to catapult the track into trap-riddim hybrid sure to send any festival crowd into a frenzy. Blurring the lines between all variations of bass music in a single track as he does so well, Hekler has created a wild weapon in ‘Get Loose’. ‘Doom’ follows, before ‘Excommunicado’ and ‘Bands’ see the adept producer return to his entertainingly obnoxious heavy trap signature. Every track is highlighted by pristine sound design and unique arrangements of heavy-hitting sounds that make this Hekler’s most well-rounded work to date.

A perfect balance of dubstep and trap, the What The Hek EP is sure to have a mainstay track for any bass lover. Don’t miss it below.

The post Hekler’s ‘What The Hek’ EP Is Not For The Faint Of Heart appeared first on FUXWITHIT.

First teased in Calcium’s Teeth N’ Bones Vol. 3 mix, the two promised to drop the collaboration if each of their respective tweets reached 500 retweets earlier this week. Bass fans around the world jumped at the opportunity of hearing the collaboration as the tweets quickly reached their targets, leading us to the impending ‘Doom’, out today on Never Say Die.

Straight off the bat, Calcium’s signature synths and percussion are heard, quickly building up to a climax of a barrage of gunshot-like stabs. The ear-shattering frequencies and monstrous sound design flex only continue to grow stronger as the track progresses, as Calcium and Hekler’s strengths are complimented in the drops. Showcasing their rapid evolution as sound maestros, the pair of producers play with tempo and timing in the second half, sure to leave dubstep fans awe-struck and fully satisfied.

Don’t miss ‘Doom’ below and stay tuned for Hekler’s upcoming What The Hek EP, out on April 26th.

The post Calcium And Hekler Foreshadow An Impending ‘Doom’ appeared first on FUXWITHIT.

Seas of casualties lie in wake of this conquest, as past behemoths such as ‘MF Thang’ and ‘Ultimate’ have single-handedly decimated entire crowds of victims in live sets and a collaborative Never Say Die debut seems to be the most ideal scenario in which these two styles could coalesce. It goes without saying that ‘Wraith’ is destined to be a lethal gauntlet of bass, narrowly suitable for the faint-hearted.

A piercing riser melds effortlessly into a rigorous medley of synths, which waver delicately amid storming surges of horns. A metallic, echoing drumroll reveal a subtle synth intricacy in the melody, which hastens in pace as a long-winded build kicks into motion. A riveting snare pattern possesses the track before suddenly, the echoing rhythm of drums return, bringing the build to its final crescendo before a startling vocal sample unleashes incisive, oscillating bass frequencies amid catastrophic sub fills.

Riddled with complexity, YOOKiE & HEKLER tuck excruciating levels of bass through every twist and turn of ‘Wraith’, while resourceful sound design and a veteran ear for production keep the beast within its cage.

The post YOOKiE & HEKLER’s Never Say Die Debut ‘Wraith’ is a Bass Gauntlet appeared first on FUXWITHIT.

Oh and as if the EP wasn’t enough, Hydraulix just dropped another track with Brillz & Macntaj entitled ‘Fouth Kind’ which sounds like an insane alien invasion. Listen below.

The post Hydraulix Impresses Once Again With ‘Trippin’ EP appeared first on FUXWITHIT.

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