The mix is 30 minutes of bass-heavy goodness featuring some unreleased gems, her own originals and edits, plus music from Moore Kismet, LYNY, Sully, Zeke Beats, and more! As for the interview, we explore her progression as an artist, what’s behind her social media success, talk about career milestones, mixing and mastering, and much more.

Where are you taking us with this mix? What should we expect when we press play?

This mix is a little chaotic (in the best way). I’m hittin ya with personality, movement, a lotta low end, and some fun IDs.

Tell us a little bit about your artistic journey. How did you go from beatboxer to DJ and producer?

I started beatboxing when I was 11, djing at 14, mostly messing around at home. I would take my first vinyl of A Tribe Called Quest’s “Midnight Marauders” and mimic the scratches back and forth. I always was playing with production too shortly after then and have been learning ever since. Each phase just built off the last. A happy marriage between all of em.

How do your talents as a beatboxer inform the way you approach production?

They’re totally connected. Sometimes I’ll literally beatbox a drop or a melody into my phone and build from that. It helps with rhythm, flow, and sound design. And a lot of my sounds like snares, risers, fills, are either sampled from my voice or inspired by how I’d vocalize them live.

I had to just stop mid set and take it in. It’s been on my bucket list forever.

Music has taken you to some pretty awesome places. What’s the best place you’ve been able to experience through music?

Red Rocks. No contest. The view, the people, the sound, everything about it felt surreal. I had to just stop mid-set and take it in. It’s been on my bucket list forever.

Any particular moments that stood out from the performance?

It was hot as hell, but I couldn’t stop smiling. I beatboxed live into ‘HIT MAKER’ and when the drop hit, the crowd screamed. That moment lives rent-free in my head. I’ll never forget it.

The world is always moving and ya gotta flow with it, without losing yourself.

You’ve been killing it on social media! What do you see as your keys to success on social media?

Every time someone says that, I really don’t see it. I’m not where I want to be, but I’ve gotten this far because I’ve been blessed with being different. No gimmicks, just showing people who I am. I stopped worrying about the algorithm and just focused on making stuff that felt like me. I still experiment, there is no one-stop shop answer to socials. You just have to be open to defeats and accept adaptability. The world is always moving and ya gotta flow with it, without losing yourself.

Do you have any advice for artists looking to improve their social media presence?

Pretend it’s a FaceTime call. Don’t wait until everything’s “perfect.” Post your process. Post your fails. Talk like a human, not a brand. And don’t try to be someone else, it’s obvious when you’re not being yourself. Your people will find you when you show up as you. I gotta be better at this too, I’m a bit of a perfectionist myself, and it holds me back in that aspect.

What do you view as your most important achievement as an artist? 

I think carving out a lane that actually reflects all of me. Beatboxer, Producer, Performer. I don’t have to hide any of it. Building that space in bass music means more than any single milestone.

What makes you happy?

When close friends of mine really enjoy something I create, watching people dance, spending time with fam and friends, watching my friends grow to where they wanna be, GOOD FOOOOD.

I saw that you mix and master your own music. It can be a struggle for a lot of artists. Are there any game-changing tips that helped you level up in this area?

Impatience hahah. It’s hard to wait and rely on other people, my ear is picky and I realized that this was something I had to learn myself. So lots of asking friends questions, tutorials, and trial and error. For me, the mix is 95% of it, the master is much more simple, I never rely on the master to fix anything, just adding some extra color, cleanliness, and a tad of volume. And always be open to learning more!

What are you listening to on steady rotation right now?

The Payser test 2 mix on SoundCloud. Trust.

What should we expect from you for the rest of the year?

More tunes, more shows, more experimenting!

Protect your energy, your voice is valid as hell. And if you need a sign to keep going, this is it!!!

Any final words?

Protect your energy, your voice is valid as hell. And if you need a sign to keep going, this is it!!!

HerShe FUXWITHIT Guest Mix Tracklist

HIT MAKER – HerShe
bla bla bla – notminimal.
Damager (Sully Flip) – Sammy Virji, Interplanetary Criminal
Raw – MPH
HOW 2 BUILD A BETTER BOY – Moore Kismet
Man Dont Care – Cee4
you better take this! – HerShe & Seth David
Hype Funk – Volume Unit
Get Haunted – Bizo
TURN ME UP (SHOGUN KNIGHTS RMX – Tisoki
SANDSTORM (KILLSAFARI REMIX) – Darude
Light Up – EPTIC x LYNY
ID – HerShe x Roto
Innocence 2025 (lysrgix flip) – Nero, Taiki Nulight
DOPE1 – Syzy x Olswel
CROWD GO – FRAXURE
HIT IT – Zeke Beats
Pop, Lock & Drop It – Huey
white tee breed (verse edit)
LYNY – Noxious (Anskii x HerShe’s Super obNOXIOUS Edit)
LYNY – NOXIOUS (SVMMIE FLIP)
ID – TVBOO x HerShe
SUPERMASSIVE – Super Future, SuperAve.
WE WANT IT WEIRD – Xotix

The post HerShe – Guest Mix + Interview appeared first on FUXWITHIT.

HerShe

With a career that began as a beatboxer at the age of 11 and expanded into DJing and producing over her teenage years, HerShe’s connection with music runs deep. The multi-talented artist has collaborated with FUXWITHIT favorites like sfam, Runnit, Wreckno, TVBOO, and Smoakland while releasing music on Deadbeats, Hypnovizion, and Wakaan. With a style that blends hip-hop influences with brutish bass and creative sound design, what’s not to love? She recently sent me some demos she’s been working on and I can tell you, she’s sitting on some HEAT. While I can’t say too much more about HerShe’s unreleased, what she has put out already does not fail to impress. ‘You Better Take This!’ alongside Seth David is a hypnotic club rattler that you’ll be wheeling back. If you’re in the mood for something dark, addictive, and swaggy, ‘CASH’ is it. The alluring vocals explore the many slang terms for the currency in a way that’s absurdly fresh and catchy. The 140 beat knocks finding that perfect balance between crazy clean and absolutely filthy. Once HerShe starts dropping more of the heat she’s been cooking up, expect to see her blowing up, we certainly do.
-C

[soundcloud url=”https://api.soundcloud.com/tracks/1801425747″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”166″ iframe=”true” /]

hjud

Eleven years into the game and we’re still at the cutting edge of the scene. Maybe more quietly than we used to, but we’re out there, with our ears wide open to catch the sounds and the artists of the future. This month, my pick is peculiar for several reasons. Not only does the producer duo I’ve selected have just one release under their belt, but said track came out less than a week ago. Icing on the cake? It’s the first release on camoufly’s imprint, kawaii bounce. Despite these appetizing premises, I’m aware that giving hjud space after only one release is a complete shot in the dark. Anyway, it wouldn’t be the first time here on Focus Five, and neither will be the last. Hailing from Milan’s thriving underground electronic scene, hjud are looking to carve out a space at the intersection of garage, house, and organic textures. Their debut release, ‘watchTHIS!’, is lethal. It’s one of those bangers that turns the dancefloor into a ring and will TKO you without any notice, without any mercy. The track itself is sparse, as if a fire had burnt away all the unnecessary frills. The fundamentals though, kick, bassline, groove are of a sublime quality, crafted down to the smallest detail. I could listen to an hour-long loop with just the kick and I’d be in heaven. While in ‘watchTHIS!’ I hear several Four Tet’s references (to his remix of ‘Pax’ or ‘Only Human’, for example) there is no denying that Drvmmer and Domm, their respective solo aliases, have brought their own repertoire of skills into play. If these are the premises, I feel it’s a bet already won.
– A

OBSES

Texture Music Supremacy. A simple, yet expressive Spotify biography. While some, especially up-and-coming, artists go overboard with their biographies trying to list out every single DJ or label who has ever supported them, OBSES lets his music speak for itself. With a discography only dating back to late 2023, I was hesitant to feature the French producer after being impressed by his second-ever release, a dual-single titled Catharsis / Partir released via Neosignal. However, as his discography grew in parallel with his accolades, notably showcases on UKF and Vision Radio, I figured it was time to feature OBSES to hopefully help his following blossom. Flexing an electrifying take on drum and bass that is often beautifully layered with emotion either through melody or through vocals, OBSES displays a production prowess that extends well beyond the recency of his catalog. In his latest (and debut) EP Tired of :, the artist further extends the breadth of his creations while staying true to his drum and bass style. Don’t sleep on OBSES.
-SC

yell.

Whisking through the layers of your soul, yell.’s creations can only bring enlightenment and reflection on one’s life, along with their choices. Shattering dimensions of emotion with crisp and poetic melodies. Telling a whole story through each release. Making listeners want more and more. From beautiful collaborations with enjoii, Aetherboy1, and more, to creating his own realms of pure satisfaction, the artist always delivers an above-and-beyond adventure for all to embark on.

His track, ‘no more pain’, describes him in such an incredible light. Set in a dark and hypnotic space, the track does a gorgeous job of grabbing your heartstrings. Pulling them gently with a cold and comforting touch. Making you feel real and human in the best ways possible. Those hard-hitting drums, and elegant synths combined with a haunting vocal work together in pure harmony. Making this a memorable staple from beginning to end.

The most recent track released, ‘in your eyes,’ is a monumental and crazy tune. Together with Bafu, they create a pure work of art. Right from the first couple of notes played, it drags you in immediately in a wonderful and gentle fashion. Setting the stage perfectly. Grabbing the hand of the listener and guiding them through a dark tunnel of dreams and possibilities. It’s a combination of sounds made beyond the universe itself. Individually making this one of their best tracks yet. We just know this year is going to be a wonderful next chapter for the artist. So stay on the lookout!
– JD

[soundcloud url=”https://api.soundcloud.com/tracks/2022829332″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/2006018855″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”166″ iframe=”true” /]

Tazu

Tazu is a Chicago-based producer with a self-described taste for “anti-pop culture.” I can’t say exactly what those words mean, but I think digging through his discography gives a good idea. This man’s SoundCloud page is packed with edits of Rihanna, Daft Punk, Charlie XCX, Nicki Minaj, and more, with each track being pumped full of some truly thumping bass/dub frequencies. These tracks are made to make you dance and, oh boy, they work. What I would give to hear some of these edits in a club live. His remix of Charli XCX’s ‘Everything Is Romantic,’ for example, is a bass house anthem. His remix of Ollie Weeks’s ‘More Of Your Love’ will catch you off-guard with its sultry rolling dub bassline and garage-inspired drums. Tazu’s solo tracks aren’t anything to scoff at, either. My favorite so far is his VIP of ‘Pump It,’ a certifiable trap banger packed with synthy grooves from start to finish. I guess you can call me sold on “anti-pop culture” from now on. Tazu fucks.
-BG

[soundcloud url=”https://api.soundcloud.com/tracks/1859678427″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/1781098056″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/1863583485″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

The post Focus Five – Volume 79 appeared first on FUXWITHIT.

But he wasn’t alone during this major process. Artists such as HerShe, Krilla, Scullion, and even Goodknight have all joined forces with Runnit to help elevate those timeless ideas. Creating a healthy blend of their styles, characteristics, and attitude to bring another veil of power to the EP’s vision. Unleashing a new type of warrior within each of them. Learning new tips, and tricks to take to their own works in the future. It’s a project such as this that really makes you smile and burst up with inspiration. So buckle up, because this five-track boost of fresh air will leave you speechless.

The Back Talk EP contains an aura of rebirth and a craving for success. From the first track to the last, you can tell how fluent the artist has grown with a huge upgrade in quality and tone. Everything you’ve come to love about the artist and more are portrayed beautifully in this set of gems. His craftsmanship of drum patterns and violent sound design truly stand out in such a shining fashion. Easily telling he took some high risks throughout the project. Showing a fearless drive for a wider and broader range of tonality. And his collaborators have done the same but through their own styles and whimsical placements. Bravo to everyone that is a part of this masterpiece. Execution is flawless. So make sure to show your support by streaming the Back Talk EP everywhere via Partica Artist Group!

The post Runnit Unleashes A Wonky Blast Of Energy With His Debut ‘The Backtalk’ EP appeared first on FUXWITHIT.