Originally expected to be five tracks, the creative genius continued with his surprises by adding a sixth track to the Find Paradise EP. That’s just the beginning of the surprises, too, as the project sees k?d exploring the unknown in terms of genres, yet does it so masterfully. Every track features the robotic, glitchy sounds that k?d has made his signature, but they are always flawlessly combined with unusual surroundings. While ‘Electronic Memories’ with Mickey Kojak brings listeners back to the artist they originally fell in love with, k?d goes full drum & bass in ‘Creator’s Flower’ and psy-trance in ‘Destroy The Universe’, blowing us away with his unmatched versatility and excellent production. ‘Polluted Blood’ and ‘Tokyo’ are further displays of the skilled producer’s innovative mind, touching on experimental, industrial bass and gritty electro. Finally, the EP’s title track is melodic and euphoric and contains those unique drums that scream k?d’s name, rounding out one of the most intricate projects of the year.

The Find Paradise EP is bound to have at least one track that will please any die-hard fan of a certain genre, and most electronic music fans will appreciate the genius behind every track. Check it out below!

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k?d’s Find Paradise tour kicks off on September 14th and will include more than 25 dates all over North America. Prepare for stunning custom visuals, stunning stage set up, and the freshest, new music off his latest EP.

The latest track from k?d has a hyper aggressive and futuristic flavor and is the first from the upcoming, and yet to be named, EP. ‘A.I.’ is as sleek, shiny, and intense as any imagined corporeal AI would be. With its quick-paced tempo, ricocheting laser beam affects, and throbbing bass lines, there is plenty to sink your teeth into without feeling overwhelmed. Each section of this track has its own character, but click together like puzzle pieces to carry the maniacal-mechanical theme.

What I like most about k?d’s style is that is straight forward, and stripped down but still smashes bass in your face, and vibrates your ribs. The intensity is not about how much the sounds are playing off each other, but how crisply they dovetail into a menacingly dark electro-pulsation. Devilishness is dashed into the mix with the tin-man, computerized vocal sample, that seems like the love child between robo-cop, and the Google Maps’s default lady-voice.

Check out ‘A.I.’ below, buy it here, and click here for tour dates.

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First and foremost, thank you Red Rocks staff for all your polite professionalism. Every time I am at this venue, the staff always stand out as helpful, kind, and super chill even in dicey situations.

The Colorado edition of the No Redemption tour was one to remember with its funky, electro-house sets, a seasoned party-crowd, and picturesque ambience: an amphitheater cut into the side of a mountain. The lights were powerful and amplified by the drizzly mist that seemed to grow thicker and smokier as the headliners approached. Unlike some of the previous events held at Red Rocks that FUXWITHIT has been able to attend, the stage was stripped down with openers playing at a front and center set up, and the epic, dueling cubes for Tchami and Malaa loomed over, waiting to be climbed.

Opening up the party was Mercer, a French producer, creating Neo House music, and is part of the four DJ’s that make up the collective Pardon My French including DJ Snake, Tchami, and Malaa. If you were lucky enough to make it through the Denver traffic to this opening set, Mercer warmed up the rocky venue with plenty of bass, billowing house synths, and quirky dance beats to get you on your feet.

Justin Martin

Up next was Justin Martin. Hailing from San Francisco, chill vibes eminated off Martin’s drum and bass set. If you have not had the pleasure of checking this interesting artist out, his style is super crisp, futuristic, but bold and bouncy with the bass.

At this point in the show, I was sure that this was going to stay a steady good time. It felt like being at a warehouse party in the mountains. The bass was throbbing, the crowd was on their feet, grooving, and Martin’s melodic remixes where warm, spunky, and fresh. Towards the second half of the set he cooled things off, playing with emotions, sampling saxophones, pianos, and slower rhythms. He picked up it back up at the end, bringing in trance-like dirty treble, crunchy synths, and supple guitar samples.

Just before our headliners, Tchami and Malaa took over their dueling cubes, the crowd was treated to a buffet of genre-bending by K?D. Starting out with heavy, hardcore bass lines, K?D pushed extremes and seemed to jolt the crowd out of Martin’s dream-state. The scattered darkness was tossed aside with a break away pop ballad duet with R&B feels, chased by a dirty drop and sharp synths- like touching your teeth to terracotta.

K?D

This set had something for everyone with plenty of crowd pleasing remixes, and a powerful style of mixing. It was intense, hard but still made room for moments that were simple and sweet, like when he beautifully sampled Björk. No one saw that coming K?D seems to have just skipped down an aisle that has all the best music catalogued from the the last fifty years, and he just skipped down it, touching all the genres that have branched and reconvened in electronic form.

After much funk, Tchami and Malaa finally took the stage, atop their cubes, and rained down fiery, future, French, house music. There was so much drama in there set, from the epic drops, the run through of their fan favorites, and plenty of their edgy, Euro-underground aesthetics.

Malaa

There were times when it was clear that they were taking turns and playing up on each other’s style, but when they transitioned to a solo stint, their individual flavor oozed from the stage, and engulfed the crowd.

Tchami

Tchami was lighter, more agile with his transitions and sampled plush sounds that were dashed against machine, cold synths. Malaa was methodical, unfurling prowling rhythms and swirling in steel drum clips. The duo ran through their No Redepmtion EP, and the hits including Malaa’s break out ‘Notorious’, plus my favorite ‘PREGNANT’, and Tchami’s ‘Shot Caller’.

Malaa

It may seem far-fetched, but this was honestly one of the dankest shows I have seem at Red Rocks thus far. The energy of the event was amazing, the night was perfect for a get down of the sort, and every artist surprised, and wowed with their unique style and sound.

Red Rocks

Tchami and Malaa will wrap up the No Redemption tour with a sold out show in San Francisco, but there are some murmurs that they may make an appearance at EDC Las Vegas. Here’s hoping.

Tchami and Malaa

Check out the No Redemption EP below.

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Photo credit: Mary Poffenbarger

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k?d X Medasin – 1234 – Free Download

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