White Rabbit (Lets Be Friends Remix)

I gave this 2nd spot in my Bass remixes of the 2010s when I made that list a few years ago, bettered only by Knife Party’s remix of ‘Last Time.’ Jonny (now on his own as Joyryde of course) and Oren did an insane job here of retaining the character of the original whilst refashioning it with all the vintage LBF energy they could muster. The vocal play across the track is captivating. This is pretty much as exciting as Bass music gets for me, and frankly, all 5 of my picks could’ve been LBF edits.
– N

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Du Hast (JAWNS Version)

This month I kick off my selection with something fresh off the press. Published just a few days ago, JAWNS’s version of Ramstein’s iconic classic ‘Du Hast’ is set to cause some giants mosh pits on dancefloors, no doubt. If you’re at a show and you hear this one coming up, prepare your elbows cause it will be mayhem. I’m not gonna lie, this JAWNS-going-metal trend is starting to get me.
– AA

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Skrillex – Bangarang (Kredo Bootleg)

It still saddens me the extent to which Kredo was slept on, and went under the radar. This bouncy, boisterous rendition of Skrillex’s classic original is a mile and away the best take on it I’ve ever heard – and I came across quite a few! The funky movement of this track is crazily infectious pretty much from start to finish. The only point it lets up is for a sombre midsection that expertly puts the fun into perspective. It’s Kredo in full flow.
– N

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FLUX PAVILION – BASS CANNON (LUCA LUSH LIFT)

This track has been sitting on my PC for the past 6 years. It’s probably my favorite Luca Lush edit and a steady presence in my mixes and DJ sets. Do you want to blow some minds? Just play this tune and the job is done. I love how he managed to make a more evil and mental version of the Flux Pavillion classic. This is how I imagine an alien invasion would sound.
– AA

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Maka & Waeck ft. Farisha – Breathe (Vexare Remix)

I think the oldest track from my selection, reflected a little in the dated feel of the production. However, that exact thing is what gives this track character – that feeling of being of its time, giving it added authenticity. It also oozes with nostalgia factor for me as one of the very first electronic remixes I fell in love with. The heart-aching vocal, the melodic twists in the drops, the processed robotic YOIs. Still raw and still sensational 12 years on.
– N

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SATiSFACTiON (YOOKiE EDiT)

YOOKiE has certainly delivered craziest tunes than this one, but I’m simply obsessed with this edit of ‘Satisfaction’. The first time I listened to it I found it just hilarious but as soon as I gave it a try on a proper sound system I had to change my mind!  Simple but super effective. This is bootleg business at its finest.
– AA

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Growin’ Up In The Gutter (Kill The Noise Remix)

Another remix that holds a special place in my heart. I remember showing this to a school friend – one of the only other people in my year remotely interested in bass music – and just watching his jaw drop when the unforgiving KTN Dubstep bulldozed through. The menace of Yelawolf’s vocal matches the heaviness perfectly across drops and builds. There’s a constant feeling here of something simmering, lurking below, ready to wreak havoc – which is what Dubstep is all about.
– N

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Herobust – Dirty Work (Cherney Remix)

The original is still one of the filthiest and most cracked tunes I’ve ever heard. Period. For some reason, Cherney decided to feed its madness by making it bigger and louder. I’ve never been a dedicated dubstep guy but I’ve always been fascinated by the megalomania of this remix. Some days I love it, some days I hate it. I only wish I had a video of my first reaction when I found it by surfing SoundCloud.
– AA

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Tisoki & Oliverse – Spongebob VIP

Only The Frim’s Doot Camp has ever come close to rivaling this VIP in terms of sheer, unbridled, cartoonish fun. I can’t even begin to imagine how much fun Tisoki and Oliverse must’ve had putting this one together. I genuinely had to check my phone hadn’t malfunctioned when I was listening to it for the first time, such is the uncontrollable and whacky nature of the vocal delivery. So colourful, weird, and cooky. We need more bass music that doesn’t take itself too seriously.
– N

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graves & Coolights – Say Things (Crankdat Re-Crank)

I’m pretty sure Nawtystep will agree with me when I say that Crankdat is one of the best in the bootleg business. His “Re-Crank” brand has gained a devoted following over the years thanks to a constant flow of top-notch edits. With almost two million plays on SoundCloud alone, Crankdat’s version of ‘Say Things’ needs no introduction. A timeless classic that always hits like the first time.
– AA

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Be sure to subscribe to Nawtystep’s YouTube channel so you don’t miss any new reviews, essays, and documentaries, or check his Patreon for more exclusive content. Last, but not least,  give him a follow on Twitter and Instagram so he can bless your feed with some quality content.

The post Bootleg Business – Vol. 4 (feat. Nawtystep) appeared first on FUXWITHIT.

Taking place on Friday, July 1st, the house music legend Dom Dolla will be playing an extended set starting from 10:00 PM – 4:00 AM at the iconic Brooklyn Mirage. With support from Lee Foss, Dom Dolla will be initiating the groove in full force as he has become recognized for his masterful skills in smooth transitions between elements of house, techno, and even that funk we all need in our lives. Be prepared for all of those filthy basslines and enticing vocal melodies to lure you in even further as thousands of attendees lose full control of their minds and body when Dom Dolla hits the decks. With limited tickets still available, be sure to grab your tickets to the highly-anticipated show here.

On the very special 4th of July, The Brooklyn Mirage is calling upon all those bass, dubstep, and trap enthusiasts for an event you do not want to miss. Headlining the venue for the 4th of July experience will be NGHTMRE for his DRMVRSE show alongside support from heavyweights ATLiens, Yookie, Frosttop, and more. To make the evening even more memorable, Kill The Noise is the special guest to throw down all those classic and new gems as thousands of attendees unite for a bass-heavy experience New York City has to offer. Grab your tickets here and get ready to go hard all night long with this hard-hitting lineup.

The post The Brooklyn Mirage Hosts Dom Dolla, NGHTMRE, ATLiens + More For 4th Of July Weekend appeared first on FUXWITHIT.

Tickets for this year’s event sold out back in September, in a record-breaking 16 hours – it goes without saying that the hype for this has been building exponentially since. Now that it’s revealed that this year’s festivities will include artists such as A-Trak, Pendulum, Kill The Noise and Rezz, the anticipation really sinks in, and all we can do is wait, day by day, for the August 11th-14th weekend.

The festival’s “main stage,” the Pagoda, is going to be revamped for this year’s event, after being torn down last fall; the Living Room stage will also get a complete makeover. Aside from that, there’s also been talks about some of the previous attractions held at the farm, which COULD indicate that there’s even more surprises bound to take place in mid-August.

The full lineup is scheduled to be revealed on April 17th, which is when the Shambhala team will also start releasing stage-specific lineups throughout the week. You can keep up do date with future announcements on Shambhala’s Facebook and Twitter pages, as well as the official Shambs website. And for those wondering where to possibly acquire tickets for the sold-out event, check out the Shambhala Ticket Exchange page.

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