Racking up even more frequent flyer miles at Never Say Die Records with his latest release, ‘Step 4’ could be the soundtrack to an absolutely epic video game boss fight.  ‘Step 4’ is the track you pregame burning the town down with, incorporating a menacing undertone that fills the listener with electricity making them question “maybe I do enjoy this whole ‘being evil’ thing after all?” Utilizing builds that make you want to get straight up rowdy, this song will send crowds into a malicious frenzy. UFC is currently looking into banning the use of this song before fights as it creates an unfair advantage for the listener. We’ll keep you updated on the situation.

For now, check out ‘Step 4’ for yourself below!

[soundcloud url=”https://api.soundcloud.com/tracks/678577617″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

The post LAXX Builds 4 Step Plan To Doom, Currently on ‘Step 4’ appeared first on FUXWITHIT.

Today, this short hiatus comes to an end as LAXX is looking to get into all kinds of ‘Trouble.’ A futuristic laser kicks off the track before LAXX catapults listeners to the past with a fast-paced, old-school video game-inspired melody. The energy and tension continues to build until a repeated “let’s get in trouble” sample brings about the quintessential LAXX madness. A 16-bar dubstep section features the signature sounds we’ve all grown to love from the veteran, before a short bridge flips the script into total trap insanity. In the last drop, LAXX only furthers his musical prowess with an increase in punch that will leave you in awe.

Check out ‘Trouble’ below!

The post LAXX Is Asking For ‘Trouble’ In His Latest Hybrid Heater appeared first on FUXWITHIT.

Much like a growing seed, a genre demands fertile, nurturing soil and a deep running system of support roots in order to blossom into maturity and survive the competitive landscape of the music scene. Founded in early 2009, Never Say Die Records and founder SKisM have furnished the necessary foundation that has allowed the bass genre to grow to where it is today, not to mention expanding into new & exciting sub-genres.

Toting an arsenal of veteran names such as Zomboy, MUST DIE!, Eptic & Trampa, the label has more than solidified their dominance over the bass realm; releasing consecutive Never Say Die compilations every year since 2012, each further revealing the seasoned cast of artists that have contributed their influence to the dubstep we know and love today.

Despite an extensive back catalog, SKisM maintains a rigid focus on the present moment and watchful gaze on future endeavors; demanding that past artists and newly acquired talents ceaselessly test the boundaries of their creative ability, which has resulted in a versatile evolution of sound for the label since its origination in 2009.

Now, with the sixth installment of the coveted Never Say Die Records compilation, we are enamored to see debut contributions from Mastadon, ECRAZE, and TYNAN as well as heavy-hitting sounds from seasoned veterans and Soltan’s first release of the year. And, as with all predecessors, there is not a single weak link in sight, providing sound confirmation that NSD will only continue to rule in 2019.

[soundcloud url=”https://api.soundcloud.com/tracks/544917285″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Every established artist has a signature sound that makes them easily distinguishable among others, but perhaps the most unique of them all is Eptic. Within five seconds of any of his tracks, a true fan is able to identify him in any mix. His contribution to Vol. 6 is no exception, jumping on the riddim bandwagon with his distinctive flair to unleash the monster that is ‘Ready 2 Die’. In typical Belgian overlord fashion, Eptic combines snappy vocal samples with his robotic synths and gut-wrenching bass to create one of the most forward-thinking riddim tracks of the year. Captivating your attention with an intricate introduction and keeping it with his forward-thinking approach is what Eptic does best, and ‘Ready 2 Die’ will have you hooked for its entirety.

[soundcloud url=”https://api.soundcloud.com/tracks/544927695″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

While 2017 saw IVORY make a name for himself in the bass scene, this year saw him establish himself as one of the greats. His Next Level EP lives up to its name, offering next level sound design and supernatural bass. It’s no surprise that his contribution to Vol. 6, ‘Unbreakable’, stands out among the best, as he continues to elevate his wicked engineering with every release. In his latest, IVORY introduces middle-eastern chants with a desert-like soundscape to create a dance-ready torrent. Don’t be fooled by the splendor, though, as the gap between beauty and bass is quickly met with a loud, cawing lead matched with heavy-hitting percussion to create a headbang-ready heater.

[soundcloud url=”https://api.soundcloud.com/tracks/544943160″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Who knows exactly what prompted Space Laces to become the Santa Claus of bass this year, but whoever/whatever triggered it deserves all the thanks in the world. Gifting his die-hard fans with more releases this year than the last 5 years combined, Space Laces has been on an absolute tear with his latest work. When his collaboration with Topi wasn’t included in the Vaultage 001 mix, speculation began as to whether it would ever see the light of day, before being included in the Vol. 6 mix and giving bass enthusiasts a new hope. To the pleasure of all, ‘Whiplash’ has made its way into the newest compilation, offering more insight into the mind of two musical geniuses. A picturesque introduction depicts a group of friends cruising down a highway (no pun intended) before a hasty rise in tension predicts an unfortunate event. An abrupt crash of monstrous sounds injures all, with meticulous sound design and a fury of bass causing additional damage. Elevating the glitchy take on dubstep throughout, the track continues to jerk the passengers, offering no escape from the ‘Whiplash’.

[soundcloud url=”https://api.soundcloud.com/tracks/544425036″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Thoroughly listening to a track from international bass aficionado SPAG HEDDY is nostalgic to strolling the streets of Little Italy. Whimsical accordion medleys blend an unmistakable influence of the Sicilian variety into the savory, high-energy buildup of the track which contrasts roaring synth jabs and a commanding vocal sample. As the frenzy grows in intensity, a squealing mixdown launches the track into rampant waves of unyielding bass. Despite an overwhelming extravagance of resonating frequencies, ‘Troupe’ flows coherently as a tribute to SPAG’s coveted tight percussion and expertise in sound design.

[soundcloud url=”https://api.soundcloud.com/tracks/543928110″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Utilizing heartfelt synth melodies and mesmerizing bass sequences, KRIMER constructs an immeasurable amount of emotional depth and suspense in the buildup of ‘Facebreaker’. As the riser reaches its climax, an assault of rigorous drums steers the track in a new direction, unleashing a meaty vocal sample which catapults the track into a volcano of erupting bass. Just as the billowing smoke begins to clear, a sample from Dr. Dre’s ‘Nuthin But a G Thang’ comes straight out of left field, heaving you right back into the licking flames of the inferno.

[soundcloud url=”https://api.soundcloud.com/tracks/544956306″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

A warm welcome and congratulations to TYNAN for making his debut on this year’s Never Say Die compilation — it’s been a real treat watching his style grow and develop in the previous 4 years and he truly deserves all the respect in the world for his hard work and talent!

The tune begins like the rebooting of a spaceship, captained by an otherworldly beast, which mutters a fierce growl as a repetitive snare drum kicks the vessel into orbit. As the ship begins to reach peak altitude a fatal software malfunction causes the navigation system to sputter uncontrollably, rerouting course directly into an oncoming fleet of bass-clad asteroids. Although the pilot appears to be coherent, he cackles menacingly as a meteor narrowly scathes the right wing, almost as if he had planned this treachery all along. Despite a more foundational trap style, ‘Usurper’ is sheathed in bass and lacks not an ounce in production.

[soundcloud url=”https://api.soundcloud.com/tracks/543501783″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Christopher Columbus of dubstep, Zomboy is an undisputed pioneer of sound design within the bass realm, with a foundation in production, laid nearly 10 years ago, his riveting style of thundering percussion breakdowns and relentless synth arrangements furnish a template for dubstep tracks still to this date. However, it is an insatiable hunger for progress which sets Zomboy apart from the masses, unveiling with each release an unbridled desire to expand his timeless infrastructure even further.

Flaunting his production expertise right out of the gate, ‘Hide N’ Seek’ opens with a complex digital introduction, coaxing you within earshot of the sensational trademark melody of wailing, harmonious synths. An exceptionally placed break leads seamlessly into an onslaught of drums, unleashing a captivating wave of rapid synths, which build teeming anticipation in the track. A vocal sample delivers the fatal blow, exposing a breach in the walls through which an assault of bass lays siege, demanding immediate surrender with no promise of survival.

Year after year, the growing anticipation is almost too much to bear — beckoning the question, how can the sheer volume and audacity of the previous year possibly be topped? However, expectation and reality flow in perfect synchronicity with Never Say Die; and Volume 6 carries with it an insurmountable quantity of bass, delicately crafted sound design & meticulous production worthy of all praise.

[soundcloud url=”https://api.soundcloud.com/playlists/657840750″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

Word by Steph Contant & Sam Lewis.

The post Bring in the Ruckus with Never Say Die Volume 6 appeared first on FUXWITHIT.

That’s right. LAXX has enlisted a combination of well-established and up-and-coming producers to remix the Fake Friends LP. With a surprise announcement earlier last week and MUST DIE!’s ‘High From It’ remix appearing on SoundCloud five days ago, fans have been dying to get their hands on the rest of the remixes. In true Never Say Die fashion, the album features nothing but the gnarliest tracks as it is transformed from a versatile project into a gut-wrenching forty minutes of bass. With the typical label artists such as MUST DIE!, Dr. Ozi, Spag Heddy, Gentlemens Club and Krimer making an appearance, Fake Friends (Remixed) also features a combination of new and old Black Label artists who bring the nastiness to another level. SHARPS, Calcium, JOOL, Tiigers, Oddprophet and Oolacile all make a statement with their remixes, proving to listeners that they are forces to be reckoned with in the bass scene. The remixes are capped off with a LAXX VIP of ‘Let Em Know’, where the original album creator makes frantic seem organized in one of his wildest tracks to date.

Strap in for an absurd ride and check out Fake Friends (Remixed) below!

The post LAXX Enlists The Best For Enthralling Album Remixes appeared first on FUXWITHIT.

‘Heart’ features two of the most promising up and coming acts in dance music. Not only does LAXX have his own debut album out soon, but GG Magree is commendable in her own right. Cosigned by Zeds Dead and Jauz, and signing vocals for one of the most recognizable songs this past festival season, ‘Frontlines’, we can expect to see a lot from these two going forward.

Word by Elise Smith.

The post LAXX & GG Magree Embody Heartbreak Perfectly With ‘Heart’ appeared first on FUXWITHIT.

[soundcloud url=”https://api.soundcloud.com/playlists/279422646″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post FUXWITHITFRIDAYS – 146 appeared first on FUXWITHIT.

[soundcloud url=”https://api.soundcloud.com/playlists/158142013″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post Brillz New EP Will Have You ‘Geekin’ appeared first on FUXWITHIT.