Check out Dime A Dozen below and lookout for broke.

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that boi retro! with his classic hip-hop patterns, MCTR diving into ancient culture with his melodies, and Keeth shedding a new light with sophisticated arrangements. These powerful entities have no limit and continue to push the unknown to their audience. And putting these legends together only results in the highest quality for the trap music genre.

‘Money Out Of Fame’ is a mischievous and whimsical work of art. It takes each artist’s highly developed techniques and puts them to the true test. From impactful drums, intoxicating grooves and spacious melodies to glue it all together, you can hear how much fun they had creating this heater. Every section honors their musical bond and styles being fused into one monster of a track.

Nothing feels rushed or overdone. Nothing but smooth and suave qualities to take over your soul with every listen. Finding yourself addicted to their highly acclaimed ambitions and passions for music altogether. No matter where you are, you’ll immediately find yourself being sucked in into a brand new realm with this instant classic. So make sure to go support them all by streaming ‘Money Out Of Fame’ everywhere via Trap Party!

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Exotic, enthralling and dripping with knock, this collab is trap heaven. Dragging listeners into an Egyptian Pharoah’s burial chamber, the sound is regal, dark and powerful. This one packs more heat than the desert sun and the precision of pyramid architecture. Tribal chants conjure a near spiritual experience while ghostly bends add to the ominous appeal. Grunts, pitched rap vocals and heart-pounding bass create the perfect classic trap balance.

With the samples at the centre of what makes ‘Horus’ so special, we had to take a deeper dive into Lenny’s sample process.

As I’m fascinated by ethnic chants, ancient vocals and choirs, human recordings etc; which are impossible to create yourself, I went ahead and found a ton of cool, partly really old sample libraries. I’m still always looking for new ones, steadily enlarging my collection. It’s one of my favorite parts of producing when you are hella inspired to create and you sit down at night, just browsing through tons of ethnic samples while building up ideas in your head, dragging out the ones you want to use into your projects. It’s so many that you can’t memorize the samples, so each time I go through them, it’s like opening a present, finding new stuff in your library. You can compare it to rummaging through a huge library of books, just that it’s sound and that it’s all stored on your PC – fascinating to me. In addition to that, ethnic samples contain a kind of energy no other samples do. Sometimes you know it was recorded in a real African village – not in a studio setting or when it’s a Maasai choir sung by a whole tribe, it’s really taking you to different places, just by listening to it.
-Lenny

‘Horus’ is a truly transportive journey, taking listeners on an exotic adventure through sound. Listen below.

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