‘Brink’ is a fun and everlasting feeling of excitement and inspiration. These guys never cease to amaze their audience with memorable rhythms and sound design. From the cover art alone, we’re able to get a feeling on where this could go. Starting out with a catchy hip-hop beat, we can hear the main lead in the back. Getting us ready for what’s to come.

With the breakdown getting faster and faster, it leaves the listener in a hypnotized daze. Falling right into their grasp in terms of attention and curiosity. Then all of a sudden, it comes together in a big and monumental state. Knocking you into the future. The chorus contains a thick bass lead and heavy drums to compliment the track as a whole. It’ll have you bobbing your head back and forth being immersed within their creativity. If there’s a quick pause of drums, they’ll easily fill the space with some wonky samples. Keeping the energy flowing.

When you thought it was over, they immediately drift right back into your head for round two. This time, we hear a similar style lead as in the first, but more filtered. Creating a new kind of space to go crazy to. Leaving us with a wide and open atmosphere. Making us want more.

L*o*J are a powerhouse duo. They truly take their time in producing fun filled pieces and ‘Brink’ is definitely one of their most memorable creations yet. Make sure to show the love by streaming the single.

[soundcloud url=”https://api.soundcloud.com/tracks/928696696″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

The post L*o*J Swerve Into The Finish Line With ‘Brink’ appeared first on FUXWITHIT.

‘Jitter’ begins with a dark melody and GURF wastes no time adding thunderous drums to give the track a thick spine. Before you can prepare yourself, GURF launches an all out assault on your speakers, twisting textures and leaving us on the floor. While reflecting on the track, GURF stated, “I’m a drummer so I think of these things rhythmically, I quite often beat-box and solidify a rhythm of the fill first, and THEN experiment with what textures sound good”. This is clear as day in GURF’s productions, where he’s got so many layers of wubs, wobbles, and weird, atonal percussion hits, all swirling together under enormous trap drums. The flow on the second drop of ‘Jitter’ is absolutely next level wonkyness, with thick wubs, and short vocal sounding chops, it’s enough to make you debate taking your computer to a doctor.

GURF has once again done it with ‘Jitters’, check it out below. Out now on Music High Court.

The post PREMIERE: GURF Gives The Room ‘Jitter’s appeared first on FUXWITHIT.

Intriguingly meshing his recent drum & bass inklings into a 90 BPM bass-rattler, Rohaan demonstrates his ability to ceaselessly innovate in ‘Fore.’ The introduction is minimal yet ominous, piquing one’s curiosity as layers of effects and sounds are added gradually. Wasting no time, the track quickly becomes weird and wonky in the best way possible, staying true to the stark theme of the opening without omitting a heavy beat and crisp flow. Using the midsection to further the supernatural tension introduced in the first half of the track, Rohaan then ups the ruggedness and wobbly nature of the track in the second drop, again showcasing his natural production prowess. Don’t miss ‘Fore’ below.

The post Rohaan Creates A Minimal Yet Alluring Beast In ‘Fore’ appeared first on FUXWITHIT.

With a name like ‘Evil Eye’, you already know it’s going to be as diabolical as possible. In true Holly form, he didn’t disappoint, as you can almost hear his maniacal laughter in the background as the grime washes over your body. Evoking vibes that float freely between mad scientist and necromancer, listeners will be left wildly wiggling to their heart’s desire, while also feeling at their max wicked capabilities. Putting the experimental rightly in experimental trap, ‘Evil Eye’ incorporates a lot of elements from bass music that aren’t associated with traditional trap stylings, giving this track even more attitude and individuality. But those two elements, attitude and individuality, seem to be at the forefront of everything Holly stands for, and are assuredly exemplified throughout the entirety of his discography, and even more so in this most recent example. Check out ‘Evil Eye’ for yourself below!

The post PREMIERE: Holly Gives You The ‘Evil Eye’ With Latest Single appeared first on FUXWITHIT.

‘Rezonate’ is a slow-builder, captivating your intrigue through ominous effects as looming percussion is gradually added to create more tension. As the fifty-second mark hits, the track takes a turn toward the gritty as Jon Casey curates a menacing section that blurs the lines between trap and experimental bass music. Retaining an underlying Jon Casey groove while simultaneously boasting a rugged feel, ‘Rezonate’ gets better with every listen. Don’t miss it below. Out now on Music High Court.

The post Jon Casey Gets Down And Dirty In ‘Rezonate’ appeared first on FUXWITHIT.

The difference in styles between the two artists was not evident to overcome, though. “As I said before, I was going into writing a song for Mike (DAD) kind of nervous just because his voice has a pop-ish kind of sound that I never really worked with before. Most of my stuff being fairly dark, I went into it as open as possible and just let the ideas flow,” Lucchii continues. “About a week later, I had a pretty awesome idea going and shot it Mike’s way. He loved it. Upon finishing the magic on his end, he let me know that he had to transpose the song up around 4 semitones due to his voice not being able to hit that low of a register. Unfortunately, with drops written and most of the instrumental already mixed, it was a nearly impossible change for me to make on my end. I assured him in his nervousness that we would not waste the amazing performance he delivered. I ended up starting new and writing around his vocals and behold, ‘Chøsen Ønes,’” Lucchii’s latest that we are ecstatic to premiere today, out now on Music High Court.

Continuing to build on his newfound sound, the Las Vegas-based producer keeps his momentum from ‘Legacy‘ and ‘Løst‘ alive with ‘Chøsen Ønes.’ The experienced sound designer pushed his boundaries to new limits with this track, wrapping DAD’s poignant lyrics in an ethereal soundscape so versatile that the direction of the impending drop is unknown until it hits. When it does, listeners are thrown into limbo, with dark synths and undertones contrasted by the upbeat vocal chops and punchy percussion.

With Lucchii promising ‘Chøsen Ønes’ to be only the tip of the iceberg, we’re stoked to hear what’s next from the talented producer. Until then, don’t miss his latest below and grab it here!

The post PREMIERE: Lucchii Contrasts Dark Undertones With Poignant Vocals In ‘Chøsen Ønes’ appeared first on FUXWITHIT.

‘Cross Faded’ opens with a mosaic introduction lined expertly with warm, gently pulsing synths and subtle whimsical chimes springs crisply into upbeat accordance of percussion, growing steadily as shooting energy heaves the track into a turbulent drop of high-pitch squeals and reverberating subs. As the insatiable melody rejoinders, the track makes a majestic pivot, elevating into an uplifting cascade of graceful wavering synths, tantalizing vocal cuts, and profound gasps.

Nimbly transcending the perceived division between genres, NXSTY & Loca’s latest single stands tribute to the untapped diversity of collaboration and stands as a shining example of the complexity that can be unraveled within a single track.

[soundcloud url=”https://api.soundcloud.com/tracks/606983634″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

The post NXSTY & Loca’s ‘Cross Faded’ Single-Handedly Transcends Genres appeared first on FUXWITHIT.