‘Vertigo’ begins with an eerie atmosphere and dark mood, that slowly builds until the track crashes into a simplistic but heavy hitting drop with a delayed lead that wiggles around the track. The stretched and distorted bass noises that appear in ‘Vertigo’ are absolutely insane and give it a lot more depth. The sweet spot in this track comes at the second drop, where it’s a gigantic chop of all the elements of the track re-arranged and mashed up in a wonky order.

‘Vertigo’ is sure to make listeners heads spin while listening, check it out below.

The post Pigeon Hole & thook Team Up To Give Us Sickly ‘Vertigo’ appeared first on FUXWITHIT.

Hooking you from the get-go with an eerie melody and effects reminiscent of a recent apocalypse, the duo do not waste time before turning into mad scientists. As the fifty second mark hits, there is no sign of turning back as frantic synths, captivating melodies and rugged fills bring you into the depths of wobble madness. Although comprised of only a single drop, the seventy-five second section is enough to give listeners the darkest of nightmares. Don’t miss ‘ASTHMA ATTACK’ below!

The post Pigeon Hole Offer Hyperventilating Hit ‘ASTHMA ATTACK’ appeared first on FUXWITHIT.

‘No Coming Back’ begins with classic hip-hop drums, layered over a haunting emergency alarm blaring in the distance. As the intensity builds, the listener is given a sense of urgency to find cover before the track unleashes into a gritty, apocalyptic soundscape that warms your speakers. After the first attack, the vocals, “Coming Back” echo, warning listeners that they aren’t finished with their assault. The second drop is full of wiggly, destructive sounds over a bouncy rhythm, that is sure to decimate dance floors.

The post Pigeon Hole Take No Prisoners In ‘No Coming Back’ appeared first on FUXWITHIT.

Fast-forward to 2019, and the group has had major releases on Wakaan, Outer Realms, Gravitas, and Sleeveless Records, just to name a few. Their first single of the year was part of the stellar Saturated Warriors compilation album between Saturate and Sleeveless Records, and now hot off the presses is their self-published single ‘Wide Eyed’. The song begins with an airy, alien sounding extended synth that sounds like the death star is warming up its death cannon, and then right before you expect a reality-shattering bassline to occur, you get hit with a saucy hip-hop sample of “I don’t give a fuck about”. It’s clear what they don’t give a fuck about, and its following trends that other people set. Their commitment to finding and honing their own unique sound is palpable throughout this piece, as they majestically blend their hip hop roots with their current love for sound experimentation. Sprinkling vocal samples throughout gives major energy boosts to this song and adds multitudes of style. The second drop is an absolute slapper that really rounds out the overall progression of the song, fully fleshing out the thickness of the layering.

With only two songs out so far in 2019, and with both being absolutely massive, fans are left eagerly waiting for what comes next from this supremely talented combo.

Check out ‘Wide Eyed’ for yourself below!

[soundcloud url=”https://api.soundcloud.com/tracks/597966498″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”450″ iframe=”true” /]

The post Pigeon Hole Get Sassy With ‘Wide Eyed’ appeared first on FUXWITHIT.

“The front row is where the die hards are. That’s still where we like to be when we watch someone play. The front row is where you really experience the bass bins. It’s basically a shout out to everyone who really came to get down to the music,” Pigeon Hole explain. The vocals “Front Row space shit” form the foundation of this masterwork. “The vocal is Colin from Pigeon Hole. We do our own vocals for the most part, cause that’s how we started making music. Rapping and making rap beats,” the guys tell us. Drawing from their rap background they inject an undeniable hip-hop energy while pushing the boundaries with sound design and menacing bass. The otherworldly synths dance under the tweaked vocals creating an extraterrestrial energy. As the drums build, Pigeon Hole hit us with “the underground shit from basement.” The deep bass hits like drug, controlling your mind and body into a powerful sway. ‘Front Row’ feels like a rave in the wild with the only light coming off the circling space ships. Take a trip into it below.

Noise Parade drops tomorrow. As for what to expect? We’ll let Pigeon Hole tell it, “High energy hip-hop influenced bass music. We like music to be raw and aggressive, the EP is that, but we keep it playful. It’s a balance.” Trust us when we say you don’t want to miss it.

The post PREMIERE: Pigeon Hole Tease Upcoming EP With ‘Front Row’ appeared first on FUXWITHIT.