Thank you so much for hopping on today’s guest mix! What kind of vibe are we about to hear from you?

Hey! Thank you so much for having me. Expect some groovy animal sounds blended with hard ahh beats. Just having fun with it, really.

Can you give us a little bit of background about yourself? What made you begin a career in music?

My dad got me a toy keyboard when I was around 5—I had no clue what the buttons did, but I kept pressing them and got hooked. Later, I joined the school band and picked up the guitar at 12. From there on, it just snowballed.

I’m sure most of our readers aren’t intimately familiar with the music scene in India. How would you describe it? Do you think it deserves more recognition internationally?

Absolutely. India has an incredibly diverse music landscape—each region has its own flavor. Producers here have been pushing ethnic sounds with modern beats for years. Even big names like Skrillex are incorporating Indian vocals and vibes now. I think most Western music has its roots in jazz and rhythm-based genres, but here, we’re blending centuries of tradition with new-age sounds. Look at artists like Hanumankind and Kalmi—they’re already breaking through. The underground scene here is evolving fast, and it’s only a matter of time before more Indian artists start showing up on global charts.

Everyone’s using the same synths and plugins, but it’s those real, raw, human elements that stand out to me.

There’s obviously a lot of cultural influence when it comes to the instrumentation in your tracks. What’s your favorite sound/instrument that we don’t hear American and European producers use very often?

I listen to a lot of world music—everything from African to Arabic. But I love the sound of a real sitar, the thump of a dholak, flutes from different cultures… even a distorted guitar or piano can feel so alive. Everyone’s using the same synths and plugins, but it’s those real, raw, human elements that stand out to me.

Do you play any live instruments yourself? If so, what are they?

Yeah! I’ve been playing keyboard since I was a kid. I also mess around with guitar and ukulele, and I have a whole cabinet of percussive instruments and flutes. I’ve got a melodica, a harmonica I’m still figuring out, ghungroos, and even a hang drum. I love picking up new instruments—it comes naturally after watching live musicians.

I think it’s safe to say that your Hell Raiden EP on Quality Goods Records really helped you gain some attention abroad. How did it feel being able to release on such a prominent label? Any future releases in the works with Quality Goods or anyone else?

Honestly, it was surreal. I come from a small town where most people don’t even know what dubstep is. I discovered electronic music thanks to the internet—ripping UZ, Hucci, TroyBoi tracks off EDM.com. So when I saw UZ comment on Reddit about one of my songs and then repost it? That was a full-circle moment. Working with QGR was such a learning experience, especially on the promotion and curation side. Would love to work with them again, or anyone pushing the envelope.

When we proposed this guest mix, you mentioned it had been a while since you had done a proper mix to release. Does that mean most of your time lately is spent in the studio working on new songs instead?

Definitely. I’ve been working more as a record producer than a DJ these days. There aren’t many consistent ways to make money from music here unless you blow up, so I’ve been doing freelance audio engineering and production work to pay the bills. On my off days, I’m back in my own world—making beats, finishing tracks, and sending stuff out to collaborators.

Just listening to all kinds of music and thinking: “What made the artist make this?” I love diving into new genres, studying older contemporary music, and reading about art in general. I’m pretty much immersed in music all the time.

Who or what are your biggest sources of inspiration when it comes to music?

Just listening to all kinds of music and thinking: “What made the artist make this?” I love diving into new genres, studying older contemporary music, and reading about art in general. I’m pretty much immersed in music all the time. Some of my all-time inspirations are A.R. Rahman, Skrillex, Mithoon, Amit Trivedi, Sneha Khanwalkar. Bollywood music is in my DNA—it shaped the way I hear and create music.

Are there any big plans you have for 2025, music-related or otherwise?

Yes! I’m currently working on my first album as a singer-songwriter/producer. I’ve also got a bunch of dubstep stuff ready for the good ol’ SoundCloud fam. And some collabs from last year are finally dropping soon. Exciting times!

Who are some underground artists you’d like to shine a light on for our readers? Bonus points for more Indian artists that deserve some attention!

Haha, love that! Shoutout to Kriday, Brijplease/Three Oscillators, UKato, and Kalmi—some truly innovative sounds coming from them. Also, my favorite collaborators: Nanku, Karun, GHILDIYAL, and Frappe Ash. They’re all pushing boundaries and bringing something new to the table.

Do you have time for any hobbies outside of music? How do you spend your free time?

I’ve recently gotten into reading and have been trying to learn how to cook—planning to move out on my own soon. I spend a lot of time chatting with my parents and friends, and I try to go out now and then just to clear my head.

AI can make you melodies but pressing keys and putting out the vibrations of the heart is only a living Human’s ability!

What words of inspiration would you like to give to anyone aspiring to learn how to produce?

I would say focus on being a good musician, AI can make you melodies but pressing keys and putting out the vibrations of the heart is only a living Human’s ability! Also, use your DAW and technology as your toy.

Any last words for our readers? Anything at all!

It’s been so nice talking about dubstep again after ages. As the (not-so-new) Skrillex album says, “Skrillex is dead”… but I’m excited to see what’s next.

Baajewala FUXWITHIT Guest Mix Tracklist

Baajewala – Chul
Baajewala – Pandu
LYNY – Noxious (Jon Casey remix)
Losco & ONHELL – Carnal
UZ – Futon (Baajewala Remix edit)
Sorza – Dumble
borne – Give It To Me
PARA – Nikki
latesleeper – Resplendent
Volume Unit – From The Top
Dabow – Ole (William. Remix)
Chloe Robinson & DJ ADHD – Dream
Hanumankind – Big Dawgs (brijplease flip)
Baajewala – Shitty Ryda
Baajewala – Annihilate edit
Erotic Cafe’ – Newrave2020
Brent Faiyaz – Rolling Stone (shonci Jersey Club)

The post Guest Mix + Interview – Baajewala appeared first on FUXWITHIT.

Connecting with us for our 247th Guest Mix + Interview, Hypergeneration unleashes a frenetic half-hour of head-spinning electronic music that mixes a wide array of his own originals with the works that inspired the project. The interview is a must-read with us discussing his artistic journey, mixing sweet and dark, social media addiction, the idea of disconnecting, AI, and much more. This is one of the more interesting conversations I’ve had with an artist as of late. So don’t sleep.

Tell us about the mix. What should listeners expect when they press play?

The mix is a pretty high-octane blend of all kinds of music. Some absolute classics that my music draws inspiration from, a bunch of ID’s and ruthless beats.

One of the questions that I asked myself was “How far can I take a piece of music, structurally and sound design wise, before it becomes too much?” Within the Hypergeneration project I constantly try to find the answer to this question.

What inspired you to start making music? How has your journey evolved?

I’ve been making music under different aliases for a long time and found myself and while I have always loved producing music, I did find myself becoming more and more careful to not make ‘extreme’ electronic music. As if something in my mind had made me become scared of doing something that’s really out there. After all those years, one of the questions that I asked myself was “How far can I take a piece of music, structurally and sound design wise, before it becomes too much?” Within the Hypergeneration project I constantly try to find the answer to this question.

Your sound mixes hyperpop with a heavy-hitting gold-era trap sound. What birthed this fusion?

I feel I have a lot of incredible artists to thank for inspiring me to blend these sounds together. SOPHIE, MssingNo, Lunice, AWE, UZ, umru, all great minds and souls that have, in their own ways, paved the way for this blend of music. What I aim to do is to create my own take on it, and push the production and song structures to it’s limits even more. There’s something so inherently fun about making music in this realm. There are no rules. And the combination of super aggressive production, hard-hitting 808’s and kicks, with sugary sweet vocals is something that really clicks for me at this stage.

There is definitely a sense of dread that seeps through the cracks of the music this way. Almost like looking at a happy family portrait and noticing in the background there’s a house on fire.

There’s an interesting dichotomy between the sugary sweet vocals and dark and heavy production on many of your tracks. Can you speak to that contrast and what it represents?

I think for me the definition of that dichotomy in my music is ‘sugarcoated chaos’. It tastes sweet at first, but when you really start to listen or look into the lyrics, you’ll find that it’s chaotic in nature. For me there is definitely a sense of dread that seeps through the cracks of the music this way. Almost like looking at a happy family portrait and noticing in the background there’s a house on fire. I feel that a lot of that dread stems from my views on modern technology and society. At the moment, a lot of terrifying stuff is happening all around the world, and somehow there is still a tendency to sugarcoat the chaos and cover it up with digital bandaids.

What does Hypergeneration mean to you?

Hypergeneration to me is something we are all part of in a way. Our attention spans are shortening, consumerism in both the physical and digital realm are reaching new heights all the time, and it does feel like a never ending cycle to me sometimes. I think that we are in an era of existential dilemmas maybe even more so than an era of technological development.

From ‘Doomscroll,’ to ‘Cloud Monkey,’ and ‘Candyland’ a lot of your work seems to be rooted in commentary around our addictions to technology and social media. How do you navigate these things within your own life?

The main thing I try to achieve with my commentary is to make it super over the top so I can find ridicule in the topics I comment on. For me, ridicule helps to make it feel less of a doomsday spiral. It’s my way of sugarcoating the chaos of modern digital existence. For instance in Cloud Monkey, I wrote it from a perspective where our online user data and cloud data would be controlled by a literal monkey in the clouds. The monkey knows everything about us, it knows what we crave, and we will never be able to get it out of our lives anymore. It’s just there, looming over our heads all the time, eating tracking cookies and intercepting our social media traffic. In my own life I tend to take breaks from everything social media every now and then. There’s just so so so much that we see and absorb on these platforms. However strong I think I am, I just know that a lot of the stuff that’s being fed to me on socials, will reach me, and stick with me for a while. The more I accept that it is in fact an addiction, the more I can actually start to change something about it.

I would say that we don’t need to disconnect, but I feel we could benefit from some balance by also connecting more on a personal, human level. Breaking away from endlessly scrolling every now and then to touch grass and meet new people sounds like something that could really help.

Do you think the world would be better off if we were more disconnected?

I would not say being more disconnected would help. I do believe that our current sense of what that ‘connection’ actually means is skewed. Connectedness in the sense of being chronically online and being able to interact with anything and everything, all of the time (thank you Bo Burnham) with zero accountability feels like a very shallow and unfulfilling form of connection in the long term. And I think that shallowness leaves a lot of room for our fears, anxieties, and uncertainties to grow into unpleasant levels or even hateful rhetoric. Actual human connection with the world around us can be so much more complex and scary, but also much more rewarding in my personal opinion. So to answer your question, I would say that we don’t need to disconnect, but I feel we could benefit from some balance by also connecting more on a personal, human level. Breaking away from endlessly scrolling every now and then to touch grass and meet new people sounds like something that could really help.

The rise of AI has been a hot topic in the past few years. Do you utilize the technology? How do you feel about it overall?

I do utilize some parts of AI, mainly in the visual department I find it to be fun to experiment with. The technological achievements in the field of AI are nothing short of incredible to me, although there is a part of it that confuses me and sometimes scares me. For me the main fear of AI is it’s combination with social media. I think that is a doomsday cocktail of immense proportions waiting to happen (or already happening). At this point in time, we already have a hard time determining if a video is a fake or not and if something is written by AI or not. Imagine what that will be like in a few years time. There’s no way around AI implementation in more and more of our lives so my view is to embrace the cool parts of it, and keep a close look eye on the scary effects it can have on society. I also think it creates the need for ‘AI counter culture’ where people will want to go to concerts or see creatives in a live setting because they want that human aspect to connect with.

How did you connect with Quality Goods Records? What’s it been like working with the label?

They heard some of the music in the early stages and we’re very enthusiastic about it. The team behind the label is absolutely incredible and very structured. It felt like a breath of fresh air to work with a team so dedicated to putting out music that they believe in and also being very kind and helpful, especially for a freshly starting artist like myself.

What’s the last piece of art (movie, book, film, painting, song, album, etc.) that deeply impacted you, and what made it resonate with you?

I personally really enjoyed the film ‘American Fiction’ because of it’s story and soundtrack. The film itself caught me so off guard and is in a way a bit of a paradox (trying not to spoil anything here). In terms of music I have been loving the latest Tierra Whack album. I had been waiting for that for a while.

What’s on the horizon for you in the future?

I’m definitely eager to release more music in the near future to expand on the world I am building. There’s a bunch of ID’s in this mix that will hopefully see the light of day soon.

Any final thoughts you’d like to share?

I wanted to say thanks to you for giving me this opportunity and asking me these questions. This was honestly a very fun mix to make and these questions were spot on.

Hypergenration FUXWITHIT Tracklist

1. Hypergeneration – ID
2. MssingNo – Scope (Hypergeneration Bootleg)
3. Lunice – No Commas (Dansa Remix)
4. Hypergeneration – ID
5. Hypergeneration – Algorithm
6. Hypergeneration – Science
7. Hudson Mohawke & Nikki Nair – Demuro
8. SOPHIE – Immaterial
9. TNGHT – Acrylics
10. G Jones & Eprom – R.A.V.E.
11. Louis Futon – She Loves Me Not (Hypergeneration Remix)
12. Hypergeneration – ID
13. AWE – Rackem
14. Hypergeneration – Stats
15. Hypergeneration – ID
16. Hypergeneration – Non Flexible Tony
17. Hypergeneration – Cloud Monkey
18. Hypergeneration – Candyland
19. Machinedrum – BTHE1 (feat. LIZ)
20. Hypergeneration – Doomscroll
21. G Jones – Dancing On The Edge
22. umru, Petal Supply ft. Rebecca Black – heart2 (mashup with
Furyan – Bass Journey)

The post Guest Mix + Interview- Hypergeneration appeared first on FUXWITHIT.

I’ve always admired the musical niche Untitld inhabits, whatever one chooses to call it. It’s not quite trap, not quite dubstep, but expressly somewhere in-between with its emphasis on swing-heavy percussion and raucously punching sub-bass. He is a shining example of just how creative and innovative sound design can be with the right talent behind it. It’s a true pleasure to have him featured for this guest mix, so let’s get into it!

We appreciate you hopping on this opportunity to release a guest mix with us! How’s life been for you lately?

Life’s been good! Had a lot happen that’s changed the day-to-day living a bit but other than that I can’t complain.

Is there a particular theme or vibe to this mix? What exactly are our listeners in for?

You can expect a lot of music from myself, my homies and artists I’m currently obsessed with. Been trying to mix multiple genres in my sets so hope you like it!

How long have you been producing music? What first got you hooked?

I’ve been producing music for about 10 years now? I’ve always been drawn to it, I played guitar for almost my whole life as well as some other instruments.

What got me hooked on electronic music though was wondering how the fuck they made sounds like that on a computer.

What inspired the name “Untitld?”

Origin story time. When you open a new project in Ableton, the default name is “untitled”. Take out the “e” and that’s where the inspiration came from.

Make whatever the fuck you want and have fun with it. Isn’t that the whole point of producing in the first place?

Your tunes have always exhibited such a heavy trap influence. What would you say to those who claim the genre is dead in 2024?

I don’t really think genres can die off? Sure people might not be listening or booking “trap” artists like they were in 2014 but who cares honestly.

Make whatever the fuck you want and have fun with it. Isn’t that the whole point of producing in the first place?

Maybe it’s just me not paying enough attention, but it seems like you don’t release music as frequently now as you did, say, five years ago. Is there a particular reason you stepped back a bit?

I’ve definitely taken a step back from releasing as much music as I used to. Didn’t feel like what I was putting out was a good representation of what I wanted the whole “Untitld” project to be.

Took some time to figure out but we are so fucking back baby. Expect a whole lot of new music from ya boy soon.

How did you get involved with the Lost Dogz crew?

Time for some Lost Dogz lore. It all started when a 14-year-old Abelation messaged me saying we should start a group with all the homies.

Can’t remember the original name he suggested but I remember I didn’t fuck with it. Started hitting up homies via SoundCloud messages (Milano said no the first time I asked him to join) and slowly got the group together.

We still needed a name though, so the next day I’m driving and looked up at this billboard that said, “Found a lost dog? Call our number”. Messaged the homies saying I had our name and the rest is history.

Did you have a New Year’s resolution for 2024? Any personal or music-oriented goals you’re trying to reach this year?

My New Year’s resolution was to get my finances up and my mental health locked in. Still working on both those though!

Outside of producing, what are your favorite ways to spend your free time?

I love playing video games, reading, and watching documentaries! I actually just watched Game of Thrones for the first time and just bought the books to read.

Who are some lesser-known artists that are absolutely blowing you away at the moment, electronic or otherwise?

Not sure if he’s considered lesser known but MPH is fucking insane. Love everything that he puts out. More in the realm of bass music I gotta go with Snuffy and asáu, both these kids are cracked.

Do you have an end goal for Untitld as an artistic project, or are you just taking it day-by-day and seeing where the winds blow? To follow-up, where you do you see yourself five years from now?

No end goal really. I just like making music. 5 years from now I hope I’m happy and traveling the world!

Is music your only artistic passion or are there others?

Music is definitely my one true passion. I’ve tried drawing and other art forms but they’ve never clicked for me.

Do you have any words of wisdom for your fellow music-makers out there?

Only thing I have to say is remember the whole reason you started making music in the first place! Enjoy yourself and don’t force the funk.

Fun fact time! Tell us something that our readers most certainly don’t know about you.

I was an extra in the “Straight Out of Compton” movie. I also have the flattest fucking feet ever.

Any other final thoughts you’d like to share?

Love you all and if you got this far thanks for taking the time to read about me! Can’t wait to share more music and memories with you all!

Tracklist:

The post Guest Mix + Interview – Untitld appeared first on FUXWITHIT.

One of Oski’s big breaks came in the form of the Kid Chrome EP released on Quality Goods Records way back in 2016, and the talented artist has found his way back on the label at regular intervals since then. His latest release, ‘La La Land,’ marked yet another incredible cut on the imprint, as he demonstrated his ability to weave minimal bass stabs with snappy vocal snippets to create a mesmerizing piece.

Today, we have the pleasure of exclusively premiering ‘Lick,’ the second track from the dual-single on QGR. In Oski’s words, “‘Lick’ started with the drums and eventually turned into a full blown piece revolving around the swung percussion, hence the name.” In similar fashion to ‘La La Land,’ Oski uses crisp vocal cuts to drive the emotion of the track, but ‘Lick’ takes the bass to another level. Boasting an old-school essence with modern flair, ‘Lick’ is quick to the punch and tailored for a high-energy set. Oski layers nostalgic wubs over meticulous percussion to create a beautiful contrast between the old and the new, and doing so with his usual quality production makes ‘Lick’ yet another standout among his extensive discography. Check it out below and stay tuned for its official release tomorrow.

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Taking my music back to its roots was my goal with this new project. The music I made for UZ was inspired by my love for hip-hop and electronic music. Though I love songs with vocals, my intent here was to give power back to the instrumentals in a nod to UZ’s golden era and in celebration of the beat scene. – UZ

Kicking things off right comes the aptly titled ‘Beast.’ The ominous intro and haunting vocal bends create a sense of epic anticipation. The icy soundscape gives way to snappy snares and rolling hi-hats hitting expertly over heavy 808s. The retooled second drop mixes trap and drill with dizzying 808 slides for a masterclass in minimal mastery.  ‘Perroquet’ is a wonderfully off-kilter trap anthem that’s draped in hypnotic melodies and exotic undertones. Drifting between banging and breezy UZ finds the sweet spot. The most aggressive and heavy hitting cut in the pack is ‘Bad.’ It’s dark and menacing while still packing an enthralling allure. Closing things out comes ‘Throw Sumn’ feat. Yung Skrrt – a party-ready anthem that balances Yung Skrrt’s wreckless raps and new-age flow with UZ’s timeless trap backing. It’s a don’t give a fuck banger to soundtrack those out-of-control nights that you can’t remember but won’t ever forget. Staying true to the project’s vision it also includes the instrumental version of ‘Throw Sumn’ so fans can truly appreciate the production separately.

UZ’s Secret Stash V1 is everything I want from UZ and trap music in 2023. The only thing that makes this better is that it’s labeled as V1, so it looks like we can expect more from his Secret Stash on the way…

The post UZ Gets Back To His Roots With ‘Secret Stash V1’ EP appeared first on FUXWITHIT.

From electronic trap, house, and even a little UK Garage, QGRC-006 is a burst full of many different emotions. Each track represents the artists in a beautiful way. And what a lineup they brought us this year! Artists such as Virus Mafia, Polar Youth, MIRZHA, and others have all put their energy into mind-blowing compositions. Emanating pure passion and inspiration for the arts. Bass-fueled sound design, angelic tales of melody, you name it! There’s so much to behold throughout this journey from beginning to end. Making this one of their best compilations to date! So make sure to show your support by streaming QGRC-006 everywhere via Quality Goods Records! We’re excited to see what else they have in store for listeners.

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Fallen relationships and hope for the youth have been the leading factors for my inspiration. The narrative behind the record is having constant recollections of a past relationship specifically in a dream. Thus inspiring the overall title ‘xDREAM’ a dream about an ex. The record is meant to be emotional considering the narrative but I hope to convey a sense of hope through the help of the heavy drop and the main vocal which says ‘I will run with you till we fall.’ indicating that although the relationship may be over there will forever remain an unbreakable bond between the two partners. – CAB

‘xDREAM’ takes you through a cycle of a purely heartfelt dream. Whisking you through the pain and sorrow, but ending up in a hopeful state of mind. Empowering many to keep going throughout life in the form of wave-infused sound design mixed with spine-tingling drums. Not to mention the colorful vocal he incorporates ties the meaning altogether in an unbreakable knot. Representing a bond that will never break no matter the cost.

The way CAB guides his listeners through his sonic environments is nothing but unique and memorable. Complimenting the evolution of his vision as well as the label’s newest chapter. A rare and delicate message in the form of a constant state of high energy makes this a feeling you’ll want to replay over and over again. So make sure to show your support by streaming ‘xDREAM’ everywhere via Quality Goods Records!

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The new track masterfully illustrates what makes ELK & Chris Dogzout so special. Ghostly vocals drift over chunky drums and carefully curated samples in the intro. The melody is addictive and possessing, bringing listeners to a higher plane. You can practically feel your body begin floating as the bass rattles your chest and you nod your head. Strong hip-hop influences dance with trap and more adventurous electronic energies. It’s effortlessly breezy while still packing some major bump. With each passing bar ‘Yaksha’ explores new directions, flowing like a river and giving you new life.

“Yaksha is the name of a large class of usually benevolent Indian nature spirits. They are the guardians of underground natural treasures. The track ‘Yaksha’ was created to represent those protective mystical forces of nature, hence the sampling of traditional Indian voices and the evolution of instruments, to take the listener on a journey, through a dynamic and aerial track that tells our version of the story of these spirits.”
– ELK & Chris Dogzout

Stream ‘Yaksha’ below and look out for their Lodestone EP this Friday on Quality Goods Records.

The post PREMIERE: ELK x Chris Dogzout Tease Upcoming EP With Incredible Single ‘Yaksha’ appeared first on FUXWITHIT.

Announced in May, the birth of munro is finally complete today with the release of his first single ‘Every Day (Is Always The Same)’ via the ever-exciting Quality Goods Records. It’s not the first time that the New Zealand-based artist teams up with the label, but it’s amazing to see the mutual relationship extend beyond the Ian Munro alias. Featuring fellow Kiwi harvest, ‘Every Day (Is Always The Same)’ is an emotional ballad balancing vocal breaks and garage-leaning cuts that beautifully showcase the evolution in munro’s sound. It’s a careful blending of melancholy and hopefulness, as dark bass and cold strings are countered by groovy percussion and majestic melodies. Spanning almost four minutes, the latest from munro is addictive and infectious. Don’t miss it below.

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‘Hurting’ was written during a time that I had a rough time with my significant other. We were going through a lot of rough patches that almost seemed like we didn’t know what the outcome was. Through long discussions, and good laughs we made it work out in the end. Obviously, all that glitters isn’t gold, but there is something good from it when you really fight for it.

 

The dark lyrics with the upbeat tempo of the song really speaks for that. This EP really compliments the “feel good, and the bad.” As well as portrays the ‘signature’ sound that I’m going for here in the future. I’m just very thankful y’all are here for the ride
– Eyezic

Finding beauty in the dark times ‘Hurting,’ is an emotional journey that contrasts two distinct vibes. TetraTara’s vocals are ripe with pain and struggle. From the lyrics to the voice behind them, there’s a distinct sense of sadness and turmoil. On the flip side, the drops unravel into an upbeat and energetic sound that feels like the sun breaking through the clouds on a stormy day. The ups and downs capture the dichotomy often experience in relationships while the driving beat provides a sense of hopefulness even among the uncertainty. If you’ve ever wanted to get lost in your feels while dancing the night away, this is your ticket.

Stream ‘Hurting’ below and look out for Eyezic’s upcoming EP later this summer.

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