If December is canonically a month monopolized by throwbacks and charts, January is the month devoted to IDs. As expected, in the past few weeks SoundCloud and YouTube have been flooded with unreleased-original production-deep dive mixes, stuffed with songs that could become hits in the next twelve months… or never see the light of day. It’s always a fun yet tricky game to play. You could spot an early banger whose knowledge you can flex to your friends at the next rave or find your new obsession that will never be available to buy or play on streaming platforms.

If you’re willing to get involved in this wicked game, we have handpicked eight unmissable mixes, spanning UKG, wave, trap, club bass, which altogether will feed you more than 100 IDs.

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‘wheel dat back’ begins with a mysterious atmosphere that’s filled with a sense of prolonged waiting until the track builds into a gritty, crunchy, gut-wrenching wubfest. The flow of ‘wheel dat back’ is constantly shifting, building upon itself in new iterations, carried by the warmth of the low-end sub, and it’s an all-around impressive arrangement that keeps listeners eager for more. The second drop of ‘wheel dat back’ is more sound design bliss, as some powerful crunchy sounds that sound like my speakers are getting ripped open come into play.

Be sure to check out ‘wheel dat back’ by sfam below.

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‘Water’ begins with a simplistic percussive beat that is sprinkled with minuscule droplets that ping between your ears, as atmospheric elements come together, rising in intensity and preparing a storm. When the pressure reaches a climax, sfam unleash a wubby lead synth that swirls back and forth like a water bender practicing their craft. sfam really focused on creating a feeling of push and pull on this track, spacing out the wubs with incredibly creative and simply effective fills that are either deep, undulating sounds, or crisp percussion. The second drop of ‘Water’ speeds up the pace a little and adds more variety by switching up the flow, making you feel like you’re on a boat with choppy waves rocking you. sfam truly knows how to craft a unique sound and then build around it, letting it become the centerpiece of the track, like they did here with their main wubby lead.

Be sure to check out ‘Water’ below and follow sfam to keep up to date on everything they have going on.

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Putting the “experimental” in experimental bass, the hypothetical becomes reality, as this trio bends the air around you in ways previously not thought possible. True mad scientists of sound, ‘Bubblegum’ defies all laws of nature, harnessing an insatiable energy and irresistible groove that usually only accompanies one receiving their favorite snack time delight. With sound design so excessively sticky and gloriously gloppy, one can easily find this track stubbornly stuck to the bottom of their shoes. Using an eccentric, dark melody and sinister bass lines underneath, ‘Bubblegum’ quickly becomes a guilty pleasure, that quirky audible adventure that you’re unmistakably glad to be a part of in that current moment.

With such a veteran assortment of distinguished producers on this piece, it’s no surprise then that ‘Bubblegum’ achieves the level of user satisfaction that it does. If you like it weird, stupefying, and borderline otherworldly, this is a track for you. Check it out for yourself below!

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Upholding their unmistakable left-field sound design, sfam, um.., Elle and Blake Skowron bring the squishy, squanchy and crunchy palette on their flips of ‘Basshead’, ‘Free Money, Free Times’, ‘Wumper’ and ‘Former Friends’, delivering a new edge to the project. Each track bangs in it’s own lane, but if you really want to have your brain dismantled I especially recommend the 2:32 mark in Blake Skowron’s flip of ‘Former Friends’. Samsin and aedfx. bring some Carmack-esque heat to the table with their renderings of ‘Bank On Me’ and ‘We Get Up’ that keeps us coming back for more. ‘Bandz On Me’ gets an especially savory handling from the don UZ, giving  the already radio-friendly original an elegantly executed melodic trap-rap spin. Even the dog daddy himself took the opportunity to breathe alluring new life into his track ‘Lonely Ones’ with Katya Grasso.

Great Dane took what was already a memorable album and enlisted the best talent from far and wide. The project makes an immaculate addition to ADBC Records growing catalog of superb variety and will stick with us for years to come. Take a listen or two (or eleven) and be sure to check out the impeccably diverse all-star lineup of producers that helped make this possible.

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With the inaugural Quality Goods Exports virtual music festival taking place on May 7-8-9 and May 14-15-16, fans of trap, future bass and much more can tune into Facebook or Twitch to catch a plethora of established legends and rising stars from around the world. From UZ himself, to Dabow, GANZ, Ian Munro, sfam, Cozway Twerl and so many more, each night will feature three artist sets, avoiding an oversaturation of music but ensuring a steady dose of fine talents to liven up your living room. Find more information as well as the full lineup below.

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While Bassrush has consistently maintained a steady outpouring of audible content and a salient presence as a stage host for major events, such as Electric Forest, it wasn’t until the midway point this past summer that the brand further explored the concept of a roster compilation, as featured in the Ghost Town LA soundtrack, which features tracks from Bassrush dark dubstep front-runners Caspa, Ternion Sound, Coki, Eazybaked, and Bukez Finezt.

Now revealing the first chapter of a novel new compilation, The Prophecy: Vol. 1 works as a synopsis of Bassrush’s talent, composing 11-unique tracks including a long-anticipated collaborative gauntlet between sfam, G-Space, & Mystic Grizzly, as well as tunes from the likes of Esseks, Shanghai Doom, Abelation, FRQ NCY, and ECRAZE.

Encompassing the many eclectic sub-genres that bass has to offer, this new Bassrush Compilation is not one to miss. Be sure to check out The Prophecy: Vol. 1 out now below!

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“Amorphous” is a prime descriptor of sfam’s signature style, as their beats take on the sonic form of Play-Doh, fluctuating through airwaves with frequencies one would never even dream of gracing their ears. ‘Counting’ continues steadily down this path, utilizing the thickest clicking, crunching sounds one has probably ever heard. The sense of movement is absolutely wild, with spacing used to create this swinging effect that makes the next beat amplify its already impressive aggression, leaving one wondering what just happened to them. Using little spurts of vocals from ‘Still Cruising’ by Eazy E and The Game, this track has immense amounts of style and swag. If you’re in need of an instant confidence booster, throw this track on and prepare for your body to bust out dance moves in a frenzy.

sfam time and time again prove that their already spectacular sound has yet to reach a ceiling, with nothing but open sky above them. With time, support, and firm footing in the industry already on their side, this is a duo that could do really magnificent things in the years to come. For now, check out ‘Counting’ in all its glory for yourself below!

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sfam admit this one didn’t come together quickly saying,“the collab with mersiv took a while because of both our schedules being so busy and we don’t live near each other but we’re very happy we waited for it to be finished. quaviusblack brought a couple of the tunes to life vocally like he always does. He’s the only rapper we’ve ever had on any of our tracks and we know we can always count on him to come through with some fire.” We can assure you this one was the worth the wait. Stream it below and look out for shadows on Wakaan tomorrow.

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The VIP begins much akin to the original until the first drop, where instead of immediately slamming the bassline down your throat it instead fake drops and builds to your utter doom. The drop trades the expertly crafted short, quick wubs of the OG with an absolutely titanic tsunami of low end that sings like a chorus of whales. Children, animals, and priuses should be strapped down in proximity for fear of being blown several miles in any direction. To answer the age-old question of “what does Dahshigo?” The only logical answer is ‘Dahshigo’ hard, excessively hard.

Check out the ‘Dahshigo (VIP) for yourself below and grab the free download!

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