50. Chip – Grime Scene Saviours feat. D Double E, Frisco, Flirta D, Skepta, Bruza, JME, Jendor, Novelist, Jamakabi & Flowdan

‘Grime Scene Saviours’ dropped one day after we finalized this list, so it’s hard to tell just how much of an impact it will have. In its first days, though, the track has amassed almost a million plays, and a lineup this massive had to make its way onto this year’s list. With eleven grime veterans stepping up to the plate for a quick but punchy verse, Chip collected a star-studded cast to remind all fans of grime (and beyond) that the features in this track are the reason the genre is where it is at today. From electronic favourites such as Flowdan, to more mainstream players like Skepta and JME, ‘Grime Scene Saviours’ is a three-minute dose of nostalgia that encapsulates everything we love about the genre.
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49. Rohaan – Easy for them

Rohaan has been on the move this year, both figuratively and literally. His show schedule has been busier than ever and has taken him back and forth to the States (and beyond) like never before. Musically speaking, he stepped up his game, expanding his discography with new palettes of sonorities and sub-genres. ‘Easy For Them’, released in January on Vision, was one of the first bangers I saved in my best-of-the-year playlist this year, and it hasn’t left it since. It’s a thoroughbred stomper, less sophisticated than other Rohaan releases but no less effective. It goes down hard. It melts my brain. It shakes me to the bone. What more could I want?
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48. Camo&Krooked, Mefjus, Sophie Lindinger – No Tomorrow (P Money & Whiney remix)

I don’t think I’ve ever seen a song as perfect as ‘No Tomorrow’ receiving not one, but two remakes that have managed to live up to the original. When I first heard this remix (during Whiney and P Money set at ADE 2023) I thought it was a live edit that would never be released. When I saw it appear in my Release Radar in February I thought that Christmas came early for me this year. Both Whiney and P Money showed exceptional sensitivity in fitting into the dynamics of the track without breaking the balance. The result is a new, fresh, different version of ‘No Tomorrow’ that doesn’t rely just on the allure of the original copy.
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47. Skeler. feat. Devilish Trio – Everything is Right

Taken from his stellar NightDrive part 3 mix, ‘Everything is Right’ is a gorgeous, ominous, and beautifully crafted experience. When it comes to masterful environments and melodies, Skeler never fails in the slightest. Being an absolute fan favorite from the mix, this track takes you for a drive down a dark road of no return. Getting lost with each second, you find yourself completely relaxed, impacted, and hyped up at the same time. Those gorgeous melodies swirling through your mind combined with a deep and impactful bassline will only make you fall in love with this track more and more. Not to mention those carefully placed vocals which grip your hearts and souls. Working together beautifully with every other characteristic. And adding those vocals from Devilish Trio was a genius move. It adds another chapter of bliss and pure attitude. Making you completely hypnotzied. The wave genre/movement as a whole continues to thrive in such a breathtaking fashion thanks to artists such as Skeler. We’re stoked to see what else he has to offer in the new year!
-JD

46. Mat Zo – Bluish Yellow

The release of Mat Zo’s ZOCASE EP with Anjunabeats graced listeners with one of the most sonically impressive EPs of the year. It’s simultaneously a throwback to retro-electro inspirations and a boundary-pushing expression of what a producer can achieve with electronic composition. Each of the three tracks break the 8-minute mark in length and each is comprised of a series of symphony-like movements, tastefully blending together in an EP that resembles a film score just as much as it does a dance album. ‘Bluish Yellow,’ the intermediary track, is perhaps the one that feels the most like one cohesive piece from start to finish rather than an arrangement of disparate yet accompanying movements. It wastes no time setting itself up as a high-energy song and never backs down for the entirety of its 9-minute runtime. Every time you think the song is about to end or die down, he just picks it right back up and throws another layer of sound on top, because why not? It’s like an acoustic edging right up until the very end, truly a work of art here from Mat Zo.
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45. Mr. Carmack – Murder on the Dancefloor (Carmack Edit)

Mr. Carmack is notoriously sporadic when it comes to releasing new music and this year was no different. The beginning of the year featured a handful of remixes from the legendary beatmaker, of which I contend ‘Murder on the Dancefloor’ is the most deserving to be on this list. As an edit of Sophie Ellis-Bextor’s 2017 disco-pop hit, this track is such a feel-good bop. The intro teases a nearly minute-long buildup to a most subtle drop, the rapidly intensifying violins and guitar dropping out to give way to Ellis-Bextor’s lush and sultry vocals. This isn’t one of Carmack’s experimental forays into bass music. Rather, it’s a masterclass in doing more with less. The minimalist approach to the drum line and lack of brazen synths is a testament to how versatile of a producer Carmack is and remains in 2024. Please, lord, give us more disco from this man. The groove is unreal.
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44. HIJINX, Cesco – Attention

1985 Music is putting out some of the best music across the bass umbrella over the last few years, and the label kicked off 2024 with a massive 140 banger from HIJINX and Cesco. With ‘Attention,’ the pair of producers embraced a minimal approach that’s driven by a grimy bassline and accentuated by a snappy sample, swinging percussion, and meticulously crafted fills. A track doesn’t have to be overly complicated to be catchy, and HIJINX and Cesco executed that to a tee in ‘Attention.’ With 140 BPM dubstep making somewhat of a resurgence in recent months, uniqueness remains important to stand out, and ‘Attention’ is exactly that.
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43. Hamdi – Counting (Simula remix)

Counting’s remix EP has gifted us four massive reinterpretations of Hamdi’s hit. What Simula did, however, is simply insane. This remix it’s a shot of low frequencies and alien sounds that induce everything from euphoria to tachycardia to ecstasy. Drum&bass heads will say it’s classic Simula. No doubt, but to see his sound applied to such an iconic release remains a remarkable achievement that should be celebrated.
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42. msft – dontwaiT

Italian-based producer msft has been a favourite amongst our team for years. His sound has moved from trap to breaks to UKG, with the latter seeing its full realization in 2024 with his impressive lowercasE EP. The project’s lead single ‘dontwaiT’ is an unforgettable standout showcasing the pinnacle of his sound. Moody female vocals saunter alongside menacing basslines, crisp drums, and mind-rattling sound design. It’s dark, addictive, and expertly crafted. Enjoyed at home alone or used as a room-igniting DJ tool, ‘dontwaiT’ may just be the best work yet from the talented producer.
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41. Bodysync (Ryan Hemsworth, Giraffage), Dazy – Back Of My Mind

The collaborative project of Ryan Hemsworth and Giraffage, Bodysync, is like a 2010s SoundCloud producer supergroup, yet it remains an underrated project in the wider electronic space. That’s a damn shame as the duo has put out some impeccably good tracks since they started releasing music together in 2021. ‘Back Of My Mind,’ released as a single in March, is one of the more unique entries in their discography. There are so many layers to the instrumentation here, all carrying different melodies but harmoniously fusing together to make an indie pop hit. It appeals to the same part of me that used to get down to the likes of MGMT or Peter Bjorn and John years ago, and I have to say it’s pretty refreshing to hear someone pushing that sound again (especially when it’s Ryan Hemsworth and Giraffage). Do that hipster inside you a favor and be sure to give Bodysync some attention, they deserve it.
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40. Taiki Nulight, P Money, Capo Lee – Style

Taiki Nulight went on a roll this year with a string of heavy-hitting releases. His embracement of 140 dubstep in recent years has been a real treat for dub fans as he demonstrates a golden touch with every track he produces (I truly don’t think he’s capable of making a bad song). UK grime icons P Money and Capo Lee give this track just the right amount of “stylе, swag, sauce.” This tune has enough bounce to lift a Cadillac and positively rips when it’s played out live. I can’t wait to hear whatever Taiki comes up with next because whatever wave he’s riding right now keeps delivering pristine tracks, back to back to back.
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39. Eliminate – EGOTRIP

Eliminate’s Get Off The Internet album represented a new chapter for the artist. Despite finding a ton of success with Disciple, the artist had become known for a specific sound and people often expected more of the same from him. With the album, Eliminate successfully showcased his ability to create a wide array of electronic music, while simultaneously embracing this signature sound. In ‘EGOTRIP,’ Eliminate sprinkled some of his signature humour with an iconic opening sample, embraced the old, and flexed some innovation all in one track – making it arguably the biggest hit of the album. ‘EGOTRIP’ is a quintessential Eliminate banger that couldn’t be left off this list.
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38. Shadient x nikko – LONESUM

If there was a tune that will absolutely melt your brain in the best ways possible, it’s this insane collaboration. Released on Sable Valley, both Shadient and nikko teamed up and truly created one of the hardest-hitting tunes this year. ‘LONESUM’ is a presence of mass destruction and pure chaos from beginning to end. Every second just screams both of their styles intertwining and fusing perfectly. The first chorus section will literally make your jaw drop. The raw and sheer power within is a true sight to behold. That high-pitched lead combined with monumental drums is just too satisfying for the ear. Not to mention the complete switch-up on the second drop. Taking you down a more groovy and sinister environment of sound. The perfect way to end it off.
-JD

37. ROSSY (feat. Princess Superstar) – STAR

The spirit within each of ROSSY’s works continues to shine and glisten to the highest degree. Telling she has true passion for what she does in this world. And ‘STAR’ is a perfect example of her pure energy and perseverance she’s shown throughout 2024. Plus teaming up with Princess Superstar was a perfect addition to the overall aura of this track. Her exhilarating vocals work so perfectly and really adds another layer of excitement and hype! From those classic trap leads, mind-breaking drum work, and explosive sub design, this is an instant party starter and is ready to dominate any stage you go to!
-JD

36. Ternion Sound – PartyTool_001

The Ternion boys helped mark the 10-year anniversary of Deep Dark & Dangerous with the release of ‘PartyTool_001.’ This track made its way into countless sets throughout the year before its official release in November, much to the delight of patiently waiting fans. The distinctive grimy, glitchy vibe of Ternion Sound is on full display here. It’s very in-your-face, almost offensive to the ears, and quite frankly that’s what makes the song such a banger. Given its ability to get a dancefloor bumping, I’d say the dubplate is aptly named. Big ups to these guys for being so consistent and so damn raw.
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35. Burial – Phoneglow

Boasting artwork that looks like a TikTok logo with a cracked phone screen, there’s something intentionally eerie about Burial’s ‘Phoneglow.’ Spanning over nine minutes and released as a double single alongside Kode9’s ‘Eyes Go Blank,’ Burial’s Hyperdub single captures all the elements that countless fans have come to love from the mysterious producer. A Resident Advisor review captures it perfectly, stating that the track’s “raw ingredients show what we’ve come to expect of Burial’s recent works: yearning melancholy by way of far away-sounding professions of love, woven into that signature shimmery, crackling ambience.” From masterful sampling to exquisite story-telling and captivating twists, ‘Phoneglow’ is but another incredible piece to add to Burial’s unparalleled discography.
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34. JAWNS x Party Favor – Deadweight

This was a very unexpected combination of sound and rhythm! Taken from his newest EP, Dogwater, the power behind this tune is really unbeatable in many ways. And seeing Party Favor being a collaborator on this one really makes you curious to hear what this adventure holds in store. From a static and electrifying rhythmic structure, dark and sinister sound design, to a fun and everlasting pace, this has everything you could ever love from both artists. From start to finish you’ll thrown into the deep end surrounded by incredible characteristics and satisfying frequencies. A literal weapon for any dance floor around the world!
-JD

33. Eminem, JID – Fuel

The Death of Slim Shady (Coup de Grâce) was an interesting concept album from Eminem that explored a variety of phases of Eminem’s career. Without getting too deep into the album, one big surprise was the connection with JID on ‘Fuel.’ At FUXWITHIT, we’re huge fans of JID, and every time he makes moves with legends, we couldn’t be more stoked. On ‘Fuel,’ JID delivered an explosive verse littered with killer bars in his signature style, while Eminem’s wordplay and double-entendres brings us back to his glory days.
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32. Farrah x OOAH – Automatic Problematic

What a major and incredible combination of perseverance, passion, and stability! The power behind Farrah and OOAH’s productions have never failed to impress, but to see them come together in such a monumental way is mind-blowing to say the least. ‘Automatic Problematic’ will be your new favorite anthem due to its fast-paced personality, incredible drum work and ecstatic sound design. The drums and arrangement build really take the spotlight here. Everything just feels so coherent, delectable and well planned. Those fun and charismatic vocal samples thrown in just gives the track that much more character. Not to mention those carefully placed bass leads to really let you feel the power behind it all. Easily one of our favorites this year!
-JD

31. camoufly – Intuition

Although his latest musical manifesto is titled Hiding, camoufly has never been on public display as much as he is now. In past years I could count the shows at which he played on the fingers of my hands. Now I couldn’t even keep track by adding my toes, and 2025 promises to be even better, with his first and long-awaited North American tour. So many changes, then, for camoufly. What doesn’t change, however, is his exceptional ability to create extremely catchy and memorable songs. You hear ‘Intuition’ once and you’re already singing the, already infamous, “nah nah nah nah eh” jingle. There’s nothing you can do about it. Seeing the crowd going wild while singing ‘Intuition’ was an eye-opening experience on the power of camoufly’s music. This is art in its purest, primordial form.
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30. smalltalk – Snapback

2024 saw some impressive releases for FUXWITHIT but it is bi-coastal bass duo smalltalk’s ‘Snapback’ that hit the hardest. Blending pitched-down rap vocals, trap aesthetics, and a menacing 140 backbone, the track exemplifies what the label stands for. The dark 140 sound encapsulates what 2024 was all about in bass music. Landing a coveted spot on Spotify’s Sub Low playlist, the track has become a streaming hit, on track to become the duo’s (and possibly the label’s) biggest release to date.
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29. Visages, Monty, Killa P – The Most

Visages’ Dol Guldur EP was yet another incredible project released via 1985 Music. Having established themselves as mainstays on the imprint and consistently delivering boundary-pushing drum and bass and dubstep, the group are cementing themselves as some of the best in bass music. While any of the four tracks on the project could make it onto this list, we also wanted to showcase the undeniable chemistry that exists with Monty, hence why ‘The Most’ is on this year’s list. Deep, dark, and dangerous bass lingers below Killa P’s signature vocals, as the producers demonstrate their ability to let vocalists shine above their Earth-shattering soundscapes. This is a yearly reminder that a supergroup between Visages and Monty called Montages would go absolutely crazy. You heard it here first (again).
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28. Nikita, The Wicked – Like Me

Few artists had a bigger breakout year than Nikita, The Wicked. The artist took the scene by storm, making waves on social media, musically, and IRL. While his iloveitwhentheyrun EP showcased his wealth of talent and diversity, it’s ‘Like Me’ that really took things to the next level. The Gud Vibrations release showcases what makes the producer so damn special. It’s eerie yet addictive, banging but cinematic, and minimal yet complex. It’s a masterclass in juxtaposition that puts creativity at the forefront without ever losing the groove. Other producers take notes.
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27. Eyezic – A Moment Apart

From playing multiple shows throughout the year, releasing a brand new EP, and dropping many other remixes, Eyezic has been grinding and giving it his all. And we truly believed he deserved a spot on our list. Off his Reflections EP, ‘A Moment Apart’ was a track which really stood out to us. Integrating his classic signature sound and overall production, the environment, and overall pacing is nothing but remarkable from start to finish. The pleasant and angelic vocals swirling through your mind combined with those soft and delicate plucks really make this dish delectable to the highest degree. Not to mention those groovy and addicting drums will have you in a pure trance. The message of the overall EP especially this single really gets you and has you coming back over and over again. Simply wonderful to say the least.
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26. borne, Alexis B – Hush – CV

Who says music can’t be sexy and gritty all at once? borne and Alexis B prove that the two worlds sound better together with ‘Hush.’ Built around sultry whispered vocals, the NIGHTMODE-backed ‘Hush’ is a pulse-raising, floor-filling dinger that we simply could not get enough of. Fusing UKG and 140 for a sound that’s spine-chilling and heart-racing is exactly what we needed. borne unleashed a slew of impressive singles that could have landed on the list but this collaboration with Alexis B is his biggest and best to date. The Canadian and Mexican producers have been on a tear this year and ‘Hush’ helped elevate their sound and status to new levels. With both artists set to make their debuts with the iconic DEF live shows, expect massive things from the pair into next year.
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25. Juche & Sublab – Take Me Up

‘Take Me Up’ is the perfect synthesis of the artistic inclinations of both Sublab and Juche, two artists who have already proven themselves masters of writing memorable melodies. The song sits in the wave spectrum but also embodies the best that future bass still has to offer. It’s an anthem to sing your heart out and dance with your arms in the air. An unexpected mainstage anthem.
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24. Ninajirachi – Hand on my heart

As an Italian who writes in English, finding the right words to describe ninajirachi’s music is always a nightmare. She escapes common labels and definitions. Her girl EDM (disc 1) album, released in September, ingests hard dance, trance, electro, and progressive house and regurgitates ever-new and unpredictable combinations. ‘Hand On My Heart’ stands out as the angriest cut of the collection. It stuns with its wall of abrasive synths that kick the listener right in the face in the two drops. It delights with its intimate (and misleading) intro. It charms with its happy hardcore-esque vocals. Like the whole album, ‘Hand On My Heart’ felt like a breath of fresh air in 2024.
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23. Control Freak – LISA

Control Freak’s constant efforts and passion has driven him down an incredible path in this field. He’s been quite busy this year while working his hardest to bring listeners his next big creation. From releasing with Sable Valley this year, to releasing multiple singles and remixes, he’s truly making a bright and wonderful name for himself. And ‘LISA’ is beautiful example of what we’re talking about. This blast of energy will throw any listener back in their seats. Wanting to get up and immediately start dancing. Sampling vocals from Young Miko’s ‘Lisa,’ he really makes it his own with those world-shattering drums, distorted bass leads, and overall fast paced madness driving the track into it’s own universe. Making it an absolute staple for his discography.
-JD

22. WINK – VERTIGO

Released on NIGHTMODE as part of the SEEING DOUBLE EP alongside nikko, WINK’s ‘VERTIGO’ showcased the young producer’s incredible evolution in recent years. Boasting a style that’s chaotically controlled and always fun, WINK consistently brings something fresh to the table, and ‘VERTIGO’ is no exception. Difficult to classify into a single genre, the track touches on trap, bass house, and dubstep, yet never feels like it’s trying to do too much. It’s one of the very few releases from WINK this year, attesting to the time and care that he puts into each and every production.
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21. Two Shell – gimmi it

While some of you might want to know what we think about Two Shell’s identity, this post is not the forum for that. However, we were extremely impressed by the duo’s debut album, and it was difficult to pick a single track from it to feature on this list due to the sheer variety found across the productions. Therefore, we chose the non-album version of ‘gimmi it’ as it still encapsulates the essence of the album version but is likely more attractive to our audience. ‘gimmi it’ is an incredible display of precision through controlled chops, cacophonous percussion, and wildly entertaining rhythms, showcasing the versatile prowess that Two Shell possess.
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20. Sleepnet – Lapse

As the second single on Sleepnet’s sophomore EP titled II, ‘Lapse’ is a display of the insane technical prowess of Nik Roos. Everyone knows that Noisia, and therefore Sleepnet, are among the best to ever do sound design, but few could even imagine this standard being pushed even further. In ‘Lapse,’ Sleepnet does just that, concocting a cut that had producers across the scene losing their minds. Tight, technical, and meticulous, the track is certainly one for avid aficionados of drum and bass, but others will still be able to appreciate the genius behind it. Sleepnet never ceases to create new boundaries.
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19. Nitepunk, Siickbrain – Way To Much

‘Way Too Much’ sounds like it came out of a studio session between Prodigy, The Bloody Beetroots, and Boys Noize. In truth, it’s the child of just the diabolical mind of Nitepunk. The American producer continues to prove himself as one of the freshest and most unpredictable voices on the bass scene and beyond. Together with Siickbrain, Nitepunk embroiders a punk texture that ties techno kick drums with electric guitars and the inevitable synths. So much happens in those four minutes that you’ve to listen to it to understand.
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18. Juelz – EGO! (TAKE IT BACK)

Juelz continues to rock everyones world through their speakers one track at a time. Wrapping up his Floorspace chapter this year, the speed demon has been working day and night to bring us a new era in his journey. To give us a taste, he decided to drop ‘EGO! (TAKE IT BACK).’ An absolute exhilarating drive through a powerful wind tunnel of hard frequencies and fast-paced rhythms. This track highlights what makes the artist unbeatable in his lane. From crisp, saturated bass leads, intoxicating vocal samples scattered throughout, and a true new for speed, it’s an experience you’ll see yourself revisiting time and time again. Continuing to drive this portion of electronic trap in the right direction.
-JD

17. Drake – Family Matters CV

Drake vs. Kendrick was the music moment of the year. Two of rap’s biggest stars going head to head captured the attention of the world and gave us one of the wildest and most ruthless rap beefs in recent memory. Drake’s ‘Family Matters’ saw the 6 God taking the gloves off and barring up for over 7 minutes. In addition to blatant Kendrick disses, Drake takes on everyone who hopped on the 20 v 1, firing precision shots at Rick Ross, A$AP Rocky, The Weeknd, and Metro Boomin. The track is his fiercest and most lyrically dense offering of the battle proving yet again that Drake can hold his own against the best out. Add in the well-thought-out visual that sees Kendrick Lamar’s signature GKMC minivan being cinematically destroyed and this could’ve been the knockout punch to end the war. Unfortunately for Drake, Kendrick outmaneuvered him by dropping an onslaught of scathing records back-to-back giving this little room to breathe and delivering the death blow of the battle with arguably the biggest song of the year. But more on that later…
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16. Alix Perez – In Your Eyes

Alix Perez’s ability to produce both demonic dubstep and angelic drum&bass never ceases to amaze me. Taken from the magnificent Entanglements LP, released in September, ‘In Your Eyes’ is everything a liquid d&b lover could desire. This six-minute trip among silky grooves, melancholic piano chords, and soulful vocals is, without any doubt, the best representative of the genre I’ve heard this year.
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15. salute x Disclosure – lift off!

salute’s rise reached a climax this year with the release of his highly anticipated album True Magic. His debut project on Ninja Tune is a body of work that shines brighter when played from start to finish, but also isn’t shy about featuring hard-hitting singles. His collaboration with Disclosure, ‘lift off!’ is the quintessential modern disco goodie that mixes French Touch and Garage elements into a propulsive blend. No need to say it works magic on the dancefloor.
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14. Machinedrum, Tinashe – ZOOM

‘ZOOM’ is my personal favorite track of 2024. Machinedrum never ceases to impress me with every release, and let me tell you, I was feasting when his album 3FOR82 dropped in May. Out of a dozen tracks, this one was absolutely the pièce de résistance (and certainly the most popular). It’s everything I love about liquid drum and bass. The drums are crisp and clean. The sub-bass has a downright synesthetic glow to it, pleasantly dreamlike and hazy. Tinashe, on some real queen shit here, delivers a sublime vocal performance and elevates the track to being not just great, but a masterpiece. She effortlessly switches her cadence and tone from a nearly lullaby-like performance to one of a rousing pop tune by the end of the song, albeit staying within the confines of Machinedrum’s ethereal production on this one. The opening line, “It’s so chemical / Feel it in my veins, made my blood boil“ is a pretty succinct illustration of how this track makes me feel. ‘ZOOM’ is as close as it can be to what I’d call a perfectly produced track, earning it without question a spot on this year’s list.
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13. Nia Archives – Crowded Roomz

Nia Archives’ Silence Is Loud album is one of my personal favourites of 2024. The artist flew under my radar for way too long before landing on it with her remix of ‘leavemealone.’ Shortly after, Nia Archives released the first (official) single from the album, and ‘Crowded Roomz’ proved to be a massive hit. Living up to its name, being played in crowded rooms across the world, and certainly bringing crowds to a frenzy, ‘Crowded Roomz’ is an infectious drum and bass cut that makes use of the artist’s signature vocals to drive its energy. Pairing these vocals with masterfully leveled instrumental is what makes ‘Crowded Roomz’ such a great track, and we highly implore all to dive into Silence Is Loud from start to finish.
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12. ISOKNOCK, RL Grime – SMACK TALK – AK

ISOKNOCK’s debut single, ‘SMACK TALK,’ featuring the trap don RL Grime, has risen as one of the defining anthems this year. An immaculate blend of electro, dubstep, hip-hop, and bass, the track has taken over the festival stages and streaming platforms alike. RL Grime’s veteran expertise brings the song to life, delivering explosive basslines and a trap-induced flair. With its intensity and cultural impact, ‘SMACK TALK’ is a standout track of the year.
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11. Levity – Front to Back

You may have recalled viral videos at Electric Forest and Shambhala with ‘Front to Back’ being rinsed to attendees and the crowd reaction was like no other. Levity have sparked a movement in the bass scene as they continued their dominance throughout the year. The single represents Levity’s pure vision of showcasing their experimental sound design and not sticking to the norms. When fans are left in awe for more, you clearly know you are doing something right and Levity were able to deliver that wonky-induced filth we all needed in our lives during 2024.
– AK

10. Zeds Dead, Moody Good, Killa P – Mad Ting

Simply put, ‘Mad Ting’ is ridiculous. Nobody needs a reminder of the legendary status of Zeds Dead and Moody Good, as these artists have established themselves as some of the best in the game for well over a decade. Their collaboration came as a huge surprise, and with Killa P lending some bars, the hype was huge. When ‘Mad Ting’ dropped, it instantly became one of my most listened to songs of the year. Moody Good’s unparalleled swagger, Zeds Dead’s timeless influence, and Killa P’s destructive bars come together to create one of the meanest dubstep tracks in recent history, delivering a relentless dose of mind-melting bass. We love that Moody Good is back to releasing and that Zeds Dead are returning to the album format in 2025. Maybe they’ll have respective individual tracks on next year’s list!
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9. TroyBoi x UZ – IBTFY – CV

‘IBTFY’ is everything we want from trap in 2024, paying homage to the OG trap roots that TroyBoi and UZ helped define without sounding the slightest bit dated. The track proves the genre’s timelessness and cements the pair’s status as two of the greatest to ever do it. It’s hypnotic and iconic. It’s the best of both of their sounds combining raw trap shit with captivating soundscapes for a truly unforgettable listening experience. This is our tenth year doing our Top Songs of the Year feature and a lot has changed, but one thing that hasn’t is TroyBoi and UZ’s position amongst the best releases of the year. Never switching their sounds to bend to the flavour of the month, both artists embody the pinnacle of staying true to your sound while continuing to evolve gracefully.
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8. Chase & Status x Stormzy – Backbone

What happens when powerhouses come together for a collaboration like no other? Pure adrenaline is right as Chase & Status called upon UK legend Stormzy for ‘Backbone.’ A perfect blend of raw energizing vocals with drum and bass madness, this one proved to take over the festival scene across the globe. With no choice but to hit the dancefloor with this one, Chase & Status have been monumental in driving the music industry this year, and tapping Stormzy only made sense for this legendary single.
– AK

7. Joy Orbison – flight fm

It only took Joy Orbison one release to dominate 2024. Released just seventeen days into the year, ‘flight fm’ has become this year’s most unexpected hit, reaching “Baddadan” levels of ubiquity. Raw yet elegant, this short and sweet banger can be fit into a wide variety of sets, be they bass, house, garage or techno. There hasn’t been a single show in the past 12 months where, at some point, I haven’t heard the deep pulsating bass slowly emerge from a mix and make the dancefloor go berserk.
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6. Distinct Motive – Mellow Man

Aside from #1, ‘Mellow Man’ is this year’s biggest dubstep track, and rightly so. If you went to a bass show this year, you probably heard ‘Mellow Man’ at least once a night (and usually more than that). This track was absolutely everywhere, and put Distinct Motive on the map for a ton of people. ‘Mellow Man’ is an incredible phenomenon, as it showcases that complexity is not needed to make a hit. It’s quite simple in its ideas, but Distinct Motive knew exactly how to channel that simplicity into something absolutely iconic. Released via Deadbeats, ‘Mellow Man’ catapulted Distinct Motive to the forefront of the dubstep scene, but people would be wrong to say that it wasn’t deserved. Seeing him live in Toronto for the first time this year, I was stoked to see how big of a crowd he pulled in, and how he was able to keep the energy high for the duration of his set. Distinct Motive is the man.
-SC

5. Fred again.., Anderson .Paak, CHIKA – places to be CV

“Hello I’ve got places to be!” Fred again.., Anderson .Paak, and CHIKA proved to be the perfect complement to one another on “places to be.” The track dropped at the end of May and acted as the unofficial start to the summer. Balancing between creativity, inventiveness, and pure pop appeal, it finds that perfect sweet spot. The warm weather anthem is breezy, infectious, upbeat, and most of all, fun. It’s a dance bop. It’s a travel soundtrack. It’s a love song. It’s a certified summer anthem. When you press play you can feel the sun warming your skin, your beer tastes better, and life seems a little bit brighter.
-C

4. Charlie XCX – Von dutch

Chronically online people will say that ‘Welcome To My Island’ (George Daniel & Charli XCX Remix) was the secret beginning of the Brat era. Others will argue that ‘Von dutch’ is not Brat’s most popular song. However, it’s a fact that ‘Von dutch’ was the first drop of the neon green tsunami that took over 2024’s music and culture. A single that ripped us away from the plastic glam of Crash and catapulted us into a Hor-like bathroom with a Jaegerbomb in our hand and a bloghouse cut from the mid-’00s that blasting at full volume. Von Dutch is a nostalgia-infused banger perfect both for millennials who grew up with Crookers and Wolfgang Gartner and Y2K-obsessed Gen Z.
-AA

3. Tommy Richman – MILLION DOLLAR BABY

Tommy Richman, signed to Brent Faiyaz’s label ISO Supremacy, really blew up this year after ‘MILLION DOLLAR BABY’ went viral on TikTok. After teasers of the single garnered over 9.5 million views on the platform in less than a week, its commercial success upon release was unsurprisingly massive, easily snagging the number two spot on the Billboard Hot 100 with its debut. It served as the soundtrack to several viral trends, including a dance challenge and prom transition videos. Appropriately, like our list here, ‘MILLION DOLLAR BABY’ hastily made its way to number three on Spotify’s Top 50 chart, beat out only by “Not Like Us” and “euphoria” by Kendrick Lamar. Making its rounds through other forms of media, the dance became an emote in Fortnite and the song was featured on the soundtrack for Madden NFL 25. If any song on this list can be called this year’s definitive summer jam, it’s this one (and as of now, it’s amassed almost one billion streams on Spotify alone).

Richman’s laid-back production on ‘MILLION DOLLAR BABY’ is like Southern drawl in song form. It straddles the lines between R&B, West Coast gangsta funk, and Southern rap in an eclectic, groovy style that sounds straight out of Houston. Imagine my surprise when I discovered Richman is actually from Virginia! Following the likes of Timbaland and Pharrell, he has since left Virginia for LA, but that hasn’t hampered his beautifully authentic style nor has it stopped him from drawing upon the sonic palette of the American south in his subsequent releases. Seamlessly transitioning between genres, whether it be rap, R&B, blues, or rock, seems to be Richman’s modus operandi. Atop electrifying synths with a hook so catchy that you’ll be humming the tune in your head for hours after, the raw soul behind Richman’s vocal riffs on ‘MILLION DOLLAR BABY’ in particular reinforce the track’s well-deserved distinction as the sensational smash hit of his discography.
-BG

2. Kendrick Lamar – Not Like Us

“psst, I see dead people”

This year we witnessed one of the most important hip-hop showdowns of our generation between Kendrick Lamar and Drake. Amidst their absolute evisceration of each others’ character through March and April, ‘Not Like Us’ emerged as perhaps one of the most important hip-hop compositions in recent memory. Kicking off after J. Cole’s contentious ranking of “the Big Three” in hip-hop on Drake’s ‘First Person Shooter’ last year, the feud ultimately blessed us with numerous diss tracks from Drake and Kendrick, with ‘Not Like Us’ coming out on top as the undisputed chart-topper.

Let’s all take a moment to appreciate that a diss track spent twenty-one weeks at number one on the Billboard Hot Rap Songs chart, spent two weeks at number one on the Billboard Hot 100, was the quickest hip-hop song to reach 300 million streams on Spotify, and to top it all off, broke Drake’s record for the biggest number of single-day streams on Spotify. As of right now, it’s approaching one billion. For a minute there, it felt like the entire nation was banging this track. The pop/club style that Drake has thus far dominated shifted hands, as if Kendrick were saying, “Oh yeah? I can also make a number one hit, and I can do it better than you.” Its immediate success culminated in a debut, five-time consecutive performance at The Pop Out: Ken & Friends. Over twenty-five West Coast icons were featured on stage alongside Kendrick and broadcasted for the world to see. Watching that stream, one could feel the unity in that arena through the screen. It was a true embodiment of hip-hop’s cultural zeitgeist in 2024.

There’s so much to say about what ‘Not Like Us’ stands for (surely much more than I’m qualified to write about here). This isn’t just a shot at Drake’s character, this is a veritable West Coast anthem. This is the song where the Kendrick vs. Drake feud transcends from personal attacks into a battle over hip-hop’s legacy. The rest of the beef notwithstanding, this singular song manages to recontextualize Drake’s entire public image while being infectious enough to have entire club crowds chanting “Tryna strike a chord and it’s probably A minor.” All of this on a Mustard beat, no less! The production of ‘Not Like Us’ is Mustard’s signature hyphy style in exemplary form, replete with finger snaps, gritty strings, and aggressive kicks (furthering the historical homages, the beat itself is an ode to Dr. Dre’s style). In one of the most memorable lines of the song, Kendrick lets out a rallying cry for West Coast artists to defend their identity and their icons with, “Yeah, it’s all eyes on me, and I’ma send it up to Pac,” an overt denunciation of Drake’s use of AI to imitate Tupac’s voice on ‘Taylor Made Freestyle.’ All of these elements coalesce into an immensely powerful affirmation of what hip-hop means to Kendrick and crew, and simultaneously cement ‘Not Like Us’ as the knockout punch to one of the greatest rap feuds we’ve ever seen. Sorry, Drake fans, but Kendrick opened his mouth… and the whole world listened.
-BG

1. Skrillex, Hamdi, TAICHU, OFFAIAH, contra – Push

“When I push, I feel good, when I pull, I feel good.” Another year, another Skrillex #1. We don’t do this on purpose, we swear, but it’s impossible not to put ‘Push’ at the top of this year’s list when looking at the impact that it had and what we represent as a publication. When the original picture of Skrillex and Hamdi in the studio first dropped, we thought it would turn out to be just another one of the million Skrillex collaborations to never see the light of day, despite being absolutely stoked for Hamdi who was starting to get the recognition he deserved. However, as rumblings of ‘Push’ started appearing across various live sets, fleeting hope turned into real expectations, and in typical Skrillex fashion, ‘Push’ turned out to be the song of the year. Featuring that quintessential Hamdi swing, the ever-innovative Skrillex touch, and catchy vocals from TAICHU and OFFAIAH, ‘Push’ is everything we love about electronic music.
-SC

FUXWITHIT Top 50 Songs Of 2024 Spotify Playlist

Words by Alessio, Alshaan, Braden, Colin, John & Steph.

The post Top 50 Songs Of 2024 appeared first on FUXWITHIT.

Now. I won’t say the phrase. Nor will I dust off the infamous hashtag (you know the one). I’m just being objective. The ball is rolling (pun intended) and this gives me a chance to throw myself into the fray with something that flirts with both culture and SEO. This month I bring back Bootleg Business with a massive drum&bass pack of 30 (unofficial) remixes that showcase pretty much everything the genre has to offer. Forget obscure cuts or hyper-sophisticated intellectual material though, this collection is strictly party-friendly. We have jump-up bangers, mainstage classic reworks, liquid rollers, ten-year-old remixes, ten-day-old remixes, weird bootlegs, and cheesy edits of pop songs. This Bootleg Business volume has it all.  Rumble remix included.

Friendly reminder that this list doesn’t pretend to showcase the finest bootlegs around, nor the rarest. Music can be (just) fun, remember?  This is an opportunity to have fun celebrating the art of unofficial remixes and, why not, a chance to find some new goodies to spice up your tracklists ahead of the festival season.  As in the case of my summer special, the playlist is loosely divided into two parts. It starts with the heaviest cuts and it progresses into the more melodic tracks.

Have fun!

The post Bootleg Business – Vol. 7 – Extended D&B Special appeared first on FUXWITHIT.

Notable among this stash of unreleased goodies was a track that sounded like the aforementioned tune, but wasn’t quite it. Today, that track, titled ‘Badders,’ finally reaches the light of day, and sees the stacked lineup of ‘Hydrate’ return, swapping vocals from BEAM for added production flair from G-Rex. In short, ‘Badders’ is yet another brute that highlights the strengths of all involved. Carrying the flow that PEEKABOO has mastered while featuring key elements of each contributor, the cut is tailored to sound systems with a heavy sub. Flowdan’s lyrics sail smoothly over a bass-heavy undertone that gradually becomes nastier as it progresses (that crunchy bass in the latter half of each verse is just mean), and production swagger is ever-present from start to finish.

Don’t miss ‘Badders’ below.

The post Skrillex, PEEKABOO, Flowdan & G-Rex Unite In ‘Badders’ appeared first on FUXWITHIT.

White Rabbit (Lets Be Friends Remix)

I gave this 2nd spot in my Bass remixes of the 2010s when I made that list a few years ago, bettered only by Knife Party’s remix of ‘Last Time.’ Jonny (now on his own as Joyryde of course) and Oren did an insane job here of retaining the character of the original whilst refashioning it with all the vintage LBF energy they could muster. The vocal play across the track is captivating. This is pretty much as exciting as Bass music gets for me, and frankly, all 5 of my picks could’ve been LBF edits.
– N

[soundcloud url=”https://api.soundcloud.com/tracks/149487159″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Du Hast (JAWNS Version)

This month I kick off my selection with something fresh off the press. Published just a few days ago, JAWNS’s version of Ramstein’s iconic classic ‘Du Hast’ is set to cause some giants mosh pits on dancefloors, no doubt. If you’re at a show and you hear this one coming up, prepare your elbows cause it will be mayhem. I’m not gonna lie, this JAWNS-going-metal trend is starting to get me.
– AA

[soundcloud url=”https://api.soundcloud.com/tracks/1546363474″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Skrillex – Bangarang (Kredo Bootleg)

It still saddens me the extent to which Kredo was slept on, and went under the radar. This bouncy, boisterous rendition of Skrillex’s classic original is a mile and away the best take on it I’ve ever heard – and I came across quite a few! The funky movement of this track is crazily infectious pretty much from start to finish. The only point it lets up is for a sombre midsection that expertly puts the fun into perspective. It’s Kredo in full flow.
– N

[soundcloud url=”https://api.soundcloud.com/tracks/69725462″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

FLUX PAVILION – BASS CANNON (LUCA LUSH LIFT)

This track has been sitting on my PC for the past 6 years. It’s probably my favorite Luca Lush edit and a steady presence in my mixes and DJ sets. Do you want to blow some minds? Just play this tune and the job is done. I love how he managed to make a more evil and mental version of the Flux Pavillion classic. This is how I imagine an alien invasion would sound.
– AA

[soundcloud url=”https://api.soundcloud.com/tracks/324144358″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Maka & Waeck ft. Farisha – Breathe (Vexare Remix)

I think the oldest track from my selection, reflected a little in the dated feel of the production. However, that exact thing is what gives this track character – that feeling of being of its time, giving it added authenticity. It also oozes with nostalgia factor for me as one of the very first electronic remixes I fell in love with. The heart-aching vocal, the melodic twists in the drops, the processed robotic YOIs. Still raw and still sensational 12 years on.
– N

[soundcloud url=”https://api.soundcloud.com/tracks/12216910″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

SATiSFACTiON (YOOKiE EDiT)

YOOKiE has certainly delivered craziest tunes than this one, but I’m simply obsessed with this edit of ‘Satisfaction’. The first time I listened to it I found it just hilarious but as soon as I gave it a try on a proper sound system I had to change my mind!  Simple but super effective. This is bootleg business at its finest.
– AA

[soundcloud url=”https://api.soundcloud.com/tracks/814963336″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Growin’ Up In The Gutter (Kill The Noise Remix)

Another remix that holds a special place in my heart. I remember showing this to a school friend – one of the only other people in my year remotely interested in bass music – and just watching his jaw drop when the unforgiving KTN Dubstep bulldozed through. The menace of Yelawolf’s vocal matches the heaviness perfectly across drops and builds. There’s a constant feeling here of something simmering, lurking below, ready to wreak havoc – which is what Dubstep is all about.
– N

[soundcloud url=”https://api.soundcloud.com/tracks/31534450″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Herobust – Dirty Work (Cherney Remix)

The original is still one of the filthiest and most cracked tunes I’ve ever heard. Period. For some reason, Cherney decided to feed its madness by making it bigger and louder. I’ve never been a dedicated dubstep guy but I’ve always been fascinated by the megalomania of this remix. Some days I love it, some days I hate it. I only wish I had a video of my first reaction when I found it by surfing SoundCloud.
– AA

[soundcloud url=”https://api.soundcloud.com/tracks/301714752″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Tisoki & Oliverse – Spongebob VIP

Only The Frim’s Doot Camp has ever come close to rivaling this VIP in terms of sheer, unbridled, cartoonish fun. I can’t even begin to imagine how much fun Tisoki and Oliverse must’ve had putting this one together. I genuinely had to check my phone hadn’t malfunctioned when I was listening to it for the first time, such is the uncontrollable and whacky nature of the vocal delivery. So colourful, weird, and cooky. We need more bass music that doesn’t take itself too seriously.
– N

[soundcloud url=”https://api.soundcloud.com/tracks/251052481″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

graves & Coolights – Say Things (Crankdat Re-Crank)

I’m pretty sure Nawtystep will agree with me when I say that Crankdat is one of the best in the bootleg business. His “Re-Crank” brand has gained a devoted following over the years thanks to a constant flow of top-notch edits. With almost two million plays on SoundCloud alone, Crankdat’s version of ‘Say Things’ needs no introduction. A timeless classic that always hits like the first time.
– AA

[soundcloud url=”https://api.soundcloud.com/tracks/266976796″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Be sure to subscribe to Nawtystep’s YouTube channel so you don’t miss any new reviews, essays, and documentaries, or check his Patreon for more exclusive content. Last, but not least,  give him a follow on Twitter and Instagram so he can bless your feed with some quality content.

The post Bootleg Business – Vol. 4 (feat. Nawtystep) appeared first on FUXWITHIT.

Although the track has been one of the most highly anticipated IDs outside of ‘Rumble’ it still hits as somewhat of a surprise. Built around Lil Baby’s vocals from ‘Baby’ the producers showcase their mastery looping, tweaking, and bending the vocals to their will. The vocal anchor gives it an instant infectiousness that commands replays and will be stuck in your head for days. The way the backing is built around it is perfection. Constantly progressing it pulls back and pulses forward with impeccable timing, stripping back to add groove and swagger, then adding bumping bass and layering hypnotic synths to keep you entranced.

What makes ‘Baby again..’ so exceptional is just how versatile it is. This will go off at a patio party at 2:00pm, slap at the beach or a BBQ, destroy main stage at festivals and arenas, rip after hours, give you energy for your morning run, soundtrack a late-night drive, improve your focus while working, and make you shake your ass. I’m not sure that there’s a situation where ‘Baby again..’ doesn’t slap, and if there is, I don’t want to experience it.

Listen to ‘Baby again..’ below and don’t blame me if you can’t listen to anything else for the foreseeable future.

The post Fred Again.., Skrillex & Four Tet Flip Lil Baby On Infectious Single ‘Baby again..’ appeared first on FUXWITHIT.

For this pilot episode, we decided to kick things off in-house with a b2b between me and FUXWITHIT’s very own Colin aka classyvlassy. He’s a true basshead, so expect some trap bangers from his selection, alongside some hip hop and even drum&bass. From my side, I couldn’t resist selecting some well-known cuts but I believe you won’t be disappointed (the obscure stuff will come in the next episodes, trust me). Also, don’t worry, we don’t have any ‘Rumble’ edits.

Rude Boy (Klean Remix)

Hold on and read what I have to say before rage-quitting this article. I know this remix has almost half a million plays on SoundCloud alone and has been spammed all over the internet in the past week. But that’s exactly the reason why it’s here. It perfectly embodies the spirit of this column. Think about it: the most talked about moment of 2023’s Super Bowl (musically speaking) has been an unofficial edit uploaded by a Brazillian teenager on his SIDE ACCOUNT, with just a few thousand followers. Crazy, eh? I’ll say it one more time, unofficial creations keep the music world fresh and exciting.  That’s why I wanted to open Bootleg Business with this track. It’s its manifesto.
-A

[soundcloud url=”https://api.soundcloud.com/tracks/1018139671″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

CLB – Bootlegs [002]

The title alone makes this a must for our selections. Chicago’s CLB is well known for his ability to give tracks he loves a darker and dirtier spin, and that’s just what he delivers on his second release of bootlegs. The 3-track offering sees CLB flipping tracks from Kunta Kinte, Skelecta x Distinkt, and Wiley Cat. The pack provides an insight into the sounds that influence the artist, shines a light on often-overlooked underground gems, and simply fucking bangs. Exploring the realms of 140 and grime, the icy bangers are built for dingy basements and beastly sound systems. Those looking to embrace the dark recesses of bass music will be delighted. Fans hoping for pop-friendly EDM bops will be frightened. Bootlegs [002]  is yet another example of why we love CLB.
-C

[soundcloud url=”https://api.soundcloud.com/playlists/1554796411″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”320″ iframe=”true” /]

Dennis Ferrer – Hey Hey (camoufly Remix)

The first time I heard this remix I was languishing in a complete hangover after one of the many nights out during ADE. Once I heard the drop, I was reborn, ready for another party. This remix is a certified banger. It hits harder than a bottle of Jäger gulped down in one breath. When thinking about ‘Hey Hey’ I used to recall the sensual house vibes of the original or the hyperactive disco groove of the Riva Starr remix. Now all I can think about is me fighting for my life in a mosh-pit. Good job camoufly.
-A

[soundcloud url=”https://api.soundcloud.com/tracks/1408623886″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Fred again.. – Kammy (like i do) (So Dope Bootleg)

So Dope flexes his talents as a remixer with a unique flip of Fred again’s ‘Kammy (like i do).’ The fresh take embodies all of the emotion of the original while injecting a distinct level of knock. The original vocals tie the track together as So Dope adds in lush pads and beefed-up drums before exploring three unique drops. Moving from trap, to club and wave, this bootleg truly checks all of the boxes, making it primed to ring off at clubs without sacrificing any of the feels.
-C

[soundcloud url=”https://api.soundcloud.com/tracks/1437670804″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Polarkreis 18 – Allein, Alene feat. Nephew (Voliik remix)

Let’s go step by step. I’m a huge fan of Eric Prydz. His remix of ‘Allein Allein’ is one of my favorite tracks from him and it made me fall in love with these vocals. Voliik is one of the most fascinating and skilled producers I know. What could go wrong with the combination of all these elements? Voliik’s electro treatment is brutal and extreme as always, but it perfectly matches the adrenaline rush triggered by the vocals, in this version sung by the Danish band Nephew.  Indeed, this is actually a remix of a rework of the original Polarkreis 18′ song. Confused? Read the SoundCloud description for the full, beautiful story behind this remix.
-A

[soundcloud url=”https://api.soundcloud.com/tracks/829202374″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Lil Yachty – Poland (Formula & Nautika Bootleg)

I’ll admit that I’m a bit behind on this one. Released late last year, Formula & Nautika take Lil Yachty’s ‘Poland’ into the world of DnB. Let me start by saying this really shouldn’t be this good. That’s not a knock on Formula & Nautika’s talents because they prove them in stripes. It’s just rare that a DnB flip of a SoundCloud rap hit sounds this well crafted. Yachty’s addictive and simplistic vocals make it feel instantly familiar but the way they’re bent and stretched creates melodic layers that are damn near spiritual. The drops hit with maximum impact while still remaining infectious and uplifting. This song is simply too much fun. Don’t blame me if this is stuck on repeat for the foreseeable future.
-C

[soundcloud url=”https://api.soundcloud.com/tracks/1380156163″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Mr. Carmack – lean on rmx (1great dane totally helped too)

Here’s another widely popular, or I should probably say iconic, remix. I’ve been sharing this version of ‘Lean On’ left and right for six years now, it would simply be a crime to not include it in Bootleg Business. Long life to Carmack (and Great Dane too) for this gem and for that album full of random beats he dropped in 2017.
-A

[soundcloud url=”https://api.soundcloud.com/tracks/273749040″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

PRYZMS – TALES FROM THE DIRTY SOUTH RE:MIXTAPE

What happens when you flip Atlanta rap classics into hard-hitting bass cuts? ATL native PRYZMS decided to find out and we couldn’t be more grateful for it. Leaning into his early influences, TALES FROM THE DIRTY SOUTH RE:MIXTAPE is a love letter to the iconic sounds of his city that also show off his undeniable skills. Blistering trap and bass is elevated by vocal samples from rap staples that include ‘In The A,’ ‘Kryptonite,’ ‘Dirty South,’ ‘ATLiens’ and more. This is untapped SoundCloud gold that’s ripe for mining. Bask in the sonic riches.
-C

[soundcloud url=”https://api.soundcloud.com/playlists/1569514078″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”320″ iframe=”true” /]

SOOHAN – Missy Tribute

“A supercut of Missy Elliot’s hardest lines running atop a selection of Timbaland’s best cuts.” This is how SOOHAN himself described this cut, and to be honest, it’s pretty self explicative. There’s nothing much to add about the song (it slaps!) but I can’t stress you enough to check SOOHAN’s full discography. He’s a remix wizard and sample genius. On top of that, he doesn’t limit himself to pop remixes but he mainly incorporates and explores sounds from all over the world. His SoundCloud profile is a true encyclopedia.
-A

[soundcloud url=”https://api.soundcloud.com/tracks/344577876″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Skrillex – Scary Monsters & Nice Sprites (Fabian Mazur Remix)

With the recent release of not one, but two new Skrillex albums, it’s probably safe to say you’ve been inundated with Skrillex remixes as of late. So why not lean into it with a fresh approach? Rather than taking on ‘Rumble’ or one of the iconic producer’s recent releases, Fabian Mazur has instead opted to take on Sonny’s all-time classic ‘Scary Monsters & Nice Sprites.’ With the original now well over a decade old, a fresh flip actually feels like a unique take. Fabian Mazur leverages the vocals and signatures from OG while completely flipping it on its head for a trapped-out twist that’s primed for the FUXWITHIT audience. Flipping a classic is always a difficult task, but Fabian Mazur always rises to the challenges ahead of him.
-C

[soundcloud url=”https://api.soundcloud.com/tracks/1441934500″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]

Words by Alessio & Colin

The post Bootleg Business – Vol. 1 appeared first on FUXWITHIT.

Today, though, that roller coaster reaches an all-time high. Today, Quest For Fire, Skrillex’s first solo album since 2014’s Recess, is here for all to enjoy. Today, bass music fans can sit back, relax, and remember why Skrillex is considered one of the best to ever do it. Since announcing the pair of albums at the turn of the new year, and since slowly dropping singles from both, the bass community has rejoiced at the return of a genius.

The definition of a legendary artist is one that can innovate within the predefined boundaries of a genre, and simultaneously break down these barriers to create new genres. Skrillex is the epitome of that definition, and all it takes to grasp this is one listen-through of Quest For Fire. From bass house (‘Leave Me Like This’ with Bobby Raps), to future bass (‘Good Space’ with Starrah), to everything in between, Skrillex displays his masterful ability to create insanely infectious hits. When exploring outside of these confines such as in ‘Tears,’ ‘RATATA,’ ‘XENA’ and ‘TOO BIZARRE (juked),’ Skrillex makes innovation look easy. Sure, elite collaborators such as Joker and Sleepnet, Mr. Oizo, Missy Elliot, and Posij helped in the process, but there’s no denying that these tracks will lay the foundation for inspiration for years to come. Oh, and how could we forget ‘Hydrate’ alongside Peekaboo, Flowdan and BEAM. That has to be be one of the biggest surprises on Quest For Fire and could easily be a Top 5 bass track of 2023.

Aside from the obvious bass-leaning nature of the album, Skrillex is able to weave in some emotional cuts, too. ‘Inhale Exhale’ with Aluna and Kito, ‘A Street I Know’ with Eli Keszler and ‘Hazel Theme’ are softer, more stripped back, tracks that beautifully change the pace of the album. ‘Kliptown Empyrean’ getting transformed into ‘Hazel Theme’ and ‘Still Here (with the ones that I came with)’ is everything one could have wanted, and more, as Porter Robinson and Bibi Bourelly join the mix to close out the album in a lighter yet still extravagant tone.

I could try to describe every track but words can’t do them justice. Personal standouts include ‘Tears,’ ‘TOO BIZARRE (juked)’ and ‘Hydrate,’ but everyone should listen to Quest For Fire from front to back, multiple times. Skrillex is back. Dive in below.

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Now that New York City has gotten back into the groove of going out every night, it’s no surprise Skrillex is coming to Brooklyn’s beloved Avant Gardner. The indoor-outdoor venue is home to New York’s biggest dance music events, hosting stages with incredible visuals, an epic sound system, and plenty of room to dance. The sold-out show will be taking place tomorrow, October 27 and we’re gassed to see what kind of set he’s going to play.

Skrillex will be bringing on stage Wax Motif and NOODZ—and as an Asian in dance music myself, let me just say I’m hyped to see this type of representation. Keep an eye out later this week to see my review of the sets and check out more info below! For information on COVID-19 restrictions at the venue, be sure to visit their website before attending the event here.

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Following the house and garage influence of his last solo piece, Skrillex is back with a vibey bop primed for the summer titled ‘Butterflies.’ Teaming up with another veteran, Four Tet, as well as rising star Starrah, the trio of artists have concocted a three-minute jam that is sure to have you listening on repeat while dancing uncontrollably in your living room. The ideas aren’t revolutionary, but the execution is top tier. The attention to detail is the highlight of ‘Butterflies,’ with layers of bass, percussion and vocals all coming together to form a flawless house piece. With a mesmerizing break just past the two minute mark that displays the true mastery of all involved, ‘Butterflies’ is a strong contender for playlist favourites.

While on air with Annie Mac to premiere the track on Monday, Skrillex stated that he is sitting on a ton of material that he is proud of for the first time in years. Reading between the lines, it sounds like we might finally be getting a consistent stream of music from the legend in the near future. Until then, blast ‘Butterflies’ on repeat below.

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Without any surprise, at the time I’m writing this article the track has racked up 30k plays in more or less half an hour. What it’s unexpected instead, is the track itself. Not that Skrillex is a predictable guy, but a return of his future-garage inspired side was definitely not something I could ever predict. After years where he mostly released hip hop collaborations or heavy weapons, hearing the vibes that I loved in ‘Pretty Bye Bye’ and ‘Fire Away’ again is extremely refreshing and heartwarming at the very least. As many fans have pointed out in the comments, ‘Kliptown Empyrean’ is the perfect treat for this 2020: soft, comforting, extremely human.

Last but not least, this track comes alongside the umpteenth vague update about Skrillex’s forthcoming album. You can listen to ‘Kliptown Empyrean’ below and download it for free here.

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