Following a joint tour that kicked off in late March, Kumarion and Smoakland now join forces on the three-track High Rollers EP, released via the coveted Deadbeats. A powerful, adrenaline-fueled release that’s guaranteed to captivate dance music fans, High Rollers features three sonically different tracks that encompass a range of styles and that come together nicely into one cohesive project. ‘Worth All The Wait’ featuring jELACEE is a smooth liquid jam that uses soothing vocals to complement the light-hearted nature of the track. Kumarion and Smoakland venture into jungle territory with the project’s titled track, ‘High Rollers,’ peppering the project with more energy than its opener and further showcasing their technical skills. Finally, ‘Fluxuations’ lends a halftime hand to the lively project, as the artists slow down the tempo but not the intensity.

Don’t miss the High Rollers EP below.

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Flaunting some of the thicccest wubs in all the land, Smoakland’s trademarked style blends effortlessly with the foreboding soundscapes that Shanghai Doom are veritable mastercraftsmen of. Immediately greeting listeners with robust undulations that swiftly devolve into blissful speaker purrs, there’s really no time to strap-in and mentally prepare for the rich evil that one will endure. Dubious vocal chops that sound straight out of a horror movie invade your consciousness, bringing on all sorts of devilish thoughts that would seem extreme in any normal circumstance. Equal parts music, seance, and satanic ritual, hitting “skip” might be the best move around small children, unless, of course, you’re trying to indoctrinate them into the unholy church of malevolent wubs. Tight, immaculate mixing makes this track a true treat on the ears, while also straight diabolical energy for the soul. Man, does it feel good to be evil. Check out ‘Time Warp’ for yourself below!

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Immediately gripped by the sparking electricity exuded by ‘Old School,’ your body will be coated in true ego-fulfilling currents. Coupled with a humongous adrenaline shot of pure carnal energy, you’ll be sent straight into a frenzy, capable of anything and everything, and inhibited by absolutely nothing. Sporting one of the wildest builds in recent memory, listeners will be instantly enraptured and lifted from their seats, feet fiercely flailing to the beat. A rare, yet wonderful, feat in the audio world today is having overtly aggressive tunes with make systems purr rather than rattle, and boy do these boys have that down-pat. Newton’s first law states “An object in motion stays in motion unless acted upon by an outside force,” so put this bad boy on repeat, get jiggy with it, and keep all those negative vibes outside your bubble of comfort. Check out ‘Old School’ for yourself below and grab the free download.

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If there ever was a polar opposite title for a track, it’s definitely ‘No Good.’ Proudly displaying sound design that delicately romps through your ear canals while simultaneously pulling no punches, you’ll be left in a state of complete euphoria, bliss being the only thing your consciousness will be able to comprehend. If you’ve ever wondered what taking a bath in sound waves feels like, put this bad boy on and soak up the vibrations as they pour over your entire existence to your heart’s content. The vocals of “You’re no good for me, I don’t need nobody” courtesy of Prodigy’s ‘No Good’ are sprinkled throughout the piece and dance around your headphones courtesy of the ridiculous panning included within, a testament to the immense quality of this piece and the progress both parties have had in their individual journeys. If you want a track that will elevate your mood so sharply that you’re left compelled to bop around your house like your life depended on it, this is that track. You’ll be left feeling like a “strong, independent woman that don’t need no man”, or you might even throw on ‘All The Single Ladies’ next, who knows.

‘No Good’ is just one tenth of Modern Throwback, and if you were wondering, the entire rest of the album is of the utmost quality as well. Sporting eclectic bangers like ‘1975’, which rightly sports a Led Zeppelin intro, ‘Wooly’, a sexy groovefest of grime featuring the ever-impressive Molokai, a massive DNB banger in the form of ‘God’s Gift’, and the excessively saucy ‘Set You Free,’ this body of work is nothing to be trifled with, and is assuredly deserving of a full rinse in order from start to finish. All aboard the hype train ya’ll, these boys have a one-way express ticket to the top, and this is only the beginning of the adventure. Smoakland have been one of our favorite groups here at FUXWITHIT for some time now, and the success that they’ve had in such a short amount of time is incredible and wholeheartedly deserved. We’re avidly excited to see what the future of the group beholds, but for now, check out ‘No Good’ and the rest of the Modern Throwback LP for yourself below!

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Now, primed and ready to dominate festival season in true fashion, we’ve gotten a sneak peek at their upcoming Modern Throwback LP and plenty of saucy live edits in the 96th edition of our guest mix series. We’ve also had the privilege of speaking to them about their journey so far, their inspirations, and what’s coming next. Check out the full interview and guest mix for yourself below!

We like to keep our sound current, yet have that throwback feel to it. We don’t want to be confined to just one genre. We love to put our classic style over anything that catches our ears.

We want to keep that old school dubstep feel, while also bring a whole new style of sound design to the game.

Whenever someone tells us our music has made a difference in their life, or just seeing how hype people get at our shows. It’s infectious. We never want to stop what we’re doing.

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‘Telegraph’ is one of those collaborations that works so well you hope the contributing artists have a dual EP coming soon. Combining the speaker purr-inducing bass lines from Smoakland with the wobblier elements of SuperAve creates a listening experience that’s truly unique and exceedingly progressive. This is a perfect fit for a release on Saturate, as they’ve been one of the most forward-thinking labels in the game for years now. The first drop commands your attention, with a melody so powerful it feels like you’re receiving an organ sermon in the church of bass. “Psalm 420, thou shalt get down to these divine beats.” The switch-ups are immensely lively, bringing out only the most wild of dance moves from anyone within ear shot. The final drop is bursting with energy, and viciously slams your head back and forth in true rag-doll form, with zero regard for human life.

If this track is any sign of what’s to come from these two maestros of the underground, 2020 better strap in, because it’s going to be one hell of a ride. Check out ‘Telegraph’ for yourself below, and grab a free download here!

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The initial aspect you’ll notice of ‘Have Mercy’ within the opening seconds is the sense of a dark mysterious force quickly approaching. The tone of the piece is quite serious, drawing you in with hollow, faded out notes accentuated impeccably by crispy snares. The predrop vocals bring in Sam Cooke, asking longingly “will somebody have mercy?”  Sorry to break it to you Sam, but mercy will surely not be coming anytime soon from these two groups. The wubs are thick, full-bodied, and plentiful; a veritable all-you-can-gyrate buffet. Featuring immaculate mixing across the board, each sound feels individual yet part of the bigger whole, nothing taking up more space or attention than another. Need a workout for your sound system? Throw this bad boy on and watch your speakers flex so hard it looks like they’re going through the ringer with a personal trainer, assuredly squealing “have mercy” in response.

Both Smoakland and Vibe Emissions have shown consistently throughout the course of the year that their sound is here to stay and will only continue to get more sharp, polished, and creative. For fans of all the forward-thinking players in the bass music realm, this are two groups to keep a very close eye on for the foreseeable future. For now, check out ‘Have Mercy’ for yourself below!

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‘Blunted’ is an intoxicant of the highest degree, eliciting an ego-boosting sense of fulfillment. From the opening beats, the overwhelming sense of style and immaculate aesthetic is readily apparent, making even the most conservative of listeners drop it all the way to the floor. Right before the first crashing of immensely thick bass, the pre-drop vocals of “soon as you start sleeping, catching you off guard” grace your ears, and if you weren’t firmly holding onto something, you might just get swept away. Prime bumping material, this is a song that deserves nothing but the highest quality of sound systems for pristine rinsing. The saying “music is the drug” is a snug fit for this piece, as you can practically feel your entire state of being elevate to a higher plane of consciousness.

Rich, full-bodied, and intricate are all perfect descriptors of what these 2 impressive groups have put together. With no signs of slowing down anytime soon, Smoakland and Houman are experimental artists that will continue to bleep on even the most tight-knit of radars. For now, make sure to keep ‘Blunted’ in your constant rotation, and check it out for yourself below!

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Cut from the catalog of Perfect Number, Mitchell’s debut SpicyBois EP, ‘Darkness’ presents an opportunity for the styles of just john & smoakland to synthesize as one. “We share a similar vision and proclivity for experimental bass, and I think our styles both really shine through on this track,” Mitchell reflects on working with the Bay Area duo.

Hypnotic echoing lays the foundation for the track, weaving mesmerizing energy as it begins to unfold. A precipitous rush dissipates the melody briefly as a fleeting vocal sample thrusts the track into a rhythmic sequence of wobbles. Crisp beat breaks reveal hidden fringes of resonating frequencies and digitized mixdowns within entrancing energy soundscape of the track before a final momentous reprise imparts a final eruption of turbulent bass.

‘Darkness’ is an immaculate personification of just john’s virtuous production craft and boundless creative dexterity. Demonstrating Mitchell’s uncanny ability to work cohesively with other styles, the track depicts remarkable depth and a riveting flow that cunningly foreshadows the acuity that permeates the entire Perfect Number EP.

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