“This track started as a sound design project that kinda by itself turned into a full high-energy tune. There was just some energetic vocal missing. I’ve been friends with Robbie (INF1N1TE) for quite a few years now and saw he wanted to do some vocal work. I hit him up straight away and here we are: making sure there’s them good old brostep vibes in a 2021 jacket!” – Spag Heddy

In true Spag Heddy fashion, ‘Face To Face’ is a gritty thrill-ride from start to finish. INF1N1TE’s aggressive vocals set the tone from the get-go, sprinkling some verbal parmesan over the ever-impressive level of production underneath that fans have grown overtly accustomed to from the spaghetti deviant. Attaining a level of cleanliness among his sounds that is eye-brow raising even for him, this is a piece that’s a true treat to listen to on headphones, with exceptional mixing and robust peaks on the energy scale. The first drop will leave listeners whipping-out their wildest finger guns for the special occasion, short punchy notes slapping immaculately. In sharp contrast, the following deluge of low-end is sustained much longer, each cascade of bass taking its time affirming its tomato-based presence on your entire plate. The final drop is an exceptional mix of the previous two, a fitting close to this frenetic feast.

Can’t get enough Spag Heddy in your life? Always had a burning question you wanted to inquire about with this culinary audio wizard? He’s holding a Q&A session on the Never Say Die Discord this Sunday, February 7th at 4PM ET. If this piques your interest, you can find a link here! But for now, check out ‘Face To Face’ for yourself below!

The post PREMIERE: Spag Heddy & INF1N1TE Go ‘Face To Face’ With The Competition appeared first on FUXWITHIT.

The collection of songs on the Armageddy EP embody what Spag Heddy represents as a producer. Beautifully pairing invigorating melodies with a bass-in-your-face approach, every track except for ‘Dojo’ balances heaviness and euphoria to a tee, luring you in with high-intensity introductions and keeping you hooked until the very end. Although different in execution, ‘Dojo’ is no less impressive than the rest of the tracks in the project, as Spag Heddy flexes his versatility by incorporating trap, hardstyle and even a bit of bass house in the eclectic piece.

The Armaggedy EP is sure to become a go-to for producers as festival season begins to ramp up. Check it out below.

The post Spag Heddy Unleashes Battle-Ready ‘Armageddy’ EP appeared first on FUXWITHIT.

In their first collaboration since their Christmas-themed track almost three years ago, Spag Heddy and Dubloadz are back with a weapon of a tune. Out today on Never Say Die, ‘Blood Of The Weak’ sees the two dubstep dons mesh their unique styles into one cohesive bass belter. Many of the sounds can be attributed to a specific artist, from Dubloadz’s crisp ad libs and wonky fills to Spag Heddy’s mean sound design. However, the piece flows incredibly naturally from start to finish, with a perfect balance between tension-building and pure, unadulterated insanity.

A banging track to get you in the spirit of Halloween, ‘Blood Of The Weak’ is a quintessential banger from Spag Heddy and Dubloadz. Check it out below!

The post Spag Heddy & Dubloadz Take No Prisoners In ‘Blood Of The Weak’ appeared first on FUXWITHIT.

For a track that utilizes a simple, yet acutely potent lead, ‘Zoom’ presents the ideal canvas for collaboration, providing both an ample structure to work from as well as plenty of room for innovation. The compilation features contributions from Never Say Die veteran Krimer as well as frontrunners in the modern wave of dubstep including Moore Kismet, K-NINE, TRVCY, & L.U.X. to ensure a level of innovation and diversity that can rival the tremendous impact of the original.

“Working on this remix for Spag Heddy was so awesome, as I’ve looked up to him for so many years. ‘Zoom’ was one of the most highly anticipated tracks in all of bass music, so for NSD and 24-8 to have given me this opportunity is literally so awesome and seems like a full-circle moment for my career,” Adelanto-based Moore Kismet shares regarding the magnitude of the opportunity. “I wanted to stay as true to the original as I could but I also got my own route with it, and I think I did a pretty damn good job of that!”

Encompassing numerous subgenres within the bass music arena, each remix within the compilation assumes the challenge of finding creative symmetry. Working to utilize aspects of the original, while preserving aspects of authenticity within their own style. “In all honesty, I’m still in shock over the remix, opportunities like this come rarely. With so much excitement and ambition, I re-wrote the record to resemble “K-NINE,” the outcome was this darker heavy version of ‘Zoom’ and I couldn’t be happier.”

Be sure to check out Moore Kismet and K-NINE’s take on a Spag Heddy classic, as well as the full ‘Zoom’ Remix EP out now via Never Say Die Records!

The post Spag Heddy’s ‘Zoom’ Gets the Full Remix Treatment appeared first on FUXWITHIT.

Flying skull and sable flag tribute to Never Say Die Records for the unveiling of a long precluded ID, ‘Zoom’ unites each facile layer of Spag Heddy’s production, conjugating playful momentous builds, heavily-processed reggae grime samples, and a pestilent amplitude of bass that has only seemed to ripen with age.

At long last the wait has concluded, check out ‘Zoom’ below!

The post Spag Heddy Commences Full-On Stampede in ‘Zoom’ appeared first on FUXWITHIT.

Much like a growing seed, a genre demands fertile, nurturing soil and a deep running system of support roots in order to blossom into maturity and survive the competitive landscape of the music scene. Founded in early 2009, Never Say Die Records and founder SKisM have furnished the necessary foundation that has allowed the bass genre to grow to where it is today, not to mention expanding into new & exciting sub-genres.

Toting an arsenal of veteran names such as Zomboy, MUST DIE!, Eptic & Trampa, the label has more than solidified their dominance over the bass realm; releasing consecutive Never Say Die compilations every year since 2012, each further revealing the seasoned cast of artists that have contributed their influence to the dubstep we know and love today.

Despite an extensive back catalog, SKisM maintains a rigid focus on the present moment and watchful gaze on future endeavors; demanding that past artists and newly acquired talents ceaselessly test the boundaries of their creative ability, which has resulted in a versatile evolution of sound for the label since its origination in 2009.

Now, with the sixth installment of the coveted Never Say Die Records compilation, we are enamored to see debut contributions from Mastadon, ECRAZE, and TYNAN as well as heavy-hitting sounds from seasoned veterans and Soltan’s first release of the year. And, as with all predecessors, there is not a single weak link in sight, providing sound confirmation that NSD will only continue to rule in 2019.

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Every established artist has a signature sound that makes them easily distinguishable among others, but perhaps the most unique of them all is Eptic. Within five seconds of any of his tracks, a true fan is able to identify him in any mix. His contribution to Vol. 6 is no exception, jumping on the riddim bandwagon with his distinctive flair to unleash the monster that is ‘Ready 2 Die’. In typical Belgian overlord fashion, Eptic combines snappy vocal samples with his robotic synths and gut-wrenching bass to create one of the most forward-thinking riddim tracks of the year. Captivating your attention with an intricate introduction and keeping it with his forward-thinking approach is what Eptic does best, and ‘Ready 2 Die’ will have you hooked for its entirety.

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While 2017 saw IVORY make a name for himself in the bass scene, this year saw him establish himself as one of the greats. His Next Level EP lives up to its name, offering next level sound design and supernatural bass. It’s no surprise that his contribution to Vol. 6, ‘Unbreakable’, stands out among the best, as he continues to elevate his wicked engineering with every release. In his latest, IVORY introduces middle-eastern chants with a desert-like soundscape to create a dance-ready torrent. Don’t be fooled by the splendor, though, as the gap between beauty and bass is quickly met with a loud, cawing lead matched with heavy-hitting percussion to create a headbang-ready heater.

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Who knows exactly what prompted Space Laces to become the Santa Claus of bass this year, but whoever/whatever triggered it deserves all the thanks in the world. Gifting his die-hard fans with more releases this year than the last 5 years combined, Space Laces has been on an absolute tear with his latest work. When his collaboration with Topi wasn’t included in the Vaultage 001 mix, speculation began as to whether it would ever see the light of day, before being included in the Vol. 6 mix and giving bass enthusiasts a new hope. To the pleasure of all, ‘Whiplash’ has made its way into the newest compilation, offering more insight into the mind of two musical geniuses. A picturesque introduction depicts a group of friends cruising down a highway (no pun intended) before a hasty rise in tension predicts an unfortunate event. An abrupt crash of monstrous sounds injures all, with meticulous sound design and a fury of bass causing additional damage. Elevating the glitchy take on dubstep throughout, the track continues to jerk the passengers, offering no escape from the ‘Whiplash’.

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Thoroughly listening to a track from international bass aficionado SPAG HEDDY is nostalgic to strolling the streets of Little Italy. Whimsical accordion medleys blend an unmistakable influence of the Sicilian variety into the savory, high-energy buildup of the track which contrasts roaring synth jabs and a commanding vocal sample. As the frenzy grows in intensity, a squealing mixdown launches the track into rampant waves of unyielding bass. Despite an overwhelming extravagance of resonating frequencies, ‘Troupe’ flows coherently as a tribute to SPAG’s coveted tight percussion and expertise in sound design.

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Utilizing heartfelt synth melodies and mesmerizing bass sequences, KRIMER constructs an immeasurable amount of emotional depth and suspense in the buildup of ‘Facebreaker’. As the riser reaches its climax, an assault of rigorous drums steers the track in a new direction, unleashing a meaty vocal sample which catapults the track into a volcano of erupting bass. Just as the billowing smoke begins to clear, a sample from Dr. Dre’s ‘Nuthin But a G Thang’ comes straight out of left field, heaving you right back into the licking flames of the inferno.

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A warm welcome and congratulations to TYNAN for making his debut on this year’s Never Say Die compilation — it’s been a real treat watching his style grow and develop in the previous 4 years and he truly deserves all the respect in the world for his hard work and talent!

The tune begins like the rebooting of a spaceship, captained by an otherworldly beast, which mutters a fierce growl as a repetitive snare drum kicks the vessel into orbit. As the ship begins to reach peak altitude a fatal software malfunction causes the navigation system to sputter uncontrollably, rerouting course directly into an oncoming fleet of bass-clad asteroids. Although the pilot appears to be coherent, he cackles menacingly as a meteor narrowly scathes the right wing, almost as if he had planned this treachery all along. Despite a more foundational trap style, ‘Usurper’ is sheathed in bass and lacks not an ounce in production.

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Christopher Columbus of dubstep, Zomboy is an undisputed pioneer of sound design within the bass realm, with a foundation in production, laid nearly 10 years ago, his riveting style of thundering percussion breakdowns and relentless synth arrangements furnish a template for dubstep tracks still to this date. However, it is an insatiable hunger for progress which sets Zomboy apart from the masses, unveiling with each release an unbridled desire to expand his timeless infrastructure even further.

Flaunting his production expertise right out of the gate, ‘Hide N’ Seek’ opens with a complex digital introduction, coaxing you within earshot of the sensational trademark melody of wailing, harmonious synths. An exceptionally placed break leads seamlessly into an onslaught of drums, unleashing a captivating wave of rapid synths, which build teeming anticipation in the track. A vocal sample delivers the fatal blow, exposing a breach in the walls through which an assault of bass lays siege, demanding immediate surrender with no promise of survival.

Year after year, the growing anticipation is almost too much to bear — beckoning the question, how can the sheer volume and audacity of the previous year possibly be topped? However, expectation and reality flow in perfect synchronicity with Never Say Die; and Volume 6 carries with it an insurmountable quantity of bass, delicately crafted sound design & meticulous production worthy of all praise.

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Word by Steph Contant & Sam Lewis.

The post Bring in the Ruckus with Never Say Die Volume 6 appeared first on FUXWITHIT.

The Dutchman doesn’t hold back anything on this four-track release, and it’s four featured tracks are exactly the kind of full-throttle bangers that have earned him a place in our heart.

Kicking the proceedings off is ‘Samir’ with its menacing drops, head-smashing drums and glass-edged riffs, followed by ‘Bring It’ which sees Heddy team up with the upfront Manchester trio known as Virus Syndicate. Along with other tracks ‘Lezzerd’ and ‘Jok,’ Spag Heddy’s Meatball Mafia EP is everything us bass heads wanted to hear, and then some.

Get it here. 

The post Spag Heddy Is Back On Never Say Die With New EP appeared first on FUXWITHIT.

He says of the release: “‘Samir’ was the intro tune for my US shows last year, and I hadn’t planned on actually ever releasing it…until SKisM (NSD label boss) heard it.” A huge listen with booming bass drops, tightly knit riffs and a powerful melody to boot, we recommend you check this.

You can do so below or here. 

The post Spag Heddy Causes A Stir With New Tune ‘Samir’ appeared first on FUXWITHIT.