From heavy drums, to high level sound design, each artist captured their vision perfectly and manifested it into a Sub.Terranean atmosphere. Each track heard will leave you with a satisfied and inspirational way. Keeping the underground scene alive and well. This whole compilation will for sure keep you on your toes and help your creativity to the max. Wether it be a thick bass line, a charismatic lead, or even a familiar sample, these artists know how to brighten your whole day with nothing but good vibes. You’ll have this group of tracks on repeat for a very long time. You can tell everyone had a fun time creating such time driven works of art.

Sub.Terranean is a beautiful label. Treating their artists and their music right is so important to everyone. And their newest installment, Vol. VII will honor not just themselves but the upcoming future for artists. So make sure to go support by streaming their newest compilation everywhere.

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Sub.Terranean Compilation Vol. V is without a doubt an impeccable look into who is at the forefront of the trap and bass underground movement. It contains a heap of 15 total tracks, 14 of which are solo pieces and 1 that is a collaboration. Vol. V has a sufficient slew of FUXWITHIT favorites such as KUREI, POINT CLARE, TOWERS and more. Let’s dive into what these tracks have to offer below.

Coming out swinging and wasting no time, getting straight to the point is ‘Normal’ by MAR. A Chicago born, now New Orleans based producer, Thomas Marhill packs a punch with his bouncy addition to this volume. The intro vocal sampled goes on a rant of what is and isn’t normal, despite the title this track is far from normal. An infectious drop guarantees at least a head-bob or your money back. ‘Normal’ takes average experimental bass sound and flips it inside out. I hate to admit, this is my first encounter with MAR, but will surely not be my last.

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Moving along about halfway into the comp we are presented with ‘Flurry’, which is a modern trap classic executed by none other than danforth. Using classic trap structure and samples, danforth tosses them into a blender to accentuate his modern take on the sound. Each sample and noise provided works in coordination with intricate bass line textures that help bring it to life. danforth is no stranger to pushing forward thinking audio as he represents Partica Artists Group and Good Nature Collective. ‘Flurry’ proves the formula danforth is capable of concocting, with proper Danny Brown samples sprinkled throughout and pristine percussion arrangement.

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Anything KUREI related, you know we are all over it. The man is a pure genius when it comes to production. If you follow us in any measure, you should be very familiar with the name. This time, KUREI takes ‘Yes Indeed’ by Drake and Lil Baby and cooks it up with his signature KUREI sauce. His track ‘Pikachu’ displays proper octave and pitch play as the sounds easily build off of each other for an effortless consumption. At this point, I don’t think KUREI follows any recipes or formulas, rather just gathers random ingredients that are available to see what feast he can cook up. ‘Pikachu’ is as fun of a listen as it is easy to digest, making it one to keep on repeat.

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Towards the end of the compilation we reach ‘INCOMING’ by KRMA. This track ramps the energy levels all the way up, being a compelling experimental bass project. The build up in the intro alone is capable of raising your heart rate, but when the drop hits it feels like an all out sprint has taken place as the energy grows even further than we thought was possible. KRMA offers a get-up-and-go dynamism to the comp with ‘INCOMING’ and you should be well prepared for this audio mammoth before listening.

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Shout out to Sub.Terranean for creating this project as it is flawless inside and out. The artists gathered and the tracks presented could not have been put together better. FUXWITHIT will continue to follow the Sub.Terannean journey and we look forward to what they will provide next.

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