Both names have been very prominent and praised within the industry. And their styles aren’t too far apart from each other. Which makes their workflow even more flexible and adaptable for this journey. Sully with his intricate and unique bass designs, and SuperAve. with his dangerous and monumental flows, this was a collaboration waiting to happen. And now it’s finally here. Ready to destroy massive stages anywhere you go. Truly bringing the best out of each other with every piece.

Superave. and I first got in touch over social media about 2 years ago now after a friend of mine showed me his music. We became friends instantaneously and our running joke after working together so many times is that we share the same brain when writing music. Both tracks display the blend of our sonic pallets so well and that’s generated from the chemistry we have when writing together. COUNTLESS hours went into this EP to make sure it was just right and we’re so proud of how both tracks turned out. – Sully

The Interflow EP is a tsunami of raw energy. Experimenting with brand new sounds and rhythms while implementing both of their signature styles is simply incredible. Perfectly intertwining and forming a special and innovative aura sounding the project. A blast of inspiration from beginning to end.

The first track, ‘Mug’ contains bouncy grooves, monstrous sound design, and an impeccable arrangement. Immediately sweeping you off your feet with every element exposed. Completely driving the EP into a brand new light already. Demonstrating how fluent these legends really are with their creative abilities and innovative thinking. Shining to the highest degree. Giving off feelings of perseverance and empowerment. Making each section flow smoothly with grit and might. Taking you off guard in the best ways possible.

‘Slip Up’ will make any face melt within a small radius due to its violent and destructive nature. Honoring the dubstep genre entirely while bringing new tricks to the table. Swift movements from the drums combined with classic style melodies bring back real nostalgia while setting a course to a gorgeous distant future. Combining old and new characteristics in a mighty and suave fashion. So if you’re looking for intoxicating aftershocks, hypnotic environments, and more, this is definitely the move for you. We’re very excited to see where these icons go next. For now, make sure to go stream the Interflow EP everywhere via Wakaan!

The post Sully And SuperAve. Intertwine Creative Gifts With Their ‘Interflow’ EP appeared first on FUXWITHIT.

As for SuperAve., he’s an artist whose pushing boundaries through sound and rhythm. His heavy and groovy bodies of work have rewarded him a known name within the electronic scene. He’s even released on labels such as SubCarbon Records, Pantheon: Anarchy, MorFlo Records and more. SuperAve. is working extra hard to bring us the latest heat no matter what.

To start off this spooky track, we hear some thick drums joined together with a haunting melody. Creating a feeling of curiosity and tension. A perfect way to start off a heavy track. Once the atmosphere opens up, we’re introduced to a hype buildup. Then, all of a sudden it hits you in your soul. The signature SuperAve. bass lead first makes its appearance. Playing a classic feeling melody to get you fired up. Right after, Herbalistek jumps in with their alien ear candy. The unexplainable textures within their work makes the perfect partner within this chorus. Everything comes together in a neat and fresh fashion.

But it’s not over yet. Once the second drop comes into play, you’ll be simply amazed to say the least. Both styles are joined once again. And this time, it’s a brand new feeling from the arrangement, to their violent sound choices. Transporting the listener into their creative minds. And being one with the song.

Herbalistek and SuperAve. brought the energy on this one. Make sure to go support by streaming ‘Redux’ on SoundCloud.

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The post Herbalistek And SuperAve. Unleash Chaos With ‘Redux’ appeared first on FUXWITHIT.

A tell-tale sign of a master musician is someone that can set a tone from the very opening notes of their piece. From the get-go, SuperAve solidifies a precedent of undeniable swagger and immense drip, with ‘Baadmaan’ making you truly believe you’re the biggest badass to ever walk the face of the earth. Utilizing spicy looped hip-hop vocal samples and an undeniable underlying danciness, the mood is more than properly set before the first proper deluge of existence-shattering bass turns everyone in the vicinity into a whirling dervish. Dense, rich, and all-encompassing, each drop is textbook SuperAve, properly gorging your ego to borderline tyrannical proportions. With a temporary god-complex not too far off the table for anyone gripped in the clutches of this enormous masterpiece, hefty warning-labels should assuredly be attached for the general public’s well-being. So, what are you still waiting for? Check out ‘Baadmaan’ for yourself below and grab the free download.

The post PREMIERE: SuperAve Attains True ‘Baadmaan’ Status With Latest Release appeared first on FUXWITHIT.

It just so happens that I don’t even have enough hands to count the amount names on this remix pack that has been featured on FUX, but one definite highlight track is the COFFIN remix of ‘Wonksta’. COFFIN’s perfectly mixed hip-hop drums flow over the suspenseful intro of the track before becoming the driving force in the drop, while also filling spaces with these deep wubs felt deep inside your sternum. 

Another highlight track comes from yet another FUX favorite, SuperAve. The track begins with this deep growl which seems to grow in the shadows as the drums slowly climb through the mix in the build. One second into the drop, and you quickly realize that SuperAve. is not messing around, as some of the nastiest lead basses led the way throughout the drop, along with some pounding percussion elements. 

Once again, another FUX favorite delivers one of the highlights of the remix pack, with anti.’s remix of ‘Static.’ Right out the gate anti. comes throwing elbows with his classic thumping hip-hop drums and piercing hi-hats that jump out the mix. After a quick build, anti. comes through with this hypnotic lead synth that makes you feel like you’re falling endlessly down the rabbit hole.

Last but most definitely not least is yojas and We Rose’s remix of ‘Fearful’. From the start, it feels as if something ominous and aggressive is lurking with these dark industrial alarm sounding synths building the suspense perfectly in the intro. After a quick introduction to the drums in the build, we’re thrown into the madness that is the drop. Two seconds in and I guarantee your face is stank, and your arms are trapped out, as the lead synth is perfectly layered to give that grimy feel while also not losing those smacking drums. 

This whole project gives us fresh and exciting takes on tracks that were already bangers. This one is definitely worth the listen, check out the whole thing below.

The post Blvk Sheep Delivers Yet Again With The ‘Dark Matter’ Remixes appeared first on FUXWITHIT.

If there ever was a polar opposite title for a track, it’s definitely ‘No Good.’ Proudly displaying sound design that delicately romps through your ear canals while simultaneously pulling no punches, you’ll be left in a state of complete euphoria, bliss being the only thing your consciousness will be able to comprehend. If you’ve ever wondered what taking a bath in sound waves feels like, put this bad boy on and soak up the vibrations as they pour over your entire existence to your heart’s content. The vocals of “You’re no good for me, I don’t need nobody” courtesy of Prodigy’s ‘No Good’ are sprinkled throughout the piece and dance around your headphones courtesy of the ridiculous panning included within, a testament to the immense quality of this piece and the progress both parties have had in their individual journeys. If you want a track that will elevate your mood so sharply that you’re left compelled to bop around your house like your life depended on it, this is that track. You’ll be left feeling like a “strong, independent woman that don’t need no man”, or you might even throw on ‘All The Single Ladies’ next, who knows.

‘No Good’ is just one tenth of Modern Throwback, and if you were wondering, the entire rest of the album is of the utmost quality as well. Sporting eclectic bangers like ‘1975’, which rightly sports a Led Zeppelin intro, ‘Wooly’, a sexy groovefest of grime featuring the ever-impressive Molokai, a massive DNB banger in the form of ‘God’s Gift’, and the excessively saucy ‘Set You Free,’ this body of work is nothing to be trifled with, and is assuredly deserving of a full rinse in order from start to finish. All aboard the hype train ya’ll, these boys have a one-way express ticket to the top, and this is only the beginning of the adventure. Smoakland have been one of our favorite groups here at FUXWITHIT for some time now, and the success that they’ve had in such a short amount of time is incredible and wholeheartedly deserved. We’re avidly excited to see what the future of the group beholds, but for now, check out ‘No Good’ and the rest of the Modern Throwback LP for yourself below!

The post PREMIERE: Smoakland & SuperAve Nourish Nefarious Noise With ‘No Good’ appeared first on FUXWITHIT.

‘Telegraph’ is one of those collaborations that works so well you hope the contributing artists have a dual EP coming soon. Combining the speaker purr-inducing bass lines from Smoakland with the wobblier elements of SuperAve creates a listening experience that’s truly unique and exceedingly progressive. This is a perfect fit for a release on Saturate, as they’ve been one of the most forward-thinking labels in the game for years now. The first drop commands your attention, with a melody so powerful it feels like you’re receiving an organ sermon in the church of bass. “Psalm 420, thou shalt get down to these divine beats.” The switch-ups are immensely lively, bringing out only the most wild of dance moves from anyone within ear shot. The final drop is bursting with energy, and viciously slams your head back and forth in true rag-doll form, with zero regard for human life.

If this track is any sign of what’s to come from these two maestros of the underground, 2020 better strap in, because it’s going to be one hell of a ride. Check out ‘Telegraph’ for yourself below, and grab a free download here!

The post PREMIERE: Smoakland & SuperAve Collide For Bass Symphony ‘Telegraph’ appeared first on FUXWITHIT.

Staying true to our mission to bring you the best new talent before they blow up, it was only right we had SuperAve. drop a guest mix and connect for an interview. We discussed his hip hop origins, rumors that Super Ave. is a side project of a more established artist, upcoming collabs and more. The mix is an hour of heavy bass goodness, including a bunch of his originals, a few unreleased IDs and more. Dive in below.

Who is SuperAve.? What does the moniker mean?

Well the “Ave.” is short for Avenue. I’ve always gravitated towards the gritty, street aspect of bass music and I wanted a name that represented the feel and sound that I’m using in my music. And let’s be real, “SuperStreet” sounds too much like a car magazine.

How long have you been making music? 

Altogether I’ve been producing for about 7 years. Like most producers I was making mostly rap and house music for a while on and off. It was about 2 years ago when I started making bass music. It showed me how much there is to learn and how good these guys are at making music. Once I dove into bass music I was hooked. It felt like learning all over again from the start.

Man, hip hop is my day one….But even back then I was always more interested in who was making the actual music and how they were doing it.

Your music contains an underlying hip hop influence. Can you tell us a little bit about your relationship with hip hop? 

Man, hip hop is my day one. It’s the first music I can remember listening to. It’s what I remember hearing as a kid in the passenger seat and around the house. I’m so happy I grew up on that music and hearing those sounds everyday. It’s amazing to see the evolution from back then when hip hop still had some of its “taboo” underground elements to it, all the way to today where it’s the most popular genre in the U.S., I love it. But even back then I was always more interested in who was making the actual music and how they were doing it.

How did you get into creating bass music?

Like I was talking about before I was making rap and house music mostly. I was really trying to find a sound that I could identify with. A few years into making music I got put onto bass music around the time trap music was getting big. Instantly I recognized those sounds and rhythms and my eyes lit up. A lot of the music felt so similar to the music I grew up on and I was instantly hooked. Like most people who are into bass music, the more you dig and the deeper you go the weirder and wonkier your tastes gets. Once I found that I knew bass was the music I wanted to make.

There’s an air of mystery around you and your brand. Is this done intentionally? 

For sure. I’ve always wanted the music to do the talking before anything else. I know we live in a content driven social media world, but I just want the connection to be with the music first. Before social media took over you really didn’t even know what most of the guys making the music even looked like unless they showed up in a music video or something. But all in all it didn’t matter, you were still a fan. It’s funny because I’m actually a very social person, but in this area I want to interact with everyone in my own way.

That started with some people and some fellow artists saying that I must be some kind of rebrand after hearing my music. I take it as a great compliment. Perks of keeping my identity below the surface I guess.

There’s been rumours that SuperAve. may be a side project from a more established artist. Is there any truth to this?

Haha! That started with some people and some fellow artists saying that I must be some kind of rebrand after hearing my music. I take it as a great compliment. Perks of keeping my identity below the surface I guess.

It sounds like you’ve got a few collabs in the works. Can you tell us a little bit about who you’ve been working with? 

Yeah absolutely, I’ve got a track releasing pretty soon on Saturate Records with the Smoakland homies. A track with Sully that’s a real slapper. Working on a couple tracks with GvO, Super Future, Herbalistek, CreighFish and others. There’s a lot of music on the way. Stay tuned.

The SuperAve. project has existed for less than a year, are you at all surprised with the success so far?

Honestly I am. I’ve been honing in on my producing skills and my sound overall for a while now. But you really don’t know what the response will be until its out there in the world. Getting hit up by artist that I admire telling me they really dig my music is a great feeling for real. It’s also the random person that hits me up on Twitter or SoundCloud and leaves a kind message that they’re really into my music and to keep going. Those are special.

…you can create something, put it up on SoundCloud, and two weeks later it’s being played in front of thousands of people by two legends at Lost Lands. It doesn’t matter how big or small you are as an artist, good music will spread. I’m glad that’s still true.

You’ve received support from some major names including Zeds Dead. What was your reaction when you heard Zeds Dead played your track out? 

It blew me the fuck away to be honest. It felt like it came out of nowhere. It’s so dope to know that you can create something, put it up on SoundCloud, and two weeks later it’s being played in front of thousands of people by two legends at Lost Lands. It doesn’t matter how big or small you are as an artist, good music will spread. I’m glad that’s still true.

What do you have planned for 2020?

A lot of big things planned for 2020. Of course more music, but also going to be playing my first shows early in 2020. I’m more than excited to showcase what I’m bringing to the scene. I love curating and having that connection through music, it’s going to be so much fun. I’ll be letting everyone know all of the dates very soon.

Tell us about the mix. What should listeners expect?

It’ll be a showcase of many different flavors of bass music. From straight mean mug dub to weird left field bass and everything in between. There’s so many different styles and flavors in bass music and I want to explore all of them. It being a new year I wanted to show off tunes I’ve really been into as well as where I think things are going. Keep an ear out for some unreleased IDs of mine in there too. Enjoy!

Tracklist

SuperAve. – Astros
TYNAN – Between The Devil And The Sea
Shadient – Cyclone
SuperAve. – ID
Jantsen – Kaiju’s Theme
J $tash – London (Bleep Bloop Remix) w/ DMVU – Bloccd (Veepot Flip)
Pigeon Hole – In The Dark
Spag Heddy – Zoom (scullion flip)
SuperAve. – 2047
Smoakland x SuperAve. – Telegraph
G Jones – In Your Head (RL Grime Edit)
TVBOO & sfam – Dahshigo (VIP)
Hydraulic & Krischvn – Chopper
yojas. – igethebag.
SuperAve. – Justify
J.I.D. – 151 Rum
SuperAve. – ID
SuperAve. – OpenUp
Yo Gotti – Rake It Up (ONHELL Remix)
DIGITAL ETHOS – Turn It Up
ATLiens – Shelter (Aweminus Remix)
Dreamville – Down Bad
G-Rex & Sully – Clique
SuperAve. – ID Sully – Break The Floor
SuperAve. – Conspiracy
Throw Sum – Quite Possibly Flip
SuperAve. – Mansion
SuperAve. – ID
Tascione – Stuntin
RL Grime – Era (Shadient & WAVEDASH Remix)
A$AP Rocky – LPFJ2 (Y2K Remix)
Future – Shit (STUCA Remix)
Of The Trees – Everglade March
MadeinTYO – Outstanding (NXSTY Remix)
Chynna – The Conversation (CharlestheFirst Remix)
Emalkay – Explicit (Lost Remix)
Emalkay – Fabrication (Nitepunk Remix)
G Jones – Transform (Molokai Remix)
SuperAve. – Creep
Busta Rhymes – Put Your Hands Where My Eyes Can See (Nitepunk Remix)

The post Guest Mix + Interview – SuperAve. appeared first on FUXWITHIT.

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Starting off this body of work is Fryar and Matheny’s steamy collab ‘Under Pressure’. Featuring cascades of rich basslines and saucy “the best ever” vocal samples, this is a track that will fill you with the intense urge to put on shades at nighttime and bob your head to the beat. Dripping with attitude and style, this is a collaborative effort that speaks volumes to the attention to detail and overall prowess of these two fantastically talented artists.

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Taking up the 2nd spot on the album is Ravenscoon’s ‘GOTDAMN,’ a track that will have you unconsciously exclaiming its name in the throngs of passion. A deep, swampy, jaunt filled with so many layers you could almost consider it an onion, this track will thrust you into mental head spaces you didn’t even know were possible. The vocal sample “fuck me harder” is inserted to let all listeners know they’re about to get obliterated with grime, left quivering from these auditory delights.

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Batting clean-up on this team effort is Psyoctave’s track ‘Swing’, an absolute belter of a track if you’ve ever heard one. If you value your vocal chords you’ll stray far away from this piece, as it will have you howling from sheer brutality. The vocal “what” is looped, fitting as that’s all you’ll be able to muster in response, high-cognitive functions reduced solely to the most primal of responses. What exactly will you be swinging you might ask? Your entire being as violently as possible, doing your most spot-on impression of a hardcore dancer, limbs flailing around more than those inflatable mascots in front of used-car sale lots.

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The last track I’m going to highlight is SuperAve’s ‘Open Up,’ another masterful execution of carnal frequency savagery. Many tracks nowadays are described as “fat,” but this piece distinctly under the jurisdiction of “morbidly obese.” A veritable torrential downpour of bass droplets leaves your entire being in a state of general moistness, soaked through to the bone. Skip your morning espresso and just throw this bad boy into your speakers and let your day start off on the most energetic of high notes. The two things most likely to “open up” from this song are your eyes as they raise in shock from the punch of this piece, turning listening into a full-body experience.

With a year laden with hard-work promoting some of the brightest young minds in the music scene, In Harmony is a fantastic capping-off to 2019 for the entire team at Electric Hawk. For many, the rise from obscurity to a household name is one of arduous grind in attempt to get one’s name out there and amass a pool of people that believe in your efforts. With teams like Electric Hawk and their work through In Harmony, the word gets spread even further, and artists that deserve these types of chances have an outlet to grow. If this year was any indication of things to come, 2020 and beyond are going to be years of massive success and prosperity for this organization and all they choose to work with. For now, get yourself In Harmony with some of the hottest producers in the game and check out the full compilation below!

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The post Electric Hawk Comes Out Swinging With Debut Compilation Album appeared first on FUXWITHIT.

Starting with an eerie ambiance and a looped Bun B vocal chant, ‘Astros’ shoots off into a world of warm, gritty lead basses and analog-like sound design, that is reminiscent of Eprom and G Jones. With relentless energy, SuperAve doesn’t give his listener’s a chance to acclimate to the new world; instead choosing to flex insane sound design skills. The listener is finally given a chance to breathe as SuperAve charges his thrusters for maximum energy before the second drop where you are thrown back into deep space.

Watch out for Superave, he’s sure to make his mark on the bass music scene soon.

The post SuperAve Shoots For The Stars On ‘Astros’ appeared first on FUXWITHIT.