Track one comes out swinging with the legendary Tsuruda. In addition to this blessing, Tsuruda enlists a special guest, cousin litt, to gift us ‘Bruiser’. Effortless rhymes dive over a steady bassline with cousin litt, giving these bars character. reeel. then takes over the next song with ‘Pockets’ and pushes the limits of a defined genre. He combines agitated left-field bass with hidden trap elements that are given more life in the last drop. We are then led to the return of [SUS] Tape veterans, asáu and jordnmoody, who have teamed up on this edition. ‘Emissions’ spits out dark trap tones with a no-nonsense attitude. An infective beat that hits hard and will lead to involuntary head bobbing. Up next, listeners are battered with the high-energy concoction ‘Wugmanti’. This creation comes from Dankhai Shroom which is one-half of the bass-defying duo Shanghai Doom. ‘Wugmanti’ is playful and well crafted that carries a steady bounce. ‘Castles Made of Sand’ by snuggles is after that. This song is a display of pure audio perfection. It is expertly designed with a listening experience that brags on the knowledge level of snuggles. While it is a testament of skill, it also proves why the included artists deserve a proper platform to shine.

[SUS] Tapes would not be in existence if not for the one and only episcool, so it only makes sense to see her appear with ‘Unhinged’. In this, we see episcool partner with insowmya whip up quality ear candy. An aptly titled track sees the first half calm and collected that soon will up the ante. Moving towards the end of the track is where things truly become unhinged as neither artist holds back.

What else goes into helping curate a proper [SUS] Tape you ask? Some dirty, grimy hip-hop flips. Volume 13 enlists the perfect team to tackle this with the trio of Lasse, Ql1x, and Goldscrolls. Their track ‘Salt’ throws the Ying Yang Twins ‘Salt Shaker’ through proper trap treatment. This reimagination will destroy festival floors and deserves to be played out across the world. After that, we are met with a very special inclusion. A FUXWITHIT Champion, a personal favorite, and [SUS] Tape OG: KUREI. KUREI broke onto the [SUS] scene back in Vol. 5 with ‘Street Fight‘ while making continued contributions to this project. The release of ‘Whippin’ marks her official return and first release in over 8 months. I could not be more stoked and what better place to return than the [SUS] Collective. In addition to the previous rap flip, KUREI cuts up ‘Can’t Touch This’ by BIA in ‘Whippin’. It comes with all the classic KUREI vibes but also pushes their creativity to a new level for the new year.

Moving on to number 9 out of 13—if you are still reading, I have so much love for you as I tackle each track. JuLo and Sterfry dissolve the limits of trap and give a barbaric bass tone in ‘Mob Wobble’. If you could take an alien invasion and repackage that experience into audio, it would be this track. However, just as you feel you are about to be abducted the mood is lightened with a bit of airy future sounds before returning to the battlefield to end the song. Arriving at the last quarter of contributions, Dink The Poof dispenses ‘Exploders’. Dink has distinctively disfigured a question mark symbol in a way for your ears to digest it. Removing all boundaries for what music might be, they still provide a cohesive way to find rhythm and make you move. ‘Exploders’ will definitely pique the interest of your hearing senses. Following that is ‘Dope’ by Aztek. In this track, you will find what would be described as an inverted triangle. Meaning, this track may start out simple and basic but over time it will build on itself. Eventually, this leads to a fusion of trap and house leaving me asking if I should shuffle or nod my head. ‘Uh Ho’ by Kazantzakis is next. He had an incredible 2021 and recently dropped off his interview and guest mix for FUXWITHIT. The track almost goes by too quickly but provides just enough substance to make you wish it were longer. Rounding out Volume 13 of the [SUS] Tapes is Lewcid with ‘Network’. This creation delves into the profound world of trap with swaying 808’s that interplay on the off-balanced environment. The structure provides a unique journey of audio that leaves a feeling of diving off the deep end.

[SUS] Tapes grow my love for the collective and what they represent. I hope it can provide that same love to all those who find themselves listening. They have a vision of passion that holds on to the roots of what brought us all to SoundCloud, to begin with, while hitting it with a modern approach. There are few if any that could stand toe-to-toe with [SUS] Collective and what they provide to this niche community. Being my first article in some time I wanted to give proper efforts to [SUS] and the artists it delivers. I appreciate those of you who took on the task of completing this lengthy article and I look forward to what this year has in store for us. [SUS] Tape Volume 13 can be streamed in full below with each track containing individual free download links.

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[SUS] Tape Vol. X dives back into the tried and true recipe of having some returning favorites such as KUREI, RVKIT and episcool of course, to name a few. In addition to this, you know they had to introduce some new names including Arizona based trio SAAS, as well as seeing Wreckno, Super Future and more.

To kick it off we get a massive collaboration from jordnmoody who has been on an unstoppable run and sømething who is an equally impressive force that is slowing down for no one. If that wasn’t enough to get your attention, then just wait until you hear the frequency manipulation and sound design from DIELAHN in ‘Crawling Eagle’ which is probably a personal standout above the rest for me. Find the loudest and cleanest speakers you own and make sure you listen to that track properly.

Jumping down a bit, KUREI is a close second for standout tracks on the compilation with ‘Irie’. The way he is able to create tension and release in addition to building energy over time is just simply not fair. He shifts through a cleaner and softer intro then just completely reinvents what a drop means in the EDM world. This by no means is to say that there is a single bad track, as this entire compilation will remain on repeat for quite some time.

In addition to the previous mentioned songs, we are offered a ground breaking collaboration from [SUS] queen herself episcool with Super Future and Wreckno, who have recently jumped into the face of everyone and quickly gained support with a very interactive fan base. The amount of excitement it brings me to even mention this collab exists is hardly able to be translated into words. You really just have to look through this one yourself.

One last thing I want to bring attention to before I let you dive head first into the project is ‘CPU MAS’ by SAAS. Being local to the Arizona scene myself, it is super inspiring to see the work these boys continue to put in. This track embodies perhaps their best creation yet and shows they continue to correct their craft and present the best version of their creativity with each track. Enough said, there are no other words that can accurately describe the joy this compilation brings me and I hope you find that same energy in it.

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Diving into the second track of this compilation, we get a colossal collab between Danforth and Gurf, both of which have been defining their own trail in the underground. Taking classic rap lyrics and slapping them over thick 808’s has proved to be a recipe that never fails. Doing exactly this, ‘Tippin” samples Mike Jones ‘Still Tippin” and pairs it with a girtty trap arrangement that may induce a speaker fire.

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Shortly after, it’s time for ‘Happy Hour’ with a FUXWITHIT favorite, KUREI. Getting straight to the point and wasting no time, the wet womps begin to get tossed back and forth with a less is more attitude. Simple yet effective, this track will leave you needing a Lyft with its intoxicating rhythm and fun to follow flow.

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Moving further into the collection, things become vastly more weird with a dose of ‘Disco Gas,’ a collaborative effort between holderr and yvga. A deep, crunchy grime that twists elements of trap with left field bass. Emulating emotions you weren’t capable of feeling before. ‘Disco Gas’ provides an eerie bass line with polished vocals over the top to help supply a tranquil listening experience.

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Enlisting SpicyBois own creator of WookStep, Mr. Wizvrd rounds out the compilation with ‘They’ve Arrived’. Dispatching an emergency signal that leads to an invasion of bass. Seeking shelter is highly recommended at this time. The second drop comes in with a bouncing house lead before dropping into the final destination of half time trap destruction. Encompassing multiple elements of musical array, this is a substantial conclusion for [SUS] Tape Vol.9.

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[SUS] Collective provide all of the proper variables for an enhanced listening experience. Being their third installment for this year, hopefully we are lucky enough to receive one final project before 2019 comes to a close. While we patiently wait for what is next from [SUS], be sure to scope volume nine in its entirety.

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‘Mean Mug’ opens the doors and invites you in with its soft build that allows each sound to have its own lane before it is all integrated into a homogeneous trap experience. A focus on the elaborate production with minimal but effective design is what sets ‘Mean Mug’ apart from the rest. It creates a bass haven that immediately lays the foundation for the forward-thinking percussion. This track unifies the connection between these three producers and constitutes what the [SUS] Collective brand strives to represent. Check out the rest of the compilation here and listen to ‘Mean Mug’ below to bring out your inner sus.

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