Following a string of impressive self-releases over the last couple of years spanning a multitude of genres under the bass umbrella as well as singles on Gud Vibrations, Topi looks to catapult himself to the forefront of the scene with his upcoming project on Never Say Die titled the Systematic Schemer EP. Out in full on May 11th, the collection of tracks sees Topi up the ante with his production, unleashing mind-melting sound design and an oddly bouncy appeal rarely found in modern bass music.

Today, we have the extreme pleasure of premiering ‘Systematic,’ a high-octane heater that is relentless in its approach. The introduction creates an unnerving sense of agitation and anticipation within listeners, before Topi builds to a crescendo of monstrous, core-rattling dubstep insanity. Quick to the punch yet never interrupting the flow between sections, ‘Systematic’ is just a the name suggests: cold, calculated and mechanical. Topi’s robotic signature is present throughout, but the artist is able to transition between different levels of energy seamlessly, allowing listeners to ease into the brutish drops while keeping everyone hooked with a curious bridge and straying from a generic cookie-cutter formula.

The best part? There’s more where that came from. Don’t miss ‘Systematic’ below and catch the Systematic Schemer EP out on Tuesday.

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In addition, since Topi shows are quite rare for most, the talented producer has graced us with an action-packed thirty-minute mix that showcases his diverse tastes and a few unreleased treats. Check out the interview and mix below!

Tell us about the origins of Topi. Do you have any formal musical training or was production your first introduction to creating music?

I do not have any formal training. I pretty much just got interested in the production side of things from listening to lots of different music.

Finland certainly isn’t the first spot that comes to mind as a bass music hub. What first piqued your curiosity into this genre and what led you to producing?

Definitely not. When I started producing I kind of went with house/tech stuff first, then later once I got bored of it, I started to mess around more with heavier music. Always been a big fan of acts like Noisia, Feed Me and Skrillex. So I just thought, why not give this type of stuff a try.

How is the bass music scene in Finland?

Quite small. I personally only know a couple producers here who work with heavier electronic music. Not many shows either. Risky for promoters to plan any shows in here due to the lack of people who would be interested in the more bass heavy events.

I’ve always enjoyed the production side of things more than the performing.

What has been the most challenging aspect of being a bass music producer in a place where the scene isn’t very active compared to North America?

I think the biggest thing is the number of opportunities to play shows. In addition to that, it takes a lot of effort to break into markets like the US which already has a lot of talent of its own.

Does this ever make you feel like you chose the right career but in the wrong place? Do you ever get urges to make the move or are you comfortable with where you are now?

Well, I’ve always enjoyed the production side of things more than the performing. So not really that interested in moving to a different country just because I might get more gigs there.

Along those lines, what do you do outside of music and production? What’s a typical day in the life of Topi?

Other than music, I work with Photoshop/Premiere/AE a lot, doing artwork, videos, teasers etc. Still, my typical days are usually just me working on music. I also like video games. Currently mostly playing CS:GO and Tarkov.

Last year, you went on a string of impressive independent releases. What prompted the decision to stay away from labels and do your own thing?

Well, most of the labels I’ve worked with before weren’t interested in signing them. Regardless, I personally really liked the tunes and they’ve sat on my computer for a while and the quickest way to release them was by self-release, so the decision was pretty straightforward at that point.

Is something similar planned for 2020? How do you hope to top your singles this year?

Not exactly. One self-release (which was ‘Self Sabotage’) and a couple of releases planned with a label I haven’t worked with before! So that’s nice.

You never seem to confine yourself to genres. Any new projects into unfamiliar territory in the works?

Not in the works currently. Well, I haven’t worked with a vocalist or a rapper before so might give that a try this year.

What were your intentions in creating this mix? Is it similar to what one could expect from a Topi set?

Yeah, I guess it’s pretty similar. Although, this one starts a bit slower than my other mixes and has even more BPM changes. I usually like to keep my live sets moving and filled with all types of genres.

Tracklist:

Noisia – Decloak
Jon Casey – Cliche
Tsuruda- Hammer
Topi – ID
Noisia – Running Blind
Topi – Self Sabotage
Noisia – Halcyon
PLS&TY – Summers Young (Shadient Remix)
Topi – ID
Topi – ID
Moody Good – Walking Stoopid
Dr. Ozi – Brooding Murder
Koan Sound – Meanwhile, In The Future (KOAN Sound’s What Year Is It Remix)
Topi – ID
The Sponges – Funked up
Topi – ID
Odesza – Falls (Golden Features Remix)
Tourists – Apollo
Terace – Let Me Know (Taiki Nulight Remix)
Noisia – Armajet
Virtual Self – Ghost Voices

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High-energy, profoundly-mastered, industrial-driven sound design and eerie atmospheres are the very makings of a Topi song, and ‘Self Sabotage’ builds on just that. One immediately recognizes the signature sounds from the Finnish mastermind upon pressing play, yet their unique arrangement keeps listeners attentive and curious. The first drop is a devilish offering of metallic synths and crisp sounds that attest to Topi’s incredible abilities. An exquisite bridge leads ‘Self Sabotage’ into a second half that is lower in energy than the first, yet the beat and rhythm are equally as captivating, making the track extremely well-rounded.

Don’t miss ‘Self Sabotage’ below and stay tuned for more Topi very soon.

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Showing little mercy for those on the dancefloor, ‘Double Tap’ is a high-energy, adrenaline-filled electro house roller ready to command and conquer the biggest clubs and stages of the world. A relentless offering of flawless metallic sound design, crisp percussion that knocks harder with every punch, and high-tempo madness, ‘Double Tap’ is sure to cause a ruckus wherever it is played.

Can we all just agree that Topi is in a league of his own? Check out ‘Double Tap’ below.

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Although highly regarded in the realm of sound design as he should be, Topi has also elevated his introduction game in his last few releases, and ‘Master Plan’ is no exception. Slowly building around a looming and foreboding soundscape, the gradual build in tension peaks your curiosity from the get-go. As the drop hits, Topi’s signature metallic synths and rugged bass signature shines while his flawless use of percussion drives the track forward. In a true mad scientist manner, Topi’s ‘Master Plan’ is sure to take over soon enough. Don’t miss it below.

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Although named ‘Digitize,’ there is nothing binary about Topi’s latest as he continues to blur the lines between all realms of bass. Steadily showcasing his desire to experiment and explore, Topi lets his imagination run free with his newest take on house. Playing out like a symphony of gnarly mechanical components rotating, switching and clipping through a conveyor line in a factory that has suddenly come to life, ‘Digitize’ adds harmony to the arithmetical process of converting data into digital form. With quintessential Topi percussion and synths as well as further ingenuity to the musical arrangement, ‘Digitize’ is a must-listen. Don’t miss it below!

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‘Killswitch’ may just be Topi’s most aggressive outing to date, toting his usual pristine sound design and a relentless offering of heavy bass. A menacing introduction riddled with sinister undertones and an apocalyptic soundscape sets the stage for the destruction that follows, as Topi gets you hooked from the get-go with a gradual build in puzzling tension. As the build up hits its apex, Topi peppers listeners with punishing bass and blaring synths, never letting up on the energy until the last moments of the track. Boasting his typical crisp percussion and flawless sound engineering, Topi has created a monster with ‘Killswitch.’ Don’t miss it below!

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If the original track from Skrillex and Boyz Noise was the industrial, rave-ready track transcending the past few decades of bass music, Topi’s flip is a look into the future of the ever-growing envelope of a genre. While managing to keep the experimental essence of ‘Turn Off The Lights’ alive, Topi twists it into a house-leaning banger that will have you mesmerized by its wicked sound design and raw energy. With bass house quickly becoming saturated with more of the same, it’s artists such as Topi who keep the spark of the genre alive with offerings such as his latest. Don’t miss his remix of ‘Turn Off The Lights’ below!

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Topi’s skills are on full display with his latest release titled ‘Not This Spot,’ out now on Good Enuff. His distinct metallic synths and crunchy bass is more rampant than ever in his newest track, with classic D&B drums also shining in the background. Breaking barriers between genres as he always does, Topi continues to impress in ‘Not This Spot’. Although the producer isn’t headlining any festivals yet, we’re convinced he will blow up soon, so don’t miss his latest below!

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