‘NUKID’ tackles what makes W IN K’s style truly memorable and unmatched. Debuted in his W IN K AND YOU’LL MISS IT! VOL. 1 showcase, fans were eager to hear this journey in its entirety. Completely throwing you off guard from beginning to end, it’s a ride you’ll never want to leave. From a euphoric and gentle introduction of melody and soft drums to a ray of beaming light throughout the chorus, this not only honors the artist’s way of expression but the label’s vision as well. The bass-fueled environment combined with an outstanding vocal choice as a lead really is the icing on the cake. Not to mention how creatively he molds his sound design rhythms.

Each section shines in its own way and fashion. Even the breakdown gives off a soothing feeling running through your veins. And when the final chorus hits, it ties everything in a neat bow. Immediately confirming this is a W IN K tune all around. We’re stoked to hear where he goes next. So make sure to show your support by streaming ‘NUKID’ everywhere via Sable Valley!

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All eyes and ears are aimed toward his journey for what’s to come. Instantly gaining hype for his next move. So buckle up and prepare yourselves, because this is truly one of the craziest mixes you’ll experience. You won’t regret pressing play.

First off, how’ve you been doing this year so far? Any major goals you’ve set for yourself?

I’m doing great! Super excited for this year, I’ve got a ton planned.

What can listeners expect when diving into this mix and overall vision?

I’ve included music I’ve put out so far, a few of my favorite songs, and unreleased music from myself and friends.

I decided to venture into a new sound that I’d always been a big fan of, trap, and infused it with techniques I already knew from making lots of dubstep in the past. My excitement soon returned and the reception has been incredible so far.

Throughout your time, you’ve managed to really create a high-tier name for yourself. What inspired you to take that huge step into creating this style of music?

Around the start of last year, I was at a low point creatively and felt discouraged about my music as a whole. I decided to venture into a new sound that I’d always been a big fan of, trap, and infused it with techniques I already knew from making lots of dubstep in the past. My excitement soon returned and the reception has been incredible so far.

Describe the kind of music you grew up with. Has it had a major impact on your current art and style today?

Definitely, I’ve loved music throughout my whole life. My mom introduced me to a ton of great artists as a kid, like Björk, Lauryn Hill, Mary J Blige, Sade, 2Pac, etc. The first album I ever got into was Random Access Memories by Daft Punk. I also played the drums when I was younger which helped me get a good sense for rhythm.

Were there any challenges you’ve had to overcome to get to where you are now?

Although the pandemic was a period of isolation and loneliness, it was when I learned the most about production. During those years I made a serious effort to learn and decided to launch my project. At the time, I didn’t really know anything about the music business and didn’t know anyone in the scene, but I was lucky enough to make friends with some great mentors who guided me. 

sometimes incredible moments only last an instant, but are still impactful nonetheless.

What does the W IN K project mean to you? What are its origins?

W IN K is the name I’ve used since first starting to produce in around 2016, before launching the project in early 2021. “WINK AND YOU’LL MISS IT!” describes the sentiment of how sometimes incredible moments only last an instant, but are still impactful nonetheless.

Diving into production, does your process usually change, or do you have a comfortable flow from the start?

Oftentimes I’ll have an initial concept in mind that helps me get started quickly. I know some people are great at creating a demo on the spot/out of thin air, but I’ve learned I usually need to have a preexisting idea in my head in order for me to work effectively.

Your style can really adapt to any setting or rhythmic structure, what makes a W IN K tune so special and saucy?

I would say my use of vocals, melodic elements, flutes, and percussion. Also, in a lot of my songs I try to build energy without using a traditional buildup.

Are there any artists you’d love to collaborate with in the future?

I definitely want to work with vocalists in the future, as right now the vocals I use are all sampled. Off the top of my head, artists I’d most love to work with are Kendrick Lamar, Portishead, Pinkpantheress, and Charli XCX.

Are there any other hobbies you’re passionate about outside the music spectrum?

I’m trying to learn more about graphic design as I’ve made most of my cover art so far myself and plan on continuing to do so when possible. But right now music and school are taking up most of my time.

Shaq found my stuff pretty early on in the project which was a huge shock. Joji playing my song was especially wild because of how vastly different our music is from each other, and obviously, RL is the trap legend.

How did it feel to have artists such as RL Grime, DJ Diesel, and even Joji support your work? What a wild feeling that must have been!

It was awesome. It’s such a crazy feeling to see your music reach so far. Shaq found my stuff pretty early on in the project which was a huge shock. Joji playing my song was especially wild because of how vastly different our music is from each other, and obviously, RL is the trap legend.

Do you have anything else you’d love to share with your audience out there?

Be on the lookout for a debut EP very soon…

Tracklist

W IN K – FEEL IT TOO (w/ Lady Gaga – Just Dance)
JOYRYDE – YUCK
W IN K – FORGET U
Fred Again.. – Jungle (nikko Remix)
beastboi. & Knoir – ID
Skrillex, Missy Elliott, & Mr. Oizo – RATATA (Moore Kismet Reboot)
ID – ID
Kendrick Lamar – DNA (W IN K Edit)
Resurge – ID
NVADRZ & Jiqui – ID
A$AP Rocky – Lord Pretty Flacko Jodye 2 x Effin – Hollow Tips
Pinkpantheress & Sam Gellaitry – Picture In My Mind (W IN K & nikko Remix)
Vincent – Lucky Mistake (Her 2.0) [W IN K Remix]
W IN K & NVADRZ – Searchlight (Not Afraid)
Rustie – Slasherr (W IN K & nikko Edit) (w/ What So Not – High You Are)
W IN K – CANT TAKE BACK
Lil Wayne – A Milli (nikko Edit)
Playboi Carti – Stop Breathing (W IN K Edit)
IMANU & Jon Casey – Kotaro
W IN K – ID
Baby Keem – trademark usa (W IN K & Juelz Remix)

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henryisdead

Fresh of the release of the third chapter of his Midnight Racer series, henryisdead has captured my attention this month. Not only because this is a full album that spans over 14 tracks and hosts a selection of excellent guests the likes of calicry, Tako Tomago, and Murkish but also because it worked as bait to get me into henryisdead’s catalog. I was pleasantly surprised to find such a vast collection (nearly one hundred uploads on his account), a thing that’s still not that common in a young scene like the wave one. And there aren’t just singles, but also plenty of EPs and themed projects, both things I love as they give way more insights into the artist’s identity. Wave is the prominent genre, followed by future garage, drum&bass, and even house (I have ‘‘Warehaus Shuffle’ on repeat) digressions. Exploring the profile of this Minneapolis producer it’s the perfect “SoundCloud experience”. My suggestion is to first listen to the complete Midnight Racer series, whose third chapter is his most mature work and one of the most well-curated wave projects I’ve ever heard, and the Anna Hoods album. These two projects showcase henryisdead’s atmospheric sound at its finest.
-AA

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NUEQ

NUEQ first landed on my radar with his latest release titled ‘Matahash’ where he joined forces with seasoned veterans Dawncall and Azaleh. This collaboration came as quite the surprise because, as someone familiar with the two latter artists, it was interesting to see someone with just over 200 SoundCloud followers team up with producers with tens of thousands of monthly Spotify listeners. The track itself is truly mesmerizing, spanning almost five minutes and telling a story filled with layers of mind-melting sound design and intricate melodiousness. After hearing ‘Matahash,’ I jumped into the rest of NUEQ’s brief yet mighty repertoire and was thoroughly impressed by the artist’s pieces that range from neuro to drum and bass. ‘It’s Greener’ stands out as a highlight, as NUEQ combines a liquid-leaning introduction with a neurofunk-driven drop that hits all my drum and bass needs. Don’t sleep on NUEQ.
-SC

Pete Mac

The era of unprecedented times and uncertainty is back (not that they ever really left), but if there’s someone who’s making some feel-good music right now, it’s Boston-based beatmaker, Pete Mac. I discovered the producer through a lofi Instagram page, and his raw soul samples blended with organic hip-hop drum breaks immediately hooked me. Pete Mac’s laidback energy radiates through his page, and it really seems like he is truly passionate about making beats. Not only will his tracks soothe you, but his vibrantly chill aura instantaneously rubs off on you as soon as you watch a video. He’s constantly dropping flips on SoundCloud, but his Instagram also offers different renditions of the bootlegs that might not be available on the streaming service —like this Missy Elliott mashup—so I suggest you keep up with both.
-AL

rai.

There’s little information online about rai. He’s based in Tokyo and his Spotify bio simply reads, “I just love makin bops.” After listening through his catalog it appears he is a man of his word because there are a lot of bops to uncover. Operating predominantly in the future beats space, his works fuse forward-thinking melodies with knocking bass and snappy drum programming. The Destinuna released ‘Swing, Flow’ is the perfect introduction to his upbeat bounce. The track lives up to its name with a groovy swing and an immaculate flow. Other tracks like ‘カンシャ’ and ‘g.as33’ pack a similar vibe while ‘run’ showcases a darker and harder trap side to his sound. Whatever the direction, rai. delivers.
-C

W IN K

Cold stone rhythms mixed with dangerous bass designs are only a couple of W IN K’s specialties. The California-based madman is full of surprises behind the computer. Amping up his productions time and time again with each release. Separating himself from the competition with deep-rooted compositions consisting of some of the nastiest tones you’ll experience. Taking on different genres, W IN K knows just how to take advantage of the sonic spectrum. Making it his own and creating a world unlike another other. From delivering a fresh and unique take on the dubstep genre to amplifying unknown realms within the electronic trap environment, there’s no telling what he’ll deliver next due to his unpredictable nature. Surprising us all while staying true to his hard-hitting purpose of creating anthem-based gems.

‘BOOT LOOP’ pays homage to his roots from the beginning of his project. His interpretation of dubstep is simply ghastly. A sinister, gritty atmosphere followed by mind-altering bass designs instantly makes you fall in love with what he has to offer the scene. Pulling listeners down a rabbit hole of dark dimensions. The sub-bass combined with a diabolical lead creates a sense of empowerment and inspiration. Not to mention how dangerous the second chorus is with an even wider impact than before. Creating an instant classic for the big stages.

His most recent release, ‘CAN’T TAKE BACK’ highlights W IN K’s greatest strengths and abilities. Opening the track with such an airy and spacious note. Teasing us with the front line melody along with the main vocal that touches your heart in a euphoric and brighter sense. Getting us ready for the storm that’s about to come. Opening up the experience with a space so enticing, you’ll have to keep listening due to its curious after effect flowing through your minds. Wondering where this could go. When all of a sudden, the chorus presents itself in the form of ear-piercing sound design and earth-shattering drums. Everything comes together perfectly. Integrating characteristics from both the dubstep and electronic trap genres is simply eye-opening. Combining two very distinct visions into one big masterpiece. It’s safe to say we see nothing but a bright future for the up-and-comer and we’re excited to see where he goes next.
-JD

Written by Alessio, Arielle, Colin, John & Steph

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