“T1R and I started writing that track when he was over in Sydney last. In just a few hours ‘Slurps’ came to fruition as a result of bouncing ideas and stems off of one another until we had a polished finished product,” William shares regarding the nearly instantaneous connection that he and T1R shared, which furnished the inspiration for their latest release.

Likewise, Auckland-based T1R demonstrates a similar prodigious mastery for concocting complex beats with more bounce than a pogo stick. His debut release ‘Merce’ paints a vivid picture of the creative aptitude and innovative technique that the New Zealand-native totes with ease, while ensuing releases such as ‘mask’ and ‘conk’ further divulge the precision and dexterity of T1R’s sound.

“william. has been a producer I’ve wanted to collaborate with for a minute, always been a big fan of his music. We had the opportunity to link up for a day whilst I was in Sydney recently and we bounced a few ideas off each other…it was like a WWE tag-team match but from a production sense, within a few hours we had ourselves a solid track,” he reflects on the experience working alongside william.

‘Slurps’ is a producer’s wet dream, devoid of vocals entirely the track utilizes a cinematic introduction to build a whirlwind of anticipation as the first drum strikes into a rhythmic, tribal chanting. A muffled riser pierces the background as a dastardly breakdown unearths a sedated cadence of crisp percussion, exacting beat breaks, and an eerie water-like sensation.

What listens sonically as a collaboration meant to be, ‘Slurps’ demonstrates the upper echelon of production, utilizing minimal components for maximum impact. We thoroughly anticipate the next opportunity for William. & T1R to combine forces.

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‘The Rat King’ is 4 minutes of absolute madness. Distorted hip-hop leaning vocals form the foundation over an ethereal soundscape that’s glitched out. The first drop brings us straight into the sewers. It’s gritty, hard-hitting, dark and disorienting. But the madness isn’t all encompassing, a hopeful undertone finds its way through, like a beam of light trying to fight the darkness. The attempt is short-lived as the darkness once again surrounds you and takes you deeper into the subterranean sounds for a filthy conclusion.

If you like your music experimental, dark and dirty, ‘The Rat King’ might take the crown.

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The collection unexpectedly starts with a pulpy, jazzy introduction that, despite the unsettling title ‘Existential Crisis’, sets a chill dreamy lo-fi mood. After this 1 minutes long limbo, the descent to hell starts with ‘Nutty’ that brings the journey under a dark light but without being aggressive. The convoluted drops are nestled in a frame of meditative ambient moments that unload the pressure on our synapses. The next step, ‘Apparition’, begins on the same line, but soon goes way harder, in a very X&G manner. With ‘Blop Hopper’ and the title track ‘Telekinesis,’ william. showcases his excellent sound design skills erasing any empty space in the sound spectrum, it’s like there’s no a single particle out of its place, the atmosphere is so highly compressed and saturated that in some moments I really feel like I’m drowning.

You can listen and buy ‘Telekinesis’ here or below.

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