Thank you for hopping on this week’s guest mix! Can you give us a rundown of what our listeners should expect?

Yo, thank you so much for having us! We’re genuinely stoked to be a part of this week’s guest mix. – you guys have been grinding hard to push the underground scene, and we appreciate everything you do!

What you can expect from this mix is nothing but pure heat! We’ve put together a selection of unreleased tracks right from our vault, along with sum tunes from our upcoming EP, and we’ve got some special gems from fellow artists who shared their music with us! It’s just a lot of unreleased music that we can’t wait for you to hear!

Give us some 2SUM lore. One of you is from Flint, MI and the other from Salt Lake City, UT. How did you two meet and start making music together?

Man, thanks for asking about our backstory, ’cause it’s a real journey! So, we met back in 2016 on Facebook. At that time, we both had this deep love for production and electronic music, but honestly, our cities didn’t have much of a scene. We linked up online, just two passionate souls trying to carve our own space in the music world.

We started swapping ideas and beats, and it was clear right away that we were onto something. The music we were making together was lighting up our friends and family; you could feel the energy. When we finally got together in person (2016) it was like a natural extension of what we’d been building online. We knew we were onto something special, but we kept those early tracks locked away, just vibing and honing our craft.

It felt like a sibling bond forming – we just understood each other musically. From day one, we worked seamlessly together, and that’s something we’ve carried with us ever since. Every track, every session just brought us closer. It’s been a ride lol and we’re just getting started! ;)

We’re always on the same page about what we want to share. It’s a real partnership, and having that dual perspective makes us stronger as a duo

Being a duo, how do you divide your responsibilities with 2SUM? That is, do you find yourselves producing, marketing, DJing, etc. equally, or do you each have your own niche of things you’re more comfortable doing?

When it comes to dividing responsibilities in 2SUM, it’s pretty organic for us. One thing to know is that we both work for the same company, so our schedules can get a bit hectic. Still, we make it a priority to tackle everything together as much as possible. A lot of the tracks you hear come from those late-night grind sessions where we just throw ideas around until something clicks – like how we put together our first EP, ‘2NITE.’

Xavier takes charge of mixing and sound design. In the world of DJing, Lenis leads many of the live performances. Together, we collaborate on music creation and often rely on each other’s experiences. Over time, we’ve developed a strong trust and a clear understanding of each other’s strengths. The same goes for marketing; when one of us has more expertise in a certain area, we strategize together to find what works best for 2Sum!

And we both have access to the socials; we’re always on the same page about what we want to share. It’s a real partnership, and having that dual perspective makes us stronger as a duo. It’s about balance and collaboration, and that’s what keeps us moving forward together.

For us, it’s all about the art—we find inspiration in everything we hear

If someone asked you what kind of music you make, how would you describe yourselves?

Our music reflects our journey, but we don’t want to be confined to a single genre. We thrive on experimenting and pushing boundaries. While many of our fans connect with our music, we invite them to approach our tracks with an open mind. For us, it’s all about the art—we find inspiration in everything we hear, and Xavier adds his unique hip-hop background to the mix. So, to answer your question, we create everything from bass to house, techno, and hip-hop.

How does social media play into your musical careers? You seem to have an active account on pretty much every major platform. Do you ever feel forced to stay active, or do you enjoy it as well?

Appreciate you noticing! We’re actually pretty introverted, so social media has been one of our biggest challenges. It can feel a bit overwhelming at times, but we know it’s essential for connecting with our audience and building a community. We started 2SUM just last year, so we’re still figuring out our rhythm. It’s definitely a journey, but we’re committed to keeping at it, and we really hope people can join us as we grow!

Who are your biggest musical inspirations?

Man, right now, we’re all about Skrillex—he’s such a game-changer! But we’re inspired by so many artists who contributed to our album Also, shoutout to knock2, Peekaboo, and Isoxo! Each of them brings their own vibe, and honestly, a lot of the artists we are currently working with they keep us pushing our own boundaries every day.

What are your goals for 2025?

We would say growth is our primary goal. We aim to establish ourselves firmly, focusing on following the flow day by day. We’re taking this year to really try and cement ourselves into this industry and just let everyone know that we’re here and we’re ready to stay!

Your latest track with Digital Vibrations, ‘GIVE IT 2 ME,’ is a real floor-shaker. Can you tell us a bit about what went into making the song?

So, that track is actually pretty old. We had the lead idea kicking around for a while, but it wasn’t until we found the right vocals that everything clicked. The second drop came from a vibe we were feeling—it just needed to match a techno energy, and the response has been incredible, especially with Coka Cobra and Whipped Cream showing us love. Once we saw that, we knew we had to get it out there, and Digital Vibrations was all in.

Where does your free time go outside of music? Do you have any hobbies that might surprise us?

Funny enough, we both work at a phone store! We love technology, and it also helps us break out of our shells a bit since we chat with people all day, haha. We juggle 40-50 hours a week with music, but for fun, we hang out with our small circle of friends and family. We tend to keep to ourselves!

Any last words you want to share with our readers?

For sure! We just want to say a massive thank you to everyone who’s been supporting us and reaching out. Shoutout to the crew at FUXWITHIT and Badmouth Recs our label and thanks for having us. We really hope you all vibe with the mix!

2SUM FUXWITHIT Guest Mix Tracklist
2SUM – ONLY1 (UNRELEASED)
2SUM – BURN (UNRELEASED)
2SUM – CANT SAVE YOU
2SUM – BREAK MY HEART (UNRELEASED)
DON TOLIVER – NO POLE
LU – PEPPERMINT (JAIRU FLIP)
MAADHEK – ID X FAYGO
MAAD WEST X 2SUM – ROLLIN
MAAD WEST X 2SUM – BIHH IM BACK
2SUM – CANT GET OVER U
ID – ID
2SUM X PHATLOUD – OXYGEN
2SUM – HATE ME (UNRELEASED)
ID – ID
ID – ID
TENZUH – INTERGALACTIC
PLAY BOI CARTI – EVIL JORDAN (2SUM FLIP)
SKRILLEX – BANGARANG (2SUM FLIP)
ID X ID – ID
YOUNG MIKO – ACENTO (2SUM FLIP)
2SUM – QUE SUADADE
ICE SPICE – OOHHH SHIII.. (2SUM FLIP)
ID – ID
2SUM – ID
2SUM – ID

The post Guest Mix + Interview – 2SUM appeared first on FUXWITHIT.

I’ve had the pleasure of meeting Subtle in person. Trust me when I say that he’s a real treat with a deep passion for his music. It’s always neat to see someone from your area start to blow up and he’s showing no signs of slowing down anytime soon. Be sure to check him out live if you’re able, and now let’s hear what he has to say!

What’s your musical background like? Are you classically-trained or self-taught?

I’m self-taught mainly. In college, I was going to school for business. I started producing first and then DJing shortly after. Prior to that, I tried to rap in high school. It wasn’t any good, but I got experience with programs like audacity and was always a huge fan of hip-hop before getting into electronic music. Lots of hours on YouTube and a short run in the producer dojo during my first year of college. During that time I dropped out of school and continued to produce while I got involved with the local scene of Columbus, OH.

How did you decide on your producer name?

Subtle is kind of a description and contradiction of the art I create. While I love for my art to be thoughtful meticulous, and discrete. I love huge abrasive sounds that smack listeners in the face and fit when they sometimes shouldn’t. Precision, beauty and chaos.

While I love for my art to be thoughtful meticulous, and discrete. I love huge abrasive sounds that smack listeners in the face and fit when they sometimes shouldn’t.

I don’t think we often get to speak with producers from the Great Lakes region as it seems a lot of producers prefer to move to LA, Denver, NYC, etc. How do you feel about the scene around your area and its prospects for the future?

The Midwest doesn’t get that much love, but here in Columbus, Ohio we have a really dope community with groups like Sidestage Collective, Re:Charge, and many more putting on sick events every week. As Columbus grows, I see the music scene here prospering and only going up with it along with events like Lost Lands, and Secret Dreams doing wonders for our local scene.

Where does your free time go outside of music?

I work a day job, and try to stay as active as possible since many hours are spent in front of a computer. I like to spend as much time with my family as possible since we all live busy lives. Always played a lot of video games. Right now I play a lot of Valorant, but honestly I suck lmaoo. Will always be an Old School Runescape stan.

Do you prefer to freestyle your live sets or plan them out?

I typically plan sets out, but with room for improv. I love starting with a dark and eerie vibe and building anticipation and tension by raising the tempo throughout the set. There’s a certain sound of course that I like to keep, while hitting various music styles that have similar, but intricate harmonics and sound selection.

Who are some underground producers you think we should be listening to?

Aeded, and Pipe Leak are two Columbus based producers who I think are criminally underrated. Both are incredibly talented musicians. I also would be remiss not to mention everyone on the Wavecraft team which is a long list of insane tastemakers that deserve all the recognition in the world.

What’s your favorite track that you’ve ever released?

Easily ‘Watch This’ with my good friend Lavier. The track ended up doing so well, and created memories with a homie that I’ll never forget.

Tell us how you got involved with Wavecraft Collective.

Before joining the roster, I was a huge fan of them and artists involved like Fryar, and Houman. I had the opportunity of releasing my first EP with them just a few months prior to them taking on a new team of artists and just like that at the right place at the right time.

Any big plans in the works as far as new releases, festivals, etc.?

Definitely. I had to take a big hiatus due to health problems the last two years. Recently, I played support with Visages in my hometown which was so sick. I’m hoping to lock in and hit 2025 hard, releasing consistently and finishing some projects I have in the works. As for the next time someone can see me perform you can catch me at Building 6 in Detroit, MI December 14th playing support for Barclay Crenshaw.

I wasn’t really sure where my new roads were going to lead, but I know that’s for me to decide and I just want to put out music to the world and see where it leads while taking care of myself so I can be there for the people in my life.

Piggy-backing off the last question, where do you see yourself in five years?

Like I mentioned, the health issues were pretty scary at first. So I wasn’t really sure where my new roads were going to lead, but I know that’s for me to decide and I just want to put out music to the world and see where it leads while taking care of myself so I can be there for the people in my life.

If you could collab with any name of your choosing, who would it be?

ANY??? I don’t think I could choose one so I’ll give you three. Chee, The Caracal Project, and Imanu.
These three artists have been such a huge inspiration to my project and taste in music. All 3 provide such complex story writing within their composition it’s honestly incredible.

Tracklist

1. Nomer & Subtle – Encryption
2. Subtle – ID
3. Subtle – ID
4. Subtle – ID
5. The Caracal Project and skylark and lameduza – Quick of Breath
6. Nik P – Graveyard Shift
7. Subtle – ID
8. Phydra & Thew – ID
9. Sharks – watching everything burn right in front of me…
10. Lavier & Subtle – Watch This VIP
11. J.I.D – Raydar (Ewox Bootleg)
12. Subtle – ID
13. vex – tens
14. Subtle – ID x Lil Baby – U-Digg
15. Saka – Ichiban
16. Skrillex, Joker, and Sleepnet – Tears (Avante Remix)
17. Mirror Maze – Hold On
18. Subtle – ID
19. Current Value & Dauntless – Toyko Drift
20. Imanu – Reminiscing

The post Guest Mix + Interview – Subtle appeared first on FUXWITHIT.

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I’m excited to chat today, man! Congrats on your first Infrasound booking! How did it feel to be on the lineup this year?

It was definitely one of the most eye-opening experiences realizing that, you know, an artist of my caliber is capable of pulling a certain crowd for the beginning of the day, first day of a festival of Infrasound’s reputation and caliber. To me, it was humbling and it really showed me that anybody at my stage of career is capable of gathering fans from all over the country just to see a one-hour set from you. It’s always a great reminder to see how many people come up and say “Hi!” and and tell you how much they love your music and how much they actually care about your project. There’s more to it than just, you know, playing DJ sets, obviously. I’ve always been in it for the love of music and live instrumentation, and improvisation, and just like, songwriting in general. It’s always been really cool to see people start DJing, too, and sharing what they have to the world. But at the same time, the reason I got into this was not only just for myself but to share, like, my soul to the world. So it was really cool to see people that actually do give a shit, you know? Especially for the first set of the first day, while everyone’s setting up camp and trying to get situated and shit.

You can always tell when the people that show up early like that are, like, really, really passionate about what we do here.

I mean, you seem like a very community-oriented guy. Not just in it for playing sets or making money.

Right, yeah, I mean everybody has their own reasons to play music live for people, but yeah, for me it was really cool to see people that came prepared and showed up correct, and, you know, made sure that they didn’t miss the set. You can always tell when the people that show up early like that are, like, really, really passionate about what we do here.

I do remember going to that kid’s house, and I do remember seeing the technical side of that instrument and striking a bow across some strings. It really, to me, felt like it was the most expressive in terms of playing melodies.

So one of the things that I think makes you really unique is the fact that you do have this trend to do live instrumentation in your sets. Can you give us some backstory on that? How long have you been playing the violin, for example? What got you into it?

So there was probably the first five years of my life, like my parents kind of showed me a great amount of music and, you know, they had a piano in our room, in our family room, and, you know, of course, they were the typical Asian parents trying to force the kid on the piano. However, I think it took one instance where my parents took me down the street to my neighbor’s house, and at age five, my mind, it’s like a sponge. Anybody’s mind is like a sponge, you know? We absorb everything we see and take it to heart. So we went over to my neighbor’s house – I don’t even remember what the kid’s name was – but he was practicing violin when I got over there and I was just enamored. I was just, like, completely mesmerized. I don’t really even remember what came over me, but apparently that moment (at least from what my parents told me), I was like, “Yeah, this is what I wanna do with my life.” As a kid like that, I don’t really remember making that decision, but I do remember going to that kid’s house, and I do remember seeing the technical side of that instrument, you know, and striking a bow across some strings. It really, to me, felt like it was the most expressive in terms of playing melodies. Like piano was cool and all, I took maybe a couple years of lessons and learned the basics, but I think that’s when I kind of started to make that decision to just fully deep dive into the violin, you know. And then obviously you’re gonna suck for like the first three or four years, but after getting through that hump, you know, you just never you never stop. And I never quit and I never stopped practicing, and then eventually got into orchestras, and then bands. I played in, like, indie bands and metal bands. My buddy showed me, like, all sorts of awesome, you know, counterculture metal bands that that were really popping off in the emo days and of course, you know, I’d always love to have the chance to play in a band with my metal phase, but, you know, after after playing in so many and going through those kind of projects, I really found myself, more capable of doing a lot on my own. When I was introduced to Ableton, we were tracking Ableton songs on our band songwriting process and, you know, my cousin showed me a little bit. By about the time dubstep was coming around, that’s when I also noticed that there’s more to this than just, you know, instruments. So from there, I mean by around like 2011, I got my own Ableton suite and MIDI controller and then from there I just kinda, like, deep dove into that. Like, at first I thought about getting a DJ controller, so I did, and I was like, “Nah, fuck that. I’m gonna sell that and get an APC40.” Ever since then, it’s just been Ableton for the last 10 to 15 years.

So, aside from the violin, are there any other physical instruments that you also know how to play right now?

Yeah, I played drums in my metal band. I played guitar in another metal band. Then I played drums in the indie band I played in. I most recently left a group that was a jam band. It was like a funk fusion jam band, but yeah.

That’s quite the world tour you’ve got!

It’s neither here nor there, it was… it was definitely a lot of instruments that kind of set a lot of, like, my style apart from others, I think. It’s the multi-instrumentalist in me, you know, between the drums, the guitar, the bass, and the violin, and piano. It’s basically just strings and percussion for me. I’m a strings guy.

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You said that with Ableton you found that you could do a lot more on your own and kind of find your own musical direction, so what made you stick with the combo of producing and playing string instruments as opposed to going all digital, or vice versa?

It was the only one that I knew I was most expressive on, especially when it comes to making, like, really soulful leads and melodies. And bringing it on stage live is a lot easier than trying to bring, like, a bunch of hardware and some synths and, you know, your sound card, and your laptop… and all that shit usually ends up failing anyways, ’cause I don’t have the money to really afford all the best. So it’s definitely a limiting thing when it comes to trying to perform my music live.

Flying Lotus, Flume, Mr. Carmack, Jon Casey, Chee, tsuruda… Those are some of the big ones that I’ve always looked up to.

Let’s talk some more about your backstory here. Can you give us a list of some of your biggest musical influences and why they’re on that list, electronic or otherwise?

Yeah, I love this, I love this question. Yeah, I definitely pay a lot of homage to, like, Flying Lotus, Flume, Mr. Carmack, Jon Casey, Chee, tsuruda… Those are some of the big ones that I’ve always looked up to. Definitely people like Anderson .Paak are big inspirations to me. People like Smino, for another example. In the hip-hop world, those are definitely big, big influences on my sound. Oh, and then as far as, like, bands go, I would think that Khruangbin. Also, Chon (they’re a math rock band), and probably people like… Hmm, I guess for my last biggest influence, it’ll probably have to be like Earth, Wind and Fire, or all the stuff from my favorite indie days. I don’t know, yeah, that’s just a few I can think of off the top of my head.

That’s a damn good list right there. I love the callback to the indie days. I feel like that’s when a lot of electronic music started to pop off, especially singer-songwriters like James Blake and Toro y Moi. A lot of it we just used to call “indie” or “electronica” back in the day.

That’s a perfect example, yeah.

Alright, so enough about your backstory. Let’s talk about the future now! How about the rest of 2024? Can you give us a sneak peek on anything that you might have in-store release-wise or performance-wise, or anything else?

So, performance-wise, I’ll be coming back to Minnesota, actually. There’s gonna be another festival called Bass Ribbon Pines coming up, so I’ll probably be doing that one right in tandem with Secret Dreams. I’ll be guest violin on a Ghost Gardens set at Secret Dreams. So, I’ll probably end up flying out either Thursday night or Friday morning back to Minnesota to do that set at 1 PM on Friday, and then I don’t know. I can’t decide whether I wanna sneak back to Secret Dreams or not, but yeah, there’s a few people I’m trying to catch on Saturday at Secret Dreams. Then, yeah, typically I kinda try and do a lot of stage work, too, so I’ll probably be ending up stage managing the silent disco at Lost Lands again this year. As much as I kind of have a bit of a bias against riddim, I’m still really supportive of the riddim community at Lost Lands. That’s something that I don’t pass judgment on, especially when, you know, people like Excision are bringing on some of my own favorite personal up-and-coming acts. So yeah, that’ll probably be coming up later on. Hopefully, I’ll get to play more than a silent disco set at Lost Lands, but for now, I think I’m pretty much there on the silent disco stage.

Can you give us some insight into your songwriting process when you make music? Do you do the same thing every time, do you have a pattern that you run with, or do you just kind of wing it in the studio whenever you wanna go make a track yeah?

It depends on how I’m feeling that day. A lot of days, it’s hard to find a lot of inspiration, so sometimes I’ll just kinda, like, play around with some chords or, you know, a couple other days I’ll whip out some instruments and start making some content for TikTok and Instagram. Those are separate from all my official releases, obviously, so those are really typically just for fun. I’m actually headed to a studio east of here to do like a pool day/studio session and make some content for reels and TikTok. Other than that, when I make bangers, it’s usually late at night, like late as fuck at night. Or maybe I’ve, you know, gone out for a night and stayed up all night, and might bring a few homies back to the studio after we we’re done getting all goofy, and, yeah, just make a beat at the end of night, sometimes all the way up until the morning or the next afternoon.

Peak hours right there! You’ve kind of been making waves for yourself out here lately, what would you say is your proudest accomplishment up until this point? Whether in terms of production, or just self-accomplishment, or anything else music-related.

I will definitely say obviously Infrasound is, like, one of the biggest things I’m proud of this year that has happened for me. It just happened so fast. Then another big thing that happened for me right before that was that I got on one of the Team Supreme cyphers that that they started up again: volume three with Lord Genmu and Dome of Doom. That’s another big dream of mine that I’ve always had since like, 2017. I’ve been listening to them since forever. I got introduced to Team Supreme by Mr. Carmack on his, I think it was one of their earlier cyphers, and then, yeah, only recently they started it back up again. So it was really cool to see them have a lot of support from the community still, even though they’ve been gone for more than a couple years now. Love those guys, shoutout Great Dane.

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As far as artists that you’ve been listening to lately… you rattled off some of your influences earlier, now who are some of the more slept-on undercard names that you’ve had on repeat lately?

Love that, yeah. I can definitely think of one right off the top of my head: it’s been Keeth. He’s been doing a lot of future beats stuff with, like, Lucid Monday. Also olswel and Dilip. I think bass-wise, definitely DÊTRE. I don’t know how to pronounce it. Volume Unit’s been killing it lately. L*o*J is mad slept-on. They’re also one of my bigger influences that’s kind of slept-on. Dabow has definitely been making waves lately. ZCR is a God right now, he’s fucking GOATed. There’s plenty more I could list off, but I’d say FUXWITHIT is one of the main places I source my sound.

Hey, we love a good shoutout! We’ve got two questions left that are a bit more random. Let’s hear a fun fact about yourself that we probably don’t know. It can be anything at all!

This is a tough one, I definitely have thought about this one a couple times. Let’s see… what is one thing that’s not too off-the-wall but not too basic… I guess I’ve been to almost every continent. Every continent except Antarctica and Africa. Those are two really tough ones to get to.

it’s been really cool seeing a lot of cultures elsewhere and taking inspiration from that, and, you know, taking it to heart

So you’re an avid traveler?

Yeah, so I guess I’ve been traveling since I was little. My mom has worked for Delta for since, like, the 80s and all. I’ve always had kind of a privilege of being able to fly forever across the world. So it’s been really cool seeing a lot of cultures elsewhere and taking inspiration from that, and, you know, taking it to heart, which is probably why I’m so community-driven. We also end up doing mission trips for this charity organization that my parents run. We typically hit Vietnam every year and fundraise, and all that.

Oh, that’s awesome. So is your heritage Vietnamese?

Yeah, yeah, I’ve done a lot of philanthropy work with that and gone back at least like three or four times. And that’s always been really humbling, experiencing people less fortunate than you try and make a living.

Sounds like you very much embody the idea of “think globally, act locally.”

That’s definitely a good lifestyle to live by.

Last question, do you have any words of inspiration for your fans or aspiring producers out there?

Yeah, I’ve definitely learned a lot the past weekend, and the one thing I really did learn was don’t put so much pressure on yourself. Don’t hold such high expectations of yourself. Everybody’s really stuck in the whole, like, grind mentality, and I’ve found out after trying to spend so much time reaching those expectations that you shouldn’t be so held up or caught up on not meeting them, too. You know, we can all hope to have Ws all the time, but we’ll have to take some Ls every once in a while, too. I mean, this past weekend there were a lot of ups and there were also a lot of downs. I had a really transformative experience when it came to Infrasound, you know? I know it might not be considered your transformational-type festival, but I definitely had that kind of experience. Just realizing that, like, there are certain things that I need to come to terms with myself, and I overcame that.

Just be happy and be real.

It’s all about what you make out of it.

Yeah, that was really cool seeing a lot of good times and a lot of times of self-reflection, especially at a festival like that. I mean, I guess the general message is, you know, don’t overthink shit. And, you know, don’t hold yourself to such high expectations. Just be happy and be real.

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Wtf’s That Compilation Volume 3 is loaded beyond capacity with bass gems. Containing 10 tracks and 12 artists, the atmospheres presented from each song will have listeners examining which plane of existence they belong to. RUVLO, CACOPHONIC, JOKI, Viskus and ReQlaim are among the powerful artists featured. This selection of artists keeps the theme of otherworldly sounds and wraps it all together into one cohesive project. Exploring the depths of our existence and pushing far beyond the typical realms of bass, Wtf’s That Compilation Vol. 3 shares innovation and disintegrates what you once knew as bass music.

If you’re looking to question the very nature of your reality, step onto the spaceship and take a trip through the star system with this compilation below.

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Wtf’s That Sound · Wtf’s That Compilation Vol. 3

The post ‘Wtf’s That Compilation Vol. 3’ Disintegrates Bass Music As We Know It appeared first on FUXWITHIT.