Sinistrous puppeteers of production, innominate duo ATLiens have asserted half a decade of influence towards the broader strokes of the trap music scene, with foundational accomplishments such as their debut release ‘Chief’ with THIEVES in 2015, followed shortly thereafter with resonant collaboration ‘Cavern’ alongside Quality Goods Records founder UZ. Concealed with anonymity, the duo sheds the urgency of public notoriety,…
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No stranger to the potency of Never Say Die Records ever-burgeoning roster, Adelanto-based Moore Kismet made an exuberant entrance to the label prior this year with a merciless treatment to Hekler & Gladez ‘404’, further asserting his prevalence with the release of a magnetic collaborative effort ‘Mutant’ alongside budding Seattle producer SHARPS. Brimming with creative potential, Kismet’s latest single integrates…
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Most notorious for impeccable trap production, percipient drums, and exotic sub-woven drops, Sydney’s Josh Cassidy dares to inquire further with experimentation in his latest single ‘Suffer’. An eerie digital whirring cloaked with manic cackling present a sinister welcoming in standard Cassidy-fashion, a crude surge of subs unbridles a fury of metallic synths which contrast exquisitely amid intricate digital fills. A…
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An artist with a genuine utilitarian work ethic, Lisbon’s Miguel Holly has a pedigree of collaborative works that rival the discography of a small label, possessing an unnatural aptitude for working cohesively in a myriad of styles, cogitating sprightly new talent from every nook and cranny of the globe. Derivative of such efforts, ‘Hollow’ marks the second point of unison…
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Sydney’s crowned prince of bass, Mastadon stands tribute as a lucent embodiment to the proliferation of talent existing amid the forthcoming generation of ambitious producers. Mastadon’s influence has rampantly permeated the bass arena, setting a merciless standard for modern dubstep in soul-wrenching fashion with infamous solo releases such as ‘RIP’ and ‘Casket’. An eruptive start to 2019 in turbulence of…
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“2019 is my year of the dark arts, ‘Voodoo’ is my ode to really rave-focused dark, dancefloor music. You can expect heavier, darker, stronger music coming up to round out this year as well,” Ethan Glass shares in anticipation of his forthcoming EP, which capitalizes on ominous symbolism and spectral undertones. Aptly acquainted to the odious verge of electronic music,…
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The protracted process of trial and error over a period of over 7 years has afforded CLYDE an uncanny perception for experimentation, discovering avant-garde methods of production that provide a creative edge and perceivable polarity, allowing him the ability to rehash and polish denatured samples as principal components in his tracks. “My main production style is ‘throw and see what…
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Based out of San Diego, California XaeboR is a veristic exemplification of persistence, littering the battlefield with a handful of heavy artillery EPs and dozens of vicious singles over the span of a 7-year career. Discreetly tip-toeing the boundaries of the proliferating riddim movement, XaeboR’s diverse production palette and deeply-seeded dubstep roots tender him the ability to intersperse freely between…
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A man that hardly requisites introduction, Mr. Carmack is widely regarded as a penultimate influence on the earliest days of American trap music wielding a lethal perception for production that has allowed for a nearly decade-long conquest that has continued to permeate within the modern era with the recently donned I <3 Trap EP, which he unleashed just this past…
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Sydney’s Josh Cassidy has rapidly honed the scope of his production over the course of the past year, grooming an ambitious trajectory for a propitious career within Australia’s vibrant trap locale. A tactician for forging heroic bass soundscapes riddled with profuse subs, Cassidy’s ear for technicality lends him the ability to maintain crisp audible clarity amid turbulent drops. Initially featured…
