Troy Henry, aka TroyBoi, has never failed us especially in the realms of the trap world. For all the trap heads like me out there you know what a staple he is to our community. The incomparable energy presented in this tracks translates directly from the energy that TroyBoi carries as a producer. Helping inject the world with 808s and…
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A Detroit-born artistic kaleidoscope, Freddy Todd’s style simply cannot be condensed to a single genre. Spanning from experimental bass to glitch-funk, Todd’s past antiquity performing in the live band Tone Poets, as well as his Motown roots, have left a vivid impression that is clearly delineated in the breadth and diversity of Todd’s current production efforts. Teasing fans with a…
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An Indianapolis-native and artisan of complex, granular half-time beats, Tyler Endicott is quickly gaining attention for the swift, clean cuts and merciless bass hooks that have come to be expected from his releases under the alias Kromuh. Pairing off with former Chicago colleagues Kyral X Banko for his latest release, ‘Mr. Problematic’ features a tilted, gradually developing introduction, which gently…
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Quintessence (noun): the aspect of something regarded as the intrinsic and central constituent of its character. We couldn’t have picked a better name to describe the latest collaboration between two of FUXWITHIT’s favourite producers. Dallas-based vibe curator capshun and soothing experimentalist Floret Loret, who are coming off fresh collaborations alongside Quiet Bison and P A T H respectively, have put…
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Italy’s Francesco Guglielmi, better known by his production alias Eater, has been crafting a diverse assortment of high-energy bass music for years now, all to major acclaim from some of the biggest names in the industry including most recently the head t-rex Excision himself. Finding a niche in the ever-growing experimental trap scene, he’s been growing at an exponential rate,…
- BassBLOGTrap/Twerk
PREMIERE: KUREI & Golden Child Continue Dropping Bangers ‘Like This’
by Colinby ColinIf you’ve been following FUXWITHIT for a while, chances are you’re familiar with KUREI and Golden Child. The two producers have been putting out heaters with a tremendous consistency. Mixing classic trap sounds with hints of experimental bass, both artists know how to push boundaries while retaining that necessary groove. It seemed almost overdue that the two connected for a…
- Bass
PREMIERE: Ravenscoon & Viskus Take You To The ‘Dirty South’ With Latest Collab
by Alex Bellby Alex BellNavigating the murky depths of the experimental bass community lies two champions of sound, Paul Conversano and Nick Charles, or Ravenscoon and Viskus respectively. Ravenscoon started his music journey making Bassnectar inspired mixes on SoundCloud, and has taken the deep dive into producing ethereal, yet heavy soundscapes that move people both physically and spiritually. Viskus is no stranger to wild,…
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JKuch never ceases to impress while pursuing an ongoing path to innovation. Despite being known for his vibrant take on future bass that never grows stale, the talented artist has dazzled as of late with the highly-experimental ‘CARBON‘ along side thook and the ethereal, uplifting ‘New Year,’ to name a few. With his second release of the year, JKuch continues…
- BassBLOGTrap/Twerk
Khaos Locks His Cross-hairs In For The ‘Head Shot’ With Latest Quality Treat
by Tony Leonardby Tony LeonardUK based aspiring sound bender, bass kingdom storyteller and shoe fanatic Khaos aims to lock in his sights for the ‘Head Shot’. It all started for him around 12 years ago in 2008 when receiving a guitar would slingshot him directly into the world of music. Being a devoted metal-head early on, he quickly learned to train his ear and…
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Aussie beat fiend Point Clare has been decimating the game all over Australia with his experimental trap fluctuations, placing major emphasis on overall production quality and stylistic elements. We were so impressed with his hustle, we recently recruited him for the 92nd installment of our guest mix series, where he decided to go off and drop 13 of his own…