Bass

The vanguard for aspiring dubstep producers worldwide, Sydney-based Mastadon has matured with frightening efficiency. Wielding a malicious style of tear-out dubstep, each track from the Australia-native mimics a cataclysm of violent bass and malicious subs, questioning the distinction between dubstep and high-powered sonic artillery. In his latest bass exploration, Mastadon further polishes the bells and whistles of his production, leveraging…

Late last year, one of our posts for our #tbt series featured Moody Good‘s remix for Slum Village’s ‘Fall In Love‘. We capped off that article by wishing for more from the musical genius in 2019, as it had been almost two years since his last official work. A tweet on February 5th confirmed his return to releases this year,…

Eclectic beat maker and minimal trap connoisseur, LOWKEY first caught our attention with an outstanding remix of Eptic’s ‘The End’, which has received tremendous support and recognition from the likes of TYNAN, Kompany, and Krischvn in live sets and was followed shortly thereafter by an opportunity for the Serbia-native to feature as a special guest on our FUXWITHIT Mix Series.…

The San Diego based producer jordnmoody is an experimental trap and bass enthusiast. As far back as his track ‘UNGH‘ (and even further back) he has always tested genre limits and naturally carried a forward-thinking image. He adds to his inventory of originals with the latest release titled ‘MØNEY’. Continuing with an emphasis on trembling bass, he keeps the listener…

Tripzy Leary kicked off 2019 with a bang, unleashing his biggest body of work to date with the otherworldly Space Migration LP. With various originals and remixes released since the big project, it is evident the eclectic producer is only showing fans the tip of the iceberg when it comes to his creative ideas. Just last week, he shared his…

Although the trap scene in India is nothing like it is in North America, Baajewala has been able to combine his musical influences with his cultural identity to consistently create a unique listening experience. After earning the attention of the trap lord UZ himself as well as established artists such as QUIX and Hydraulix, the talented beat maker has been hard…

Unleashed from captivity on Halloween of 2015, ‘Lurid’ depicts the earliest spice and flare of South Jersey’s Charlie Quigley in the days when the forward-thinking, boundary-shattering DIGITAL ETHOS project was just beginning to take shape. Still one of my favorite ETHOS tracks to-date, ‘Lurid’ utilizes a mesmerizing introduction equipped with tight-wound percussion and firm bass notes to build a sense…

Freeform bass pioneer WEKS is swiftly becoming a hot ticket item, distinguishing his experimental, production-heavy style from the masses with the release of his highly anticipated Terp Sauce EP, which dropped just shy of two weeks ago. The earliest releases from the New Hampshire-native depict a more trap-focused guise with tight percussion and crisp beat breaks, which have provided ample…

With the release of his debut EP Tangled Roots, Floret Loret has officially arrived. The talented producer has been honing his skills and making waves on SoundCloud for the past few years, but this project takes his sound to a new trajectory. Drawing influences from Flume and Electric Mantis and blending them with a myriad of emotions, embodying relationships and…

Peekaboo to a child is an age-old game that leads to laughs and an overall sense of well-being. Peekaboo to a bass music fan is an artist that has quickly become an unrelenting force of aggressive wubs and unparalleled sound design, contorting listeners’ mugs into ugly, grimey bass faces. Hailing from Detroit, Michigan he first garnered major acclaim with his…