50. Subfiltronik and Bommer – Planet Droid (Modal Nodes Remix)

‘Planet Droid’ has been a riddim plate for over a decade, and most people thought it would never get an official release. To everyone’s surprise, the original, a VIP, and multiple remixes were released this year on INFEKT’s new Port Zero label. Conversely, Modal Nodes has been making waves in the dubstep scene on SoundCloud, and his remix for ‘Planet Droid’ was his first official release. Featuring Modal Nodes’ quintessential Star Wars-themed introduction, mind-melting sound design and hypnotizing fills, the remix earns a well-deserved spot in this year’s list.
-SC

49. Drvmmer – Silence

Andrea aka Drvmmer is one of the hidden gems of the Italian bass scene. A mastermind in the studio and a titan behind the console, as I wrote on these pages back in 2021, “Drvmmer is an assurance.” This year, he released his most mature and inspired project yet, No Man’s Land EP, and ‘Silence’ is the single that took the spotlight. A claustrophobic track that crushes you between broken rhythms and slashing synths. The refined sound design a-la-Drvmmer effectively saturates the entire auditory spectrum and puts some serious physical and psychological pressure on the listener. In ‘Silence’, Drvmmer tempers his impulse to compress too many elements into a single track. The result is a song with a wider audience appeal while maintaining his quality standard well above the average.
-AA

48. KETTAMA – It Gets Better (Forever Mix)

One of 2025’s electronic music final bosses, KETTAMA ruled over both the offline and online scene this year, with stops at major festivals as well as behind the web’s most popular booths. His blend of house, UK garage, trance, and techno has proven to be super effective across generations, making him a widely accepted beacon for the Gen Z and Gen Alpha generations of clubbers. Off his list of hits released this year – which also includes ‘Yosemite’ with Interplanetery Criminal, ‘Airmaxes’ with Fred again.. – ‘It Gets Better (Forever Mix)’ is the one that perfectly embodies the crosspollination at the core of KETTAMA’s sound. It’s a spontaneous track that cleverly mashes up direct influences from Underworld, Robert Miles, and Faithless, acting as a manifesto for that section of the scene who is injecting 00’ sounds into ‘25 productions.
-AA

47. IMANU x Rhode – All Too Late

Released as part of his Entangled EP via Deadbeats earlier this year, ‘All Too Late’ was arguably IMANU’s most popular track of the year. Featuring familiar vocalist Rhode, the track is one of those cuts that immediately stands out as IMANU’s work. From its moody vocal progression to its smooth drum and bass textures wrapped in pristine production, the track is hypnotizingly beautiful. There is no denying how important IMANU has become to shaping the bass scene, and ‘All Too Late’ is but further proof of the artist’s talents.
-SC

46. Chediak, Dj RaMeMeS, MC Xangai – PERVERSA

SPEEDTEST RAVE’s boss Chediak had another strong year, topped by several tours overseas and an excellent new album. But the release that I was waiting for the most was, without any doubt, his collaboration with fellow Brazilian artists Dj RaMeMeS and MC Xangai. ‘PERVERSA’ is a bare yet punchy 2-step cut that flirts with baile funk and is led by some insanely catchy vocals. Even if you don’t know any words in Portuguese, be sure that you’ll end up having this one stuck in your head forever.
-AA

45. Vorso – Harsh Light

‘Harsh Light’ is one of those songs that my mind can’t fathom how it’s produced. The synths sound like they’re coming from another dimension, not from a human-made DAW. The clarity of every single element is simply unreal. The inspiration must have come from some unnamed forces beyond our comprehension. Instead, ‘Harsh Light’ is “just” a release by Vorso. A song, published inside Vision’s massive Mission 03 compilation, that reiterates that the UK producer is a singularity within the contemporary music scene, a unique voice that seems incapable of platitudes.
-AA

44. Maysev x The Caracal Project – Before You

The Caracal Project’s only track of the year came in the form of a mesmerizing collaboration alongside Maysev. While I spoke about Maysev in our 80th edition of Focus Five, I wasn’t aware just how much ‘Before You’ was going to grow on me (and on the drum and bass scene) over the course of the year. Easily a top contender as a personal favourite of 2025, the track has amassed over 400K plays on Spotify, attesting to its broad appeal. The smooth guitar, the ethereal soundscapes, and the crisp yet relaxed drum and bass textures make it a unique track that helped put Maysev on the map.
-SC

43. What So Not x Buunshin x Maiah Manser – Threads

What So Not and Buunshin are in the process of releasing a joint project at the time of writing, and ‘Threads’ is the first single from the The Quiet That Hurts EP. Growing gradually in intensity over Maiah Manser’s angelic vocals, the track beautifully displays the strengths of both producers, leading to a climax of bass euphoria. Combining the signature sounds of two producers into a single track is not always so trivial, but What So Not and Buunshin executed this one perfectly. The track balances emotional peaks and troughs exquisitely, while also featuring the top-notch production one would expect from the two artists.
-SC

42. Control Freak – THROW YA HANDZ UP

Control Freak is one of those artists who became popular due to his dubstep releases but has since diversified his output across the vast array of bass music, and honestly, his versatility is underrated. His debut album EAT YOUR FRIENDZ demonstrated this to a tee, and no track was bigger than the opener, ‘THROW YA HANDZ UP.’ While still in the realm of heavy bass music, the track combines rap, dubstep, and hybrid trap in a relentless yet infectious way. The drops are electric, the musicality is catchy, and it sets the stage nicely for the rest of the album.
-SC

41. Dyzphoria x Ephex – Ignorant Style

The Sable Valley summertime compilations are always so fun to dive into. Showcasing some of the hottest talent within the underground. There’s always a mixture of incredible sounds, rhythmic structures, and more. And ‘Ignorant Style’ by Dyzphoria and Ephex completely throws you for a loop, as it was one of the most unique tracks of this year’s compilation. It’s a gorgeous and enticing piece consisting of colorful sound design, angelic melodies, and an overall wonderland of characteristics. That main mono-styled lead in the chorus section completely elevates the vision of the track in a whole new sense, while the intro, along with the outro sections, transports the listener into a cinematic environment. Never wanting the experience to end.
-JD

40. Strobez x phantomhouse – Tell Me It Hurt

The sheer power of Strobez has baffled many within the underground for a while now. His works have completely pushed the electronic sound in the right direction. Always delivering such high-quality and unique pieces while flying to the top. Him, along with phantomhouse are two dangerous forces to be reckoned with and ‘Tell Me It Hurt’ is pure proof. This electrifying and eclectic track will not only tear your mind apart, but it will stick with you for a long time due to its highly creative drive. There’s so much to behold within, such as their futuristic sound design, everlasting drums, and easy-going arrangement. Falling completely in love with it each go around. It’s a track like you’ll be dying to hear live.
– JD

39. Just A Gent – kickons?

Just A Gent, as an artist, has gone through many exciting phases in his career, and we thought it was only right to include him on the list. His track ‘kickons?’ is a really fun and hard-hitting wonderland full of deep basslines and nasty drums. Using a sample from Flo Rida’s ‘In The Ayer’ as a solid bass, he built an absolute weapon of a tune around it. Giving it a dark and stormy space. Those clean-sounding drums combined with such sinister bass leads will leave you in complete awe. And it just keeps going and going till the end! A non-stop experience that will have any dance floor destroyed.
-JD

38. Mac Miller – Nikes on My Feet (AYCH Remix)

Nashville producer AYCH put himself on the map this year, and no track had as much of an impact as his Mac Miller remix. Taking on one of Mac’s most iconic tunes and flipping it into a heavy-hitting bass banger is no easy feat, but AYCH proved to be more than up to the task. It’s not often you see bootlegs breaking over 100k plays on SoundCloud, but this one has soared past the marker, currently sitting at 173,000. Mac floats over the smooth yet filthy beat, which allows the vocals to serve as a focal point while still bringing some truly exceptional bass. So many things could’ve gone wrong with this one, but it was executed perfectly. Don’t snooze, don’t sleep.
-CV

37. borne – Want To Go

Landing a spot on our breakout artists of 2024 list last December, it should come as no surprise that borne finds himself on our Top 50 songs list this year. The Montreal-based producer has been on a steady ascent with banger after banger after banger. Released via UKF, ‘Want To Go’ is a godly 140 stomper. The gospel introduction takes you to church with heavenly keys and soulful vocals, bringing listeners to the promised land. That is, if the promised land is scored by dark and sludgy basslines, and rough ragga vocals (it is for me at least). Expertly blending darkness with light, menacing with inviting, borne crafts a truly exceptional 140 monster.
-CV

36. Cesco – Pretty & Plump

Cesco’s 3-track Pretty & Plump EP is infectious from start to finish, and honestly, any of those tracks could have made this year’s list. The artist has a knack for making incredibly catchy tunes, and this project is no exception. The collection’s title track, ‘Pretty & Plump,’ masterfully pairs Emz’s vocals with a groovy instrumental to create a cut that goes hard in so many different settings. It’s not overly complicated in its ideas, but that’s the beauty in a catchy garage tune; crisp sound design and swinging percussion come together to get you dancing out of your seat. Pineapple Records said it best: “Emz takes a relaxed conversational tone, flinging out bars effortlessly over a syncopated stepper par excellence.”
-SC

35. Bakey – Backrooms

Piacevolmente estenuante (pleasantly exhausting) is the best way I found to describe ‘Backrooms’. An unusual banger that brings BAKEY’s haunting and muscular style to its very extremes. ‘Backrooms’ is a proper, raw, club-focused track that leaves home any unnecessary frills and brings to the dancefloor just the purest elements. Drums to guide your feet, a bassline to rip your chest apart, a vocal sample to hypnotise your mind. But its personality goes beyond that. The liminal and nebulous atmosphere that fills the entire five minutes gives ‘Backrooms’ a dramatic Lynchian touch, which would make it perfect as a movie soundtrack.
-AA

34. NXSTY & ero808- CODEINE

‘CODEINE’ feels like stepping into a warehouse at 5AM when the air is thick, the lights are low, and the DJ is deep into the filthiest part of the night. NXSTY unloads a bassline that sticks to your ribs and refuses to let you off the dancefloor, while vocals glide through the chaos with this smooth, but haunted energy that gives the track its edge. It’s dark, sweaty, and hypnotic, built for those late-nights when you’re running on adrenaline and the music is the only thing keeping you upright. A proper heater from two artists who know exactly how to bend a room to their will.
-AK

33. HerShe – Hit Maker

“That girl’s a HIT MAKER!” Blending an absurdly catchy vocal, beatbox elements, and masterful bass, ‘HIT MAKER’ was the soundtrack to HerShe’s explosive breakout year. While she dropped an onslaught of heat, ‘HIT MAKER’ feels like the pinnacle of her sound and style. The track exploded online and IRL at shows with HerShe taking over TikTok and Red Rocks. If this doesn’t get you moving, you may need to see a doctor.
-CV

32. JID x Clipse – Community

There is no denying that the 2025 Clipse reunion was a major milestone for rap fans around the world (more on that later). However, we think it is also important to mention JID’s return to the album format with the release of God Does Like Ugly, and specifically the collaboration with the legendary duo titled ‘Community.’ From exquisite production to JID’s quintessential vocal mastery, to Pusha T and Malice’s undeniable swagger, the track is aggressive in nature yet deep in its meaning, creating a mesmerizing dichotomy that makes it a standout in the album.
-SC

31. Pink Pantheress – Illegal

Without a doubt, one of the most charming and iconic opening tracks ever, ‘Illegal’ is also on this list as representative of the entire Pink Pantheress album. Fancy That, is a project that draws heavily on the fundamentals of the British electronic scene and covers them with icing sugar. ‘Illegal’ is a perfect example of this. Musically dense with a jumpy 2-step bounce, but still floaty and soft. As Harry Tafoya writes on Pitchfork, Fancy That is “a portal into an alternate universe where UK garage blew up in America and fashion froze in 2006”.
-AA

30. Amine – Vacay

Whether you’re about to board a flight to an island getaway or just need two-and-a-half minutes of mental bliss, ‘Vacay’ by Aminé is your theme song. Coming off the fittingly titled 13 Months of Sunshine, the single is the embodiment of a fun-loving escape. Painting vivid images of a European romp, Aminé shows us how to vacation in style. From “only wearing robes for the whole damn week” to being “Somewhere sunny, Sweatin’ with two spritz in my tummy, I’m eatin’ ravioli and the pizza with the honey, I’m O-O-O for the week, you dummy,” how can you not smile when listening to this one?
-CV

29. Farrah x KILLMATTER – WHAT YOU MEAN!

Taken off of Farrah’s ecstatic EP Heaven in Hiding, this was such an unexpected combination of sounds, making it a highlight for both artists. The blend of their styles is so easily heard and really gives it such a memorable experience for their listeners. Those fast-paced drums combined with such crisp and fun samples flying throughout instantly knock you into the stratosphere. A pure love letter to the breakbeat style. Its unpredictable nature will have you replaying this work of art over and over again. Another pure gem for both of their discographies.
-JD

28. Nitepunk – Slices (Silcrow Remix)

Now this remix has been teased and played out for a little while now. From show to show, the crowd always goes ballistic whenever this comes on! Released two years ago, ‘Slices’ has become easily one of Nitepunk’s most played out tunes to date. And with Silcrow slowly rising to the top, he wanted to put his own spin on the already hard-hitting experience. And he did it with no problem in the slightest. Adding his own crazy percussion, rhythmic structure, and more, this remix has easily become a staple of both their paths. Always being filmed and uploaded to their social media stories or posts, fans were eagerly waiting for this to finally be released.
-JD

27. Getter x SXMPRA – Born 2 Stunt

With a little hiatus within the electronic space as a whole, the return of Getter’s incredible and iconic production is nothing but a gift for many in the scene. This track really highlights everything we’ve missed from the artist. The solid hip-hop production, combined with SXMPRA’s stellar vocals, is a whole box of treats. From a hard-hitting dubstep section to an overall addictive arrangement from beginning to end, you’ll be having this one on repeat for years to come. It perfectly highlights Getter’s production from many years ago while still being very unique and electric. Even those spicy little fills consisting of fun sampled vocals or even the coin sound effect from the Sonic series, there’s always something new to catch with each listen. And we’re happy to include this one on our list for this year!
-JD

26. Know Good – Sock’em Bop’em

The cousin pair known as Know Good may be one of the year’s biggest bass success stories. Building upon heavy momentum, the pair unleashed an onslaught of killer flips in addition to the incredibly impressive All In album. Amongst the plethora of incredible tracks on the project is ‘Sock’em Bop’em’. The smooth rap bars swerve and glide over the production with expert precision. The drops are speaker-rattling, the bass rumbles your very being, but it’s really the progression that makes this so special. The back half takes a cinematic turn, giving the vocals, which are repeated from the first half, a completely different feel and reverence. From the bird adlibs to the nostalgic voice outro, the back half will give you chills. Demonstrating the pair’s immense range and talent, ‘Sock’em Bop’em’ cements its place on this list.
-CV

25. Juelz – SYBAU

‘SYBAU’ is Vancouver-based Juelz in full scorched-earth mode. No mercy, no breathing room, just pure pressure from the second it hits. The alarms scream like a warning siren for anyone not ready, the low-end growls, and the high-frequency details slice through the mix with that unmistakable Juelz precision. His vocal chops hit with the same force as the drops, adding this gritty, almost confrontational energy that pushes the track into full demolition-mode territory. It’s one of those records that reminds you exactly why he sits in his own lane: aggressive, controlled, and absolutely ruthless.
-AK

24. Fabian Mazur – Cash

Fabian Mazur’s ‘Cash’ is straight money. Serving as a standout from his excellent imellem album, ‘Cash’ is the definition of a banger. Leveraging his own vocals with some heavy processing, he explores a wide array of synonyms for the track’s namesake while switching his flow, delivery, and effects. Fabian doesn’t get enough credit for flipping his own vocals, and ‘Cash’ is a reminder of how dope they can be. But this is a Fabian Mazur track after all, it’s not all about the vocals, the bounce is crazy, the drums are masterful, and those 808s… you already know.
-CV

23. Wink x Peekaboo – leaving (dont tell me)

Released on WINK’s WIIINK EP via Sable Valley, this was a collaboration that blew everyone’s minds. WINK in general, has really made a mark in the industry this year. Releasing hit after hit, there was no stopping the young legend from making his dreams come true. And what better artist to connect with than PEEKABOO. This track is a ton of fun and will put many electronic lovers in a pure trance. The angelic vocal surrounded by WINK’s signature futuristic void instantly draws the listener in. Eager to find out what’s next. And both chorus sections are absolutely insane. Those heavy and violent-sounding bass leads combined with such hardcore drums will knock you out of your seats in the best ways possible. Plus PEEKABOO specifically using his signature high-pitched lead in the second drop, combined with WINK’s metallic drums is pure icing on the cake. Making this one of the artist’s best tracks this year!
-JD

22. Blawan – NOS

Straight from one of the best albums of the year, ‘NOS’ is a track that perfectly reflects the extremely complex and articulated nature of SickElisir. ‘NOS’ is chaos. ‘NOS’ is order. ‘NOS’ is abstraction. ‘NOS’ is the most concrete thing there is. Blawan plays on multiple narrative levels, but above all, he brings all his incredible technical know-how into the game. It’s not only the sound palette that impresses, but also the level of refinement of the listening experience it offers us. A truly one-of-a-kind tune.
-AA

21. RL Grime x Deadcrow – Dominator

First debuted at Ultra 2024, this song really started turning heads as its pure sheer energy hypnotized the audience as well as listeners around the world. Wondering what this ID was! Now, with a full release this year, the exciting surprise of it being a collaboration with Deadcrow is simply stunning. The combination of both their styles shines on a high platform throughout this track. The fast-paced environment with monstrous sound design will have you on the dance floor in a complete frenzy thanks to its shining qualities. One that’s ready for any stage, anywhere!
-JD

20. Zero – On Job

The UK wave has continued to dominate the bass scene, and Zero is another artist steadily riding high. From the moment you press play and are met with epic choir tones, you know you’re in for something massive. ‘On Job’ is a face-melting 140 ripper that gives us everything we want in 2025. Catchy pre-drop grime vocals: check. Snappy drum work: you got it. Pulses of bass that make you want to slap somebody: you be the judge. Zero has been on fire through 2025, and ‘On Job’ is straight napalm.
-CV

19. Flume, Emma Louise – Easy Goodbye

Flume’s year can be described as one of collaborative projects. From the We Live In A Society project with JPEGMAFIA to DUMB with Emma Louise, the veteran artist allowed some of his favourite vocalists to shine above his usual pristine production. ‘Easy Goodbye,’ the first single from DUMB, was arguably his best track of the year, showcasing some of that quintessential Hi This Is Flume production quality around Emma Louise’s angelic vocals. Flume will always remain a pioneer in the ever-changing sphere of future bass (and beyond), and with ‘Easy Goodbye,’ he continued to push the limits of this genre.
-SC

18. Skrillex – VOLTAGE

Back in 2011, Skrillex reportedly planned an album titled Voltage, with ‘VOLTAGE’ as the title track. However, the project was derailed when his hard drives and laptops were stolen from a hotel in Milan. That theft destroyed most of the in-progress project files. Despite that, a version of ‘VOLTAGE’ leaked from a promotional CD (by some accounts), and over the years, the cut became a kind of mythic “lost Skrillex track” among fans. Fast-forward to April 1, 2025, where Skrillex surprise-released F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3. This marked his final album under his deal with Atlantic Records, and the project included the legendary ‘VOLTAGE’ for all to enjoy. Despite its age, the timeless track blends classic Skrillex-style sound design with more melodic elements, giving the track an anthemic, emotional feel. The release of FUS, and ‘VOLTAGE’ in particular, marked an important transitional moment in Skrillex’s career.
-SC

17. Ring noord – Wild Flowers

What could we expect from a duo comprised of former Noisia member Nik Roos (Sleepnet) and producer/visual artist Jasper Scholma (Former) if not something beyond our expectations? Their creative output during 2025 was a real trip, peaking with ‘Wild Flowers.’ A masterful track that atomises the characteristics of genres such as jungle, hardcore, and drum & bass and reworks them in a futuristic setting. A track brimming with creativity and unparalleled quality.
-AA

16. PEEKABOO – Yeke Yeke

After a monstrous 2023 highlighted by the Eyes Wide Open album, it seems that PEEKABOO took last year to recharge and rebuild his discography, and we can confidently say that he leveled up his game once again in 2025. The handful of singles released this year showcased the artist’s ever-growing ability to create something unique, and while the collaborations with WINK, Jon Casey, and borne were all amazing tracks in their own right, ‘Yeke Yeke’ was the standout in originality among them all. Sampling Sam Interface and Kuenta’s 2019 track, PEEKABOO utilized the original vocals and built an absolute slapper around them, keeping listeners enthralled from start to finish. I have no f’ing clue what’s being said, but I do not care because it is insanely infectious.
-SC

15. Hamdi – Abomination

Hamdi continued to build off a momentous 2024 with the Abomination EP, largely centered around the project’s title track (although the Visages and LYNY collaborations should not go unmentioned). Building lots of hype around the track via his social media, as he has done so often in the past, Hamdi created tons of anticipation around ‘Abomination’ before its release, and it lived up to the hype. The track is the soundtrack to an alien invasion and a conversation between those aliens. It has a wonky call-and-response drop that is undeniably Hamdi in nature, and the sound design is sure to unleash your nastiest bass face.
-SC

14. BSEARL – Sold My Soul

It’s not often you hear a song that converts you into an instant fan. I had never heard of BSEARL before encountering ‘Sold My Soul’. The song popped up randomly on my Instagram, and I was so impressed that I stopped what I was doing to get my computer and headphones to follow him and listen properly. ‘Sold My Soul’ is a work of absolute beauty. From the subtle vinyl crackle to the infectious percussive loops, every element feels meticulously chosen. Built around emotive chords and an absolutely exceptional vocal, the song is as catchy as it is stunning. Raking in over 3.5 million plays on Spotify alone, it seems I’m not the only one who’s been captivated by this special single.
-CV

13. Ninajirachi – Fuck My Computer

Ninajirachi makes her third consecutive appearance in our Top 50, but never has she deserved it more than this year. After years of build-up, the Nina-mania has finally exploded, triggered by the release of her phenomenal album I Love My Computer. Not only has the project already become a cult favourite among the Australian producer community, but it has also managed to break through the bubble and propel her onto the next level of her career. An example? Just a few weeks ago, I Love My Computer earned her three ARIA awards. Multiple songs off the album would’ve deserved to be on this list, but the choice ultimately fell on ‘Fuck My Computer’, the single that spearh
-AA

12. Calvin Harris – I’m Not Alone (MPH Remix)

Calvin Harris’ ‘I’m Not Alone’ is one of those timeless classics that early fans of radio-friendly electronic music just love. Among the pioneers of the big room movement and its adoption into the mainstream, Calvin Harris has had an immeasurable impact on today’s scene. This track has certainly, in some way, shaped MPH into the artist he is today, and incredibly, he had the opportunity to officially remix the classic. A rising star in the garage scene, MPH had a huge year, highlighted by the release of his album Substance, but with his remix for ‘I’m Not Alone’ serving as the catalyst to it all. The artist was able to keep the integrity of the original while blessing it with his classic garage twist, making it an instant club hit.
-SC

11. Interplanetary Criminal – Fóca Póca (feat. Travy)

Interplanetary Criminal has pursued his climb to the apex of the garage scene. Between an intercontinental tour, his debut at Coachella, and collaborations with other hot artists of the moment, such as KETTAMA and Main Phase, the UK producer has released some of the most popular anthems of the year. ‘Fóca Póca’ might not be the first that comes to mind, but it is a significant addition to his catalogue and the scene. This UKG cut flows smoothly thanks to the impeccable chemistry between Interplanetary Criminal and Irish rapper Travy, and serves as a reminder of the former’s artistic depths and integrity, which has not been spoiled in the slightest by the mainstream attention he has received post ‘B.O.T.A.’
-AA

10. Jon Casey & TroyBoi – AHORA

‘AHORA’ was a no-brainer for the list, especially with the year Jon Casey and TroyBoi have both had. Jon Casey has been leading a full-on wave out of South Africa, proving over and over why he’s one of the most inventive names in trap right now, while TroyBoi continues his reign as one of the OGs in the game, dropping heaters all year. When the two collide, you get ‘AHORA,’ a track that hits like a heavyweight. It’s built on that dark, chest-rattling hard-trap foundation, but layered with the rhythmic swagger and cultural fingerprints that both artists carry in their DNA. The drops slam, the percussion bites, and the whole thing feels like a statement piece from two producers at the top of their game.
-AK

9. Zeds Dead – One Of These Mornings

With well over a decade in the game, Zeds Dead are undisputed legends. ‘One Of These Mornings’ sees the pair return to peak form, putting their signature sound on full display. From the cinematic piano and strings in the intro to the iconic vocal sample and masterful, rich bass, every aspect of the track screams Zeds Dead. The single was a standout from their astounding thematic RETURN TO THE SPECTRUM OF INTERGALACTIC HAPPINESS album, which is easily one of the best electronic albums of 2025. While Zeds Dead have remained consistent throughout their long career, 2025 saw them returning to their roots with the wealth of skills they’ve continued to develop. True originality can be a rarity, but for Zeds Dead, it’s ingrained in their DNA.
-CV

8. Cloonee & InntRaw & Young M.A – Stephanie (HNTR Remix)

I’ve been a fan of HNTR since I saw him live under a different alias way back in 2014. Having watched him transition from bass house, to techno, to tech house over the last decade has been an inspiring story, as he always believed in himself even when his music wasn’t reaching the masses. In late 2024, his unreleased material started gaining traction among the bigger DJs and crowds around the world, and the one that truly catapulted this explosion was his remix of ‘Stephanie.’ Adding a grungy, more underground layer to the purely tech house original, HNTR made a name for himself with this remix, and its popularity can not be understated. It’s always great to see a Toronto local finally getting their flowers, and HNTR’s remix of ‘Stephanie’ deserves a spot in our Top 10 for it.
-SC

7. Skrillex, ISOxo – fuze

As mentioned in #18, 2025 was a transitional year for Skrillex, but it was also an impressive one in terms of output. It was truly an auditory feast for fans of the artist, as an album, a handful of singles, and an EP all made their way into our airwaves. Among the many collaborations that most thought would never see the light of day but did was ‘fuze’ alongside ISOxo. This track was the first single from Skrillex’s hit me where it hurts x EP, and saw the legend team up with the rising star to deliver an absolute banger of a track that beautifully blends everything we love about the two artists. From powerful vocals, to Skrillex’s brostep influence to ISOxo’s high-octane energy, ‘fuze’ slaps from start to finish and perfectly set the stage for the next chapter of Skrillex’s career.
-SC

6. Nero, Taiki Nulight – Innocence 2025

You’d be hard-pressed to find a dubstep track that’s more iconic than Nero’s ‘Innocence.’ The 2010 release helped to bring the original dubstep explosion to the mainstream and will forever be a timeless classic. Reworking a track of this calibre is a tricky undertaking, but if there’s one artist who was ready for the challenge, it’s Taiki Nulight. The veteran producer has been behind some of the best edits and originals in the 140 realm of the past few years. ‘Innocence 2025’ sees Taiki uniting with Nero for an absolutely astounding 2025 rework. All of the emotion, passion, and impact of the original are preserved while the track is modernized with absolutely blistering bass and brain-bending low end. This track was an absolute weapon in live sets and will remain as timeless as the original itself. Taiki, you cheeky bugger! You’ve done it again.
-CV

5. Sammy Virji, Skepta – Cops & Robbers

The release of ‘Cops & Robbers’ was a true cultural happening. The news of a collaboration between UKG’s golden boy and grime’s legend Skepta alone was enough to send the scene into tilt. The way they delivered took the scene by storm. A all-year-round anthem deeply rooted in Virji’s feel-good sauce of garage and Skepta’s lyricist ability that turned out as the perfect point of contact between the genre’s underground heritage and its newfound mainstream appeal.
-AA

4. LYNY – Section

‘Section’ feels like one of those records that doesn’t wait for you to settle in…it just detonates. LYNY comes out swinging with the trap essentials: that grimy low end, the slick serpentine synth work, and a confidence that lets you know he’s fully in his bag.  What separates ‘Section’ from the list of big drops released this year is how he uses restraint as a weapon. While most producers would fill the space with extra layers, LYNY leaves the track room to breathe. The bass sits right at the front, unapologetic, letting the groove hit harder because nothing gets in its way. It’s trap at its purest but sharpened with LYNY’s own edge. And then there’s the iconic vocal sample from Benny Benassi’s ‘Satisfaction.’ LYNY cuts it into the track like a blade, and it somehow makes the record feel even leaner and meaner. If ‘Section’ wasn’t already massive enough on its own, add in the fact that it picked up an entirely new wave of momentum this year when it became a crucial piece of one of the biggest tracks of the year (more on that later).
-AK

3. Clipse, John Legend & Voices of Fire – The Birds Don’t Sing

2025 blessed us with a lot of incredible music moments, but the return of Clipse easily tops my list. One of hip-hop’s greatest duos united for their first album in 16 years and dropped a certified classic. Uniting with Pharrell, Let God Sort Em Out, reminded the world of the pair’s greatness. While singles like ‘So Be It’ and ‘Ace Trumpets’ could have easily laid their claim on this list. It’s the album’s opener that claims one of our top spots in ‘The Birds Don’t Sing.’

While the bulk of the album is stacked with opulent flexes, street tales, coke raps, and the razor-sharp wordplay we’ve come to expect from Clipse, ‘The Birds Don’t Sing,’ is honest, introspective, and heartbreaking. Offering the unfiltered and unique perspective from both brothers, the track is a raw depiction of the pain and grief surrounding the loss of their parents. Pusha T opens the track saying, “Lost in emotion, mama’s youngest, Tryna navigate life without my compass, Some experience death and feel numbness, But not me, I felt it all and couldn’t function.” The weight and intensity of emotion are only amplified by the masterful backing. The slow-building production scores the vivid imagery of the verses exceptionally. When the bass hits over the first verse, it gives me the physical chills every time, deepening the emotional impact of Pusha’s words. John Legend’s impassioned hook adds a further layer of soulful mourning that bridges the perspectives between Pusha and Malice.

Just when you think it can’t be any deeper, Malice opens up about finding his father after he passed away. The honesty and level of detail in the description of the scene is heartbreaking. The verse also pivots to the highs and lows of their relationship, from the joy of having a father he could share with his friends and their fishing trips, to the pain his father must have felt working so hard to provide for his family, only to find his sons still turn to drug dealing. It’s the closing bars that really hit unlike anything else, “Birds don’t sing if the words don’t sting, Your last few words in my ear still ring (Oh), You told me that you loved me, it was all in your tone (Oh-oh), “I love my two sons” was the code to your phone, now you’re home.”

Artists are expected to share a piece of themselves within their work, but it’s rare that they are willing to be this open and honest, especially surrounding their darkest days. ‘The Birds Don’t Sing’ is painful, beautiful, and inspiring. It’s a heartbreaking reminder to show the ones you love how much they mean to you every day. I wasn’t expecting the intro of a Clipse album to bring me to tears, but I’d be lying if I told you I had dry eyes listening to ‘The Birds Don’t Sing.’
-CV

2. Chrystal – The Days (NOTION Remix)

Despite its late 2024 release, NOTION’s rework of ‘The Days’ was the soundtrack to the summer, seeing incredible viral success and ringing off everywhere you went. From the beach to the gym, the club, or in the car, it was almost impossible to escape. And for good reason. While some may be over it due to oversaturation, you can’t deny its greatness. The garage groove is smooth and dancey, the bassline is instantly recognizable, and the vocals are beyond catchy and addictive. Add in the nostalgic lyrics and smooth vocal delivery, and it’s simply irresistible. ‘The Days’ fits in that rare category of electronic/pop crossover that’s actually exceptional. The track took garage from the sound that’s been bubbling in the electronic scene to the stratosphere and catapulted NOTION to superstar status. With nearly half a billion plays on Spotify alone, it’s a testament to the power of a quality remix, the production skills of NOTION, and Chrystal’s incredible vocals. Press play and let the memories of warmer days flood back.
-CV

1. Fred again.., PlaqueBoyMax, and Skepta – Victory Lap

There couldn’t be a more fitting title for the Fred again.. single that tops our Top 50 Songs Of 2025 List. 2025 was Fred again..’s year. While his star has continually been rising, this year cemented Fred again..’s status as the face of electronic music. From the viral livestreams (on which ‘Victory Lap’ debuted), to the collab EP with Skepta, and the iconic 10 Shows in 10 Cities (along with new music weekly), Fred again.. hasn’t taken his foot off the gas all year.

‘Victory Lap’ isn’t just a single; it’s a cultural phenomenon. The track spawned five official versions and more unofficial remixes than you could count. The fact that the final iteration ended up sampling LYNY’s ‘Section’ with D Double E rapping over it is simply incredible. Everything about the track and iterations feels like they were created from a love for the culture, and each iteration of ‘Victory Lap’ is masterful. The Doechii vocal sample is aggressive and infectious, setting the tone, and Fred again.. and PlaqueBoyMax just kept building from there. Thumping basslines and perfected percussion lay the foundation for Skepta to slide on the beat with his signature mix of swag and intensity.

‘Victory Lap’ is a celebration of the underground on the main stage, mixing grime, bass, and hip-hop for the year’s biggest banger. It’s also a testament to Fred again..’s artistic integrity. So many artists in his place are quick to sell out, making mass-produced, watered-down, poppy renditions of their earlier work. Fred again.. has instead opted to take the opposite approach, making whatever he wants, embracing the sounds he loves, and keeping it weird and wonderful. Press play and bask in the greatness.
-CV

You can listen to all the tracks in our playlists on SoundCloud and Spotify.

Written and curated by Alessio, Alshaan, Colin, John, and Steph

The post Top 50 Songs Of 2025 appeared first on FUXWITHIT.

50. Chip – Grime Scene Saviours feat. D Double E, Frisco, Flirta D, Skepta, Bruza, JME, Jendor, Novelist, Jamakabi & Flowdan

‘Grime Scene Saviours’ dropped one day after we finalized this list, so it’s hard to tell just how much of an impact it will have. In its first days, though, the track has amassed almost a million plays, and a lineup this massive had to make its way onto this year’s list. With eleven grime veterans stepping up to the plate for a quick but punchy verse, Chip collected a star-studded cast to remind all fans of grime (and beyond) that the features in this track are the reason the genre is where it is at today. From electronic favourites such as Flowdan, to more mainstream players like Skepta and JME, ‘Grime Scene Saviours’ is a three-minute dose of nostalgia that encapsulates everything we love about the genre.
-SC

49. Rohaan – Easy for them

Rohaan has been on the move this year, both figuratively and literally. His show schedule has been busier than ever and has taken him back and forth to the States (and beyond) like never before. Musically speaking, he stepped up his game, expanding his discography with new palettes of sonorities and sub-genres. ‘Easy For Them’, released in January on Vision, was one of the first bangers I saved in my best-of-the-year playlist this year, and it hasn’t left it since. It’s a thoroughbred stomper, less sophisticated than other Rohaan releases but no less effective. It goes down hard. It melts my brain. It shakes me to the bone. What more could I want?
-AA

48. Camo&Krooked, Mefjus, Sophie Lindinger – No Tomorrow (P Money & Whiney remix)

I don’t think I’ve ever seen a song as perfect as ‘No Tomorrow’ receiving not one, but two remakes that have managed to live up to the original. When I first heard this remix (during Whiney and P Money set at ADE 2023) I thought it was a live edit that would never be released. When I saw it appear in my Release Radar in February I thought that Christmas came early for me this year. Both Whiney and P Money showed exceptional sensitivity in fitting into the dynamics of the track without breaking the balance. The result is a new, fresh, different version of ‘No Tomorrow’ that doesn’t rely just on the allure of the original copy.
-AA

47. Skeler. feat. Devilish Trio – Everything is Right

Taken from his stellar NightDrive part 3 mix, ‘Everything is Right’ is a gorgeous, ominous, and beautifully crafted experience. When it comes to masterful environments and melodies, Skeler never fails in the slightest. Being an absolute fan favorite from the mix, this track takes you for a drive down a dark road of no return. Getting lost with each second, you find yourself completely relaxed, impacted, and hyped up at the same time. Those gorgeous melodies swirling through your mind combined with a deep and impactful bassline will only make you fall in love with this track more and more. Not to mention those carefully placed vocals which grip your hearts and souls. Working together beautifully with every other characteristic. And adding those vocals from Devilish Trio was a genius move. It adds another chapter of bliss and pure attitude. Making you completely hypnotzied. The wave genre/movement as a whole continues to thrive in such a breathtaking fashion thanks to artists such as Skeler. We’re stoked to see what else he has to offer in the new year!
-JD

46. Mat Zo – Bluish Yellow

The release of Mat Zo’s ZOCASE EP with Anjunabeats graced listeners with one of the most sonically impressive EPs of the year. It’s simultaneously a throwback to retro-electro inspirations and a boundary-pushing expression of what a producer can achieve with electronic composition. Each of the three tracks break the 8-minute mark in length and each is comprised of a series of symphony-like movements, tastefully blending together in an EP that resembles a film score just as much as it does a dance album. ‘Bluish Yellow,’ the intermediary track, is perhaps the one that feels the most like one cohesive piece from start to finish rather than an arrangement of disparate yet accompanying movements. It wastes no time setting itself up as a high-energy song and never backs down for the entirety of its 9-minute runtime. Every time you think the song is about to end or die down, he just picks it right back up and throws another layer of sound on top, because why not? It’s like an acoustic edging right up until the very end, truly a work of art here from Mat Zo.
-BG

45. Mr. Carmack – Murder on the Dancefloor (Carmack Edit)

Mr. Carmack is notoriously sporadic when it comes to releasing new music and this year was no different. The beginning of the year featured a handful of remixes from the legendary beatmaker, of which I contend ‘Murder on the Dancefloor’ is the most deserving to be on this list. As an edit of Sophie Ellis-Bextor’s 2017 disco-pop hit, this track is such a feel-good bop. The intro teases a nearly minute-long buildup to a most subtle drop, the rapidly intensifying violins and guitar dropping out to give way to Ellis-Bextor’s lush and sultry vocals. This isn’t one of Carmack’s experimental forays into bass music. Rather, it’s a masterclass in doing more with less. The minimalist approach to the drum line and lack of brazen synths is a testament to how versatile of a producer Carmack is and remains in 2024. Please, lord, give us more disco from this man. The groove is unreal.
-BG

44. HIJINX, Cesco – Attention

1985 Music is putting out some of the best music across the bass umbrella over the last few years, and the label kicked off 2024 with a massive 140 banger from HIJINX and Cesco. With ‘Attention,’ the pair of producers embraced a minimal approach that’s driven by a grimy bassline and accentuated by a snappy sample, swinging percussion, and meticulously crafted fills. A track doesn’t have to be overly complicated to be catchy, and HIJINX and Cesco executed that to a tee in ‘Attention.’ With 140 BPM dubstep making somewhat of a resurgence in recent months, uniqueness remains important to stand out, and ‘Attention’ is exactly that.
-SC

43. Hamdi – Counting (Simula remix)

Counting’s remix EP has gifted us four massive reinterpretations of Hamdi’s hit. What Simula did, however, is simply insane. This remix it’s a shot of low frequencies and alien sounds that induce everything from euphoria to tachycardia to ecstasy. Drum&bass heads will say it’s classic Simula. No doubt, but to see his sound applied to such an iconic release remains a remarkable achievement that should be celebrated.
-AA

42. msft – dontwaiT

Italian-based producer msft has been a favourite amongst our team for years. His sound has moved from trap to breaks to UKG, with the latter seeing its full realization in 2024 with his impressive lowercasE EP. The project’s lead single ‘dontwaiT’ is an unforgettable standout showcasing the pinnacle of his sound. Moody female vocals saunter alongside menacing basslines, crisp drums, and mind-rattling sound design. It’s dark, addictive, and expertly crafted. Enjoyed at home alone or used as a room-igniting DJ tool, ‘dontwaiT’ may just be the best work yet from the talented producer.
-C

41. Bodysync (Ryan Hemsworth, Giraffage), Dazy – Back Of My Mind

The collaborative project of Ryan Hemsworth and Giraffage, Bodysync, is like a 2010s SoundCloud producer supergroup, yet it remains an underrated project in the wider electronic space. That’s a damn shame as the duo has put out some impeccably good tracks since they started releasing music together in 2021. ‘Back Of My Mind,’ released as a single in March, is one of the more unique entries in their discography. There are so many layers to the instrumentation here, all carrying different melodies but harmoniously fusing together to make an indie pop hit. It appeals to the same part of me that used to get down to the likes of MGMT or Peter Bjorn and John years ago, and I have to say it’s pretty refreshing to hear someone pushing that sound again (especially when it’s Ryan Hemsworth and Giraffage). Do that hipster inside you a favor and be sure to give Bodysync some attention, they deserve it.
-BG

40. Taiki Nulight, P Money, Capo Lee – Style

Taiki Nulight went on a roll this year with a string of heavy-hitting releases. His embracement of 140 dubstep in recent years has been a real treat for dub fans as he demonstrates a golden touch with every track he produces (I truly don’t think he’s capable of making a bad song). UK grime icons P Money and Capo Lee give this track just the right amount of “stylе, swag, sauce.” This tune has enough bounce to lift a Cadillac and positively rips when it’s played out live. I can’t wait to hear whatever Taiki comes up with next because whatever wave he’s riding right now keeps delivering pristine tracks, back to back to back.
-BG

39. Eliminate – EGOTRIP

Eliminate’s Get Off The Internet album represented a new chapter for the artist. Despite finding a ton of success with Disciple, the artist had become known for a specific sound and people often expected more of the same from him. With the album, Eliminate successfully showcased his ability to create a wide array of electronic music, while simultaneously embracing this signature sound. In ‘EGOTRIP,’ Eliminate sprinkled some of his signature humour with an iconic opening sample, embraced the old, and flexed some innovation all in one track – making it arguably the biggest hit of the album. ‘EGOTRIP’ is a quintessential Eliminate banger that couldn’t be left off this list.
-SC

38. Shadient x nikko – LONESUM

If there was a tune that will absolutely melt your brain in the best ways possible, it’s this insane collaboration. Released on Sable Valley, both Shadient and nikko teamed up and truly created one of the hardest-hitting tunes this year. ‘LONESUM’ is a presence of mass destruction and pure chaos from beginning to end. Every second just screams both of their styles intertwining and fusing perfectly. The first chorus section will literally make your jaw drop. The raw and sheer power within is a true sight to behold. That high-pitched lead combined with monumental drums is just too satisfying for the ear. Not to mention the complete switch-up on the second drop. Taking you down a more groovy and sinister environment of sound. The perfect way to end it off.
-JD

37. ROSSY (feat. Princess Superstar) – STAR

The spirit within each of ROSSY’s works continues to shine and glisten to the highest degree. Telling she has true passion for what she does in this world. And ‘STAR’ is a perfect example of her pure energy and perseverance she’s shown throughout 2024. Plus teaming up with Princess Superstar was a perfect addition to the overall aura of this track. Her exhilarating vocals work so perfectly and really adds another layer of excitement and hype! From those classic trap leads, mind-breaking drum work, and explosive sub design, this is an instant party starter and is ready to dominate any stage you go to!
-JD

36. Ternion Sound – PartyTool_001

The Ternion boys helped mark the 10-year anniversary of Deep Dark & Dangerous with the release of ‘PartyTool_001.’ This track made its way into countless sets throughout the year before its official release in November, much to the delight of patiently waiting fans. The distinctive grimy, glitchy vibe of Ternion Sound is on full display here. It’s very in-your-face, almost offensive to the ears, and quite frankly that’s what makes the song such a banger. Given its ability to get a dancefloor bumping, I’d say the dubplate is aptly named. Big ups to these guys for being so consistent and so damn raw.
-BG

35. Burial – Phoneglow

Boasting artwork that looks like a TikTok logo with a cracked phone screen, there’s something intentionally eerie about Burial’s ‘Phoneglow.’ Spanning over nine minutes and released as a double single alongside Kode9’s ‘Eyes Go Blank,’ Burial’s Hyperdub single captures all the elements that countless fans have come to love from the mysterious producer. A Resident Advisor review captures it perfectly, stating that the track’s “raw ingredients show what we’ve come to expect of Burial’s recent works: yearning melancholy by way of far away-sounding professions of love, woven into that signature shimmery, crackling ambience.” From masterful sampling to exquisite story-telling and captivating twists, ‘Phoneglow’ is but another incredible piece to add to Burial’s unparalleled discography.
-SC

34. JAWNS x Party Favor – Deadweight

This was a very unexpected combination of sound and rhythm! Taken from his newest EP, Dogwater, the power behind this tune is really unbeatable in many ways. And seeing Party Favor being a collaborator on this one really makes you curious to hear what this adventure holds in store. From a static and electrifying rhythmic structure, dark and sinister sound design, to a fun and everlasting pace, this has everything you could ever love from both artists. From start to finish you’ll thrown into the deep end surrounded by incredible characteristics and satisfying frequencies. A literal weapon for any dance floor around the world!
-JD

33. Eminem, JID – Fuel

The Death of Slim Shady (Coup de Grâce) was an interesting concept album from Eminem that explored a variety of phases of Eminem’s career. Without getting too deep into the album, one big surprise was the connection with JID on ‘Fuel.’ At FUXWITHIT, we’re huge fans of JID, and every time he makes moves with legends, we couldn’t be more stoked. On ‘Fuel,’ JID delivered an explosive verse littered with killer bars in his signature style, while Eminem’s wordplay and double-entendres brings us back to his glory days.
-SC

32. Farrah x OOAH – Automatic Problematic

What a major and incredible combination of perseverance, passion, and stability! The power behind Farrah and OOAH’s productions have never failed to impress, but to see them come together in such a monumental way is mind-blowing to say the least. ‘Automatic Problematic’ will be your new favorite anthem due to its fast-paced personality, incredible drum work and ecstatic sound design. The drums and arrangement build really take the spotlight here. Everything just feels so coherent, delectable and well planned. Those fun and charismatic vocal samples thrown in just gives the track that much more character. Not to mention those carefully placed bass leads to really let you feel the power behind it all. Easily one of our favorites this year!
-JD

31. camoufly – Intuition

Although his latest musical manifesto is titled Hiding, camoufly has never been on public display as much as he is now. In past years I could count the shows at which he played on the fingers of my hands. Now I couldn’t even keep track by adding my toes, and 2025 promises to be even better, with his first and long-awaited North American tour. So many changes, then, for camoufly. What doesn’t change, however, is his exceptional ability to create extremely catchy and memorable songs. You hear ‘Intuition’ once and you’re already singing the, already infamous, “nah nah nah nah eh” jingle. There’s nothing you can do about it. Seeing the crowd going wild while singing ‘Intuition’ was an eye-opening experience on the power of camoufly’s music. This is art in its purest, primordial form.
-AA

30. smalltalk – Snapback

2024 saw some impressive releases for FUXWITHIT but it is bi-coastal bass duo smalltalk’s ‘Snapback’ that hit the hardest. Blending pitched-down rap vocals, trap aesthetics, and a menacing 140 backbone, the track exemplifies what the label stands for. The dark 140 sound encapsulates what 2024 was all about in bass music. Landing a coveted spot on Spotify’s Sub Low playlist, the track has become a streaming hit, on track to become the duo’s (and possibly the label’s) biggest release to date.
-C

29. Visages, Monty, Killa P – The Most

Visages’ Dol Guldur EP was yet another incredible project released via 1985 Music. Having established themselves as mainstays on the imprint and consistently delivering boundary-pushing drum and bass and dubstep, the group are cementing themselves as some of the best in bass music. While any of the four tracks on the project could make it onto this list, we also wanted to showcase the undeniable chemistry that exists with Monty, hence why ‘The Most’ is on this year’s list. Deep, dark, and dangerous bass lingers below Killa P’s signature vocals, as the producers demonstrate their ability to let vocalists shine above their Earth-shattering soundscapes. This is a yearly reminder that a supergroup between Visages and Monty called Montages would go absolutely crazy. You heard it here first (again).
-SC

28. Nikita, The Wicked – Like Me

Few artists had a bigger breakout year than Nikita, The Wicked. The artist took the scene by storm, making waves on social media, musically, and IRL. While his iloveitwhentheyrun EP showcased his wealth of talent and diversity, it’s ‘Like Me’ that really took things to the next level. The Gud Vibrations release showcases what makes the producer so damn special. It’s eerie yet addictive, banging but cinematic, and minimal yet complex. It’s a masterclass in juxtaposition that puts creativity at the forefront without ever losing the groove. Other producers take notes.
-C

27. Eyezic – A Moment Apart

From playing multiple shows throughout the year, releasing a brand new EP, and dropping many other remixes, Eyezic has been grinding and giving it his all. And we truly believed he deserved a spot on our list. Off his Reflections EP, ‘A Moment Apart’ was a track which really stood out to us. Integrating his classic signature sound and overall production, the environment, and overall pacing is nothing but remarkable from start to finish. The pleasant and angelic vocals swirling through your mind combined with those soft and delicate plucks really make this dish delectable to the highest degree. Not to mention those groovy and addicting drums will have you in a pure trance. The message of the overall EP especially this single really gets you and has you coming back over and over again. Simply wonderful to say the least.
-JD

26. borne, Alexis B – Hush – CV

Who says music can’t be sexy and gritty all at once? borne and Alexis B prove that the two worlds sound better together with ‘Hush.’ Built around sultry whispered vocals, the NIGHTMODE-backed ‘Hush’ is a pulse-raising, floor-filling dinger that we simply could not get enough of. Fusing UKG and 140 for a sound that’s spine-chilling and heart-racing is exactly what we needed. borne unleashed a slew of impressive singles that could have landed on the list but this collaboration with Alexis B is his biggest and best to date. The Canadian and Mexican producers have been on a tear this year and ‘Hush’ helped elevate their sound and status to new levels. With both artists set to make their debuts with the iconic DEF live shows, expect massive things from the pair into next year.
-C

25. Juche & Sublab – Take Me Up

‘Take Me Up’ is the perfect synthesis of the artistic inclinations of both Sublab and Juche, two artists who have already proven themselves masters of writing memorable melodies. The song sits in the wave spectrum but also embodies the best that future bass still has to offer. It’s an anthem to sing your heart out and dance with your arms in the air. An unexpected mainstage anthem.
-AA

24. Ninajirachi – Hand on my heart

As an Italian who writes in English, finding the right words to describe ninajirachi’s music is always a nightmare. She escapes common labels and definitions. Her girl EDM (disc 1) album, released in September, ingests hard dance, trance, electro, and progressive house and regurgitates ever-new and unpredictable combinations. ‘Hand On My Heart’ stands out as the angriest cut of the collection. It stuns with its wall of abrasive synths that kick the listener right in the face in the two drops. It delights with its intimate (and misleading) intro. It charms with its happy hardcore-esque vocals. Like the whole album, ‘Hand On My Heart’ felt like a breath of fresh air in 2024.
-AA

23. Control Freak – LISA

Control Freak’s constant efforts and passion has driven him down an incredible path in this field. He’s been quite busy this year while working his hardest to bring listeners his next big creation. From releasing with Sable Valley this year, to releasing multiple singles and remixes, he’s truly making a bright and wonderful name for himself. And ‘LISA’ is beautiful example of what we’re talking about. This blast of energy will throw any listener back in their seats. Wanting to get up and immediately start dancing. Sampling vocals from Young Miko’s ‘Lisa,’ he really makes it his own with those world-shattering drums, distorted bass leads, and overall fast paced madness driving the track into it’s own universe. Making it an absolute staple for his discography.
-JD

22. WINK – VERTIGO

Released on NIGHTMODE as part of the SEEING DOUBLE EP alongside nikko, WINK’s ‘VERTIGO’ showcased the young producer’s incredible evolution in recent years. Boasting a style that’s chaotically controlled and always fun, WINK consistently brings something fresh to the table, and ‘VERTIGO’ is no exception. Difficult to classify into a single genre, the track touches on trap, bass house, and dubstep, yet never feels like it’s trying to do too much. It’s one of the very few releases from WINK this year, attesting to the time and care that he puts into each and every production.
-SC

21. Two Shell – gimmi it

While some of you might want to know what we think about Two Shell’s identity, this post is not the forum for that. However, we were extremely impressed by the duo’s debut album, and it was difficult to pick a single track from it to feature on this list due to the sheer variety found across the productions. Therefore, we chose the non-album version of ‘gimmi it’ as it still encapsulates the essence of the album version but is likely more attractive to our audience. ‘gimmi it’ is an incredible display of precision through controlled chops, cacophonous percussion, and wildly entertaining rhythms, showcasing the versatile prowess that Two Shell possess.
-SC

20. Sleepnet – Lapse

As the second single on Sleepnet’s sophomore EP titled II, ‘Lapse’ is a display of the insane technical prowess of Nik Roos. Everyone knows that Noisia, and therefore Sleepnet, are among the best to ever do sound design, but few could even imagine this standard being pushed even further. In ‘Lapse,’ Sleepnet does just that, concocting a cut that had producers across the scene losing their minds. Tight, technical, and meticulous, the track is certainly one for avid aficionados of drum and bass, but others will still be able to appreciate the genius behind it. Sleepnet never ceases to create new boundaries.
-SC

19. Nitepunk, Siickbrain – Way To Much

‘Way Too Much’ sounds like it came out of a studio session between Prodigy, The Bloody Beetroots, and Boys Noize. In truth, it’s the child of just the diabolical mind of Nitepunk. The American producer continues to prove himself as one of the freshest and most unpredictable voices on the bass scene and beyond. Together with Siickbrain, Nitepunk embroiders a punk texture that ties techno kick drums with electric guitars and the inevitable synths. So much happens in those four minutes that you’ve to listen to it to understand.
-AA

18. Juelz – EGO! (TAKE IT BACK)

Juelz continues to rock everyones world through their speakers one track at a time. Wrapping up his Floorspace chapter this year, the speed demon has been working day and night to bring us a new era in his journey. To give us a taste, he decided to drop ‘EGO! (TAKE IT BACK).’ An absolute exhilarating drive through a powerful wind tunnel of hard frequencies and fast-paced rhythms. This track highlights what makes the artist unbeatable in his lane. From crisp, saturated bass leads, intoxicating vocal samples scattered throughout, and a true new for speed, it’s an experience you’ll see yourself revisiting time and time again. Continuing to drive this portion of electronic trap in the right direction.
-JD

17. Drake – Family Matters CV

Drake vs. Kendrick was the music moment of the year. Two of rap’s biggest stars going head to head captured the attention of the world and gave us one of the wildest and most ruthless rap beefs in recent memory. Drake’s ‘Family Matters’ saw the 6 God taking the gloves off and barring up for over 7 minutes. In addition to blatant Kendrick disses, Drake takes on everyone who hopped on the 20 v 1, firing precision shots at Rick Ross, A$AP Rocky, The Weeknd, and Metro Boomin. The track is his fiercest and most lyrically dense offering of the battle proving yet again that Drake can hold his own against the best out. Add in the well-thought-out visual that sees Kendrick Lamar’s signature GKMC minivan being cinematically destroyed and this could’ve been the knockout punch to end the war. Unfortunately for Drake, Kendrick outmaneuvered him by dropping an onslaught of scathing records back-to-back giving this little room to breathe and delivering the death blow of the battle with arguably the biggest song of the year. But more on that later…
-C

16. Alix Perez – In Your Eyes

Alix Perez’s ability to produce both demonic dubstep and angelic drum&bass never ceases to amaze me. Taken from the magnificent Entanglements LP, released in September, ‘In Your Eyes’ is everything a liquid d&b lover could desire. This six-minute trip among silky grooves, melancholic piano chords, and soulful vocals is, without any doubt, the best representative of the genre I’ve heard this year.
-AA

15. salute x Disclosure – lift off!

salute’s rise reached a climax this year with the release of his highly anticipated album True Magic. His debut project on Ninja Tune is a body of work that shines brighter when played from start to finish, but also isn’t shy about featuring hard-hitting singles. His collaboration with Disclosure, ‘lift off!’ is the quintessential modern disco goodie that mixes French Touch and Garage elements into a propulsive blend. No need to say it works magic on the dancefloor.
-AA

14. Machinedrum, Tinashe – ZOOM

‘ZOOM’ is my personal favorite track of 2024. Machinedrum never ceases to impress me with every release, and let me tell you, I was feasting when his album 3FOR82 dropped in May. Out of a dozen tracks, this one was absolutely the pièce de résistance (and certainly the most popular). It’s everything I love about liquid drum and bass. The drums are crisp and clean. The sub-bass has a downright synesthetic glow to it, pleasantly dreamlike and hazy. Tinashe, on some real queen shit here, delivers a sublime vocal performance and elevates the track to being not just great, but a masterpiece. She effortlessly switches her cadence and tone from a nearly lullaby-like performance to one of a rousing pop tune by the end of the song, albeit staying within the confines of Machinedrum’s ethereal production on this one. The opening line, “It’s so chemical / Feel it in my veins, made my blood boil“ is a pretty succinct illustration of how this track makes me feel. ‘ZOOM’ is as close as it can be to what I’d call a perfectly produced track, earning it without question a spot on this year’s list.
-BG

13. Nia Archives – Crowded Roomz

Nia Archives’ Silence Is Loud album is one of my personal favourites of 2024. The artist flew under my radar for way too long before landing on it with her remix of ‘leavemealone.’ Shortly after, Nia Archives released the first (official) single from the album, and ‘Crowded Roomz’ proved to be a massive hit. Living up to its name, being played in crowded rooms across the world, and certainly bringing crowds to a frenzy, ‘Crowded Roomz’ is an infectious drum and bass cut that makes use of the artist’s signature vocals to drive its energy. Pairing these vocals with masterfully leveled instrumental is what makes ‘Crowded Roomz’ such a great track, and we highly implore all to dive into Silence Is Loud from start to finish.
-SC

12. ISOKNOCK, RL Grime – SMACK TALK – AK

ISOKNOCK’s debut single, ‘SMACK TALK,’ featuring the trap don RL Grime, has risen as one of the defining anthems this year. An immaculate blend of electro, dubstep, hip-hop, and bass, the track has taken over the festival stages and streaming platforms alike. RL Grime’s veteran expertise brings the song to life, delivering explosive basslines and a trap-induced flair. With its intensity and cultural impact, ‘SMACK TALK’ is a standout track of the year.
-AK

11. Levity – Front to Back

You may have recalled viral videos at Electric Forest and Shambhala with ‘Front to Back’ being rinsed to attendees and the crowd reaction was like no other. Levity have sparked a movement in the bass scene as they continued their dominance throughout the year. The single represents Levity’s pure vision of showcasing their experimental sound design and not sticking to the norms. When fans are left in awe for more, you clearly know you are doing something right and Levity were able to deliver that wonky-induced filth we all needed in our lives during 2024.
– AK

10. Zeds Dead, Moody Good, Killa P – Mad Ting

Simply put, ‘Mad Ting’ is ridiculous. Nobody needs a reminder of the legendary status of Zeds Dead and Moody Good, as these artists have established themselves as some of the best in the game for well over a decade. Their collaboration came as a huge surprise, and with Killa P lending some bars, the hype was huge. When ‘Mad Ting’ dropped, it instantly became one of my most listened to songs of the year. Moody Good’s unparalleled swagger, Zeds Dead’s timeless influence, and Killa P’s destructive bars come together to create one of the meanest dubstep tracks in recent history, delivering a relentless dose of mind-melting bass. We love that Moody Good is back to releasing and that Zeds Dead are returning to the album format in 2025. Maybe they’ll have respective individual tracks on next year’s list!
-SC

9. TroyBoi x UZ – IBTFY – CV

‘IBTFY’ is everything we want from trap in 2024, paying homage to the OG trap roots that TroyBoi and UZ helped define without sounding the slightest bit dated. The track proves the genre’s timelessness and cements the pair’s status as two of the greatest to ever do it. It’s hypnotic and iconic. It’s the best of both of their sounds combining raw trap shit with captivating soundscapes for a truly unforgettable listening experience. This is our tenth year doing our Top Songs of the Year feature and a lot has changed, but one thing that hasn’t is TroyBoi and UZ’s position amongst the best releases of the year. Never switching their sounds to bend to the flavour of the month, both artists embody the pinnacle of staying true to your sound while continuing to evolve gracefully.
-C

8. Chase & Status x Stormzy – Backbone

What happens when powerhouses come together for a collaboration like no other? Pure adrenaline is right as Chase & Status called upon UK legend Stormzy for ‘Backbone.’ A perfect blend of raw energizing vocals with drum and bass madness, this one proved to take over the festival scene across the globe. With no choice but to hit the dancefloor with this one, Chase & Status have been monumental in driving the music industry this year, and tapping Stormzy only made sense for this legendary single.
– AK

7. Joy Orbison – flight fm

It only took Joy Orbison one release to dominate 2024. Released just seventeen days into the year, ‘flight fm’ has become this year’s most unexpected hit, reaching “Baddadan” levels of ubiquity. Raw yet elegant, this short and sweet banger can be fit into a wide variety of sets, be they bass, house, garage or techno. There hasn’t been a single show in the past 12 months where, at some point, I haven’t heard the deep pulsating bass slowly emerge from a mix and make the dancefloor go berserk.
-AA

6. Distinct Motive – Mellow Man

Aside from #1, ‘Mellow Man’ is this year’s biggest dubstep track, and rightly so. If you went to a bass show this year, you probably heard ‘Mellow Man’ at least once a night (and usually more than that). This track was absolutely everywhere, and put Distinct Motive on the map for a ton of people. ‘Mellow Man’ is an incredible phenomenon, as it showcases that complexity is not needed to make a hit. It’s quite simple in its ideas, but Distinct Motive knew exactly how to channel that simplicity into something absolutely iconic. Released via Deadbeats, ‘Mellow Man’ catapulted Distinct Motive to the forefront of the dubstep scene, but people would be wrong to say that it wasn’t deserved. Seeing him live in Toronto for the first time this year, I was stoked to see how big of a crowd he pulled in, and how he was able to keep the energy high for the duration of his set. Distinct Motive is the man.
-SC

5. Fred again.., Anderson .Paak, CHIKA – places to be CV

“Hello I’ve got places to be!” Fred again.., Anderson .Paak, and CHIKA proved to be the perfect complement to one another on “places to be.” The track dropped at the end of May and acted as the unofficial start to the summer. Balancing between creativity, inventiveness, and pure pop appeal, it finds that perfect sweet spot. The warm weather anthem is breezy, infectious, upbeat, and most of all, fun. It’s a dance bop. It’s a travel soundtrack. It’s a love song. It’s a certified summer anthem. When you press play you can feel the sun warming your skin, your beer tastes better, and life seems a little bit brighter.
-C

4. Charlie XCX – Von dutch

Chronically online people will say that ‘Welcome To My Island’ (George Daniel & Charli XCX Remix) was the secret beginning of the Brat era. Others will argue that ‘Von dutch’ is not Brat’s most popular song. However, it’s a fact that ‘Von dutch’ was the first drop of the neon green tsunami that took over 2024’s music and culture. A single that ripped us away from the plastic glam of Crash and catapulted us into a Hor-like bathroom with a Jaegerbomb in our hand and a bloghouse cut from the mid-’00s that blasting at full volume. Von Dutch is a nostalgia-infused banger perfect both for millennials who grew up with Crookers and Wolfgang Gartner and Y2K-obsessed Gen Z.
-AA

3. Tommy Richman – MILLION DOLLAR BABY

Tommy Richman, signed to Brent Faiyaz’s label ISO Supremacy, really blew up this year after ‘MILLION DOLLAR BABY’ went viral on TikTok. After teasers of the single garnered over 9.5 million views on the platform in less than a week, its commercial success upon release was unsurprisingly massive, easily snagging the number two spot on the Billboard Hot 100 with its debut. It served as the soundtrack to several viral trends, including a dance challenge and prom transition videos. Appropriately, like our list here, ‘MILLION DOLLAR BABY’ hastily made its way to number three on Spotify’s Top 50 chart, beat out only by “Not Like Us” and “euphoria” by Kendrick Lamar. Making its rounds through other forms of media, the dance became an emote in Fortnite and the song was featured on the soundtrack for Madden NFL 25. If any song on this list can be called this year’s definitive summer jam, it’s this one (and as of now, it’s amassed almost one billion streams on Spotify alone).

Richman’s laid-back production on ‘MILLION DOLLAR BABY’ is like Southern drawl in song form. It straddles the lines between R&B, West Coast gangsta funk, and Southern rap in an eclectic, groovy style that sounds straight out of Houston. Imagine my surprise when I discovered Richman is actually from Virginia! Following the likes of Timbaland and Pharrell, he has since left Virginia for LA, but that hasn’t hampered his beautifully authentic style nor has it stopped him from drawing upon the sonic palette of the American south in his subsequent releases. Seamlessly transitioning between genres, whether it be rap, R&B, blues, or rock, seems to be Richman’s modus operandi. Atop electrifying synths with a hook so catchy that you’ll be humming the tune in your head for hours after, the raw soul behind Richman’s vocal riffs on ‘MILLION DOLLAR BABY’ in particular reinforce the track’s well-deserved distinction as the sensational smash hit of his discography.
-BG

2. Kendrick Lamar – Not Like Us

“psst, I see dead people”

This year we witnessed one of the most important hip-hop showdowns of our generation between Kendrick Lamar and Drake. Amidst their absolute evisceration of each others’ character through March and April, ‘Not Like Us’ emerged as perhaps one of the most important hip-hop compositions in recent memory. Kicking off after J. Cole’s contentious ranking of “the Big Three” in hip-hop on Drake’s ‘First Person Shooter’ last year, the feud ultimately blessed us with numerous diss tracks from Drake and Kendrick, with ‘Not Like Us’ coming out on top as the undisputed chart-topper.

Let’s all take a moment to appreciate that a diss track spent twenty-one weeks at number one on the Billboard Hot Rap Songs chart, spent two weeks at number one on the Billboard Hot 100, was the quickest hip-hop song to reach 300 million streams on Spotify, and to top it all off, broke Drake’s record for the biggest number of single-day streams on Spotify. As of right now, it’s approaching one billion. For a minute there, it felt like the entire nation was banging this track. The pop/club style that Drake has thus far dominated shifted hands, as if Kendrick were saying, “Oh yeah? I can also make a number one hit, and I can do it better than you.” Its immediate success culminated in a debut, five-time consecutive performance at The Pop Out: Ken & Friends. Over twenty-five West Coast icons were featured on stage alongside Kendrick and broadcasted for the world to see. Watching that stream, one could feel the unity in that arena through the screen. It was a true embodiment of hip-hop’s cultural zeitgeist in 2024.

There’s so much to say about what ‘Not Like Us’ stands for (surely much more than I’m qualified to write about here). This isn’t just a shot at Drake’s character, this is a veritable West Coast anthem. This is the song where the Kendrick vs. Drake feud transcends from personal attacks into a battle over hip-hop’s legacy. The rest of the beef notwithstanding, this singular song manages to recontextualize Drake’s entire public image while being infectious enough to have entire club crowds chanting “Tryna strike a chord and it’s probably A minor.” All of this on a Mustard beat, no less! The production of ‘Not Like Us’ is Mustard’s signature hyphy style in exemplary form, replete with finger snaps, gritty strings, and aggressive kicks (furthering the historical homages, the beat itself is an ode to Dr. Dre’s style). In one of the most memorable lines of the song, Kendrick lets out a rallying cry for West Coast artists to defend their identity and their icons with, “Yeah, it’s all eyes on me, and I’ma send it up to Pac,” an overt denunciation of Drake’s use of AI to imitate Tupac’s voice on ‘Taylor Made Freestyle.’ All of these elements coalesce into an immensely powerful affirmation of what hip-hop means to Kendrick and crew, and simultaneously cement ‘Not Like Us’ as the knockout punch to one of the greatest rap feuds we’ve ever seen. Sorry, Drake fans, but Kendrick opened his mouth… and the whole world listened.
-BG

1. Skrillex, Hamdi, TAICHU, OFFAIAH, contra – Push

“When I push, I feel good, when I pull, I feel good.” Another year, another Skrillex #1. We don’t do this on purpose, we swear, but it’s impossible not to put ‘Push’ at the top of this year’s list when looking at the impact that it had and what we represent as a publication. When the original picture of Skrillex and Hamdi in the studio first dropped, we thought it would turn out to be just another one of the million Skrillex collaborations to never see the light of day, despite being absolutely stoked for Hamdi who was starting to get the recognition he deserved. However, as rumblings of ‘Push’ started appearing across various live sets, fleeting hope turned into real expectations, and in typical Skrillex fashion, ‘Push’ turned out to be the song of the year. Featuring that quintessential Hamdi swing, the ever-innovative Skrillex touch, and catchy vocals from TAICHU and OFFAIAH, ‘Push’ is everything we love about electronic music.
-SC

FUXWITHIT Top 50 Songs Of 2024 Spotify Playlist

Words by Alessio, Alshaan, Braden, Colin, John & Steph.

The post Top 50 Songs Of 2024 appeared first on FUXWITHIT.

50. Matroda – In The Air

Matroda’s takeover of the house music scene is not just confined to the studio, he is a global phenomenon witnessed on renowned stages and festivals. After rinsing out ‘In The Air’ to his fan base, it was only a matter of time before this powerhouse single was released. His seamless fusion of bass-house and an infectious melody gets you to throw your hands in the air from the very start. A tune the industry cannot get enough, Matroda has once again proven he is only getting warmed up as we approach the new year.
-AK

49. Hedex – MHITR (Semi Automatic) ft. Eksman

This year’s jump-up anthem comes from Hedex, a legend in the scene. While the British producer’s success across the drum and bass world is nothing new, ‘MHITR (Semi-Automatic)’ made waves in North America this year as the genre continued to gain more popularity. From the infectious vocals, to the ground-shattering horns, to the soul-crushing bass, what is there not to love about ‘MHITR (Semi-Automatic)’?
-SC

48. IMANU – Empress (Zeds Dead Remix)

The Unfold remix album is (subjectively) one of the best remix albums in recent years. The combination of veterans and up-and-comers, as well as the diversity of styles and top-tier execution make it an incredible listening experience from start to finish. IMANU started his career remixing bigger artists, and having Zeds Dead remix ‘Empress’ is a full-circle moment. As the most popular remix from the ensemble, we figured it was deserving of a spot in our Top 50, with Zeds Dead returning to an old-school dubstep sound that many find nostalgic and invigorating.
-SC

47. chromonicci – Reset

Between his Stasis III. EP and Era III. EP, both released in 2023, chromonicci took two rather different directions with his output this year. ‘Reset.’ from Stasis III. is a track that captures the old-school chromonicci sound design. Its future bass bounce makes this an uplifting tune reminiscent of the likes of Soulection, Night Owl Radio, or Phuture Collective. The entirety of Stasis III. has a sort of classy swagger to it with its jazzy instrumentation. Bells, strings, and subtle vocals adorn ‘Reset.’ making it the icing on the cake.
-BG

46. Silcrow – TAKE ME DOWN

Through this year, Silcrow has showcased tremendous growth within his production and presence within the electronic music spectrum. From a wild drum and bass collaboration with DNMO, to some energy-infused singles, he’s an artist that definitely deserves to be highlighted. Released not too long ago, ‘TAKE ME DOWN’ is an absolute anthem of a tune. It harnesses the Silcrow sound while expanding its abilities and capabilities to a whole new level. From the fantastic and mind-boggling vocal flowing throughout, earth-shattering sound design, to an intoxicating rhythmic structure, it’ll leave you wanting more and more. From beginning to end, it grabs the listener’s attention instantly and leaves them in a complete trance. Transporting you to a tropical island or deep in an underground rave setting. We have no doubt you’ll be hearing this one gain more and more attention through the coming months and new year! Stoked to hear more from him.
-JD

45. barnacle boi – Love Hotel

barnacle boi has been a staple of the wave scene for years, but he has lived through 2023 as a true protagonist, gaining a major following, especially in the US, and also performing in Europe and Asia. All this traveling cut his artistic output to the bone for the first six months of the year, but when he took the stage again, he did so in style. His Introspect EP, released between September and November, immediately established itself as one of the most solid releases of the year, driven by exceptional lead single ‘Love Hotel’. The song is simply a masterclass in wave, both tied to the original sound but also able to instantly hook every kind of modern electronic music listener. An instant classic that is destined to remain in high rotation for years.
-AA

44. P Money x Whiney – Keep Your Distance

First landing on our radar as a pair with the exceptional standout  ‘Buss The Red,’ P Money & Whiney have proven that their chemistry is certified. While they released an excellent joint project in Streets, Love & Other Stuff it’s the collaborative effort off P Money’s even more impressive Money Over Everything 4 that lands on our list. The 16-track mixtape sees P Money at the top of his game unleashing razor sharps bars and showing the many dimensions of his sound from gritty street cuts, rave anthems, and more reflective pieces. ‘Keep Your Distance’ is the perfect embodiment of the project, it’s smooth yet hard-hitting featuring impeccable production, a crazy catchy hook, and top-tier wordplay. From “How you gonna diss me about D&B when you man are still chasing status (Chase & Status)?” to “Come alive, Darth Vader, man better dip low (Diplo), man’s got a major laser,” P Money reminds us why he’s a UK legend.
-C

43. Acyan – NONSTOP

Representing his stellar sound design and the OTHERWRLD label, Acyan’s single, ‘NONSTOP’ is a danger to all dance floors across the world. Showing pure passion and fiery perseverance in his production. It was the first single off his MASCULTURE EP which demonstrated who he truly is as an artist in this scene. Completely knocking your expectations out of the park, and representing his beginnings as well as his current state creating. The single is a pure symbol for his name while honoring the label in all its glory. From those sporadic bass leads, a sweet melodic taste, seismic drum creations, and an attitude you wouldn’t want to mess with, ‘NONSTOP’ truly makes you feel more confident about where the electronic trap genre is heading beyond the horizon. Artists like Acyan will make sure it’s in good hands.
-JD

42. KILLMATTER – NITRO BURNOUT (feat. Molly Shiveley)

If there was an artist who really deserved a spot on this list, it’s KILLMATTER. This madman of an artist introduced himself on a huge scale this year. His unpredictable techniques and skillsets will leave you flabbergasted and starstruck. Leaving a very similar feeling you had when first discovering electronic music in the first place. His works are nothing but a breath of fresh air.

From an iconic 2023 showcase, to releasing monumental singles and flips, this was a perfect year for him to introduce himself with elegant passion. Together with Molly Shiveley, ‘NITRO BURNOUT’ is a must-listen to the highest degree. From top-tier sampling, gorgeous drum work, wild sound design, and a need for speed, this track is everything you could ever adore in a KILLMATTER piece. The flow of this single is friendly, aggressive, and surprising beyond your wildest dreams. It tackles and highlights many genres due to its strong switch-ups. Hip-hop, breakbeat, and of course electronic trap have never felt better in your ears. And Molly Shiveley’s confident and angelic pressence just adds the perfect layer within this experience. Her peaceful and colorful nature will instantly bring you into heaven. So for 2024, do not sleep on either of these artists. You won’t regret it.
-JD

41. Strobez – Drama

Strobez has become such a strong and monstrous presence in the underground. The young prodigy has made incredible moves this year in the form of his debut EP, creating a well-grounded vision, and gathering many unreleased tunes for the new year. He even got to support Nitepunk who’s taken a huge liking to his own work! But earlier this year, his single ‘Drama’ really put him on the map. Opening a huge door and gateway. This cosmic and neon-based adventure is remarkable and simply jaw-dropping. Showcasing the true nature and symbol of his overall character and techniques. It’s a roller coaster of pure insanity. Incorporating tastes of dubstep, house, and rave infused characteristics. It’s a track you won’t find or hear anywhere else due to its special and eye-opening drive and spirit surrounding.

Just when you think it’ll go one way, the artist does a complete 180. Leaving you speechless and lost in a daze. As if you were experiencing a real underground rave for the very first time. The vocal samples combined with the hypnotic sound design will throw you for a loop in a gorgeous reawakening. Those hardcore and distorted bass lines and leads will bring smiles to any dance floor around the world. There’s so much organic detail in each pocket. Not to mention those lush and old-school melodic chords to really leave you in a dream you won’t ever want to wake up from. So do not sleep on this artist because he has big things coming in 2024.
-JD

40. jordnmoody – Rolldro

Is it possible for a track to be both stunning laidback and absolutely bangin? jordnmoody’s ‘Rolldro’ proves that it can with masterful force. Built around haunting vocal bends and gritty pitched-down rap vocals, jordmoody weaves the bass-laden rap-inspired sound around them for an absolutely mindblowing ride. ‘Rolldro’ is the embodiment of everything that makes jordnmoody so special. It’s dark, filthy and yet it’s so fucking clean. This one was on repeat all year long.
-C

39. ROSSY – Lyra

2023 was the year for ROSSY. The bubbling singer, producer, and DJ took her career to new heights with her HEAVENS DOOR EP on Hard Recs and the accompanying tour. From selling out shows with Brownies and Lemonade to putting together one the best tour line-ups out, and blowing us away with her music, she truly reached new and well-deserved heights. While ‘LYRA’ wasn’t the biggest streaming song of the project it was simply the best. It embodies the sound that we continue to long for. It’s minimalist, it’s engrossing, it’s massive. No lyrics, mesmerizing synths, brutish bass… and those fucking horns. This is electronic trap music at its absolute best, producers take notes.
-C

38. Lab Group, Player Dave – HD feat. JAWNZA

Lab Group’s production really shines with a vocalist. The nuanced production of Lab Group, Player Dave’s genius, and JAWNZA’s seamless flow are a combination to behold. There’s a dreamy, ethereal feel to this track that allows JAWNZA’s voice to pierce through the veil and tell a story. There’s plenty of hip-hop influence in the experimental bass music scene, but it’s really nice to hear something truly original here. These are lyrics with substance and experience behind them, and if you pay attention, you’ll notice.
-BG

37. Rohaan & Flowdan – Musket

What a 2023 that was for Rohaan! Festivals, tours, international club gigs, he played it all. At one point I lost count of all the times he shuttled between the UK and US. Amidst all this traveling, the Manchester-based producer has also found time to release major singles via Hospital Records and HARD Rec, but the one that has stolen the show is definitely ‘Musket’, along with the ubiquitous Flowdan. ‘Musket’ is modern Drum&Bass at its peak. Muscular, filthy, raw, and also technically exquisite. A dancefloor destroyer with an indisputable ‘radio’ potential, which has little to envy the other collaborations Flowdan has been involved in this year. When ‘Muskets’ starts playing, gun fingers are a must.
-AA

36. Lizdek x Bendel – Away to You

The wave genre as a whole made countless impacts on the underground this year. Lizdek and Bendel’s, ‘Away to You’ represented the spectrum in a gorgeous and poetic fashion. This emotional journey of sound tugs at the heartstrings while harnessing pure power throughout. Both artists worked together beautifully to create such an iconic piece. From a wide open environment of angelic melodic structures to a vocal wrapping itself around your soul, it’s as if you were soaring through the clouds, heading towards the future. Discovering its unknown riches and secrets. Those impactful drums combined with an airy and distorted lead really bring the vision to life. Making you want to live within this world not yet found. The instrumentation and arrangement create such a cinematic expedition. Making you anxious and eager to hear what comes next. And once that arp introduces itself in the second chorus, it’ll make tears stream down like rain from above. Making this one of the best works of art we’ve heard this year. Bravo gentlemen.
-JD

35. Rome in Silver – Waiting…

Rome in Silver’s debut album ᖭ༏ᖫ, released in September of 2023, is the culmination of years of production talent dating back to at least 2015. ‘Waiting…’ is a feel-good track that sets the tone for the rest of the piece. The fuzzy chords, heavenly vocals, and two-stepping beat are a keen reflection of the indie and pop influences that have helped to shape Rome in Silver’s sound. The chorus, “Waiting and waiting and waiting for this,” is a good summary of how I felt anticipating a full album from Rome in Silver, and now we’ve got it. This introspective and thoughtful piece undoubtedly merits a full listen start-to-finish.
-BG

34. TroyBoi x Armani White – Shut Shit Down

What happens when one of the hottest buzzing rappers connects with one of the most inventive and consistent producers of the past decade? They ‘Shut Shit Down’ of course. Pairing TroyBoi’s iconic signature bounce, and experimental and worldly flourishes with Armani White’s commanding presence, ill flows, and killer bars makes for a truly exceptional anthem. The track only dropped a month ago so it’s difficult to measure its full impact, but the official video did a million plays in a week and it just got added to EA Sports FC 24 soundtrack, so it looks like it’s only getting bigger. If we had a bit more time to truly see it live all year I could see it creeping into the top 10 with ease. Regardless TroyBoi x Armani White dropped one of the best collaborations of the year.
-C

33. Skrillex x Missy Elliot x Mr. Oizo – RATATA

Skrillex, Missy Elliot, and Mr. Oizo. The 3 names alone make this an easy pick for the best of the year. Unconventional, surprising, and anthemic. Missy revisits some of her most iconic lyrics while delivering a healthy helping of fresh content. She’s incredible as always and Skrillex and Mr. Oizo match her energy with ease. Blurring the boundaries between weird and addictive it finds that perfect balance that has made Skrillex one of the biggest artists in the world. This was easily one of the most anticipated cuts off Quest For Fire and it was worthy of all the hype and more. 2023 belonged to Skrillex and ‘RATATA’ is just one powerful reason why (more ahead).
-C

32. Nikki Nair x Hudson Mohawke x Tayla Parx – Set the Roof

‘Set the Roof’ is going to go down as a club music classic. This acid techno- and garage-inspired banger is fueled by a captivating vocal from Tayla Parx, with percussion that pairs with footwork like steak pairs with wine. These two boundary-pushing producers combine in a unique blend of basement rave energy and sub-pounding bass face. It’s frankly a silly stylistic pairing that works marvelously well, giving it a rapidly changing but consistent pace that keeps you on your toes throughout.
-BG

31. Ternion Sound, Emz – Heaven Sent

Ternion Sound’s Digital Artifice album was an epic 26-track foray into the various realms of bass music, heavily influenced by sounds of the UK while still maintaining a North American appeal. It’s tough to pick a single standout from the collection, so this pick is extremely subjective, but ‘Heaven Sent’ is a banger in all senses of the word. It only takes 25 seconds to get into the thick of things and offers a relentless dose of hard-hitting bars and bass for the rest of its duration. The chemistry between Ternion Sound and Emz is undeniable, as the producers let the rapper’s vocals shine over a grimey beat that is incredibly hype. As the vocals fade, the instrumentals only shine brighter, attesting to the trio’s raw talent.
-SC

30. Disclosure – Go The Distance

Among the many legends who released albums this year, Disclosure made their return to this format with the release of Alchemy. Boasting a mix of the past, present, and future sound of the duo, the album saw the Lawrence brothers experiment with a handful of different genres while never losing their signature flair. Speaking of signature, no track from Alchemy better represents the Disclosure sound that the masses have come to love more than ‘Go The Distance,’ and boy does it groove. Featuring the quintessential Disclosure percussion, bassline, and catchy vocals, ‘Go The Distance’ is a slick display of the duo’s ability to keep their classic sound timeless. It’ll get you moving no matter the setting.
-SC

29. ninajirachi – 1×1

“Ninajirachi remains one of the most incredible and unique artists in the game. Her fantasy when it comes to productions doesn’t seem to have an end while her technical skills are constantly improving, alongside her awareness of herself.” This is what I wrote in our Top 50 Songs Of 2022 article. A year has passed but my opinion about ninajirachi has not changed at all. In the past twelve months, she has simply reaffirmed her role as an undisputed star on the Australian and world stage. Even with not that many songs released in 2023, her freshness and unpredictability have remained immaculate (‘SHYPOP’ with ISOxo is another example). ‘1×1’ is part electro, part big room, part pop, part punk, a chimera that is hard to define but works beautifully. It’s perfect to mosh to, perfect to sing along to, perfect to drive around to. It’s a one-of-a-kind tune, like its creator
-AA

28. Juelz – Surrender

Juelz has once again had another successful and impactful year. The speed demon has worked countlessly over the years to this shining year of possibilities. From stunning performances including his debut headline show in LA together with Brownies & Lemonade, to his first ever album Floorspace being released on Sable Valley, he’s stopped at nothing to fulfill his utmost desires in life. And ‘Surrender’ was an absolute highlight from this massive project. Targeting multiple audiences within the electronic spectrum while always staying true to what makes his style so unique and powerful. This single specifically highlights his many years of creative freedom while introducing an evolved form of production. From an angelic and euphoric vocal carrying us through the adventure to Juelz’s signature techniques and melodic creations, there’s many surprises lurking around the corner for us to discover. The way he implements electronic trap, drum and bass with a dash of happy hardcore simply makes this tune truly worthy of major praise and admiration. We’re stoked to hear what’s next for his story!
-JD

27. James Blake – Big Hammer

James Blake’s Playing Robots into Heaven was an unexpected and welcome addition to 2023’s releases. As a singer, a songwriter, and a producer, he has put so much time and attention into every track on this album and it shows. ‘Big Hammer’ is a return to James Blake’s experimental roots, echoing his earlier releases like ‘Air & Lack Thereof’ and ‘The Bells Sketch.’ Growing up playing house parties in the UK and treating listeners to jungle and dubstep bangers, James Blake is no stranger to the Ragga Twins, whose vocal samples bring a spectacular energy to this track. Its midpoint on the album serves as a nice switch-up from some of the gentler, more pensive songs and really helps the cohesive work as a whole feel like a different trajectory than what we’ve heard from him in recent years.
-BG

26. Space Laces – DOMINATE (VIP)

The term “viral” has by now taken on a predominantly negative connotation, but say what you will, having occasional mindfuck moments that catalyze everyone’s attention out of nowhere is always cool. With the release of his monstrous VIP edit of ‘Dominate’, Space Laces triggered exactly one of these epiphanies. The infamous clip in which he plays this new, mammoth techno version of his 2021 classic has spread everywhere on the web so much so that even I, not exactly an avid Space Laces fan, couldn’t help it. The scale of the phenomenon and the personality of the track make ‘Dominate VIP’ a cultural phenomenon with few rivals in 2023.
-AA

25. camoufly – Always

The rise of camoufly has not known any setbacks this year. The gradual transformation of his core sound that began at the end of 2022 went off without a hitch and, indeed, launched the project to new heights. A full EP, tons of collaborations, the first live gigs, camoufly has been spinning non-stop for the past twelve months. The icing on the cake is definitely ‘Always’, a unique, glamorous cut that cleverly surfs between bounce, house, and UKG influences. Released completely independently (it wasn’t even among the leading singles of his In Plain Sight EP), this song has amassed millions of plays, becoming his most popular success yet. A remarkable achievement that celebrates camoufly’s all-around talent
-AA

24. Monty x Visages – Grains

You might be asking yourself, “why is such a new tune so high up on this list?” The answer is simple: Monty and Visages. While the artists have been around for a while, few have risen the ranks of the (drum and) bass scene as quickly as these guys. Their consistent output of top-tier material ranging from grungy 140 to ethereal drum and bass has established them among the best producers in the game right now. And, while their individual outputs have been nothing short of spectacular, we thought featuring a collaboration was more fitting for this list. Hence, ‘Grains,’ a new-ish drum and bass cut that embodies Monty and Visages’ styles to a tee. It’s liquid yet lively, meticulously produced, and insanely clean. I tweeted about this months ago, but I’m still of the opinion that a Monty and Visages supergroup called Montages would do some incredible damage.
-SC

23. Skeler x Deadcrow – ADRENALIN

Let’s start by saying that Sable Valley hit the jackpot by signing ‘ADRENALIN.’ After all, what could we expect from a collaboration between two titans like Deadcrow and Skeler? Nothing less than a hit of course. The two producers didn’t mince words, delivering a thoroughbred banger that takes no prisoners and only cares about titillating our adrenal glands and triggering mosh pits. Again, ‘ADRENALIN. is a banger, an excellent one. An explosive compound that dramatically mixes the technical and creative know-how of Deadcrow and Skeler, which have their roots in wave but now go well beyond it. The numbers may not be on this track’s side but if you want to turn your set into a legendary experience, 2023 doesn’t have much better to offer.
-AA

22. Overmono – Is U

Overmono have had the spotlight on them all year. Their debut album Good Lies conquered all the headlines and since March they have performed literally everywhere. Their take on bass, garage, and breaks put them at the epicenter of the contemporary UK club music wave that has been making waves these past twelve months (and will certainly continue to do so throughout 2024). The decision on which track to select was a tough one but in the end the choice fell on ‘Is U’. A direct heir to their classic ‘So U Kno’, ‘Is U’ reiterates all the Russel brothers’ ability to play with minimalism. The pulsating bassline is a perfect match for the (spot-on) vocal sample, while the suffuse and atmospheric synths flirt perfectly with both of them. The result is simply addictive. A testament to Overmone’s talent in rendering a purely underground sound, pop.
-AA

21. Jon Casey x Pauline Herr – Toxic

The spirits of both Jon Casey and Pauline Herr shine brighter than a phoenix. Their single, ‘Toxic,’ off their collaborative EP, took both fan bases to a euphoric and colorful realm of peace. An unexpected-sounding yet highly rewarding tune filled to the brim with spicy characteristics. Both of their styles took center stage with pride and confidence as the journey starts and ends with pure remedy. Beautifully processed vocals, playful sound design as well as an invigorating groove, this single really showcased how well these two work together as one. It’s an instant pop classic for both discographies. Elevating the ending vision into the stratosphere. Easily making this a wonderful highlight of 2023.
-JD

20. Cyclops – Tear Jerker

Despite being around for a few years, Cyclops really established himself in the dubstep scene this year, in particular with the release of ‘Tear Jerker.’ Played by so many artists around the world, ‘Tear Jerker’ quickly became one of the most sought-after IDs due to its raw, spine-chilling lead synth and soul-snatching energy. Upon its release on Disciple, the track continued to gain traction up to a point where almost every dubstep act was playing it in their sets. ‘Tear Jerker’ has become the Cyclops song, and deserves its spot in our top 20 this year.
-SC

19. Halogenix x Strategy – PFTD

It’s hard to overstate how extraordinary ‘PFTD’ is. Halogenix just doesn’t miss. Part of a two-track EP, this song managed to find its way into countless live sets over the year. It sounds superb on a proper sound system, as we’ve come to expect from one of the most prolific and uncompromising drum and bass/dubstep producers out there right now. Strategy’s rhymes cut through like a knife. “Let me say a few words you return to the dirt,” is right on the nose because that’s exactly what you’ll be doing after hearing this track for the first time. The rumbling bass, the doppler sound effects, a ringing that sounds like struck glass, all of it coalesces into one hell of a musical experience with out-of-this-world sound design.
-BG

18. WINK – NUKID

Over the last year, WINK has been making waves across the bass scene due to an electric sound that is tailored to the North American scene. Chaotic yet controlled, WINK’s productions are lively and energetic, boasting an infectiously refreshing sound. His debut self-titled EP released via Sable Valley was a major hit, with every track carrying the signature WINK flair that many have come to love. Among the favourites from this project is ‘NUKID,’ a track that quickly grows into a barrage of tumultuous bass, bordering the lines between trap and dubstep. Embodying the essence of the producer, ‘NUKID’ proves that while WINK might be the new kid on the block, he’s going to be a force in the scene for years to come.
-SC

17. Skrillex & Boys Noize – Fine Day Anthem

While ‘Fine Day Anthem’ is only one of many in a string of crazy releases from Skrillex and friends this year, don’t let that fool you into letting it slip under the radar. This song is what should be listed in the dictionary as the definition of “catchy.” From the vocals to the piano riffs, and even the cover art, ‘Fine Day Anthem’ feels like a 1990s euro rave hit. It is a certified dancefloor eruptor, having been teased in live sets from Skrillex and others for the better part of a year in advance prior to its official release. This is a tune we’re sure to keep hearing played out for a while and deservedly so.
-BG

16. IMANU x Rhode – Of Two Minds

What a massive year this was for IMANU. From a gorgeous new EP release, to celebrating it with his biggest tour yet, this artist from the stars has been striking our hearts and souls every chance he had. ‘Of Two Minds’ added yet another dimension of sound within IMANU’s universe of balance and elegant nature. Together with singer/songwriter Rhode, these two brought a magnificent spirit and aura to this environment.

This haunting and magnificent piece takes over your mind and spirit like a symbiote. Evolving your spiritual senses and making you feel truly free. Away from negativity while still maintaining an aggressive and curious tone. From a cinematic presentation to IMANU’s angelic and heavy sound design, it’s as if you died and came back to life in a matter of seconds. Those wavy and hypnotic melodies combined with world-ending bass lines will bring instant tears in your eyes. And Rhode’s fantastic vocal execution creates a deep and emotional shield against the darkness. Taking you by the hand as both artists dive guide you through a pool of redemption. Unchaining you from the worries in your heart.
-JD

15. Machinedrum x KUČKA – VIOLET

Machinedrum has been a veteran in the music scene for a very very long time and 2023 was a truly memorable year for him. From playing multiple shows including Coachella with HOLLY, to releasing a brand new EP filled with priceless artifacts of sound, his vision continues to separate him from the rest while delivering some of the best electronic music to date. And off his newest EP, 4#TRAX, ‘VIOLET’ was a track we just had to add to our list this year.

Bringing on KUČKA for this masterpiece was a genius idea. The execution from start to finish is truly brilliant due to both of their signature styles. Her mesmerizing vocals teaming up with his heart-wrenching melodic structures brought a breath of fresh air to the spectrum. Every second of this tune is a gift as it unwraps itself with pleasing tones and memorable lyrics. A spiritual awakening to say the least. This is a track you can put on anywhere and still feel its constant state of inspiration and calmness.
-JD

14. Larry June x The Alchemist x Big Sean – Palisades, CA

“Bettin’ on myself and every time… it’s a hit!” This year Larry June did numbers. The former niche favorite saw his profile reach new heights with the modern classic The Great Escape alongside The Alchemist. With virtually no skips, top-tier bars, and phenomenal production this is easily my choice for the album of year. With so many excellent tracks it could seem hard to narrow down just one, but ‘Palisades, CA’ is a clear standout. The beat is flawless, laying a foundation that exudes opulence while still feeling smoked out. Larry’s personality shines through as he glides between real estate plays, sipping juice, and his impressive car collection. At first pass, it could feel like another rapper flex track but you’d be mistaken, this is a hustler’s anthem that champions the power of self-belief and hard work. Add in a fantastic guest spot from Big Sean and doesn’t get much better than this. This song single-handedly convinced me to give Larry June a second listen, leading to the discovery of my favorite project of the year and my new favorite rapper. Good job Larry (and Al).
-C

13. Chase & Status x Bou – Baddadan (feat. IRAH, Flowdan, Trigga, Takura)

“Nobody Badder Than We!” The refrain rings out throughout ‘Baddadan’ and every bar, beat, and bass hit backs it up. DnB and grime unite for the definition of a bass music anthem. Chase & Status, Bou, IRAH, Flowdan, Trigga, and Takura remind everyone that the UK is running this shit. Not only has the track clocked over 50 million plays on Spotify alone, but they also created an exclusive VIP for Tyson Fury’s walkout against Francis Nganou (one of the biggest sporting moments of the year). Add in Chase & Status’ viral Boiler Room set, the stellar 2 Ruff, Vol. 1 album, and the fact that Flowdan was the voice of 2023, and this one was a no-brainer.
-C

12. Peekaboo x LYNY – Like That

A collaboration that has clearly redefined the bass music scene by merging their distinct talents into one masterpiece. ‘Like That’ by PEEKABOO and LYNY is not just an immediate crowd-pleaser to rinse out during those late-night festivals, it represents a sonic journey that hooks you from the first beat flowing directly into those distorted elements we all need in our lives. The blend of PEEKABOO’s signature bass and LYNY’s unique production creates an immersive experience that resonates with the eclectic tastes of listeners worldwide. Breaking it down with that slow-tempo bassline and a vocal hook to draw listeners in, PEEKABOO and LYNY did not miss with this one in 2023.
-AK

11. Knock2 – Make U SWEAT!

Knock2 is a phenomenon in its own right. It is extremely fascinating to see how in 2023 he has managed to unite listeners from very different backgrounds under the aegis of a sound like his, which blends electro and bass house influences with big room atmospheres. ‘Make U SWEAT!’, a single included on his ROOM202 EP, was quite divisive upon its release. There were those who liked it, but also those who accused it of being “yet another formulaic rehash” of Knock2’s sound. Here at FUXWITHIT we belong to the first category and from the very beginning we loved the original and exuberant personality of ‘Make U SWEAT!’ And seeing Knock2’s numbers, both in terms of streams and attendance at his shows, I’d say we’re in good company.
-AA

10. ISOxo – dontstopme!

At this point, ISOxo’s name is practically synonymous with the new wave of electronic trap. Thousands of words have already been spent chronicling the incredible rise of this very young talent so we’ll get straight to the point. ‘dontstopme!’ is the most successful track from his debut album kidsgonemad!, a pure manifesto of his sound and a freaking, stunning banger. All these elements, plus his phenomenal year in terms of live shows (not to mention he mixed and mastered Skrillex’s ‘Good Space’), have brought the San Diego native producer to this position on our list. If trap is alive and doing well, we all have to thank ISOxo. Period.
-AA

9. TroyBoi x Mr. Carmack – Makin Moves

TroyBoi’s Say Less EP was a cultural zeitgeist moment for trap fans this year. Featuring the likes of Stooki Sound, UZ, Hucci, and Mr. Carmack, the EP marked a reunion for some of the most prominent pioneers of the genre. ‘Makin Moves,’ the final track off the EP with Mr. Carmack, is a groovy, swingy treat that really evokes the kind of sound design that we haven’t heard much of since the Renaissance era of trap in the 2010s. The gritty drops and hard-hitting 808s in this track will make your head spin. Hopefully we get to see some more top-tier collaborations like this one from some of the OGs in the scene.
– BG

8. RL Grime (feat. 070 Shake) – Pour Your Heart Out

Off RL Grime’s brand new album, PLAY, ‘Pour Your Heart’ represented the album’s major aura and spirit in many ways. Foreshadowing its exciting, unique, and exquisite nature through raw organic tones, vocals, and overall execution. And 070 Shake’s beautiful vocals weave a warm and brisk blanket over the spectrum. Together with RL’s signature melodies and structure, this single really does take you back to his beginnings while showcasing a major evolution in his creations and techniques. A broad and delectable nature all around. Honoring the full album to the highest degree. Making this one of his best releases of the year.
– JD

7. Nitepunk – Too Hot To Touch

Nitepunk is undoubtedly one of the names at the forefront of the bass music movement. He has been working his way up for years and 2023 has consolidated his position among the greatest. His debut album, HUMAN, is one of the most impressive projects of the year and could easily have monopolized this list. ‘Too Much Too Handle’ is a mind-blowing journey into the electro-punk realm of Nitepunk. Raw, complex, almost labyrinthine yet clean and perfectly balanced, ‘Too Much Too Handle’ is a memorable achievement not only for Nitepunk but for the entire bass music scene.
-AA

6. G Jones – Daydreams

G Jones’ sophomore album Paths was among the best albums released this year. It solidified the artist as one of the great innovators within the realm of bass music and showed everyone his limitless ingenuity. Perhaps the biggest surprise of the project was the omission of ‘Daydreams’ from the ensemble, as it was released as a single but cut from the album. Nonetheless, while the album is full of gems, ‘Daydreams’ stands out as a hit among the rest of G Jones’ 2023 material. From the hypnotizingly beautiful introduction to the electrifying take on future bass, to the quintessential G Jones flair, ‘Daydreams’ showcases yet another side of G Jones’ multifaceted approach to creating art. The track is exquisite and is more than deserving of a spot in our top 10.
-SC

5. salute x Sammy Virji – Peach

These two British mad lads are really helping to carry UKG this year. ‘Peach,’ garnering millions of streams just on its own, is a standout collaboration. With its nearly minute-and-a-half intro before the melody kicks in, the song hits like a Mack truck. The bright and poppy vocal samples are like a chorus of songbirds humming over the bouncy drums. The key change later in the track keeps you on your toes and prevents any part of the production from sounding stale. The whole thing just feels good to listen to and will have any dancefloor breaking out in smiles.
-BG

4. Drake x J. Cole – First Person Shooter

BIG AS THE WHAT!? Drake & J. Cole back on a track for the first time in a decade!? Yeah this is as big as they hype it up to be. Continuing Cole’s run of murderous features ‘First Person Shooter’ sees his pen sharp as ever. The pair trade verses while reminding everyone that they are two of the greatest of their generation.. and all time. While Cole gets off the harder bars, Drake brings his hitmaking magic to bring the cut to the next level. The track saw Drake tie Michael Jackson with the most No. 1 songs in Billboard Hot 100 History, gave Cole his long-overdue first Billboard #1, clocked over a hundred million streams in two months, featured a next-level visual, and sparked one the biggest joint tours in recent history. ‘First Person Shooter’ is the rap smash of the year.
-C

3. Hamdi x Princess Superstar – Counting

After exploding onto the scene with one of biggest anthems of last year with ‘Skanka (our #2 song last year) Hamdi proved his staying power with some of the most exhilarating sets of year, an exceptional EP on Deadbeats, and you guessed it, another absolute belter! ‘Counting’ alongside Princess Superstar pairs sexy, addictive, and absurdly catchy countdown lyrics with the low-end heavy 140 sound Hamdi has helped bring to the masses. The poppy and sweet energy of Princess Superstar is perfectly countered by the absolutely filthy backing for a sound that shouldn’t work this well, but it does. This is the second consecutive top 3 placement for Hamdi and we wouldn’t be surprised if he has another next year. Hamdi is the future.
-C

2. pinkpantheress & Ice Spice – Boy’s a liar Pt. 2

Both pinkpantheress and Ice Spice are major icons within the music industry. Making countless amounts of moves and hits within this year, their powerful and monumental abilities have skyrocketed them to the top. Especially from their legendary collaboration, ‘Boy’s a liar Pt.2.’

Blowing up everywhere possible, this track does a fantastic job of combining both of their energies and making them flourish on a whole new level. Adding Ice Spice’s confident and radiant vocals to an already pop masterpiece creates an extra layer of sauce across this top-tier dish of frequencies. Not to mention it’s co-produced by Mura Masa! The track’s dance-infused spirit elevates the vision completely and continues to impact many music lovers across the world. Gaining even more popularity by the day (735 million+ streams and counting on Spotify alone). The bubbly and elegant sound design with those gentle drums will make anyone want to dance or bop their head wherever they are. It’s just a wonderful feel-good tune.
– JD

1. Skrillex x Peekaboo x G Rex x Flowdan – Badders

2023 was the year of Skrillex and Flowdan, so it’s only fitting the two take the number spot. While ‘Rumble’ may have felt like the more obvious choice, we half-jokingly gave it the #1a spot last year ahead of its official release date and to be honest it felt like a bigger record in 2022 than it did this year. There’s no shortage of Skrillex cuts that could’ve taken top position but ‘Badders’ just feel right. Skrillex and Flowdan’s winning formula dominated the year and the addition of underground favorites PEEKABO and G-REX only made it that much more enticing. 2023 saw PEEKABOO unleashing his stellar debut album and G-REX has been steadily killing the scene.

‘Badders’ was the tune of 2023. The production is exceptionally clean, yet so damn filthy. The bassline is recognizable from a block away, the sound design is impeccable, and every subtle detail is fine-tuned to create the masterful anthem. Flowdan commands the track with verses that are infectious, addictive, and razor-sharp. From festivals to stadiums and dank basement clubs, ‘Badders’ rang out as the year’s underground anthem with just enough mainstream appeal to command millions of plays online.
-C

FUXWITHIT Top 50 Songs of 2023 Playlist

Written by Alessio, Alshaan, Braden, Colin, John & Steph

The post Top 50 Songs Of 2023 appeared first on FUXWITHIT.

50. Von Storm – Get Dumb

2022 was a breakout year for phonk. The genre has been making waves for years but between drift phonk blowing up on TikTok and a slew of originators playing massive shows across the US, the genre explored new heights. Helping to shape and drive the wave with his own releases and HOLY MOB, Von Storm elevated his status as of one phonk’s finest. ‘Get Dumb’ shows off his style, mixing addictive and simplistic vocal loops, stunning vocal bends, sunset-drenched keys, and that signature knock. This is the perfect embodiment of the vibey laidback-meets-slapping sound that makes phonk so enjoyable.
-CV

49. Deadcrow – Mainframe

If there was a Spotify Wrapped for the flight taken by artists during 2022, I’d be very interested to see Deadcrow’s. In what was his most prolific years in terms of live shows, the Dutch producer also had time to release some memorable songs. The title track of his debut EP on Pilot, ‘Mainframe’ distills all of Deadcrow’s influences into a single formula. The way he masterfully fused together wave, dubstep, and hardstyle put ‘Mainframe’ in a league of its own.
– AA

48. Beyoncé – BREAK MY SOUL

While dance music fans might not have named Renaissance their album of the year, Beyoncé’s impact on the music industry as a whole is undeniable. The debut single from the record, ‘BREAK MY SOUL’ is an anthem that both encompasses the essence of dance music’s history and embodies the route to self-empowerment we all needed after an extremely tough three years.
-AL

47. dope – Mild Drugs

Don’t let the title fool you, dope’s ‘Mild Drugs’ is extremely potent. Expertly crafted, this dark bass anthem fuses bouncy-meets-brutal synths with trippy vocals, rumbling bass, and an undeniable hip-hop swagger. Combining cinematic sounds with such a brutish banger is seldom seen, while the progression uncovers the duo’s exceptional talent. This was an underground anthem from one of bass music’s most underrated gems.
-CV

46. W IN K – FEEL IT TOO

The amount of support and love for W IN K’s art has skyrocketed throughout 2022. The madness behind his production has taken him down a glistening path of passion and perseverance. Starting from creating heavy dubstep, to transitioning into the electronic trap realm, his abilities were truly tested in the highest of ways, but his work has come out on top. And ‘FEEL IT TOO’ is a prime example of what we mean. Throwing any expectations out the window due to a change in sound design, rhythmic structure, and overall vision. Birthing a whole new side to his project while keeping those signature qualities close to heart! The percussion leads which take up the spotlight strikes hard and with pure might to any listener. The crisp and raw detail sprinkled throughout really puts a smile on your face. Making this a massive hit for those big stages around the world. Even Joji dropped it during his performance at Head in the Clouds earlier this year. Definitely keep an eye out for this artist in the new year. You won’t regret it!
-JD

45. Chris Lorenzo, COBRAH – MAMI

A house signature and highly anticipated track which ignited a spark throughout the music community as the don Chris Lorenzo teased his collaboration with COBRAH on ‘MAMI’ during EDC 2022 in the early morning. The Twitter engagement was at an all-time high as videos were shared by fans requesting the ID and for Lorenzo to bless them with a track that only continues to get filthier throughout the bassline. With pure attention to sound design and a vocal melody which will entice you from the start, Lorenzo and COBRAH crafted an immediate dance-floor heater that never gets old.
-AK

44. Eprom – Facebang (Acid Mix)

The announcement of a new collaborative project between Eprom and G Jones has been the cause of one of the meltdowns the bass music community went through this year. On the other hand, with a precedent like ‘Daemon Veil’ it couldn’t be otherwise. While Acid Disk 2 in its entirety fails to hold its ground, ‘Facebang (Acid Mix)’ shines as one of the craziest and most challenging releases of the year. The combination of Eprom’s insane deconstructed fantasies and 90’s acid rave-inspired sounds is something we didn’t know we needed.
-AA

43. EASTGHOST – Only One

EASTGHOST’s style has traveled through many dimensions while displaying adoration for those heart-wrenching melodic attributes. Making his work unique and unpredictable to the ear. And with his massive debut on Sable Valley, ‘Only One’ does nothing but tender the hearts of the broken and lost. Whisking listeners off their feet with self-love and powerful production techniques. Showcasing how powerful and flexible his work flow can be. His take on the wave genre really blows you away. From gritty bass lines, and an intoxicating vocal sample, to those colorful arps fluttering through your minds, it’s a gentle yet impactful ride through the eye of a storm.
-JD

42. CAB – Thermal

From multiple label team-ups, high energy self-releases, and even a guest mix with us here at FUX, CAB has shown pure loyalty to the arts throughout this year. Having many eyes locked onto him and his work time and time again. And ‘Thermal’ being released with the Alter/Ego label was definitely a groundbreaking step for his career. Showcasing raw and organic love for that classic trap sound from beginning to end. Taking you back to the origins while displaying heavier techniques in his own signature fashion. Making this a massive weapon for any stage or environment around the world. Ear striking drums, fun charismatic sample selection you name it! It’ll be included in this wild ride.
-JD

41. Rickyxsan x Hydraulix – ZONED

Being nearly two years since his last release, fans were dying for Rickyxsan to return to the spotlight. Building high amounts of anticipation from all over. Waiting for the perfect moment. And then, the time had finally come for his hard work to be showcased back into the world. Creating senses of inspiration and empowerment through signature sound design and out-of-the-box creativity. Together with his good friend Hydraulix, ‘ZONED’ was put out as his first single back. Honoring their bond as artists while letting fans know he’s far from done. From mind-shattering bass leads, violent drum creations, and of course their classic bounce rhythmic structures, it truly pays homage to the evolution they’ve both gone through over the years. Sending listeners into a hypnotic trance into the unknown. On top of that, he decided to debut his brand new record label, Sonic Trip! A new home for his work to be displayed in the future. Making this a monumental comeback for his journey.
-JD

40. Ninajirachi – Start Small

Years go by, but Ninajirachi (she’s just 23 years old) remains of the most incredible and unique artists in the game. Her fantasy when it comes to productions doesn’t seem to have an end while her technical skills are constantly improving, alongside her awareness of herself. Thanks to its growing influence, what years ago would’ve been music relegated to some small niche on the web, it’s now finding its way to festivals. ‘Start Small’ is just one of the many faces of Ninajirachi’s music that can be found on her debut mixtape Second Nature, but its unconventional and unapologetic energy has been unmatched this year.
-AA

39. ISOxo x frosttop – Angel’s Landing

The history between these two friends is simply astounding. Sharing their own stories through dynamic productions while building an ongoing legacy within their journeys as artists. ‘Angel’s Landing’ is by far an absolute staple for their friendship. Debuting during their performances, fans from all over were ecstatic for this release. These icons truly went all out on this work of art. Showcasing tremendous heart, energy, and perseverance from beginning to end. From a cinematic atmosphere, angelic vocal samples, to their breathtaking violent leads, it’s a one-way trip to a far-distant utopia of rebirth. Making this one of the biggest and most memorable tunes of 2022.
-JD

38. msft x VARI – crash test

Both msft and VARI are such powerhouses when it comes to creativity and production styles. Their unpredictable nature flourishes within their pieces. Complimenting their stories in such a colorful and bright fashion. Making them stand out amongst the rest. Owning their purpose with pride and confidence. ‘crash test’ was an unexpected surprise for both fanbases. Knocking any expectation out of the park with monstrous and chaotic bass designs. Combined with fast-paced drum work and sample selection makes this an absolute anthem for the dance floors. Making any listener have an out-of-body experience from beginning to end. Honoring their friendship in the best ways possible.
-JD

37. Wax Motif, Matroda – La Candela Viva

What happens when two revolutionizing house music connoisseurs join forces to take full control of the dancefloor? Pure rhythmic groove and reverberating basslines are what Wax Motif and Matroda have proven with the release of their energetic collaboration ‘La Candela Viva.’ A track that continues to be rinsed at festivals and clubs across the world, the amount of energy and mesmerizing soundscapes within the collaboration make it a real crowd-pleaser no matter what time of the day it is. As both artists have become globally recognized for their distinctive sound within the house scene, it only made sense for these two to push their sounds forward by absolutely killing the game in 2022 with this release.
-AK

36. PinkPantheress & Sam Gellaitry – Picture In My Mind

First pinkpantheress song on the list! I’ll be honest, I thought this collaboration between her and Sam Gellaitry would only exists in one’s wildest dreams. Instead, we’ve been blessed with ‘Picture in Mind’,,which is not only one of the best but also probably the catchiest songs of the year. I don’t know you, but I can see myself singing “I knew this all along, I had a picture in my mind, so please don’t try and call my bluff,” in a loop for many many years to come. The same goes for the bass. I’d dance forever over this Sam G’s disco-meets-hyperpop-meets-bounce invention. This is what pop at its finest sounds like.
-AA

35. JAWNS – Body Breaker

JAWNS has undeniably shown his true strengths and powerful passions throughout this year. And becoming a family member of Deadbeats was nothing but an iconic step up for his project. ‘Body Breaker’ off his Last Resort EP features everything you’ve come to know and love about the artist and more. From piercing acid leads, to weaponized drum creations, this single honors the history of his project while complimenting the Deadbeats label in a whole new light. Making this his biggest single of the year. Amping up his creativity while showcasing the constant state of evolution throughout his discography.
-JD

34. Buunshin – Farewell

Buunshin’s longest, most personal project to date came to life through the first single, ‘Farewell.’ Equally dark and cold as it is uplifting and warm, the artist had a monumental year of originals, collaborations, live shows and more, all encompassed in the journey that is ‘Farewell.’ Demonstrating vulnerability while staying true to his rugged style, the track served as a new chapter to Buunshin’s musical output, and we look forward to following him along his sonic voyage.
-SC

33. Cordae (ft. Lil Wayne) – Sinister

If you’ve been following FUXWITHIT over the last couple of years, you won’t be surprised to know that Cordae remains among our favourite rappers in the game. His lyrics, flow, and overall swagger are unmatched, and From a Birds Eye View solidified the fact that The Lost Boy was not just a one-off fluke. Despite its 2021 release, ‘Sinister’ with Lil Wayne was too late to make our list last year, but the combination of the high-profile collaboration, clever bars, and seamless flow was a no-brainer for our Top 50.
-SC

32. Capshun x Juelz – Fallen

Capshun & Juelz. Just seeing their names side by side is assured to elicit a strong sense of excitement from underground electronic fans. Serving as the standout single off capshun’s stellar LOGOS EP, ‘Fallen’ set the bar for what was to follow and gave fans the dream collab they’d been waiting for. Everything about this track is meticulously crafted. From the emotive introduction to the pulse-raising builds, and delectable drops, there’s a timeless presence throughout. Effortlessly intertwining their styles, ‘Fallen’ met and exceeded the incredible expectations from the pair.
-CV

31. Dom Dolla – Miracle Maker

Exploring new boundaries comes naturally to Australian-born producer Dom Dolla. Welcoming his global audience into his world of enhanced sound design and catchy vocal melodies, Dom Dolla’s ‘Miracle Maker’ has proven to get the entire crowd moving during his sold-out headline shows across Australia, North America, the United Kingdom, and Europe. Injecting his listeners with their daily prescription of house music, ‘Miracle Maker’ is a crowd favourite as those contagious basslines and classic vocal signatures will keep you bumping all night long. A sound so sweet to the ears, Dom Dolla has crafted a house anthem for the books.
-AK

30. IMANU & KUČKA – It’s Our Destiny

‘It’s Our Destiny’ had the pivotal role of setting the tone for IMANU’s debut album Unfold. Once again, the Dutchman delivered. With its being a quintessential future bass ballad, ‘It’s Our Destiny’ can hardly be defined as the most representative track off Unfold. However, it totally succeeded in making us approach IMANU’s musical journey this year with the right mindset. Let’s be honest, with KUČKA ‘s extraordinary voice combined with IMANU’s top-tier technical skills, what could have gone wrong? More from IMANU down in the list!
-AA

29. Pocket – Heartbreak Engineering

We’ve been following Pocket since the dawn of the project and his artistic evolution and ability to remain true to himself is nothing short of admirable. Having carved a sound that beautifully combines British and North American influences, the Scottish artist never ceases to impress. ‘Heartbreak Engineering’ was undoubtedly his biggest tune of the year, and with the promise of more to come soon, don’t be surprised to see Pocket on this list for years to come.
-SC

28. Grip – Dirty Work

Grip brought back the feeling of street singles with ‘Dirty Work.’ The hook is catchy yet gritty while the production is the perfect backdrop for him to unload bars. And that’s exactly what he does. The verses are a clinic in lyricism, while his flows swerve from pocket to pocket with the ease of a certified vet. While other rappers are working on their TikTok dances and social strategies, Grip is sharpening his pencil and making a charge for the throne. Just peep the bars below and tell me this isn’t one of best tracks of 2022.

“Enough debatin’, want me on a track? To me, that’s supper waitin’/The flow is suffocatin’, somebody resuscitate him/Way I cook on the hook and the verse, I need a fuckin’ apron/All of you boys get put into hearses, sendin’ ’em up to Satan/ Oops, I mean sendin’ ’em up to Jesus, leavin’ ’em cut in pieces/ Here to disrupt your thesis, thinkin’ “GRIP not a hip-hop GOAT”/Must don’t know what time it is, guess his wristwatch broke” – Grip
-CV

27. ELK, Chris Dogzout & UZ – Pressure (Feat. SoloSam)

Elk & Dogzout’s collaborative Lodestone EP is one of the year’s most underrated gems. Released on Quality Goods Records, their chemistry and future beats-meets-trap-meets-rap signature is everything that we want right now. Add in UZ and SoloSam and you knew before you hit play that ‘Pressure’ was an anthem. You can practically feel the breeze off the laidback beat, providing the knocking foundation for SoloSam’s distinct signature voice. A true hustling anthem, it’s approachable, addictive, and familiar yet fresh. Stellar remixes from BACKWHEN, Andre Palace, and Robu (to name a few) only served to elevate its allure. This was a staple in sets, playlists, and FUXWITHIT guest mixes… as it should be.
-CV

26. Kenny Beats – Parenthesis

The sonic story of Kenny Beats continues to write itself in crisp and emotional ink. Throughout the years, Kenny has built a complete empire of talent, variety, and perseverance. Collaborating with powerful musicians while sharing beautiful memories and respect all around. Making this artist project his own. Representing his true identity within the frequency spectrum through timeless productions and ongoing chapters of hard work. ‘Parenthesis’ off his solo album Louie is one of the biggest reasons why he’s gotten to where he is today. From classic soul-filled sample selections, organic instrumentation, and the soul of a legend that surrounds it all, this piece tells so much in only a couple of minutes. Honoring his father and his legacy while continuing to build his with every given melody and rhythmic structure. This piece dives right into the ambition of the overall album with fierce ambition and emotional purpose. Making this a safe haven for all his listeners.
-JD

25. camoufly – Told U So

If you’re a reader of FUXWITHIT and you haven’t had your Twitter feed literally overrun by camoufly and his ‘Told u So’ teaser, know that you’re a rare exception. No promotional campaign from an independent artist has ever been altogether so long, fun, exasperating, infectious, widespread, and successful. Even if sometimes it is regarded as just a meme, we don’t have to forget that ‘Told U So’ is one hell of a track. It took me months to get into it, but since it finally clicked, I can’t stay too long without that bouncy bassline and that diabolical vocal chops.
-AA

24. Skrillex, Noisia, Thys, Sleepnet – Horizon

It was nearly impossible to pick a single track from Closer, Noisia’s third and final album. Each represents a unique facet to the unmatched influence that Noisia have had in electronic music. Nonetheless, ‘Horizon’ felt like the right pick for this list, as it combines Skrillex’s unparalleled touch with what fans can expect from the future of Noisia, singling out Thys and Sleepnet as additional collaborators. Aside from being the most streamed track on the album, ‘Horizon’ is also among the most involved, spanning more than five minutes and showcasing raw emotion that is rare from the kings of bass.
-SC

23. The Blessed Madonna – Serotonin Moonbeams

The Blessed Madonna’s ‘Serotonin Moonbeams’ had been played out on festival stages all year long before finally releasing on November 11, which is why it’s ranking so high on this list. The single is the producer’s first original in five years, and they even enlisted pop icon Uffie for the vocals on the track. What makes it so special is that it reminds us about the best part of loving dance music: the euphoric feeling you get when you get to experience it live, and with the people you love.
-AL

22. Leotrix – FUNNYFACE

Another year, another inclusion from Leotrix. Despite slowing down on releases compared to the previous calendar year, the Australian artist finally broke into the international touring circuit this year, and ‘FUNNYFACE’ has been an undeniable staple in his sets. From a highly-anticipated ID to becoming a regular in bass sets, the track embodies Leotrix’s future riddim style that he has championed unlike any other. Leotrix is a legend in the making.
-SC

21. RemK – R U READY!

The sun continues to shine brighter than a star whenever RemK hits the stage or releases a song. Showing constant evolution through his earth-shattering productions and energy. ‘R U READY!’ was complete proof of how hard he’s been working at his craft. Throwing the audience off guard with such hard-hitting sound design and addictive structure overall. Inspiring many up-and-coming producers to remix or flip the track in the end. Making this his biggest hit of the year as well as a staple for his artist identity. The energy just elevates whenever you hear this piece coming within his performances. Letting everyone know it’s going to get wild and crazy. RemK’s talents never ceases to amaze along with his adaptable persona throughout production.
-JD

20. Space Laces & Watch – Not Bees

The release of the High Vaultage EP shook the bass scene to its core, reminding everyone that Space Laces is in a league of his own. No other bass artist can sit on a tune for a decade and still have it sound fresh and exciting upon its release. The most impressive part of the project though was Space Laces’ ability to single-handedly make electro cool again. From its quirky sampling to its unparalleled energy, ‘Not Bees’ is the epitome of the legend’s production mastery, showcasing his defiance of genres and unmatched versatility. NOT THE BEES!
-SC

19. Knock2 – Gettin’ Hot

No tech-house track could hold its ground against Knock2 ‘Gettin Hot’s bassline this year. Perfectly mirroring his live sets, the track is a concentration of pure raw energy. It’s an untamed beast and if you were at, or you’ve seen the recording of one of his ROOM202 shows you know exactly what I’m talking about. Giving his boundless talent, Knock2’s flamboyant moment was far from being a surprise (both as soloist and alongside ISOxo with their ISOKNOCK 3 spin off) and ‘Gettin Hot’ is just one of the proof that confirms it. Simply 2022’s finest dancefloor weapon.
-AA

18. Ray Volpe – Laserbeam

This year was by far one of Ray Volpe’s biggest and most successful. With the release of ‘LASERBEAM’ off his LEGEND OF THE VOLPETRON EP, the song completely blew up into the stratosphere. Inspiring countless amounts of remixes, edits, and overall support. From being praised on SoundCloud, to many artists supporting within their performances at shows and festivals, the song has become a true staple for Ray’s career. Hard-hitting sound design combined with catchy melodies and the signature vocal sample honoring the title, this piece will no doubt live on throughout the years as a classic for the bass music scene.
-JD

17. ISOxo – REDloop

Despite being released in May, ‘REDloop’ was the most Halloween-ready trap anthems of the last years. From the haunting intro, the gargantuan first and third trap drops, the epic stadium-friendly breakdown, and the mischievous, surprise techno-drop, everything in this track, front to back, was perfectly engineered by ISOxo to be epic. Is anyone still saying that trap is dead?
-AA

16. pinkpantheress (feat. WILLOW) – Where you are

The flexibility within the talents of pinkpantheress is nothing but powerful. Her fluent abilities have helped her pave a strong and angelic path of riches throughout the industry. Touching the hearts and souls of many while always delivering fresh new pieces. Experimenting with different genres which makes her style completely unpredictable. Her collaboration with WILLOW called ‘Where you are’ is yet another hit for both of their discographies. From crisp addictive production to soft hypnotic vocals swirling throughout, it’s a piece that makes you feel free and not alone. And when WILLOW hits the spotlight with her strong range of frequencies, it knocks you back in your seat. Making listeners fall into a trance of rebirth. A powerful single to honor their hard work and bond.
-JD

15. Pusha T – Diet Coke

Earlier this year, Pusha T likened himself to Martin Scorcese of street rap and the comparison is hard to deny. Pusha’s cinematic and raw raps have made him the king of coke rap. While many artists have opted to broaden their subject matter in hopes of greater relatability, Pusha has continued to zero in on his signature, sharpening his skills and raising the bar within his niche. It’s Almost Dry shunned the status quo of bloated (20+ track) rap projects and instead delivered a tight and focused 12 cuts that combine for arguably the best album of 2022. ‘Diet Coke’ embodies the thematic tones, effortless flows, and vivid imagery that make it so special. Two decades in and Pusha T is still finding ways to outdo himself. From the Fat Joe “Crack” samples to the verses, this is uncut dope.
-CV

14. G Jones – Operator

2022 will be remembered as the year ‘Operator’ was finally released. After being rinsed for the first time in 2020, as part of the iconic REMOTE TRANSMISSION mix, ‘Operator’ had quickly become a fan favourite. In a year when the American producer has been unusually prolific, ‘Operator’ stands out as his 2022’s definitive composition and one of the most mind-blowing releases in the past 365 days. If you’re reading this list you already know what the drill with G Jones is. Production wizardries, out-of-this-world emotions, groundbreaking sound design. This might be the normality in G Jones’s world but not for the rest of us humans. When he drops music it’s always a mental experience that no one else can top.
-AA

13. Stormzy – Mel Made Me Do It

Stormzy’s return to the limelight came in the form of a seven-minute, no holds barred onslaught. ‘Mel Made Me Do It’ is a flex, it’s a reminder of Stormzy’s greatness, it’s a jab at his haters, and a thank you to his fans. The track is exactly what long-time Stormzy fans have been awaiting, and he delivered it with ease. Aside from championing grime, the artist also chose to empower a plethora of creators with the incredible music video that accompanies the track, further showcasing that he isn’t self-interested like others in the game. Stormzy is about passion, about art, and about bringing up friends. We stand for that.
-SC

12. Vince Staples – MAGIC (feat. Mustard)

Following his impressive self-titled project in 2021, Vince wanted to come back harder than ever before with the follow-up. Switching up styles in multiple fashions while staying true to his own beliefs within the sonic spectrum. And together with Mustard, ‘MAGIC’ was born. The first single off his newest LP threw listeners into a loop of hypnotic energy. Soul-filled lyrics combined with Mustard’s impactful production showcased how well these two bond over the arts. Creating an out-of-body experience from beginning to end. Proving yet again how powerful these artists are throughout the industry. Crafting timeless flows and paving their own paths for success. Making this track truly worthy for any top-tier list this year.
-JD

11. TroyBoi – Carti

A true mastermind who consistently defines his own unique sound, it is safe to say TroyBoi is a legend in the scene with his dedication to delivering all the right vibes both on and off the dancefloor. Releasing banger after banger, ‘Carti’ is a tune which will provide you the opportunity to relive summer once again. Starting off with a slow tempo groove and classic vocals to bump the speakers to. The track has an original sound drawing in rolling chord loops, and will immediately bring out the best in you. At a minimal effort, TroyBoi incorporates monotone vocals leaving listeners with a hip-hop feel alongside a trap-infused beat. Troy never disappoints and that is a fact in the industry.
-AK

10. LYNY x Chromonicci – Want

A true king of experimental sound when it comes down to trap and bass music, LYNY is the one we trust to take us into another dimension. Whether it be throwing down this year at Electric Forest or rinsing out his ID’s at shows around North America, LYNY has quickly risen to the top and we could not be happier with the outcome. Teaming up with fellow FUXWITHIT favourite Chromonicci to bring back that slow-tempo trap we all need in our lives, ‘Want’ is an addictive collaboration right from the very first listen. Released on our very own FUXWITHIT Records, elements of distortion and hypnotizing loops lure listeners into LYNY and Chromonicci’s world of innovative trap music. Only continuing to get filthier as the tune progresses, this one is definitely a favourite in 2022 as these artists continue to dominate.
-AK

9. Ice Spice – Munch

“You thought I was feeling you?” These are the six words that nobody could stop saying in 2022. Drill has been inescapable in the rap scene this year, and as sample-based music lovers, we’re not complaining. “Munch” went from being huge in New York City (Ice Spice is Bronx-based), to the internet, to the rest of the world, landing the new artist cover stories before she could even release a full-length project. Haters will deny Ice Spice’s influence, but she’s taking her rightful place with the ninth spot on our top 50 list this year.
-AL

8. IMANU x The Caracal Project – Neiges

There is no denying that IMANU had a breakout year. Across the board, few, if any, have risen the ranks as quickly as he has in 2022. With an extensive discography that spans multiple genres, it was difficult to pick a single Top 10 track for the artist this year – so I picked my top Spotify track of the year. Joking aside, we felt The Caracal Project also deserved a top spot in this list, as he had an equally impressive year. ‘Neiges’ kicked off both of their 2022 campaigns in style, showcasing their quintessential drum and bass sound through flawless chemistry. Layered with emotion, ‘Neiges’ (and ‘La Fournaise’) primed IMANU and The Caracal Project for the incredible year that followed.
-SC

7. Benny The Butcher x J. Cole – Johnny P’s Caddy

Benny The Butcher and J. Cole was the collab we didn’t know we needed. With no hook and soulful boom-bap beat from Alchemist and DJ Khalil, ‘Johnny P’s Caddy’ provides the canvas for top-tier rap. Benny The Butcher delivers a fierce verse, chartering his street days, hustle, and work ethic. It’s gritty, honest, and inspiring, everything fans have come to enjoy from The Butcher. As Cole repeats Benny’s closing the line (“Bout time that I got my respect, it’s the Butcher…”) you can practically hear him loading up the lyrical artillery. Cole claims rappers wanting him on their song “gon’ see the wrath of the reaper,” and proceeds to prove it by dropping the verse of the year. From the wordplay to the flow J. Cole puts it best, “Stretchin’ the truth, know I never stress in the booth/They feel the pressure, me I feel like I just left the masseuse/Effortless, how I’m skatin’ on these records is proof/ I put your favorite rapper neck in a noose, never lettin’ them loose.” It seems so easy, but that only makes it more impressive. Add in bars like “I’m prolly gon’ go to Hell if Jesus ask for a feature/I’m higher than n*ggas and don’t need a bag full of reefer/Some see the glass as empty, I see a glass full of ether/ Collectin’ his bread en masse like he a Catholic preacher/ Just to count a n*gga cash, you might need a calculus teacher/Eureka, Einstein on the brink of the theory of relativity,” and it’s hard to argue with his claims as “the best rapper alive.”
-CV

6. Hudson Mohawke – Bicstan

Hudson Mohawke’s return to the album format was among the most impressive journeys in electronic music this calendar year. As the first single from Cry Sugar, ‘Bicstan’ laid the foundation for the incredible project that followed, where HudMo dove deep into his rave-loving self to showcase a style that few can mimic. Acid house, happy hardcore, breaks, and beyond ooze in their own different ways throughout ‘Bicstan,’ attesting to the legend’s ability to create his own unique sonic world within a project, and within a song. ‘Bicstan’ embodies the essence of Cry Sugar to a tee, and reminds us that greatness is not defined by the number of streams, but by the ability to create something totally unprecedented when the world often expects conformity.
-SC

5. Kendrick Lamar – N95

2022 finally saw Kendrick Lamar’s highly-anticipated comeback with Mr. Morale & The Big Steppers. After years of anticipation, K. Dot returned with a complex, polarizing, and hotly-debated work of art. ‘N95’ instantly stood out with its in-your-face energy, critical lyrics, ill production, and visually striking music video. Clocking nearly 200 million streams to date, ‘N95’ struck a chord with fans, providing an anthemic feel without sacrificing the lyricism. The track serves as a time capsule of the past few years with Kendrick highlighting everything from the pandemic and market crash, to cancel culture, clout chasing, toxic friendships, distaste for critics, artists selling their souls, and beyond. Kendrick set the internet on fire with the album and ‘N95’ particularly. This shit is hard.
-CV

4. Flume – Say Nothing (Feat. MAY-A)

Flume has made a signature of crafting innovative anthems anchored by stellar vocal features. Connecting with MAY-A, the pair proves the power of the formula in ‘Say Nothing’. MAY-A’s voice captures every tinge of emotion imbued by the lyrics. It’s the perfect fusion of addictive and emotive, pulling at your heartstrings while commanding repeat listens and singalongs. While the vocals serve as the focal point, this is Flume, after all, so the production is masterful. In a sense it’s understated, but it’s the subtleties and progression that make it special. The backdrop rises and falls with the vocals, building, releasing, and amplifying every turn. This one was getting plays everywhere from massive festivals to outdoor events, and Spotify streams. Add in an impeccable house remix from Tchami, and this was one of the best electronic tracks of the year.
-CV

3. Drake – Sticky

Honestly, Nevermind. While Drake’s foray into electronic music was met with mixed results, ‘Sticky’ stuck out (sorry) as an undeniable anthem. Leaning heavily on Baltimore club influence, the thumping kicks and deep bass provided the perfect pocket for Drizzy to explore. While the lyrics charter familiar territory for the 6 God, that didn’t make it any less enjoyable. From showing crew love with, “They only givin’ n*ggas plus ones, so I never pull up to the Met” to smirk-inducing flexes, “You say I changed, I say that I millioned, I did,” it’s exactly what we expect from another Drake smash. Reflecting on the biggest cuts of the year, it’s hard to ignore ‘Sticky.’ The track dominated the summer bumping out of car windows, DJ sets, and did an easy 126 million streams on Spotify alone. Add in the fact that it helped shine a greater light on Baltimore and Jersey club music across the industry, and this is an easy selection for our top 3.
-CV

2. Hamdi – Skanka

We know, ‘Skanka’ was released in 2021, but it came out after our 2021 list was released. And aside from that, the dominance of ‘Skanka’ really came to fruition in 2022. One would be hard-pressed to go to a show and not hear the track. It wasn’t just at dubstep shows, either. From tech house shows, to techno shows, to bass shows and beyond, everybody talked about how they loved hearing ‘Skanka’ live (or that they couldn’t escape it wherever they went). The 140 BPM cut catapulted the artist to stardom, while also giving a fresh new life to classic dubstep in North America. Hamdi single-handedly revived a style of music from the depths of the grave, earning the respect of legends such as Plastician along the way. ‘Skanka’ was the bass track of 2022, no doubt.
-SC

1. Fred again x Swedish House Mafia – Turn On The Lights (feat. Future)

From making hits on the UK pop charts to becoming the one to watch instead, Fred again.. is finally getting his flowers. The garage producer captured the hearts of music lovers everywhere with his simplistic, personal approach to house music, mostly taking samples from his friends, loved ones, and “actual life” to create music that sounds like memories themselves. In this star-studded song, Fred again.. brings on Swedish House Mafia and Future for a rave-ready tune that brings you right into the middle of a warehouse.
-AL

*1a. Fred again.. x Four Tet x Skrillex x Flowdan – Rumble

But honestly, ‘Rumble’ would have taken the number one slot if it were released this year. The ID was played in Fred again..’s iconic Boiler Room set that catapulted him into the mainstream spotlight, demanding attention from those who don’t even listen to dance music. The song might even be overplayed at this point, and it’s not even out yet.
-AL

FUXWITHIT Top 50 Songs Of 2022 Playlist

Written by Alessio, Alshaan, Arielle, Colin, John & Steph

The post Top 50 Songs Of 2022 appeared first on FUXWITHIT.

50. jELACEE – fEEL

When Stööki Sound graduate, jELACEE, announced that he’d be releasing music this year, it definitely gave us hope for 2021. The London beatmaker returned from a 2-year hiatus with an otherworldly track called ‘fEEL’ that features cascading synths, explosive drums, and vocals by jELACEE himself. It was a powerful return to making music and we’re hoping he has even more in store for 2022.
-AL

49. Deadcrow – Fallout

It’s pretty crazy to think that I’ve been writing about Deadcrow’s music since 2017. What I’ve appreciated the most in this almost half-decade is, without doubt, his versatility and the fact that for him it was never a necessity, but a natural disposition. Thanks to this genuine approach, he has become the favorite of legions of fans all across the bass scene, regardless of genre. ‘Fallout,’ his debut on Sable Valley, is a track where he gave artistic vent to his heavier, aggressive influences. Although at first, I hated it being so piercing and biting, over the months I was bewitched by his dark, apocalyptic, catastrophic charm. It’s an extreme track, also for Deadcrow’s standard, but that’s probably why it’s on this list.
-AA

48. Gaszia – ApexClub

We’re hyped that Gaszia decided to start releasing music solo as of recent years. The one-half of duo X&G dropped ‘ApexClub’ with KUMO Collective back in September and it displayed just how well the producer can stand alone. Embodying deconstructed club’s gritty roots through its fiery and frenzied post-industrial sound design, Gaszia reimagines the genre in a hypnotic way that resonates with fans of every kind of electronic music subgenre, which is incredibly difficult and rare for our scene.
-AL

47. Juelz x JAWNS – Enter The World

Bringing the audience into a newly crafted beginning, Juelz and JAWNS’s track, ‘Enter The World’ is a cybernetic being with the task to destroy anything it comes in contact with. Shattering any type of boundaries and leaving dance floors in ruins. This specific tune pays honor and respect to the future of electronic music. Pushing their visions together to form a pure weapon of mass destruction. Released on Sable Valley this year, fans from both sides fell completely in love with this next step. The raw and crisp quality of the tune alone will grab your attention instantly. Making you become truly addicted to the highest degree. The acid-style sound design mixed with their funky rhythms pushes the track to whole new territories. Starting something you never thought was possible. Plus, with their newly formed partnership, the dynamic duo debuted their first performance, Enter The World, at RL Grime’s Halloween X live at the Palladium! Which resulted in pure success and excitement for what else these two have in store.
-JD

46. Heimanu – Alaris

After a great 2020, Heimanu has kept going at full speed, maintaining a high profile throughout the past twelve months. He continued to develop his personal Nu Rave sound, maintaining a flawless consistency across all his releases, originals as well as collaborations. Both his two releases on Liquid Ritual sit at the top of my favorite tracks from him, with ‘Alaris’ taking the throne. Not only does it perfectly blend the epic and emotional souls of wave and hardwave, but it also features for the first time ever Heimanu’s own vocals. This is the perfect modern anthem. Something that works at peak-time festival stages but also in the intimacy of our bedrooms.
-AA

45. Pocket – Different Ways To Love You

COVID was a strange time for me personally in terms of music enjoyment, as the lack of live shows had me longing for songs with more emotional appeal. I found myself going back to older garage artists but was hard-pressed to find new material that resonated in the same way. Well, that was until the birth of the Pocket project. From his debut single ‘Aquarium’ to official remixes for the likes of Zeds Dead and Rohaan, 2021 has been an standout year for Pocket and an undeniable favourite from his arsenal is ‘Different Ways To Love You.’ As his second official release, ‘Different Ways To Love You’ was a statement single, with Pocket proving that ‘Aquarium’ was no fluke and that there was much more to come. The artist has quickly grown into a unique sound that is meaningful, catchy and vibrant, and we are insanely lucky to be blessed with such soothing frequencies.
-SC

44. Sam Gellaitry – Assumptions

While we miss Sammy G’s eclectic take on trap, we’re always going to support his creative vision. Now showcasing a more indie-electronic sound and his own vocals, we understand that it’s different than what we’re used to, and not everybody’s going to like it, but it still slaps. The ultra emotional ‘Assumptions’ has a vintage feel that you just can’t help but groove to.
-AL

43. Freddie Gibbs – Gang Signs (ft. ScHoolboy Q)

Buttery bars from two of the best rappers of our generation come from ‘Gang Signs’ by Freddie Gibbs and ScHoolboy Q. I’m a sucker for jazz-laden hip-hop and this track checks off all the boxes. Gibbs’ ability to make childhood references in a rap track is amusing and playful. And bringing Q’s groovy flow for a verse was a match made in hip-hop heaven.
-AL

42. Saka – Let Me Live

Fans of FUXWITHIT know that we have been following Saka since he first started making waves in the scene. Boasting a sound that is often (but not always) on the heavier side, 2021 saw Saka explore new musical territories, and ‘Let Me Live’ was among the standouts. While not his most popular song of the year, ‘Let Me Live’ is a liquid drum and bass ballad that tickles listeners to their core through angelic vocals from Amethyst and serene textures paving the way to a sonic utopia. Saka’s impressive rise within the bass music scene is incredibly well-deserved, and tracks such as ‘Let Me Live’ show fans that he is not a one-trick pony. The sky’s the limit for Saka.
-SC

41. Floret Loret x Silva – Glacier

Released on Quality Goods Records earlier this year, Floret Loret and Silva managed to cook up a truly special dish of frequencies. A pure charismatic track filled with glitchy qualities, intoxicating environments and more. Grabbing you by the soul and whisking you away into an unknown universe of angelic tones. The way this specific piece is crafted is truly eye-opening and jaw-dropping. Leaving you speechless and emotional at the same time. The pure essence surrounding the track is very special and purely organic in every sense. Gifting you with an experience you’ll forever cherish for the rest of your life. Showcasing some of their best work to date. It’s a complete and perfect combination of both of their unique and inspiring styles. Intertwining together as one. And guiding each other to a brighter future.
-JD

40. Party Thieves – Street Meat

Taking a break for a couple of years, Party Thieves surprised so many with his incredible return this year. Releasing a whole new EP of past gems he thought was right to finally release. But one track in particular really caught the ear by storm. His track ‘Street Meat’ is a unique and everlasting track of riches. Inspired by the ‘Pokemon Go’ era, it has a ton of fun video game characteristics and tones. Staying true to the trap genre as well as his own. Showcasing he never truly left. It’s a blast of whimsical fun! With an 8-bit melody, crazy impactful drums, and a well-crafted 808, this will leave you completely speechless from start to finish. Making you want more. Which is why you’ll have this tune on repeat for years to come. Its addictive nature alone will have you inspired to the core. Hypnotizing you in the best ways possible! Some of his finest work to date.
-JD

39. TSU NAMI – Party (feat. Skyler Coco)

TSU NAMI has been killing the game with her inimitable, bubbly style. There’s no question why her sound caught the attention of San Holo and bitbird, and ‘Party’ was the perfect debut for the label. Featuring the silky songstress, Skyler Coco, the two collaborate to create a playful future bounce tune to premiere her chops.
-AL

38. ASHEZ x SØMETHING – Coast2Coast

It’s not an easy task to craft a track that’s wildly experimental and a certified ass-shaker, but ASHEZ & SØMETHING did just that on ‘Coast2Coast.’ The track packs a Westcoast hip-hop influence, crazy bounce, and some truly mind-melting sound design. It’s exceptionally weird but somehow approachable. ‘Coast2Coast’ nearly single-handedly kept the twerk subgenre alive in the freshest way possible. It wasn’t the biggest track of the year but anywhere it dropped it went off.
-CV

37. sumthin sumthin – Nightmares

Another one from Jadu Dala, comes at #37 with sumthin sumthin’s ‘Nightmares.’ The label has been delivering us some of the best—and only—true trap tracks (see #12) since the mid-2010s and we’re absolutely here for it. Its dark soundscapes and eerie vocal chops embody what electronic trap music is all about.
-AL

36. Thook – BRONZE_GARDEN

Any track off Thook’s DAWN could’ve argued its way onto this list, but ‘BRONZE_GARDEN’ remains the clear standout. The Toronto producer is a rare gem in the scene. Crafting trap-inspired beats that fuse epic soundscapes and deep layers with heavy bass, punchy percs, and his signature dust. The track functions as a portal into his sonic world. Rich with mystique and underscored by exotic adventure, you can practically smell the opium smoke and aromatic spices permeating off this as you press play. Thook does more in a minute and a half than many artists will in their entire career on ‘BRONZE_GARDEN.’
-CV

35. Quiet Bison – Blight

This year was pretty strong for Quiet Bison and his talents. But one track that truly stuck out was one of his most recent releases, ‘Blight.’ Together with singer/songwriter, fortune, they’ve managed to create a true emotional trip to the stars. Bringing in nothing but priceless feelings, characteristics and surprises. The well-crafted storytelling from both artists shines on a whole other level. fortune’s angelic and mesmerizing vocals combined with Quiet Bison’s colorful style matched perfectly in every sense. Bringing out past and current memories you thought you lost. Leaving tears streamed down your face while smiling to the highest degree. This is teamwork and friendship at its finest. Making the audience want more and more. A true classic and upgrade for both icons within the spectrum. And the fact they created the whole track in such a short period of time easily showcases their flexibility and rightful passions for the arts. An instant classic for all.
-JD

34. Kenny Mason – Rih

Kenny Mason is the future of Atlanta rap. His moody and dark sound made Angelic Hoodrat: Supercut one of the top albums of 2021. His effortless flow could almost be mistaken for mumble rap, but a deeper listen unveils the depth and complexity within his bars. There’s no stronger example than on ‘Rih.’ The sound palette is filthy while Kenny floats over it with razor sharps bars like, “My partna’ pop a Perc’ and pick off a person/ I can spot ’em lurkin’, bitch I’m alert/ This choppa crop a perfect picture in person/ Fuck a copper, cop a pistol and murk him/ Cobra Kai, I kick this shit ’til it hurt ya/ Buy my bitch a pistol before a Birkin.” R-rated indeed.
-CV

33. Partica Artist Group – FRANKENSTEIN

Partica Artist Group has worked long and hard to become one of the leading labels in electronic music. Completely honoring the underground and its artists to the max. And this year, they released something truly iconic for their vision. They call it, ‘FRANKENSTEIN.’ A monster-themed track filled to the brim with some of the most legendary musicians this scene has ever witnessed and discovered. A 23 artist collaboration between artists Hairitage, Dabow, capshun, So Sus, Kizer, pinku, Galva, blurrd vzn, anti., Lizdek, Xotix, Dink, drak, RamonPang, episcool, ql1x, ell!psis, Robu, golden child, Snxxz3, eyezic., Runnit & Gurf. What a lineup! Each artist holding their own signature style and flow. Coming together to form one of the greatest tracks for the industry. Packed with non stop action, exhilaration and excitement. Each section holding special and memorable characteristics. Complimenting the spirit as a whole. The total trap package. Whimsical sound design, groovy rhythms, you name it! The tune contains all of it and more. Completely putting a smile on your face from start to finish. Paying true homage to each artist and their talents. Forming a bond they’ll never forget.
-JD

32. Aweminus – Sea Shanty

Teased for a long time before its release, Aweminus’ ‘Sea Shanty’ was undoubtedly one of the most popular Halcyon releases this year, appearing in their Enchanted Vol. 1 compilation. Embodying the funky riddim sound that Aweminus has perfected over the years, ‘Sea Shanty’ is quirky and playful but still carries that heavy swagger that one could expect from the artist. As more and more up-and-comers try to imitate Aweminus’ style, it is starting to become obvious that the producer’s sound is uniquely his, and ‘Sea Shanty’ is proof that the Las Vegas-based talent is always one step ahead of the curve.
-SC

31. Kilamanzego – Does It Matter If You Do?

Stereofox’s record label has been coming in clutch with a lot of incredible tunes this year, and Kilamanzego’s ‘Does It Matter If You Do?’ is absolutely one of them. The artist has been one of our favorite producers in the last few years, and this track is breathtaking. Kila is always able to grab our hearts with her emotional, introspection-inducing production, and ‘Does It Matter If You Do’ is a perfect example of just what she can do.
-AL

30. Rohaan – Purity

If they asked me to crown an “artist of the year,” I’d have no doubts who to reward: Rohaan. I mean, is there something this man hasn’t done this year? He released on labels the likes of Pilot, Sable Valley, and Bitbird. He played his first headline show, his Ministry Of Sound debut and, on top of that, he also quit his job to pursue his music career full-time. With all the music he released in 2021 he could have been featured several times in this list, but in the end the choice fell on ‘Purity.’ I know it might sound weird but let me explain. First of all, I believe that, by being a self release, it shows that, label or not, Rohaan’s talent is an undeniable reality. Secondly, it has perfectly sealed a key moment in his career. After the success of Bleach, Rohaan had to prove himself once again, and ‘Purity’ was the perfect prologue of a perfect year. In third place, I believe the energy in ‘Purity’ is unmatched. It’s a pure adrenaline rush from start to finish (if we don’t consider that last, weird 20 seconds). It’s a tsunami of serotonin. Should I continue?
-AA

29. ISOxo – Nightrealm

ISOxo has quickly become one of the most intricate and unique frequency designers of electronic music as a whole. Completely tearing down boundaries and bringing in a new experience for all to bask in. And if there was one track to really honor his passions and journey so far, it’s ‘Nightrealm.’ Debuted back in 2020 during his collaborated set, ‘ISOKNOCK II: GATEWAY’ with Knock2, fans were dying to know what this track was and when it was dropping. Bringing major hype to the artist himself. From then on, he’s included the track in every set to continue building up the tension and excitement for the final release. Once his Nightrealm EP came around, everyone was ecstatic and blown away by how the final product sounded. Completely captivating listeners in a stylistic fashion. The high crisp production mixed with unmatchable energy really takes you on a journey like no other. Honoring the artist’s name to the highest standard. Which is why we had to include this anthem on our list.
-JD

28. HU₵₵I – Jericho

This one has been one of the most unexpected releases of the year. I hadn’t seen HU₵₵I’s name for several years and finding him in my SoundCloud feed totally out of nowhere with a new track was a bit of a shock. Especially when the track turned out to be one of the hottest trap tunes of 2021. In a year where the genre has definitely had a resurgence, the competition was fierce. Regardless of this, with a single track HU₵₵I outperformed the competition. ‘Jericho’ is a thoroughbred. A dancefloor beast that combines steamy and esoteric atmospheres with gargantuan low frequencies, which seem to be evoked straight from the very bowels of the Earth. For me it was love at first listen, which wouldn’t have contemplated his absence from this chart.
-AA

27. LYNY – Dash

LYNY was truly all over the place this year, both url and irl. Since live events have returned it really seems that he has never been off the stage and when it comes to his own music, it looks like he hasn’t missed a shot as well. Several of his songs have been on heavy rotation in DJ sets and radio shows (take a look at 1001 Tracklists to get a vague idea), but ‘Dash’ certainly stands out above all. It’s a phenomenon of sound and rhythm. Its muscularity and its intensity are simply devastating. This is basically trap music on steroids. We’ve been saying it for a minute, but if you were paying attention ‘Dash’ is yet another reminder that LYNY is the present and the future.
-AA

26. Whereisalex – Shine

Whereisalex is a future beats legend and he deserves his flowers. ‘Shine’ has been sitting pretty at the top of Spotify’s Creamy playlist for a reason – its soothing sonic flow, integrated instrumentality, and gospel vocals just make you feel good when you listen to it. The song is aptly named, too, because hearing it makes you feel like the sun is beaming down on you, wherever you are.
-AL

25. capshun – Morph

Ushering in a new era of FUXWITHIT, it would be sinful to not include capshun’s ‘Morph’ on our best of the year list. The track launched our label and is nothing short of exceptional. Quintessential capshun, ‘Morph’ sees the producer delivering a next-level banger that’s truly epic. Haunting vocal bends, uplifting synths, and rare originality intertwine effortlessly. Add in the intensity of that menacing second drop and this one is an absolute monster. 2021 was a massive breakout year that saw capshun playing across the country and his music supported by some of the biggest artists out. ‘Morph’ is yet another reminder that capshun is next up.
-CV

24. Duke & Jones x Flowdan – Trenches

What happens when you combine one of the hottest production duos out of the UK with a grime legend? ‘Trenches’ released on Deadbeats answered that question. The result: a murderous heater that showcases the best of both Duke & Jones and Flowdan’s respective talents. The production duo craft an exceptional beat that’s eerie, adventurous yet minimal. Flowdan commands the scene as we’ve come to expect, delivering nasty bar after nasty bar. The only thing matching his grittiness is the filthy drops. There’s something special about seeing OGs connecting with the next wave to create something special and ‘Trenches’ is just that.
-CV

23. Knock2 – dashstar*

House music has been brought to a whole new wave of sound and atmosphere. Thanks to the legend, Knock2. Showcasing nothing but incredible production, organic branding and killer live performances. And ‘dashstar*’is pure proof that he’s been working non-stop to bring us the highest quality of sound. The track has been doing numbers in terms of popularity from fans from all over the underground. It’s a complete house music anthem of this year. From a futuristic environment to a newly formed bass house personality, the artist’s style truy shined bright in the best ways possible. The way he crafts his pieces will literally knock you off your feet into the stratosphere. Completely leaving you in awe and inspiration. It was definitely rare to not hear this wonderful work of art in basically every set! A one of a kind feeling you’ll want to hang on to for the rest of your life. Bringing back past memories while making new ones.
-JD

22. MUST DIE!, Akeos & Skream – LOL OK

Released as part of MUST DIE!’s vastly versatile CRISIS VISION LP, ‘LOL OK’ is the unprecedented and unexpected merging of three generations of bass music. A pioneer in the UK, a pioneer in North America, and a soon-to-be legend in bass music coming together on a track titled ‘LOL OK’ was certainly not something many had envisioned, but unsurprisingly, it works incredibly well. Skream, MUST DIE!, and Akeos are three artists who have individually revolutionized parts of the scene due to their constant ability to push boundaries, and their joining of forces in ‘LOL OK’ is further evidence of these undeniable skills.
-SC

21. Kanye West – Jail (feat. Jay-Z)

I’m gonna be honest, DONDA was underwhelming for me. Or maybe because it was so long, it was overwhelming. Either way, it wasn’t my personal favorite work from Kanye. But you can’t deny how ICONIC it was for Jay-Z and Kanye to reunite for a collaboration after years and years of feuding. Ye brought out Jay during his Madison Square Garden performance earlier in the year, but you never know what to expect from the man. We’re glad Jay ended up making it on the album though, and the song is actually both fire and meme-able.
-AL

20. Rome In Silver – Like You

It appears there’s nothing that Rome In Silver can’t do. Whether it’s conquering genres spanning from trap, to DnB, future bass or house, or exploring every array of emotion, Rome In Silver does it perfectly. Proving this yet again comes the standout off his Makeshift Moon EP ‘Like You.’ Moving your heart, soul, and body, this one delivers all the feels and then some. Built around a kalimba and an evocative vocal, Rome in Silver adds and removes layers for an upbeat yet emotional auditory journey around the world. If you ever wanted to experience pure beauty in musical form, this is it.
-CV

19. Sleepnet – Angel Blade

As the disbanding of Noisia slowly becomes a reality, the individual members are branching out into various new projects to keep themselves engulfed in a music scene that loves them for being true pioneers. First released anonymously but then revealed to be the brainchild of Nik from Noisia, ‘Angel Blade’ made waves in the community due to its incredible innovation and boundary-pushing sound design. Equally enthralling as it is unnerving, ‘Angel Blade’ marked the launch of Sleepnet and has since amassed almost 700k streams. It’s riveting and chaotic yet controlled and soothing – a combination that not many in the world can come close to executing. That’s why ‘Angel Blade’ is the top drum and bass song on our list.
-SC

18. Aminé – Charmander

Aminé has been one of our favorite rappers for a while, so when he returned with TWOPOINTFIVE, you can already guess we were gassed. But the man didn’t even warn us. A few days prior, we were surprised with a new sound for the Portland emcee by the way of ‘Charmander.’ The track features a playful drum n bass beat, produced by Lido, and was the perfect introduction to the album we would later receive.
-AL

17. RL Grime x Baauer – Fallaway

These two kingpins of trap have always had mutual and honorable respect for each of their talents and journeys as a whole. Making them such an iconic duo whenever you see them together. Both doing incredible and monumental things for the electronic music scene. Dropping hit after hit. But now in 2021, for the second time ever, they made a stunning and emotional return with their second collaboration, ‘Fallaway.’ A mind-blowing experience filled to the brim with nostalgic sound design, melodies, and overall emotion. Completely taking everyone off guard in the best ways possible. Making history once again with their ecstatic friendship. Plus, they created even more hype with their returning performance at HARD Summer to celebrate their paths crossing once again. They called it, Hærny. It was there where they finally played out the newest track live, creating one of the most awe-inspiring performances in electronic music. This song is a staple for their next steps while honoring the past and present.
-JD

16. Leotrix – Sight

Where to begin with Leotrix? The Sydney-based artist released a whopping five EPs this year, not to mention a few singles along the way. Picking one song for this list was not easy as Leotrix’s 2021 discography is hefty, but ‘Sight’ rose to the top for a few reasons. From sampling Cassie’s classic ‘Me & U,’ to being a defining track for future riddim in general, ‘Sight’ is the embodiment of Leotrix this year: ingenuity, innovation, and fun. It’s rare one is able to sing along to a dubstep track, but the talented artist delivered a unique twist on a nostalgic R&B bop to create one of the most defining pieces in the genre this year. And, making this list for the third consecutive year in a row, we’re convinced Leotrix is unstoppable.
-SC

15. Moore Kismet x WYN – Rumor

There’s only going up for Moore Kismet. Expanding past the bass realm and curating an incredibly personal experience with every piece of art they release, you know whatever Moore Kismet delivers, it’s going to come from the heart. ‘Rumor’ is no different. Upon its release, they shared, “‘Rumor’ is a song that I started when I was 14, around the first time I publicly came out as an LGBTQ+ individual. I was receiving a lot of hatred and unkindness from people [and] when I tried coming out to my dad… it ruptured our relationship in an irreparable way, but that feeling I had after that call and the feeling that I had from the comments I’d received is what inspired the song.”  The song definitely touched us and absolutely deserved a high spot on this list.
-AL

14. Vince Staples – ARE YOU WITH THAT?

Vince Staples’ self-titled album is one of the best of the year. Clocking in at 22 minutes, it’s a short but exceptional stroll through Vince’s mind and world. Renowned for his sharp wit and raw street tales, there’s a poetic brilliance in his work. The project is no-nonsense rap and with production from Kenny Beats, its quality should come as no surprise. The album opener ‘ARE YOU WITH THAT?’ clocked over 18 million streams on Spotify and sets the tone for the entire project. The beat is heavy and hazy with just the right West Coast swing. Vince floats over it with bars that blend nostalgia and darkness with chilling effect, “Whenever I miss those days (Days)/ Visit my Crips that lay (Lay)/ Under the ground, runnin’ around (Yeah)/ We was them kids that played (Dead homies)/ All in the street, followin’ leads/ Of n****s who lost they ways (Dead homies)/ Some of them outside still (Still)/ Some of them inside graves.” Vince Staples is one of the hardest out and ‘ARE YOU WITH THAT?’ is yet another proof point.
-CV

13. BROCKHAMPTON – DON’T SHOOT UP THE PARTY

On April 9, BROCKHAMPTON released their newest LP, ROADRUNNER: NEW LIGHT, NEW MACHINE. And on the record was the topical tune, ‘DON’T SHOOT UP THE PARTY.’ Little by little, the world started opening back up, but it didn’t mean that last year’s events washed away. Frontman Kevin Abstract starts off the song strong, powerfully professing, “All-American self-hatred runs deep/ White boys all I see whenever I sleep/ N***** think I think these thoughts on purpose/ But I knew ’bout NSYNC ‘fore cash could rule me/ Colonized minds by masters and slaves/ They both hate n***** that like n***** the same.” The track serves as a reminder that even though things may be going back to “normal,” the injustices that were put in our face without a place to escape are still rampant.
-AL

12. capshun x Jon Casey – Fever Dream

Becoming one of their most well-known tracks to date, both Capshun and Jon Casey completely knocked it out of the park with this original. Released on Jadū Dala earlier this year, fans from every side of the spectrum came together and fell in love with their forward-thinking production and shining talents. The pure essence of the track is like no other. With hard-hitting drums, bounce-filled rhythms, and nasty sound design, you can easily feel the organic chemistry between these goats of the underground. Changing their lives forever. From then on, it’s been played out by many throughout the industry. Doing a fantastic job honoring their golden talents and the hard work they’ve put in for years. So it was only right to include this iconic track on our list for this year.
-JD

11. camoufly – safe

I’ve already written a lot of words about camoufly this year, but I’ll never get tired of repeating how much of a source of inspiration he is. I don’t speak exclusively about his music, but the whole project has repeatedly proved to be an example of brilliance, cleverness, and hard work that has few equals. ‘safe,’ from his debut EP Apotheosis, is not only his biggest success in terms of numbers but, even an EP later, is still one of the peaks of his artistic craftsmanship. A simple (but not banal) combination of refined sounds and polished details, mixed in the right way. In short, perfection.
-AA

10. UZ – Focus

Individually recognized for his distinctive and original sound in the trap scene, the trap don UZ defines his own sub-genre of trap music. Always conquering the scene one eclectic beat at a time, ‘Focus’ is clearly a crowd favourite in 2021. From eerie, yet mystic frequencies slithering at a slow-tempo pace, UZ begins to shift levels as we are absolutely taken over by his flawless ability to reimagine the world of trap music. Mastering his signature luring sound which echos throughout the speakers, UZ takes full control with a fury of alarming synths alongside a blend of drawn-out chords to resurrect the slow-tempo trap we all need in our lives. With UZ always one step ahead and a true sensei to many, we cannot wait to hear more from the legend in action.
-AK

9. Dabow – Ah Nah

2021 was Dabow’s year. From dropping epic online sets to his debut album on Dome of Doom, the one-of-a-kind producer really made the past 12 months his own. While several of the cuts from his album could’ve landed on the list, it’s his KUMO Collective single ‘Ah Nah,’ that snagged a spot in the top 10. One of his most highly-anticipated IDs, the track is classic trap mastery with a fresh twist that premiered on FUXWITHIT. The vocal loop sticks in your head with crazy infectiousness as Dabow retools the beat with four unique drops. I’m a huge proponent of less is more and ‘Ah Nah’ showcases the power of minimalism. Trap is alive and well and Dabow is one of the foundational reasons why.
-CV

8. Apashe – I’m Fine (IMANU remix)

IMANU’s take on ‘I’m Fine’ is the only remix in our entire list. There’s no denying that the Rotterdam-based artist branched out in terms of versatility and sound in 2021, and his house rendition of the track was what truly catapulted this incredible year. IMANU kept the vocals intact of the originally orchestral trap-leaning track, but upped the rhythmic nature to give it an undeniable mainstream appeal. Despite this, the track was never playlisted on Spotify, but has quickly become IMANU’s most streamed song to date which shows the genuine following that the song has created. The perfect transitions between highs and lows, along with the pristine production found throughout are but a couple of reasons why this remix is so captivating. Incredibly suited to sing and dance along to, IMANU’s take on ‘I’m Fine’ is an easy Top 10 addition to this year’s list.
-SC

7. Boombox Cartel x JID – Reaper

Truly a dream collab. Boombox Cartel & JID came together for one of the hardest anthems of 2021. The track perfectly balances their talents allowing JID to shine and serve as the upfront focus with his intricate flow setting the tone. Boombox Cartel unleashed absolutely devastating drops that are primed to decimate festivals with walls of bass and mind-bending sound design. When electronic trap and rap come together properly there isn’t much that’s better. ‘Reaper’ is just that. Add in a few million streams and support from some of the biggest DJs out and it’s clear that this one commands its place on the list.
-CV

6. J. Cole – applying.pressure

While Kanye & Drake opted to unveil bloated projects to bolster streaming numbers, J. Cole decided to take a different direction. Never one to follow the fray, the 12-track The Off-Season is devoid of any fat, filler, or pandering for plays. The project is not only the album of the year but arguably one of J. Cole’s best bodies of work to date. It’s rap in the purest form. Quality production meets deep lyricism proving why Cole is one of the best of our generation.

While ‘pride.is.the.devil’ or ‘my.life’ are more obvious choices, we’ve opted to have ‘applying.pressure’ capture the #6 spot on our list. Exemplifying what makes The Off-Season so special, the track is a barrage of bars and clever wordplay that proves Cole’s pen proceeds to get sharper with time. With lyrics like, “That was me in ’08, seein’ no cake/ Not even on dates I celebrated my birth/ Just did the mental math and calculated my worth/ Shit crazy, didn’t know I got more M’s than a real Slim Shady video (I’m the real Shady)/ Big Boss, less Rick Ross, more like a wavy Hideo/ Kojima, they tote steamers around the way we tippy-toe,” J. Cole flexes on everyone. The outro summarizes exactly what Cole does on this track and across the album. He’s really doing it at a different level… or as he puts it, “Bitch, it’s a difference.”
-CV

5. Acraze – Do It To It

This might be a controversial choice, but Acraze’s ‘Do It To It’ could have arguably held the number #1 spot this year. The track was the ‘Griztronics’ of 2021, the way that everyone and their mom’s was playing it in their festival and club sets. I even heard it playing in the background of a Love Island Australia cast member’s Instagram story. The modernized house version of Cherish’s track by the same name took the world by storm, and we don’t know when it’s going to end.
-AL

4. Drake – Wants & Needs (feat. Lil Baby)

It’s not a FUXWITHIT year-end list without at least one Drake song inching in towards the top. While Certified Lover Boy was one of the most highly anticipated projects of 2021, it’s the Scary Hours 2 standout ‘Wants and Needs,’ that cracks the top 5. With over 300 million streams on Spotify alone and a mainstay on radio, this is easily one of the biggest rap anthems of the year. It’s nothing groundbreaking but that doesn’t mean it’s not great. Going back to a tested formula, Drake connects with one of the biggest rising stars in Lil Baby to drop an absolute bop. The sing-along hook is a catchy as any Drake hit, the quotables are there as expected, and Lil Baby goes in.
-CV

3. PinkPantheress – Just for me

2021 proved to be a huge year for PinkPanthress, with ‘Break It Off’ going viral on TikTok only in June. Known for her short, but sweet, songs and voice, the London artist is one of the reasons why garage and drum n bass beats are gaining global mainstream recognition. We chose ‘Just For Me’ because the song had a chokehold in the electronic space. Whenever I went out and heard a PinkPantheress track flipped in a club set or a mix, it was this one.
-AL

2. Skrillex, Noisia, josh pan & Dylan Brady – Supersonic (My Existence)

When josh pan and Dylan Brady dropped their collaborative album, This Car Needs Some Wheels in 2019, ‘Supersonic’ was one of the gems which truly stood out to many. It was a melancholic dream world consisting of a gorgeous atmosphere, angelic vocals, and a spiritual stasis effect. All mixed together with deep impactful drums to really put chills down your spine. Creating not only a total original hit but also a brand new canvas for what was to come. Fast forward to 2020, and major hype surrounded the debut birth of this iconic next take on the original. It was then when Noisia started to play out their timeless remix of the original with non-other than Skrillex. And the fact the Noisia project was starting to come to an end makes this remix even more special. To really leave the spotlight with a massive mark on history. Ever since then, fans from all over were dying to have this modern art piece. And once it finally dropped in 2021, everyone was ecstatic. The fast-paced and eloquent soul within really brings out so many new characteristics. From an intoxicating melody, classic sound design from both artists, and more, this is the pure definition of a healthy and long-time friendship through sound and passion. Completely honoring the original in every single sense.
-JD

1. Justin Bieber x TroyBoi – Red Eye

I know what you’re thinking, “FUXWITHIT put Justin Bieber at #1?!” Don’t get it twisted, TroyBoi is truly commanding the #1 spot here. Few artists have seen the immense growth and success that Troy has without ever compromising their sound or style. We started supporting TroyBoi’s music when we started our site in 2014 when he was a relatively unknown SoundCloud producer. Following his rise has been nothing short of inspirational. He’s kept his sound weird and distinctly his own regardless of his success, never selling out or watering it down. Even when collaborating with one of the biggest pop stars in the world, ‘Red Eye’ is distinctly TroyBoi.

Bieber’s vocals set the stage and deliver a catchy hook to pull listeners in but it’s the production that makes this one so special. From the stuttered sound design to the cartoony bounce, and of course the T-R-OY-B-O-I vocal tag, there’s no second-guessing who crafted this one. Clocking over 25 million streams, it was a smash hit that proves that underground and mainstream can not only coexist but thrive together. Bringing those two worlds together in such an exceptional fashion is what gives ‘Red Eye’ our number one slot.

You can listen to (almost) all songs from our list in the Top 50 Songs 2021 playlist below.

Written by Alessio, Alshaan, Arielle, Colin, John, & Steph

The post Top 50 Songs Of 2021 appeared first on FUXWITHIT.

50. gyrofield – Because You Are You

Given her immense rise to success this year, we figured the Top 50 would not be complete without the inclusion of gyrofield. Developing as one of the brightest young minds in drum and bass (and beyond), the Hong Kong-native started off the year with ‘Lionfish / Here 2 Stay’ and never looked back. From the Tech Flex EP to the Synopsis EP, gyrofield consistently exuded creativity and is extremely deserving of a spot on our list. However, we’ve chosen her Pilot Records single ‘Because You Are You’ as her contribution, as that track is a mesmerizing display of gyrofield’s ability to keep one hooked with melody, sound design and effects for a whopping five and a half minutes. It’s a steady outpour of crisp drum and bass that is somehow both intense and emotional. gyrofield is bound to tour the globe when the world allows it, so keep a close eye on the rising star.
-SC

49. Integrate – Enter The Mirage

Despite being released on Valentine’s Day, ‘Enter The Mirage’ is anything but cute. Brought to you by the formidable production prowess of VCTRE and Black Carl!, this monstrous tune is a force to be reckoned with. The shared brilliance behind the Integrate duo couldn’t be illustrated better than through the grizzly neuro bass snarls that rip the swung halftime rhythm apart. The unparalleled vocal samples and off-the-wall sound design exquisitely capture the damage this track is capable of. Take it for a spin if you wanna see “what they talkin’ bout” and “what they mean.”
-JS

48. Supertask – Healing

Portland, Oregon’s Kyle Bishoff has been making major waves in the underground bass music community between his solo venture Supertask and his new collaborative project Lab Group with fellow vibe adjusters Charlesthefirst and Potions. Despite taking an extended hiatus to refocus his energies in 2020, he still persevered and released one of his most captivating tracks to date. Adding a little sonic therapy into a year that desperately needed just that, ‘Healing’ is a gentle reminder that it’s okay to feel all aspects of the human experience, even the moments that make us feel like we’ll never fully recover. I don’t know a single person that didn’t go through something that drastically affected their lives at its very core this year, but it’s music like ‘Healing’ that aids us in grappling with those feelings and realizing that life happens again, and it won’t be stopped. One of the best pieces of the entire year? Absofuckinglutely.
-AB

47. Supermerk2 – La Resaka (Control Freak Remix)

Played out religiously by every dubstep heavyweight in the game, Control Freak’s remix of ‘La Resaka’ was a veritable cultural phenomenon for the headbanging crowd. One of those tracks that wholeheartedly deserved a full festival season to wage a campaign of audible carnage, the immense amount of groove and wicked energy would have even the tamest of characters viciously throwing down with the best of them. Despite Control Freak’s young age, he’s shown he carries the production prowess of a longstanding veteran, and can run with the biggest in the business. Expect massive things from this one in the near future.
-AB

46. RL Grime x Juelz – Formula (IMANU Remix)

The release of ‘Formula’ shocked many to the core. The combination of RL Grime’s anthem production with Juelz’s fast paced vibes was an immediate love factor. Fans from all over the community were talking about it from either the internet or hearing it live. But then, IMANU decided to take the wheel and put it into full throttle. His glitchy atmosphere and sound design absolutely brought it to the heavens. It’ll make any listener go crazy and create an even bigger passion for music itself. IMANU has been working well and hard to impress all and he’s done just that with this stellar reimagination of a cold hard classic, making this piece one of the most memorable remixes we’ve heard this year.
-JD

45. OAKK – Eclipse Flow

While some love the exponentially complex, I’ve always gravitated towards simplicity. There’s something special about the less-is-more approach that makes music feel more impactful and rich. A great rap sample, an intoxicating melody, perfectly executed percussion and some trunk-rattling 808s; what more could one need? Combining all these elements in a way that is pure perfection is OAKK’s ‘One’. From the Clipse sample, to cleanliness of the drum work and the deep bass, this track is what trap and bass music needs more of.
-C

44. Hukae – Dirty Talk

With three EPs and a handful of other releases throughout the year, Hukae broke out as one of dubstep’s most promising forces in 2020, and the track that catapulted the year into motion was ‘Dirty Talk.’ A personal favourite from the calendar year and a true demonstration of Hukae’s unique style and boundary-pushing approach, ‘Dirty Talk’ is one of those tracks that will have you saying what the fuck at every new bar, and will hypnotize you with its meticulous flow and raw inventiveness. A standout in Hukae’s impressive 2020 repertoire, this year’s list is not complete without this brute.
-SC

43. Tiedye Ky – Never Cage a Butterfly

One of the most pleasant surprises of 2020, Tiedye Ky’s debut album Baby Blue and the Super Moon was a warm, sonic embrace that made the year just a little more bearable. A delightful menagerie of indie guitar and vocals courtesy of himself, mixed with progressive bass music elements, combined to create an impactful, introspective story that weaves a tale of love, loss, and the human experience itself. The most groundbreaking piece from the album was ‘Never Cage a Butterfly’ in our expert opinion, due to its overall atmosphere and remarkably original sound design. Breaking past being considered solely “a vibe,” we have approached “vibe and a half” territory.
-AB

42. Alix Perez – Post – Mortem

Mastermind of low frequencies and tormenter of sound waves, Alix Perez had a monumental year. Both across his various side projects and on his record label (1985 Music), the man dropped some of the dodgiest plates that have been lurking deep in the nastiest DJ sets ever known to humankind. Of these, most notable is the lethal weapon that is ‘Post – Mortem’ off his Ravana EP. This catastrophic throbber of a tune is beyond mangled and easily one of the hardest hitting songs released this year. Built for the fattest sound systems money can buy, the tune deserves nothing less than the finest of audio fidelity when being delivered through your skull. Listen if you think you can stomach it.
-JS

41. Aweminus – Glass Planet

It would truly be blasphemous to omit Aweminus from the Top 50 Of 2020. With over twenty tracks released this year alone, it was incredibly difficult to pinpoint a single track for this list, but it was definitely ‘Glass Planet’ that set the stage for the incredible year that Aweminus had. Emerging as one of the greatest minds in bass music, Aweminus undeniably took the 2020 dubstep crown, releasing one creative bop after the next. ‘Glass Planet’ is certainly no exception, showcasing Aweminus’ insane flow in a 5+ minute opus that will leave you breathless from start to finish.
-SC

40. Chromonicci – True Colors

Although chromonicci is already a pillar of our music scene, somehow he managed to exceed our expectations once again. In this 2020 the diversity (and quantity) of his productions has been ridiculous. Everything that passed through his laptop has turned into gold and ‘True Colors’ is the diamond on the crown. Since he decided to start singing on his productions, I’d say that his voice has become a powerful weapon on a par with his iconic bounce basses, and here the two marry perfectly. ‘True Colors’ slips like velvet into our ears, pampers our feelings and gives us one of the most emotional and elegant songs of the year.
-AA

39. six impala – EPSILON LOVE

The first single from six impala’s sophomore album, ‘EPSILON LOVE’ is a masterful showcase of the group’s ability to make music fun. Comprised of KaTT, underscores, Script, Helvetican and the newly-created NEUTRA, six impala are a group of creative minds who use their strengths to their advantage, creating projects with meaning that go beyond the music. With WFLYTD and ‘EPSILON LOVE’ specifically, six impala went beyond expectations, orchestrating a piece that, in true six impala fashion, doesn’t fall under the umbrella of any genre. It’s fun and danceable, and the impeccable ingenuity behind the project assured us that six impala needed to be in our Top 50.
-SC

38. msft. – Move

Despite the world being completely frozen by the pandemic, this hasn’t stopped msft. from proceeding on his musical journey. As we have carefully documented on FUXWITHIT, through remixes, edits and originals his rock-hard sound is tirelessly evolving. ‘Move’ is the purest manifesto of this development. It’s muscular, it’s tonic, it’s the incarnation of filthiness but it’s also smart, classy, accurate, and flawless down to its tiniest little detail. As I’ve been arguing for years, controlled chaos is the best label for msft’s sound, which I believe still has very few equals at the moment. In the bass scene, he’s light years ahead. It’s us, mere humans, who have to catch up with him.
-AA

37. Skrillex – Kliptown Empyrean

Well, Skrillex finally confirmed that he is working on a full-length project. While this doesn’t come as much of a surprise, it was reassuring to finally hear it from the legend himself. To tide us over, Skrillex dropped one solo track this year, a surprise future garage jam that further attests to the god-like artist’s ability to create every single genre with ease. Sampling Hilary Duff’s ‘What Dreams Are Made Of,’ Skrillex ventures into the territories of ‘Fire Away’ and ‘Leaving’ with his latest, driving emotion through impeccable drum work and atmospheric effects. ‘Kliptown Empyrean’ is not a mainstage banger nor an incredibly complex track, but it’s simplicity and undeniable beauty make it worthy of a spot on this year’s list.
-SC

36. camoufly – Life Of Lido

camoufly is undoubtedly one of the fresh faces of 2020. I mean, we don’t actually know what his face looks like yet, but his cartoonish avatar and unconventional productions have been ubiquitous in live streams, mixes and Minecraft raves. This year, the opinions of countless experts have come together in a choral endorsement for camoufly who, behind the goofy mask, has proven to hide lethal production skills. ‘Life of Lido’ is the most crystalline example. In case you’ve missed it, this creative prodigy produced a work of art using samples from seventeen Lido tracks. That’s it. You’re not impressed? Well, you should be. This tribute is truly one of a kind and how he managed to keep it so clean and balanced is still a mystery.
-AA

35. Krischvn – Second Baked

A true German mad audio scientist of the highest degree, Krischvn, has been consistently gallivanting his excessively heavy take on experimental trap music that frequently touches on borderline dubstep flavors. His biggest project of the year, his Baked EP was a unique take on making multiple distinct versions of the same track, with the biggest being ‘Second Baked,’ which was teased in live settings by the don Liquid Stranger for almost an entire year prior. Being one of those tracks that as soon as you heard the initial note of the build in a live setting, you’d firmly grasp your closest friend knowing full-well shit was about to get excessively bonkers. An easy choice for our top 50 of the year, we see this track gracing almost every festival sound system once they start back up once more.
-AB

34. anderson .paak – Lockdown (ft. JID, Noname, & Jay Rock)

Yo, you can’t ignore a stacked feature lineup like this. I’m never one to say anderson .paak’s music can necessarily be improved, but when you add names like JID, Noname, and Jay Rock to a track… What am I gonna do, say no? The funky beat and velvety vocals in juxtaposition to its heavy message, referencing the pandemic, police brutality, and racial injustice in America, are jarring. But it wasn’t the least bit performative. .paak also donated to the Action Bail Fund L.A., Atlanta Solidarity Fund and Albany Bail & Safety Fund for Black Lives.
-ALL

33. Ty Dolla $ign – Ego Death (feat. Kanye West, FKA twigs & Skrillex)

What happens when a few legends come together for a spin on hip-hop and electronic music? Pure emotion and slow-tempo groove are right as Ty Dolla $ign called upon Kanye West, FKA twigs and Skrillex for their diverse collaboration on ‘Ego Death.’ A surprise collaboration which could not have come at a better time, Skrillex’s top notch production skills go hand in hand with these artists’ vocal talents to produce a single which has clearly been on repeat through 2020. With the track revolving around killing one’s ego to achieve success and happiness, TY Dolla $ign, Kanye West and FKA twigs deliver a clear message with their classic vocals. Drawing upon a taste of house to conclude the track, Skrillex does not hold back to end off on the highest note.
-AK

32. IDK x JID – Cereal (feat. Kenny Mason)

If festivals were a thing this summer, this track would’ve been heard at every stage. ‘Cereal’ feat. Kenny Mason is indisputably one of the hardest rap songs released this year. Driven by a sample that’s tough as nails and backed by jaw-dropping beat, IDK, JID and Kenny Mason definitively shredded this sheesher. Reminiscent of past anthems like ‘Shabba,’ ‘Cereal’ slaps unequivocally hard. 3 of the best rappers right now cemented their position with this one.
-JS

31. Dabow x LYNY – Caliente

We all could use a little spice in our lives and Dabow & LYNY certainly brought the heat with ‘Caliente.’ Released on Dome of Doom and premiered on FUXWITHIT, we knew this one was going to be massive before it was even released. Wild sound design, fun vocals and anthemic energy made this track a favourite in DJ sets and livestreams, landing support from heavy-hitters like QUIX, HWLS, Boombox Cartel and UZ. Forget about jalapeños or serranos, these two brought that ghost pepper heat. Would you expect anything less from two of trap music’s brightest stars?
-C

30. great dane – Former Friends

Between a handful of ADBC Records releases, his critically acclaimed album Delta Fly and the accompanying remix LP, great dane had a monumental year. The puppy papa was so busy that we had to take a minute to recognize one of the swankiest boppers he put out: ‘Former Friends’. This perfectly executed track is not only particularly susceptible to getting stuck on repeat, but is also an absolute weapon in DJ sets. Bob along below.
-JS

29. Leotrix – Emoboy303 (SIDE)

Never one to conform to expectations or to remain caged within a specific genre, few have demonstrated the ability to weave through the different realms of bass music as Leotrix has. 2020 was another monstrous year for the Sydney-based artist, with ‘Emoboy303 (SIDE)’ being a true standout from his numerous releases. A highlight from Halcyon’s debut compilation, ‘Emoboy303 (SIDE)’ demonstrates a new, welcome side to Leotrix’s impressive skill set, as the producer totally disregards all genres while simultaneously creating a bop that easily fits within any trap, future bass, or dubstep set. Leotrix is a bright mind in bass music, and worthy of yet another spot in this year’s list.
-SC

28. Keys N Krates – Double Dutch

While Keys N Krates haven’t put out much music since the release of Beat Tape For Your Friends last year, we’ve still been able to keep up with them through weekly Twitch streams. Whether it’s Matisse and Tune letting us hang out and chat while they’re making beats, or Jr. Flo doing a DJ set, we’re always hyped to keep tabs on them. ‘Double Dutch’ was one of their only drops this year… but when has KNK ever disappointed us? The Toronto-based group said they were inspired to make a cinematic piece through Baile Funk and soundtrack music. The trio was able to effortlessly blend tribal drums, rhythmic chanting, powerful 808s, and scintillating pianos all in one high-powered track.
-ALL

27. COPYCATT – Bare Your Soul

2020 was the year of COPYCATT’s return to SoundCloud, and regular music releases in general. We had the extreme pleasure of catching up with the Australian talent just last month to discuss everything from self-criticism, to the power of social media, to developments in his personal life and so much more, in addition to being blessed with a bangin’ 30-minute guest mix filled with originals. What really kicked off the year for COPYCATT was his release on Inspected’s Powered By Inspected Vol. 3 titled ‘Bare Your Soul.’ As the most played tune from the compilation on both SoundCloud and Spotify, ‘Bare Your Soul’ is an amazing display of COPYCATT’s ability to mesh beautiful melodies and rugged bass in a cohesive manner, drawing influence from hip-hop, lo-fi and neuro to concoct a ballad worthy of playing on repeat for hours on end.
-SC

26. Tchami & Gunna – Praise

Many of us who enjoy future house music can attest to counting on Tchami’s blessings to get groovy on the dancefloor no matter what time of the day it is. Recognized as a true pioneer in the ever-growing future house movement, ‘Praise’ Tchami for continuing to push his forward-thinking sound forward by calling upon Gunna for an epic collaboration a few months back. Drawing upon hints of hip-hop rhythms and Gunna’s classic vocals, Tchami brings his classic production skills to the table as listeners are welcomed with subtle basslines and distorted frequencies. Crafting an irresistibly smooth sound to the ears, Tchami and Gunna are the perfect match for a collaboration we never knew we needed in our lives.
-AK

25. Griz – Medusa (Feat. Wreckno)

An LGBTQ+ anthem that wiggled the air in sound systems in countries across the entire world, Griz and Wreckno’s ‘Medusa’ became an instant classic and turned the hearts of bigots to stone. Fiercely promoting fiery empowerment is what’s on the menu, and these boys are serving it up piping-hot. It’s a tough call what to be more proud of; the overall message itself, or the absolutely insane level of polish. Featuring top-tier production with deliciously purring low-end and saucy vocals from Wreckno himself, this is one booty-shaking, hip-gyrating, rainbow-touting good time.
-AB

24. Clozee – Winter Is Coming

One of the biggest queens in the electronic music ecosystem is France’s Clozee, who proudly flaunts her eclectic and exceptionally passionate take on bass music in the form of “world bass,” piecing together an overall sound that easily spans the length of the globe. Her sole release this year came in the form of Neon Jungle, a magnificent 10-track body of work that gives birth to heartfelt, concrete emotions in all that come into contact with it. Our top pick from that album was ‘Winter Is Coming,’ arguably the most powerful and soul-igniting piece that sports as much soul and funk as it does wondrous wubs. A true feel-good track that hits all the right notes, ‘Winter Is Coming’ was a bright spot in a year filled with much darkness. Clozee once again came with the all- encompassing good vibes, and we’re positive she’ll continue that trend into 2021 and beyond.
-AB

23. Subtronics – Scream Saver

With ‘Griztronics‘ topping our list of best songs last year, all eyes were on Subtronics to see what he would whip-up into existence in this calendar year. His answer? The illustrious ‘Scream Saver’ of course. The title track off his first of 2 EP releases this year, ‘Scream Saver’ provides more kick than a pissed off mule with Subtronics’ patented earthquake-inducing heaviness. Leading his merry band of Cyclops into the future, only time will tell what this young creator will penetrate your sound system with next.
-AB

22. Moore Kismet – Flair

It’s absolutely astonishing that one of the most forward-thinking sound designers in the game just so happens to also only be 16 years old, but Moore Kismet wears that title proudly and earns it back with each and every release. With the unveiling of their album Revenge of the Unicorns, they far exceeded all expectations, showcasing a diverse and wholly unique audible breath of fresh air. Our favourite track from that body of work was the uplifting track ‘Flair,’ which features their own mother. Perfecting melodic dubstep and making a piece that truly makes it difficult to not bust-out smiling while listening, Moore crushed this track and the rest of the project as a whole. Earning recognition even from Forbes magazine for their triumphs this year, this is one artist that will continue to prove time and time again that they can hang, and even lead, with the best of them.
-AB

21. Papa Khan – Rain

There were a lot of pieces this year surprising audiences left and right, but one song in particular caught the eyes and ears of the community as a whole. Papa Khan’s track ‘Rain’ shook the ground from underneath by passion and intricate sound design. His process of evolving the dubstep genre in general was a beautiful sight to see. And having it released on Marshmello’s label, JOYTIME COLLECTIVE, fit perfectly in their roster.

Even though the artist is known for his heavy and dirty bass designs, ‘Rain’ takes all of that knowledge and shapeshifts into something lush and melodic, creating an indescribable feeling you’ll remember for years to come, giving this song the spotlight of being one of the most game changing vibes we’ve heard in a long time. No matter where you are in the world, you’ll gain another piece of happiness and inspiration from this work of art and more.
-JD

20. Phonon – Polyriddim

This was a no-doubter. When we featured phonon in our Focus Five at the beginning of the year, we would have never predicted such an explosion in popularity. ‘Polyriddim’ is by far the biggest dubstep track of the year, with everyone and their mother talking about it on social media. Few tracks have created such an online frenzy, and that’s saying a lot given the total lack of live events this year. Despite earning somewhat mixed reviews from avid dubstep listeners, as some criticized the flow and listenability of the track, there’s no denying the impact that ‘Polyriddim’ had on all fans of the genre. It is also undeniably one of the most creative approaches to dubstep that we have ever heard, thus earning a spot in our top 20 for its inventiveness and overall impact on the scene.
-SC

19. Aminé – Pressure In My Palms (ft. slowthai + Vince Staples)

To be honest, it was hard to pick one Aminé song, since Limbo was an unadulterated masterpiece. What makes ‘Pressure In My Palms’ so elite is its versatility. While the Portland native is known for his goofy side, Aminé begins with a gritty and bass-heavy old-school rap track in the first half and transitions seamlessly to a softer, more melodic beat in the second half. With support from other heavy hitters, slowthai and Vince Staples, Aminé story tells the struggles of an artist and the stress of keeping up when trying to be the best. The song is a great representation of what you can expect in Limbo.
-ALL

18. KOTA The Friend – BQE (Feat. Joey Bada$$ & Bas)

KOTA The Friend’s Everything is easily my favourite album of the year. It’s actually one of my favourite albums in years. Living up to his name, the project feels like a close friend giving you game and reasons to celebrate life. 2020 was difficult at best and Everything was exactly what we all needed. Smooth and upbeat production paired with down to earth and optimistic bars. It was a reminder of getting back to basics, enjoying chilling in the park with that special someone, and the importance of family and love. The standout single ‘BQE’ reminded the world that New York is still home to some of the best rappers as KOTA trades verses with Joey Bada$$ and Bas. KOTA steals the show with an inspiring 16 that challenges you to keep grinding and striving for more. Joey & Bas follow suit, making ‘BQE’ one of the best hip-hop collabs of the year. Catch the wave.
-C

17. Disclosure – Tondo

There’s nothing I want to do more than dance to ‘Tondo’ on a rooftop in the summer. The track was one of many in the duo’s latest and aptly named Energy album, and they give us exactly that. The Lawrence brothers stated that they’ve been exploring sounds from different cultures—notably in African genres—over the last few years. They didn’t fail to showcase the artists from all over the world that they were heavily-influenced by in Energy. ‘Tondo’ actually happens to be a dynamic rework of Cameroonian musician Eko Roosevelt’s ‘Tondoho Mba,’ and we’re digging what they’ve done with the piece.
-ALL

16. Halogenix – Independent

As drum and bass made waves in the west this year, one tune stands out as the undeniable anthem of the summer. Complete with a symphonic outro and released as a part of his Dragonforce EP, Halogenix’s ‘Independent’ took the world by storm. Rinsed in countless live streams (even non DnB sets!), the impossibly catchy vocal chops and immaculate production caused this tune to spread like wildfire. We gotta hand it to Halogenix for single-handedly reminding everyone how much there is to explore and love in drum and bass.
-JS

15. Juelz – Renegade (feat. HEKLER, RemK, SteLouse, Juuku, Harlyyn)

Power. Power can be a beneficial yet horrifying force to hold. It can either build, or destroy depending on who possesses it. And with this year being so challenging and scary from power itself, what can we do as humans, to contribute for a better tomorrow? If there was any source of light this year, it was partly created from Juelz, HEKLER, RemK, SteLouse, Juuku, Harlyyn and more. Their song, ‘Renegade’ has touched the souls of many around the music industry. Shaking the listener’s emotions to the deepest depths.

According to Juelz, he wanted to do his part and join the fight for equality of black lives in America by creating a piece to honor the Black Lives Matter movement. And every profit off of the song itself, was be donated to the Color of Change organization. But he couldn’t do it alone. With the help of other talented musicians, they produced one of the most impactful songs this year. Their energies and souls bonding with each other through sound is done in a gorgeous and breathtaking fashion. It will leave you with a beating heart and tears streaming down your face. Creating a sense of empowerment to fight for what’s right. And showing you don’t need to be afraid to stand up against a higher energy.
-JD

14. Whethan x RL Grime – Outta Here

This is the third time we’re talking about ‘Outta Here’ on FUXWITHIT so there’s no doubt it would be featured on this list. After all, Whethan and RL Grime are the kings of future bass and trap, respectively, and are two of the most spotlighted producers on the site. When ‘Outta Here’ served as the teaser for Sable Valley Summer Vol. 1 compilation, we knew it would be an absolute unit of a collaboration. We’re definitely hoping to see more of “Trap Whethan” in 2021.
-ALL

13. capshun x Quiet Bison – Acai Tower

Few artists possess the ability to create sonic worlds like capshun & Quiet Bison. Both renowned for their transportive sounds, the two combined to bring listeners on the ultimate journey with ‘Acai Tower.’ With a slow burning introduction accounting for half the song’s length, this isn’t your typical Quality Goods Records banger. Patience pays as each passing second adds a layer of tension and complexity; brushstrokes on the canvas, carefully bringing the scene into focus. The brief moment of near silence interrupted by a shot eviscerates the tension and launches forth a second act that is ripe with adventure. Tribal, beautiful and dangerous, ‘Acai Tower’ is a one-of-a-kind work of art that proved capshun & Quiet Bison are true masters of their craft.
-C

12. UZ – Fire feat. Solosam (Extended Version)

FUXWITHIT was founded upon the idea of bringing hip hop and electronic music together. Few artists did a better job at blurring these lines than the trap king UZ. His album Trinity was a masterclass mixing forward-thinking bass music, trap and rap for one of the best projects in 2020. A clear standout, ‘Fire (Extended Version)’ featuring Solosam embodied this to the fullest. Solosam’s distinct vocal tone and catchy delivery made it a rap bop, but just when you get comfortable UZ completely flips the script unleashing an absolutely astounding trap drop that is assured to decimate any speaker system. It’s not easy to balance weird and adventurous with approachable and smooth but UZ proves when done right, it’s hard to top.
-C

11. TroyBoi – Favorite

Always on another level in the music industry, TroyBoi is an OG who is definitely not new to the game. With over 5 million streams on Spotify, this was easily a ‘Favorite’ of ours and fans alike. TroyBoi joined forces with rapper Healthy Chill to lead us into the summer with a hip-hop infused single alongside Troy’s versatile production style. Catching all those uplifting vibes is easy with these two artists, as several keyboard progressions flow perfectly with Healthy Chill’s prominent vocals to deliver a true masterpiece for all those in need of their hip-hop fix with a side of Troy’s ever-evolving sound design. With the track continuing to shift levels, listeners are reminded of why the sun is shining on Troy even during the current pandemic situation in 2020.
-AK

10. Chee – Vultures

With each passing year, South Africa’s Chee becomes even more impressive in his undeniably trademarked sound and pinpoint murky, energetic aesthetic. With his first release on Zeds Dead’s Deadbeats imprint in the form of the production phenomenon ‘Vultures’, part of his Quarter Inch EP, he solidified his status as a modern-day cosmonaut of digital audio workspaces. Sporting a delayed drop that had listeners firmly floored and was readily reproduced by a healthy helping of fellow beatsmiths, Chee racked up 1.2 million compulsive plays between the two major streaming giants. With stats like those and the wave of tracks that followed that were direct homages to this piece, ‘Vultures’ was a no-brainer for being in the top 10 of the year on our list.
-AB

9. Baauer – Magic

When Baauer unleashed his album Planet’s Mad, it was a moment. It’s rare that we collectively stop and truly tune into a release these days but that’s exactly what happened when Baauer debuted his latest album along with the accompanying visual. From group chats to social media, the feeling was electric. Baauer gave us a much needed escape from reality by sweeping us away into his alien world. Sonically, the project broke new ground defying genre barriers, while truly crafting an out of this world soundscape. ’Magic’ did justice to its name with a sound that felt otherworldly, enchanting and tribal. With pounding percussion and transcendent palettes it was pure ‘Magic.’ Combine its cultural impact with a Grammy nomination and it’s clear Baauer commands a spot in the top 10.
-C

8. Big Sean x Nipsey Hussle – Deep Reverence

“Fuck rap I’m a street legend.” Nipsey Hussle’s verse on ‘Deep Reverence’ is bittersweet. It’s a showcase of everything that made him so special; from his street mentality to his inspirational outlook. It’s magic to hear Nipsey but a sullen reminder of the tragic loss of life. ‘Deep Reverence’ shines in many ways, including pushing typical song structure aside. The hook only plays once but the power of the words are left ringing in your head. Big Sean proves why he’s one of the best in the game with a two and half minute verse that sees him navigating from mending ties with Kendrick following Nipsey’s passing, to family struggles, personal revelations and coping with depression. It’s honest, inspiring, and moving. ‘Deep Reverence’ rewrites the definition of a street single, crafting a work that’s catchy, captivating and fittingly deep.
-C

7. JOYRYDE – 4AM

While part of us thought the day would never come, the other part knew that bass music would change forever once JOYRYDE would drop BRAVE. That day finally came on April 3rd, and to the delight of many, exceeded all (high) expectations that we had. Despite featuring ‘I’M GONE’ in last year’s list, it would be unjust to exclude a contribution from BRAVE in this year’s list. Among the wide array of instrumental and vocal-driven tracks, none stood out more than ‘4AM,’ a monstrous bass house brute that is relentless in its energy and impeccable in its execution. ‘4AM’ is JOYRYDE at his finest, demonstrating why he is a pioneer in the bass house realm while also showcasing his ingenious approach to creating something fun. Aside from a couple of familiar samples, ‘4AM’ is pure bass house mastery, truly invoking the most profound goosebumps as one experiences the ungodly progression from start to finish.
-SC

6. Drake – Laugh Now Cry Later (Feat. Lil Durk)

It wouldn’t be a FUXWITHIT Top 50 list without at least one Drake record in the top 10. Clocking half a billion streams on Spotify and YouTube combined, ‘Laugh Now Cry Later’ isn’t Drake’s biggest record of all time but it was still an anthem (with a few Grammy nominations). It’s victory lap rap that would’ve rang off at every club (if clubs were actually open). Triumphant horns, breezy bars, Drake’s signature catchy singing and a Lil Durk feature make it impossible not to rock with. Drake is the king of Instagram caption worthy quotables and sharing intimate experiences that somehow resonate with us all. “Sometimes we laugh and sometimes we cry, but I guess you know now,” pretty much sums the year we all had, baby.
-C

5. Ekcle – Pearl Jigsaw

Some may be surprised to see ‘Pearl Jigsaw’ at such a high ranking on this year’s list, as Ekcle might not be a very well-known name to the average listener. That being said, the average listener needs to add Ekcle to their radar now, and ‘Pearl Jigsaw’ is only one of the many reasons. Transcending genres, styles, and sound with every new release, the UK-based duo have proven their mastery time and time again, evoking unparalleled emotions in each of their tracks while somehow pairing it with the perfect dosage of bass. As their first release of the calendar year, as well as my personal top Spotify track of the year, ‘Pearl Jigsaw’ is a perfect testament to this boundary-pushing mentality that Ekcle have embodied, and a single listen-through is sure to make you an instant fan of their work. I have yet to meet someone who has listened to Ekcle and been unimpressed, so I implore all to dive into their discography to get a full sense of their creative genius. Don’t miss out.
-SC

4. Apashe – Uebok (Gotta Run) ft. Instasamka

Despite it being an early release into 2020, we felt compelled to include a piece from Apashe’s sensational Renaissance album due to its absurd level of overall quality. Featuring a full orchestra throughout, this one was by far one of the most impressive bodies of work of the year, and past several years if we’re being completely honest, and ‘Uebok (Gotta Run)’ was our top from that field pick by a wide margin. With over 6 million combined streams on SoundCloud and Spotify combined, and over 8 million plays on its music video, it’s showcased the boundless artistry Apashe is capable of. Featuring some of the finest horns I’ve heard used in an electronic song, and a ridiculous hard dance switch-up to close out the track, listeners will be left on their toes and drooling from the audiophile buffet at their fingertips.
-AB

3. Kumarion – Want It

If you didn’t think this track was going to make our list, let alone break the top 10, you weren’t paying close enough attention. Easily one of the most frequently rinsed tracks by all the heavy hitters in the industry, Kumarion’s ‘Want It’ helped pave the way for a new chapter in the youthful career of this bass maestro. Transitioning from a bass-heavy approach, to more distinctly drum & bass flavors, it’s been one wild ride watching the exceptional growth in the productions and overall branding of this Seattle-based producer. Garnering almost 1 million total plays between Spotify and SoundCloud, this track reverberated through sound systems across the world to fans’ sheer delight. So how exactly did Kumarion give it to his fans? Just as they wanted it, apparently.
-AB

2. Cardi B – WAP (Feat. Megan Thee Stallion)

Love it or hate it, you can’t deny ‘WAP’ was a cultural reset. After months of quarantine, Cardi B and Megan Thee Stallion reminded us that we’re all still bad bitches. The song defied genres, in that, everyone and their moms were remixing it. People learned how to do the fuckin splits just to dance to it. But it’s more than just a rap song with silly lyrics about sex, this song is about female empowerment… and it deserves this #2 spot on FUXWITHIT’s Top 50 Songs Of 2020. It also has the numbers to back it up, for any doubters.

The song debuted at #1 on Billboard Top 100…. and is the first female collaboration to do so. It currently sits at 541,592,466 (and counting) streams on Spotify. It broke the record for biggest 24-hour debut for an all-female collaboration on YouTube. It was listed at #2 on Time’s Top 10 Songs of 2020. With the help of ‘WAP,’ Cardi B became the only female rapper with Hot 100 #1 singles in two different decades and GQ named Megan Thee Stallion Rapper of the Year. There are so many contributing factors to why this song is a hit… its brilliant sampling of Frank Ski’s ‘Whores In This House,’ the plethora of powerhouses doing cameos in the music video, or just that two of the hottest black women in rap collaborated on this catchy song. Whatever it is, we know ‘WAP’ will be playing long after clubs reopen.
-ALL

1. Flume – The Difference (feat. Toro y Moi)

This year has been a strange and eye opening experience, with each day holding its own challenges and obstacles. But one track in particular has given us all a reason to keep going. With the help of Toro y Moi, Flume’s ‘The Difference’ has become a worldwide sensation. Having more than 35 million plays on Spotify alone, it’s become a hit that transcends audiences and genres alike.

If you’ve been following the legend for a long time, this might have been a shock in the beginning. But a shock filled with awe and adoration. It surprised many to hear Flume’s take on the drum and bass genre, not to mention how uplifting it was. Nonetheless, it is truly a remarkable and revolutionary step for electronic music as a whole. Its effect goes beyond just the electronic world. Let’s think about how many non-electronic people will think “wtf is this rhythm?” or “what’s this sound?” while listening to this “pop” song, and, seeking answers, they’ll discover the amazing world of Flume’s discography, of drum and bass and weird electronic music in general. With this track, Flume has opened the doors of our world to legions of new fans, who in the future may discover and support acts like Quiet Bison, capshun, gyrofield and many others that graced this list.

It’s a perfect example of creativity that can inspire anyone who’s listening to it. We all see the track as a strong message to always have confidence and courage for what you believe in, regardless of other opinions. It’s our beliefs first and foremost, not outside forces that define us. We’re our own artists and we can paint our canvas of life however we feel.
-JD x AA

Words & selections by Alessio, Alex, Alshaan, Arielle, Colin, Jeremy, John & Steph.

FUXWITHIT Top 50 Songs Of 2020 Playlist

The post Top 50 Songs Of 2020 appeared first on FUXWITHIT.

50. Sheck Wes – Mo Bamba

Rounding out our Top 50 is none other than Sheck Wes. I know what you’re thinking, ‘Mo Bamba’ was released in 2017, how could it have possibly made the Top 50 of 2018 list? The answer is simple – this track was an absolute sleeper hit. Despite being released in 2017 via Travis Scott’s Cactus Jack label, Sheck Wes’ lead single didn’t take flight until its visuals were released at the bottom of January 2018. The 6 month gap between audio and visual release worked in Sheck’s favour in 2018. With Travis doing his own promo runs for the upcoming Astroworld, Sheck started to get the public co-sign from La Flame. To date, this song rings off in clubs, sports stadiums and concerts alike. The “chanthem” (chant-like-anthem) is absolutely infectious atop excellent production from Take a Daytrip and 16 yr old. Currently sitting at 98M views on YouTube and debuting at the 28th spot on the Top 100 Emerging Artists on Billboard, it’s safe to say that ‘Mo Bamba’ belongs in the top 50 songs of 2018.
-KK

49. k?d – A.I.

‘A.I.’ is a dramatic ensemble of industrial and hardcore electronic sounds with just a bit of a banger spirit. There is a lot going on in the track as it moves from compartment to compartment of steely lasers, chiseling snares, and growling bass. Saving it for his live shows, he left fans waiting with open arms to embrace this modern ‘Mr. Roboto.’ On the surface ‘A.I.’ is an expertly mixed track that showcases k?d’s ability to create tension and keep the energy up, but it also stirs up some interesting thoughts with its clean title and metallic flavor.
-MB

48. Tails & inverness – Skeleton (ft. Nevve)

Draped in the luxurious, silky-smooth vocals from Nevve, ‘Skeleton’ briefly dons the guise of a pop tune. As the cadence of the tune hastens, production subtleties begin to reveal themselves, providing just the right touch of texture for the cooing melody. As the commanding army of snares rises in tempo, the track takes an unexpected twist, launching into a radiant ensemble of bouncy descending bass notes, which flow almost effortlessly with the vibrant chorus.
-SL

47. Dillon Francis – We The Funk (ft. Fuego)

There are a lot of musicians that flirt with other genres or marry them together into their aesthetic, and Dillon Francis is one who draws from crossing the divide between EDM and Latin sounds. With ‘We The Funk’ featuring Spanish lyrics by Fuego, Dillon swirls together the effervescence of bachata, merengue, and other quick stepping yet graceful dance inspired genres and the bass of groovy, hip-hop into an EDM hit. ‘We the Funk’ is fresh and spliced with just the right amount of electronic zest and earthy bass.
-MB

46. Lil Baby & Gunna – Drip Too Hard

Of all the collab albums in the past year, this is easily one of the hardest ones. Lil Baby & Gunna have become household names with their individual hits (see: ‘Yes Indeed’ & ‘Sold out Dates’) but their collaborative effort Drip Harder was easily a compilation of their best work. ‘Drip Too Hard’ is one of those songs that you might sleep on, but once that melody on the hook grabs you, you will not be able to stop singing it. “Drip too hard, don’t stand too close, you gon’ fuck around and drown, off this wave” – what a way to celebrate all that drip. The streets loved it, the clubs did more and at the end of the day, these two dripped their way into our top 50 list at number 46.
-KK

45. Rich The Kid – Plug Walk

Rich The Kid had a great year with a well celebrated debut album titled The World is Yours. Some might argue that ‘New Freezer’ was a bigger single than our selection for number 45, ‘Plug Walk’ but this song went on to become pretty huge and is a certified bop. Not only did it have hilarious visuals to accompany it, but the song spawned several unofficial remixes before receiving a legit one. The single went on to a 3x Platinum certification and racked up 180M + views on YouTube.
-KK

44. deadmau5 – Monophobia (ft. Rob Swire)

In their first collaboration since 2009, deadmau5 and Rob Swire’s ‘Monophobia’ is the second coming of ‘Ghosts N Stuff’. Easily one of deadmau5’s most popular tracks in recent years, the nostalgic work combines Swire’s poignant vocals with the progressive sound of the Toronto-based artist. While both artists have been nothing short of busy in recent years with their own separate projects, ‘Monophobia’ is an extremely catchy jam that makes fans thankful to see the guys return to their roots.
-SC

43. SVDDEN DEATH – Behemoth

There is no denying that SVDDEN DEATH took the dubstep crown this year. Two insane EPs along with a handful of singles and remixes took the bass scene by storm, and essentially brought riddim to the mainstream. The creation of the initially-anonymous VOYD project was perhaps his biggest success, with his riddim plates becoming the secret weapon in dubstep sets across the world. ‘Behemoth’ was undeniably the most earth-shattering track from the project, showcasing SVDDEN DEATH’s sound design mastery and solidifying his reign at the top.
-SC

42. TYNAN & Kompany – Extraterrestrial

A haunting piano lead, eerily reminiscent of the build in a great horror flick presents a daunting welcome for the monstrous otherworldly collaboration between TYNAN & Kompany. A distant siren pulsates in the background as a sinister riser takes the reigns. Suddenly, the floor beneath you vanishes and you plummet into an industrial capacity shredder, armed to the teeth with rows of sharp cutting trap notes and massive bass hits, immersing you in a torrent of resonating frequencies and not a glimmer, nor hint of escape.
-SL

41. Laxcity – Sunset

It’s fair to say that SoundCloud knelt to Laxcity this year, and honesty it shouldn’t be otherwise. From major artists like Ekali, to simple fans like me, everyone has been seduced by Josh’s unique style. Every single piece of music he published was pure gold. This triumphant march will reach its summit on the 12th of December with the official release of his debut album Catharsis via Majestic Casual, which features all the impressive singles he dropped independently over the past 12 months. ‘Sunset’ isn’t between them, but it holds a very special place in my heart. I don’t know exactly how to explain my attraction to this track, but if you’ve ever experienced love at first sight, you can pretty much understand. The mix between lo-fi vibes and Laxcity’s own style triggers a reaction that fills my mind with idyllic visions and, like the mythological lotus, exchanges any worries and concerns with sweet dreams.
-AA

40. Tchami & Malaa – Kurupt

This double trouble duo came together in 2018 to give thirsty fans of house music plenty to sink their teeth into with No Redemption. The project featured memorable tracks like ‘The Sermon’, ‘Prophecy’, ‘Summer of 99’ and ‘Kurupt’. The latter is an energetic banger with moments of dark and creepy energy that peaks the interest of plenty of hardcore electro diehards. Tchami and Malaa also did a North American tour, hitting Red Rocks in Colorado where I was able to witness their amazing show. They have two enormous cubes set up on stage with with decks on each, as they rotate the spotlight, coming together to shred, and battling all within the same set. ‘Kurupt’ shows the duality perfectly in balance as Tchami’s lighter, bouncier house style pulses with Malaa’s ferocious bass tendencies.
-MB

39. G-REX & Dubloadz – Leviathan

Dominating, harsh cello strings set the mood for the beginning of an ancient tribal war dance, cautioning the inevitable fate which lies ahead. Following the long drawn out strings seamlessly, a brilliantly placed riser reveals the wonkier underbelly of the track. A crisp frenzy of synths cusps the growing rough energy in the tune, catapulting the track into a labyrinth built within walls of wonky bass and expertly timed vocal fills. Despite an overtly broken-down feel, ‘Leviathan’ flows like the rivers of the Ganges and packs a hefty punch that you’ll surely be feeling in the morning.
-SL

38. Keys N Krates – Flute Loop (ft. Ouici)

Posted to Soundcloud (for free download, which is still live) as a Boxing Day treat, ‘Flute Loop’ was our first taste of Cura. Tapping fellow Torontonian and ‘Love Again’ collaborator Ouici, the trio really let the party vibes and trap arms fly with this one. It is the unadulterated banger of Cura, at once capturing the cool creativity at the core of Keys N Krates’ new chill output, while still satisfying the most staunch supporter of their more killer catalog (‘Keep It 100,’ ‘U Already Know,’ ‘Dum Dee Dum,’ etc). Our only complaint? The 2:34 runtime. The fix? The new Live In Toronto version, with BADBADNOTGOOD’s Leland Whitty providing a stunning, sustained solo!
-OJ

37. Duke & Jones – Tusk

2018 was a huge breakout year for UK duo Duke & Jones. Much of the hype was created with their Deadbeats debut ‘Tusk’. The aptly-titled banger brought listeners into the depths of the jungle for a track that was minimal yet engulfing. It reminded listeners that a well conceived concept and clean production is all you need to create something special. Few tracks can devastate a club or festival while also taking listeners on such a captivating journey. With a stacked remix pack adding fuel to the fire, this one rocked all year long.
-CV

36. RL Grime – Undo (ft. Jeremih & Tory Lanez)

RL Grime has a knack for combining and transcending genres. With ‘Undo’ he opted to fuse sexy R&B, swagged out rap and hard hitting trap. With heavy-hitters Jeremih and Tory Lanez on vocals, RL created a song that’s both addictive and beastly. One second you’re singing along trying to seduce someone, the next you’re throwing elbows, going hard in the paint. What really makes this one stand out above all else is just how well the different dimensions worked together. ‘Undo’ never feels contrived and may be the truest embodiment of all of RL Grime’s musical loves.
-CV

35. Chromonicci – Let Go

Christian Crenshaw aka Chromonicci is one of the SoundCloud men of the year. With the release of the single ‘Into Me’ back in March he debuted as a singer on his own productions, bringing his already iconic niccibounce to the next level. After several problems and delays, his first EP Bounce Back saw the the light in September catalyzing the attention of the entire community (Do you remember the week when SC was all tinged in yellow?The Nicci effect). The five tracks of the collection are a clear snapshot of what the Chromonicci project has been and what it will be. ‘Let Go’ embraces this second path and projects us into the future, offering a first taste of the jazzy vibes that are going to dominate his future releases.
-AA

34. Travis Scott – Stargazing

Travis Scott had one hell of a year in 2018. We highlight a lot of his commercial success higher up in the Top 50, but this song here is easily one of the best on Astroworld. ‘Stargazing’ is a marvel from a production perspective alone. Sonically, the song is near perfect with deep drums that keep you at ground level, while the synthesized keys send you to outer space. The detail in the production, whether you are listening to the first or second half, is pretty great. You can hear wolves howl to the moon while La Flame’s distorted vocals push you in and out of a state of euphoria. The second half is a straight up trunk shaker that continues the otherworldly vibes. Travis skates all over the beat detailing his triumphs on stage, the women, the fame and the drugs.
-KK

33. Pigeon Hole – Wolves

For many this was their introduction to dope duo Pigeon Hole, and what a menacing welcome mat it is. The lead track from their Noise Parade EP plays out like a trip down a long dark tunnel; breathless and spine-tingling, knowing all along there is no light at the end, but rather a fearsome figure looming in the shadows. You know the drop is coming, but there’s no way to prepare for its obtuse obsidian nature. It’s as though all the darkness in the world drop-kicks your soul after the ch ch ch pom pom pom. All that darkness aside, the electric energy the drums have built into their design is exactly the reason ‘Wolves’ hasn’t opened up a black hole. Big and bad, this blows hard enough to knock down any house, pig-built or otherwise…
-OJ

32. sfam & TVBOO – dahshigo

Supplying the experimental bass realm with more than ample ammunition of peculiar bass-clad tracks, ‘dahshigo’ furnishes the opportunity for two undeniably talented styles to coalesce and evolve into a beast of its own. A tuned-out, stripped down vocal loop haunts the backstage of the track, leaving you questioning the logical procession of time, as a descending pattern of alternating snares hurls you into a convolution of immersive bass waves and tight percussion fills.
-SL

31. Apashe – Majesty (ft. Wasiu)

Leading the Requiem EP, an ode to Amadeus, with the line “I’m the shit, use your throne as a toilet seat” is one hell of a statement. But here we are still slurping this sensational superciliousness, throwing our arms up in revelry as his holiness hits us with those strings and that choir. Wasiu’s disdainful delivery works wonders atop the truly awesome musical bed of ‘Majesty’, deserving of the vaunted comparison to Mozart. A wildly epic triumph that, regardless of time or place, will leave you feeling like king shit.
-OJ

30. Alexander Lewis – Clockwise (ft. Nick Row)

‘Clockwise’ harnesses the immense raw, majestic power of the trombone to build waves of momentum, which flow in dazzling synchronicity with the vocals from Nick Row, before culminating in a resounding complexion of poignant horns and low definitive trombone blasts. Bordering the fringe between genres, it is arguably one of the most exquisite pairings of traditional instruments, hip-hop vocals and a modern electronic twist. ‘Clockwise’ is a masterclass in genre-fusing, producers take notes.
-SL

29. Just A Gent – 404

A riveting fringe within the continuum of electronic music, ‘404’ builds upon a puzzling complexion of mesmerizing synths, which waiver with ease into a thundering barrage of muffled kicks. The perplexing melody circles back, masking a harsh vocal sample which draws the crescendo to a delicate close, while simultaneously disinterring a bombardment of harsh reverberating synths and incisive cuts, breathing an unparalleled level of depth to the track.
-SL

28. thook – Forest

Toronto trap titan thook cemented his status as one of the most talented up-and-coming producers in 2018. Each and every one of his releases from ‘BRAIN STORM,’ to ‘Voidless’ and any of the cuts off his QGR EP could’ve commanded a spot on this list. But after much consideration we had to go with ‘Forest’. The track kicked off the year with a bang and put everyone on notice of what was to come. It perfectly demonstrates what makes thook so special. The unique, almost cartoony, sounds are balanced against gritty bass and a war-ready energy. The sound design is stupefying without being too in your face. Like all of thook’s work it packs a wide range of diverse samples and sounds to make it special. There’s something to be said for producers who can balance intense originality, while still making music that goes off. thook has this intersection mastered.
-CV

27. ATLiens – Interstellar (ft. Sarah Skinner)

One of the heaviest and most beautiful productions of the year, ATLiens have scored a sensational slice of modern music, bridging trap, future bass and dubstep in an exceptional experiment. As many twists and turns as the Christopher Nolan film of the same name, even with a map you wouldn’t be able properly prepare yourself for this epic journey. Deft design leads the two unique drops with plenty of room for the organic instruments to play in the other sections. And while the drops will leave your jaw on the floor, their power would be nothing without the bristling bass guitar and hollow drums, especially noticeable in the final 30 seconds.
-OJ

26. Oski – Killa

“Don’t-Don’t-Don’t-Don’t fuck with me” the vocals that proceed the second drop fire out like a warning shot to producers, while the beast that is ‘Killa’ reminds them why they simply can’t. The knife-centric artwork is fitting for the razor sharp banger. One of Quality Goods Records’ standout releases, ‘Killa’ is the definition of a trap banger; it’s in your face, raw, and the bass will leave brain bent. 9 months after its release and the track is still lighter fluid to any DJ set. In a time where futuristic feels quickly become stale, Oski managed to cook up a timeless bass beast that will never wither.
-CV

25. Phlegmatic Dogs – Cuatrocats

Phlegmatic Dogs have quickly become Night Bass favourites with their unique sound design and insanely catchy beats. Every single one of their tracks gets rinsed by a number of artists across genres, and ‘Cuatrocats’ is perhaps the most representative of this statement. A gritty house banger highlighted by groovy basslines and crisp percussion, ‘Cuatrocats’ has sneaked its way into the most unexpected sets. While one would expect this track to be played by the likes of Tchami, Wax Motif and VOLAC, it has also been included in the midst of dubstep and bass sets from artists such as Flux Pavilion, Dubloadz, and KRISCHVN. A truly versatile banger, ‘Cuatrocats’ is further proof that Phlegmatic Dogs will have a massive 2019.
-SC

24. UZ – Rebirth

UZ’s Rebirth album saw the trap king return to his throne. The project was a testament to the past, present and future of trap music. The title track instilled this into three and a half minutes of musical mastery. From the shadow clad mystique of the intro, to the pounding bass and signature 808s, ‘Rebirth’ is UZ in his truest form. It packs the slapping simplicity that made his ‘Trap Shit’ series iconic, with a more adventurous and refined approach. ‘Rebirth’ is yet another jewel in the trap king’s crown.
-CV

23. TroyBoi – Frustrated (ft. Destiny)

If you’re looking for an artist that embodies originality and staying true to themselves in light off massive success, look no further than TroyBoi. The UK producer has skyrocketed to success in the past few years; from tours around the world, to crushing festivals, to a residency in Las Vegas. While most artists reaching this level are quick to sell out and explore the pop world, Troy remains himself, keeping his music as weird as ever. His V!BEZ EPs showcased his dynamic range, personifying his signature sound while allowing room for expansion without compromise. The standout single from V!BEZ Vol. 2 ‘Frustrated’ showcases this perfectly. From the heart-rending strings and touching vocals to the wonky bass blasts and ‘My Style’ stutters, TroyBoi creates a track that is as emotionally gripping as it is banging. TroyBoi is an artist in the truest sense and ‘Frustrated’ is picturesque.
-CV

22. San Holo – lift me from the ground (ft. Sofie Winterson)

San Holo and his bitbird imprint have flown high this year. They’ve set up one of the most qualitative and recognizable indie brands in the scene, that had its climax with the release of the widely celebrated, instant classic, Album1. Future Bass is just a distant memory within this LP, but some echoes can still be found in the magnificent ‘lift me from the ground’. Not by chance, indeed, San Holo himself has stated “this song always felt like a banger to me. I wanted it to feel very energetic and uplifting, and sound massive when played out live.” Despite the fact that it could be considered one of the most pop songs of the collection, we’re far away from the flatness that rule most pop charts. Sound selection and orchestrated vocals are on another level that looks down to the millions of soulless industrial products.
-AA

21. Chance The Rapper – I Might Need Security

With a beat built around a looped “Fuck You” vocal sample, ‘I Might Need Security’ saw Chance in his bag going in. Lyrically it’s one of his best works since his verse on ‘Ultralight Beam’. He flexed his wordplay skills with bars like, “They think they Heath Ledger scary, they just Jack Nichols/I’m a sign to my city like the Bat-Signal/Young chosen one, golden boy, De La Hoya/It ain’t too many me’s, rest in peace to Verne Troyer” while reminding the world about his importance, “I’m the real deal/Who taught all these rappers that a big deal’s not a big deal?/Inherited the earth, popping wheelies on a big wheel.” The combination of top notch bars over a beat that makes “Fuck You” sound like a thing of beauty made this one exceptional. Add in the Arthur inspired artwork and you’ve got one of the best rap songs of the year.
-CV

20. Ekali & ZHU – Blame

Back in January, Ekali and ZHU were two artists that a lot of people were betting on this year. With ‘Blame’ they’ve found the perfect common ground where their exceptional, yet vastly different, styles shine together, shaping the stereotype of the perfect vocal bass anthem. If the original is too glittering for you bassheads, then you’ve got the NGHTMRE remix, which adds that gritty touch necessary to make you a happy head banger.
-AA

19. Kanye West x Kid Cudi – Reborn

While Kanye West & Kid Cudi’s KIDS SEE GHOSTS album was met with mixed reviews, the project spawned one of the biggest anthems of the year in ‘Reborn’. We saw Kid Cudi in his finest form in years delivering a hook that possessed a spiritual and inspirational energy that was sure help you through whatever 2018 threw at you. Kanye came through with arguably his best verse of the year. It’s open and honest, while taking on haters and sprinkling in clever wordplay. It’s one of few moments where Kanye truly seemed self-aware and present. Cudi’s powerful, yet simplistic vocals drove this to its apex. while the production perfectly complemented the vocals at the forefront. Whether you were fighting personal demons or just looking for a little extra inspiration to get you through your days, ‘Reborn’ was a warm coat on the coldest night.
-CV

18. BlockBoy JB – Look Alive (ft. Drake)

I remember the day this song dropped, it was the day of our FUXWITHIT 4 Year Anniversary party at Nightowl in Toronto. As soon as it dropped, I threw on my headphones and listened. I didn’t realize that when I heard “TayKeith fuck these n*ggas up,” I was in fact going to get fucked up. The beat hit hard off the jump and I knew it was going to be a hit. First, let’s just address the fact that Drake’s co-sign is better than money for these upcoming rappers. Not only did this song put Blockboy JB on the map, but it gave him a 3x platinum certification on his first real single. This song was absolutely huge. It became a chart topper overnight, had the streets fucking with it pretty heavy, and DJs still have it in their Serato. Beyond that, this song went viral with the shoot dance that had everyone acting a damn fool. This song also launched TayKeith’s career who produced many hits after this track soon after (see: ‘Nonstop’ and ‘Sicko Mode’). 901 Shelby Drive, look alive, look alive!
-KK

17. A$AP Rocky – Praise The Lord (Da Shine) [ft. Skepta]

Rocky’s latest album Testing kind of came and went quietly despite having a pretty solid tracklist. But one of the fifteen tracks from the album became a serious bop. Carrying on with the flute beats we’ve all come to love and an excellent feature from UK grime boss, Skepta – ‘Praise The Lord’ is another one of those chanthems that delivers in energy, flow and vibe. Both Rocky and Skepta float all over the beat and, closer to the end of the song, trade bars back and forth, giving the track a nice late 90’s and early 00’s feel. Certified banger.
-KK

16. Cardi B, Bad Bunny & J Balvin – I Like It

Aside from Drake, you’d be hard pressed to find an artist who had a better year than Cardi B. Anchored by the release of her freshman album, Invasion Of Privacy, she became a critic and fan favourite and reached number one slots on the Billboard 100 list. ‘I Like It’ was one of those tracks, but powerfully stood out from the rest. Featuring Puerto Rican artist Bad Bunny and Colombian singer J Balvin, it paid homage to her Latin heritage by using the classic bugaloo sample. Producers Craig Kullman and J White blended salsa and trap as well as hip-hop elements to create one of the songs of the summer. ‘I Like It’ is quintessentially Cardi B with her tough verse listing luxurious items and envy of others, catchy chorus, and Spanish feature verses leaving us forever rhyming “pinatas” with “dollars” and relishing the one liner “I spend in the club, what you have in the bank.”
-MB

15. Mura Masa – Complicated (ft. Nao)

I really, really don’t understand why ‘Complicated’ has passed somewhat unnoticed. Let’s be honest, it’s perfect. It has literally everything necessary to be a planetary hit under both technical and emotive points of view. The impeccable orchestration (who doesn’t love a mix of fluttering melodies, drums, a beautiful voice, vocoder and an upbeat rhythm?) should be subjects of study in production schools. Its ability to paint such vivid scenes that, in a matter of seconds, carry our minds from our daily routine to a colorful Caribbean paradise should be an example and inspiration for every artist. I saw quite a lot of people arguing that ‘Complicated’ is basic for Mura Masa’s standards. Now, tell me, why someone can’t keep things ‘simple’ as long as they work?
-AA

14. J. Cole – KOD

With KOD Cole embraced the trap sound that’s taken over rap, while shining the light on the darker sides of fast fame and drug addiction. The album’s standout hit was also the title track. With a snapping beat, impeccable flows and braggadocios bars Cole crafted a banger that saw plays in the club, on the radio and on the internet (nearly 150 Million on Spotify alone). The track also saw Cole addressing the wave of people asking why he doesn’t have more features on his albums with the unforgettable lines, “How come you won’t get a few features?/I think you should? How ’bout I don’t?/How ’bout you just get the fuck off my dick?/How ’bout you listen and never forget?/Only gon’ say this one time, then I’m dipped/Niggas ain’t worthy to be on my shit”. Yeah, this is hard as shit.
-CV

13. QUIX – Storm (Hydraulix Remix)

Until this year I didn’t think it was possible for an artist to make a QUIX track harder and more menacing. But Hydraulix proved me wrong with his remix of ‘Storm’. Pushing sound design and the definition of what a banger is to extremes, Hydraulix delivered one of the most potent and brutal bass tracks of the year. The first drop feels like being swept away in a tsunami, buried at sea and then getting resurrected by lighting. The second drops you into Mortal Kombat for a flawless victory, complete with a gut wrenching fatality. From his Kingdom EP to collabs with Oski, Rickyxsan and Eliminate, Hydraulix continued to take the bass music scene by ‘Storm’ and this remix stood out the most amongst an impeccable crop of releases.
-CV

12. G JONES – Understanding The Possibility

On par with SOPHIE’s debut album, The Ineffable Truth is one of the highest peaks that human creativity reached this year. I can’t really understand how a member of my own species can think and, above all, write such a rich and complex composition. ‘Understanding The Possibilities’ is not only about going harder and harder, it actually has a sensitive side that expresses emotions and even some kind of glee, before turning into pure, beautiful chaos. Although, of course, the main attractions are the multifaceted wild drops, true heavy weapons that shatter time and space shaping a new kind of reality, where we can finally find the ineffable truth.
-AA

11. Excision & Space Laces – Rumble

Excision and Space Laces’ chemistry is undeniable. Having worked together so many times in the past, everything they touch seems to turn into a hit. While ‘Throwin’ Elbows’ was the dubstep track of 2017, ‘Rumble’ took the crown in 2018. The combination of insanely catchy pre-drop vocals with raw bass and pristine sound design brought this track into the sets of all bass producers in the game. The support on ‘Rumble’ is unlike any other in the dubstep realm, and it also initiated the return of Space Laces. 2018 saw the production genius deliver an EP and a mix filled with tons of his innovative IDs, two unprecedented events in Space Laces’ history.
-SC

10. What So Not & Skrillex – Goh

What So Not and Skrillex’s highly anticipated collaboration ‘Goh’ finally saw the light of day in the former’s impressive Not All The Beautiful Things album. Although the project was filled with incredible and influential tracks, ‘Goh’ took the cake as our standout of the album. Capturing the essence of two of the most talented producers in the world, the track combines What So Not’s incessant outpouring of emotions and Skrillex’s signature take on trap with the impeccable production one would expect from the pair. Tied together with KLP’s poignant vocals, ‘Goh’ has become a crowd pleaser in sets everywhere due to its creative balance of energy and feels, as well as its contagious, lively vibes.
-SC

9. RL Grime – Pressure

The author of some of the most fire trap beats in the last decade, RL Grime can seemingly do no wrong. However, even the best of us benefit from help here and there. After playing a version of ‘Pressure’ at EDC 2017, we finally got our hands on the final product this July thanks to help from co-producer Boys Noize. An undeniable power couple, their sonic skills play front and centre as they build the track into the most powerful transformer we’ve ever experienced. Formed by heavy metal machinery, it is a Frankenstein-esque creation, bringing: more high octane horsepower than the latest Lambo, more destruction than Godzilla brandishing a pair of wrecking balls and more malice than Machiavelli. TL;DR: This track is an absolute monster, one that’s haunted our dreams long enough to take it into the top ten.
-OJ

8. Pusha T – Infrared

Terrence had a great year. It’s hard to put the Drake beef aside, but Pusha T put out arguably the best rap album of the year, which went on to be nominated for a Grammy. Coming in at number 8 is track 7 from Daytona. ‘Infrared’ is a one verse, two minute and fifty second thrashing that comes at the end of his album. To solidify his position in the ongoing feud with Drake and Wayne, Pusha unleashed bars aimed at the OVO and YM brand champs respectively. Not only did this track go on to give us a highly publicized beef but it also garnered some shine for the G.O.O.D. Music President (much needed considering Kanye has been on one for the last year and a half). The precision in the punchlines and raw delivery reminded us that lyrical rap is still as potent and important as ever in 2018.
-KK

7. 4B x Teez – Whistle

The first release on DJ Snake’s PREMIERE CLASSE label, ‘Whistle’ became the song of Ultra before becoming one of the most played tracks of the year. Jersey Club has been around for quite some time, and 4B has been a key player in the genre for years now, but ‘Whistle’ put the genre, as well as Teez, back on everyone’s radar. The aptly-named track meshes hard hitting Jersey drums with a whistling lead synth to create one of the most rinsed tracks of 2018. The unique ‘Whistle’ was played in clubs and festivals around the world, weaving its way into the most versatile setlists, which is why it earns the seventh spot on this year’s list.
-SC

6. G-REX & Peekaboo – Babatunde

You’d be hard pressed to find two producers who had bigger breakout years then Peekaboo & G-REX. Their unique and insane sounds helped propel experimental bass music into becoming one of the most exciting and well respected genres in electronic music. Coming together on ‘Babatunde’, the duo delivered the bass record of the year. From the ominous and haunting intro to drops that could cause earthquakes, this record was on another level. It proved the power of minimal freeform bass and that great sound design and stripped down sounds can produce something beyond exceptional. From Skrillex and Flosstradamus, to Alison Wonderland and even The Chainsmokers, if a DJ was looking for that one track to absolutely kill crowds, ‘Babatunde’ was it.
-CV

5. SOPHIE – Faceshopping

When SOPHIE released ‘Faceshopping’, producers of all genres were raving at the originality and sound design behind the track. Having produced for the likes of Madonna, Charli XCX and Vince Staples, there’s no denying the creativity behind SOPHIE’s works. Along with these production credits, the surrealist artist released her debut album OIL OF EVERY PEARL’S UN-INSIDES this year (which commanded a Grammy nomination), with ‘Faceshopping’ shining atop other impressive tracks. The sophisticated, hyper-kinetic sound that is so unique to SOPHIE is a showcase of her nonconformity as a producer, and while ‘Faceshopping’ may not have been a radio or club hit, the genius behind the track is not to be left unnoticed. ‘Faceshopping’ is the most unique and adventurous song of 2018, there’s truly nothing like it.
-SC

4. Childish Gambino – This Is America

Childish Gambino set the internet on fire with ‘This Is America’. The track made us actually care about music videos again as we watched the powerful visual over and over again with wide eyes. Seeing the video and hearing the song for the first time was an experience. What starts with a laidback, almost fun-loving approach quickly turns dark, as cheery guitars and precise dance moves lead into an execution and banging trap beat. Throughout the song and video Gambino uses juxtaposition to create a powerful and stark audio and visual work of art. It’s a brutal social commentary that doubled as a simple banger. Adding in adlibs from Young Thug, 21 Savage, Quavo, Slim Jxmmi, and BlocBoy JB made this so 2018. In addition to quality and impact of the track, it became a super smash. The video clocked nearly a half a billion plays, it dominated radio, festivals and clubs alike. We’d have to be slippin’ to not put this in the top 5.
-CV

3. FISHER – Losing It

FISHER doesn’t need an introduction. The surfer-turned-producer exploded onto the scene with his groovy tech house jams last year, before dropping ‘Losing It’ in July and instantly becoming an international sensation. According to 1001Tracklists, ‘Losing It’ was first played out in May by Chris Lake at EDC, and has since made its way into almost 600 official sets. The emphasis is on the word official, as ‘Losing It’ is a track played in nightclubs around the world, daily. FISHER’s minimal yet infectious sound captivated the ears of club-goers everywhere, as well as some of the most influential people in the world, breaking outside the realm of dance music and into mainstream pop culture. It has also been reworked by producers everywhere, with the remixes from Yvng Jalapeño and Odd Mob recently giving the track a new life. Its global acclaim from artists and fans ultimately puts ‘Losing It’ at the third spot on our list, and earns the spot as the top electronic track of the year.
-SC

2. Travis Scott – Sicko Mode (ft. Drake)

“Sun is down, freezing cold” the opening line to Travis Scott’s third track on Astroworld, uttered by none other than Drake. ‘Sicko Mode’ was everywhere this year. If you didn’t hear this song chances are you didn’t leave the rock you live under, ha! The song, from a production standpoint, was able to include elements that resemble an amusement park (Astroworld a reference to Six Flags’ amusement park of the same name). Essentially, it’s a total fucking roller-coaster ride. Starting with the opening horns, to the distortion that leads into Travis’ verses to the TayKeith produced and Drake assisted banger that rings out, this song is an absolute ride. You start with a slow build, jump into the loop-de-loop and then right into the massive drop. The track was received incredibly well immediately, spawning a viral chain reaction and immense success. Beyond that, ‘Sicko Mode’ eventually got a mind-bending video that only added to its impact. Track 3 from Astroworld comes in at number 2 for the Top 50 tracks in all of 2018 – tell me I’m wrong, go ahead, I’ll wait.
-KK

1. Drake – God’s Plan

2018 was Drake’s year, again. Possibly the biggest and best year in his unprecedented nearly 10 year run, 2018 saw Drake running the game. He went toe to toe with one of the greatest lyricists in rap, dropped the stellar album Scorpion and sold out stadiums around the globe. The album’s standout hit ‘God’s Plan’ was undoubtedly the song of the year. Drake did what he does best, crafting an absolute anthem that was absurdly catchy, relatable and instantly loved. It’s impossible that you went to a club or party this year and didn’t catch yourself screaming, “She say, ‘Do you love me?’ I tell her, ‘Only partly’/I only love my bed and my momma, I’m sorry.” If numbers are your thing, the track raked up over 2 billion streams on Spotify and YouTube alone. This was my favourite song, your favorite song, your mom’s favourite song, your girl’s favorite song, your 10 year old cousin’s favourite song. Drake’s ability to appeal to everyone while still making quality music is what has made him the biggest name in music. Bump ‘God’s Plan’ below and tell me you’re not hit with a flood of memories where it played in the background.
-CV

The post Top 50 Songs Of 2018 appeared first on FUXWITHIT.

50. Sumthin Sumthin – Moves (feat. Snowy)

Quality Goods Records’ sumthin sumthin was responsible for some of the most interesting and heavy-hitting bass records of this year. Easily his biggest standout to date is the Snowy assisted ‘Moves’. It’s grime meets trap in the filthiest way imaginable. Snowy’s aggressive, slap you in the face bars are backed by a beat that’s just as abusive. This is a flamethrower of a record that scorched everything in its path.

49. Karluv Klub – Love Addicted

Dubbed The Dark Lord by labelmates and Kannibalen Record’s founders, Black Tiger Sex Machine, Karluv Klub is not for the weak of heart. This hardstyle, dark-electro artist crafted ‘Love Addicted’ as some heinous franken-bass monster for Kannibalen’s annual All I Want for Christmas is Bass compilation. With driving, growling bass, and barking dog samples stitched throughout, the rhythm only breaks to showcase Karluv Klub’s ominous sound library, like the gentle tinkling of broken glass, heart-beat-like percussion, and shrill chimes which melt back into the swelling tide of the second drop. There are plenty of surprises to be had that only make fans more eager for a reported fresh original release in 2018.

48. DMVU – Bloccd

Despite being released last December, this was easily one of THE Deep, Dark & Dangerous tunes of the year! A large number of bass artists would drop this one when things were beyond hyped up, and everything would instantly subdue into a super-low, warbling mess of darkness for a brief moment – subwoofers, vibes, and dancers alike. Mad respect to the low-frequency explosions heard throughout, for making the track stand out in the way that it does.

47. Tchami – Adieu

Holy father of house, Tchami built on his continued success primarily through his label, CONFESSION, and killer collaborations (with AC Slater, Malaa and others). However, arguably his biggest impact came from the solo single, ‘Adieu.’ It is a truly divine dance number that while pulling from house’s past, still succeeds in striding ever so confidently forward. His strength in sound design is ever present and all powerful. The supernatural thread runs further with the echoing vocals being cast down through the breaking clouds. In a year when things have seemed darker than ever, it’s comforting to know that house is in such hallowed hands.

46. Richfellow – Rouse

Jadū Dala has made an indelible impact not just on how labels operate, but the overall quality of trap and club tracks. One of its most important members, Richfellow, has not just contributed on the back end as co-founder, but brought about one if its most inventive and game-changing releases. ‘Rouse’ is like much of Jadū, an incredible mixture of sci-fi and magic. Richfellow’s success stems from his ability to turn utterly alien sounds into a viable club killer through ingenious interplay. We’ve said it before but it warrants another go: do not sleep on Jadū Dala.

45. thook – 8 Zone

There are some rare talents on this list but no one but thook could draw comparisons to the inimitable master of Moogs and sovereign of the synth, Wendy Carlos. Their efficiency in experimentation is unparalleled. They are both able to draw out dozens of feelings with each subsequent sound. Just like the iconic title music of A Clockwork Orange and The Shining, ‘8 Zone’ instantly transports you to an intelligently crafted landscape, chalk full of colourful characters and wild peculiarities. In this case I see it as an insane mixture of medieval and neo-noir, with just a sprinkle of steampunk. But don’t let me cloud your crazy journey, flip off the lights, crank thook and disappear into his ‘8 Zone’ for yourself.

44. TroyBoi – Tender Love

TroyBoi basically took over the world this year. Not only did he release his much anticipated debut album Left Is Right, but he added an obscene amount of other material including several that narrowly missed out on this list. Whether it’s the strings or the ballsy bass, TroyBoi’s productions always ooze with an unprecedented aplomb. They are upright and proper while still being able to invoke all kinds of unkempt and indecent dance moves. ‘Tender Love’ is the perfect example of this. You can’t help but feel the strings swell in your heart, as TroyBoi’s tenacious percussion and effects pulverize you like some kind of patsy.

43. Falcons – Want Your Body

When we wrote about this track in July we said it had a “day time drinking on the white sand vibe.” While the white sand has been replaced with fluffy snow, the jungle warmth still runs deep. It works just as well striding through the urban jungle as it does an actual one. Its energy ignites images of old school raves and banging block parties, full of love and frivolity. If it brings about familiar feeling, it’s probably because you heard it in RL Grime’s Halloween mix or maybe even ahead of its release, courtesy Ekali’s episode of Diplo and Friends.

42. Whethan – Love Gang (feat. Charli XCX)

2017 saw the genres of electronic music and pop blending more so than ever before. While we would usually write off this fusion, there were a handful of artists who proved pop music can actually be great (really). With ‘Love Gang,’ Whethan made this undeniably clear. Hooking up with Charli XCX, it combines syrupy sweet vocals, killer guitar riffs and festival ready drops. Even if you usually veer toward harder hits, this one will have you claiming that ‘Love Gang’.

41. Wiley – Speakerbox

With Grime’s popularity at an all time high globally, Wiley returned to remind the world that he is The Godfather. The standout single ‘Speakerbox’ perfectly encapsulates Wiley’s grind and come up on wax. From the days when he, “used to push buj with the flake out,” to booking flights to New York and going nationwide and now global. The storytelling, unchained delivery, rugged beat and inspiring hook equate to a record that’s part club banger, part street banger and part motivational. More than anything it’s a heavy reminder that Wiley is the OG of the grime scene and is still as sharp 15+ years deep.

40. Black Tiger Sex Machine – Hell Motel

This highly anticipated single was released early on in 2017 by none other that the dark priests of electro, Black Tiger Sex Machine. ‘Hell Motel’ is a fierce and fiery track centered around droning synths, punching snares, and of course, lusciously dark bass. Along with a quick tempo, blistering effects, and ghoulish howls, the only lyrics implore you to ‘take the shot’. The energy of this track is other-worldly, and is even more enigmatic live – trust me. Released ahead of festival season, BTSM made heads bang and roll at all the festivals they played for with this atramentous anthem.

39. Marten Hørger & Neon Steve – You Don’t

You don’t want to fuck with this one! Straight off of Shambhala’s 2017 Fractal Forest Compilation is a club favourite you likely heard several times in DJ sets – particularly around the time of its inception, in the dead heat of festival season. Steve and Marten made a catchy banger which went off more than people came to realize, but instantly recognized, especially when it was unleashed at Shambhala Music Festival’s 20th anniversary celebration this past summer.

38. A-Trak & Baauer – Fern Gully

Two names not just at the top of the alphabet, but at the top of both the production and DJ games. Their B2B tour must’ve been all kinds of 90s nostalgia, since it spawned ‘Dumbo Drop’ and its A-Side ‘Fern Gully.’ Right from the get go, the wild and enchanted rainforest springs to life with heaps of magic animal energy. And like its namesake rainforest, it’s chock full of previously undiscovered organisms; the list of elements used in ‘Fern Gully would run longer than this countdown. Just be careful not to get lost in gorgeous grooves, or groves for that matter.

37. Grandtheft ft. Delaney Jane – Easy Go (Pham Remix)

Is it possible for a single sound to make a track can’t miss? The answer is yes. Sure Grandtheft and Delaney Jane’s ‘Easy Go’ was already a hit, but Pham’s phantasmagorical sound design, especially in the drop, takes the pop production to a whole new world. The once bright and burnished tune gets turned on its head with an even more emotive and ridiculously warped feel. There’s just something indefinable about what Pham’s done with this. It’s more than just the cold atmosphere, the almost electric crackling mood, the deadened drums or even that twisted and tortured synth. It is yet another example of the sum being greater than the whole of its parts. Good luck trying to get through this one without some sort of heart palpitation or emotional outburst.

36. DJ Khaled ft. Drake – To The Max (Thugli Remix)

This track remains a bit of a mystery. First, the original experienced legal issues due to uncleared samples. This may have led to its surprising low performance on the airwaves and elsewhere, as it was largely forgotten. We even called it the “summer smash that never quite happened.” But then came Thugli with one hell of a resuscitating remix. Where the original bumps, this one bangs. It used to be club friendly, but now it’s a club classic. Whether you love or hate him, kudos have to go out to Khaled for cultivating the various samples, and further to Thugli for propelling them to their full potential.

35. ODESZA – Late Night

ODESZA has outdone themselves again for yet another successful year, especially with the release of their latest album, A Moment Apart. The magical vibe that they inject into each song stands out excellently here, especially paired with the bold guitar riffs lurking closely behind. Song aside, the accompanying fan-made music video also brings fond memories of what we went through this past year, whether by ourselves, or together with those around us.

34. DJ Envy, DJ Sliink & Esentrik – Text Ur Number (feat. Fetty Wap)

Press play and let all that Jersey goodness glide over you. This is just about as all-star a lineup as you’ll ever see. Each one of these artists is elite in their own right so it’s only fitting that such a collaboration would result in such a success. There’s that unmistakable Fetty croon, and boy does it work with the triple production threat’s fantastically fun foundation. It’s equal parts pop pleaser and club killer. The best part: it never gets stale. Envy, Sliink and Esentrik each keep the track fully fresh and oh so fun. And that’s truly the most important element of music, fun.

33. Lido – Murder (Alexander Lewis & Y2K Remix)

Our love for Lido is well documented, and his Everything remix package served up several nominations for this list. However this one rubbed the rest, a la Tony Soprano. 2017 has been the year brass found its way into EDM, and boy did the likes of Brasstracks and Alexander Lewis prove its viability. The allure of Lido’s original still stands strong throughout, while Lewis and Y2K work their magic adding trapped out tricks and treats. The first drop is nice, but the second is what cements this as one of the tracks of the year. The mixture of brazen brass and diabolic drum work transforms ‘Murder’ into a meritorious masterpiece.

32. Zeds Dead x Illenium – Where The Wild Things Are

This was a flawless blending of two artists who generally contrast each other quite widely. Illenium’s mystical transcendence leads up the song with an air of absolute serenity in his future bass style, whereas Zeds Dead follows through and brings down the roof in the best way they know how – with forward-thinking space-inspired bass, reminiscent of their Bassmentality days. The powerful vocals tie together everything perfectly, creating a hybrid masterpiece that should not be looked over.

31. A-Trak – Believe (ft. Quavo & Lil Yachty)

Don’t let the toy box opening fool you, this is no mere plaything. A-Trak once again shows his he’s not just a world class DJ, but a potent producer to boot. His ability to straddle EDM and Hip Hop is largely unparalleled. The bed he build for two of the hottest commodities in Quavo and Lil Yachty is nothing short of genius. While it may seem relatively simple, it’s actually quite intricate and suits their respective flows perfectly (check out the making of video here). Once again we’re treated to a masterful mix of pop appeal and club consciousness.

30. Stormzy – Big For Your Boots

While Wiley may be The Godfather of grime, Stormzy is looking like the prince. The lead single off his debut Gang Signs & Prayer, ‘Big For Your Boots’ was a massive smash clocking over 40 million plays on YouTube alone. The production is both infectious and epic, perfectly pulling back to punctuate his bars and then coming back harder. Stormzy shines bright coming with a forceful delivery and strong bars. ‘Big For Your Boots’ was a strong reminder that grime has arrived and isn’t going anywhere soon.

29. Brasstracks – Brownstone (feat. BXRBER)

Brasstracks had another massive breakout year in 2017. After picking up a Grammy for their 2016 work on Chance The Rapper’s ‘No Problem,’ their star was burning brighter than ever before. They took the newfound fame in stride, pushing it aside and doing what they do best: creating incredible music. While their entire For Those Who Know Part 1 EP was stellar, ‘Brownstone’ stood out above all. The production is masterful, fusing their signature future brass sound with elements of hip-hop and R&B. BXRBER dances over the beat, singing a beautiful ballad dedicated to Brasstracks’ true love: New York. It’s an incredible concept record filled with clever wordplay like, “And now I can say that I stayed the night, and I got the t-shirt I paid the price, and you look so damn good that they say you twice, cause you be the blueprint like when Jay Z rhymes.” You’d be hard pressed to find a better written and produced record anywhere.

28. Big Sean – Sacrifices (feat. Migos)

Coming off Big Sean’s I Decided, ‘Sacrifices’ sees the Detroit MC as sharp as ever as he runs through the ‘Sacrifices’ he went through to get to where he is. From his rapid-fire opening with bars like “It’s some homies I grew up with that’s dead to me, It’s some niggas that I just met in debt to me, What’s in common is they both pay respect to me,” to much heavier content, “I know my great, great, great aunty was a slave, I could only imagine all the sacrifice she made, I could only imagine all the shit she had to take, I’mma make sure all the blood she gave wasn’t in vain,” Sean shows his range and talent is up there with the best. Add in a Metro Boomin’ produced beat and a Migos feature and it’s an inspirational anthem that’s also a smash. It doesn’t get much better than that.

27. Cozway – Windbreaker

Technically a 2016 track, but this bad boy dropped after we published last year’s list, so here it is. For many this was their introduction to Jadū Dala, and what a wild welcome mat it is. ‘Windbreaker’ brings an alien appeal that doesn’t dissipate in the slightest. It still sounds as just as fresh and fire as the first time you heard it. It could survive just as its intoxicating beat and drop, but Cozway crafts quite the killer progression and soundscape. Part sci-fi space battle, part slicing/dicing samurai swords, all amazing.

26. Valentino Khan – Pump

Valentin Khan’s knack for bringing us overtly fun bangers is in full effect with ‘Pump’. For those waiting for an apt follow-up to his previous smash ‘Deep Down Low,’ this is it. The combination of simple and catchy vocals with mind-blowing sound design and production made this a crowd killer. Whether it was festivals or clubs, when this dropped, people lost their minds. There were very tracks in the 128 bpm range with the originality and energy contained in ‘Pump’. Whether you’re at the club, the gym or in the bedroom, this will make you pump just a little harder.

25. Hudson Mohawke – Cbat (Boombox Cartel Remix)

One of two Boombox Cartel remixes to make the list – admittedly, this one was on the fence for a few of us, while the tune played in the back of our minds on repeat. However, there’s no way you can deny that unforgettable point right before the drop. All summer, fall and winter long, this would creep up in several DJ sets, and those who recognized the buildup would shout with one another to the famous Ice Cube sample, “The motherfuckin’ world is a ghetto!”, right before losing all sense of composure to its shrill, bass-riddled drop.

24. Herobust – Dirt Heater Tea

2017 saw Herobust rising from a bass prince to the king of the turn up. The blend of rap, trap and dubstep had been adopted by many, but no one does it as well as Herobust. ‘Dirt Heater Tea’ not only flexes his wild sound design skills but also sees him hopping on the vocals. The bars are on point perfectly walking between party-ready raps and some slick references to his past records. With nearly a million plays on SoundCloud and practically every DJ dropping this throughout the year, this was one of the biggest bangers of the year. This one slaughtered stages and proved that Herobust owns a spot at the forefront of bass music.

23. Drake – Gyalchester

Drake’s More Life “playlist” had a significant amount of notable songs, but ‘Gyalchester’ was easily one of its best. It was undeniably in every single car and club when it dropped. Further to that, Baka’s ad libs were so well delivered on this track that it never failed to set crowds off. And how can we forget that unreal Billboard Award show performance. If you didn’t chant “hermes link, ice blue mink” then you didn’t have fun that night.

22. Future – Mask Off

2017 was the year for “flute beats”. Thanks to Metro Boomin’s great ear for melody and affinity for hard-hitting drums, he crafted a beat that perfectly fits as Future’s canvas. The sample comes from Selma’s ‘Prison Song’ and though it belongs to a powerful musical about Dr. Martin Luther King Jr’s life and Civil Rights movement, the melody is now better known for Future’s hit ‘Mask Off’. As if the beat wasn’t enough, Future’s chant worthy “percocet, molly percocet” hook went viral becoming one of the year’s biggest hits. Following its immediate success, Kendrick Lamar also remixed the track delivering another stellar verse in 2017. Coming in at number 22, Future’s ‘Mask Off’.

21. REZZ – Relax

REZZ’s debut album was one of the hottest buzzes this past summer, and it all started with re-kindling an old flame that was never forgotten. ‘Relax’ has been well-known for over a year, since REZZ dropped it in a few of her sets that summer; it wasn’t until this July that she revealed the title of the deep, semi-cryptic tune that had her cult hooked, to kick off the month-long weekly teases up to her grand album debut. Even if you’re amongst those who don’t “understand REZZ”, you have to admit – this one is quite mesmerizing, especially thanks to the iconic hypnotist heard throughout the tune.

20. TroyBoi – Flamez

TroyBoi continued his takeover of the electronic scene with a slew of incredible loosies, a massive headlining tour and his debut album. A good portion of Left Is Right could’ve found itself on this list but it’s ‘Flamez’ that claims the 21st spot. A perfect embodiment of what makes Troy so special, the track features one of the hardest and most brain-bending drops of the year. A combination of rugged bass and fun-house madness collide for a sound that’s nothing short of insanity. The vocal sample “everything I drop flamez” is as true a statement as I’ve ever heard. Making this even more special is the stunning break and outro. It’s beautifully cinematic and transportive, providing the perfect contrast to the aforementioned abrasive sounds. This is genius level music.

19. Mura Masa – 1 Night (feat. Charli XCX)

Mura Masa is one of the great producers of our time. On the Charli XCX assisted 1 Night,’ Masa creates a song that is nearly perfectly. It’s super poppy, yet incredibly unique and true to the signature sound that made fans fall in love with him. A touch of a emotion, a wealth of catchiness and an absolute abundance of fun make this the type of track you can’t help but dance to regardless of your surroundings. You’ll be walking down the street in the rain and start two stepping mid-stride, singing along, giving zero fucks. How this wasn’t one of the biggest songs of the year (commercially) is beyond comprehension but it was definitely one of the best.

18. Vince Staples – Yeah Right

It’s records like this that prove why we’re living in the best time ever for music. Collaboration has never been in a better place. Vince Staples pulls together two of the most inventive and talented producers in electronic music (Flume & SOPHIE), the best rapper right now (Kendrick Lamar), and stellar singer from Australia (Kučka). On paper this sounds insane, on wax? Even more so. A near a capella intro gives way to one of the hardest beats ever crafted. Vince skates over the boomin’ bass with the swag that only he can. Just when you think it can’t get any harder it doesn’t, instead it does a complete 180 as Kučka drifts in under an elegant backdrop. But that’s not it. Kung Fu Kenny comes through to close things out bodying the track as the beat comes in just as hard before. This is what creativity and a disregard for the norm sounds like in its greatest form.

17. Joey Bada$$ – Land of The Free

“3 K’s, Two A’s 3 in Amerikkka.” 2017 saw the rise of woke Joey Bada$$; a new chapter in his evolution as artist unfolded on ALL-AMERIKKKAN BADA$$. The politically charged ‘Land Of The Free’ was the most powerful and impactful cut. Lyrics like, “Sorry America, but I will not be your soldier, Obama just wasn’t enough, I just need some more closure, And Donald Trump is not equipped to take this country over, Let’s face facts ’cause we know what’s the real motives” are poignant and accurate, especially given Trump’s dismal first year in office. From highlighting systematic and overt racism, to prompting listeners to find change within themselves, to larger social issues, Joey addresses these topics with a poetic maturity that feels beyond his years but comes off so naturally. ‘Land Of The Free’ is a strong recap of what 2017 felt like.

16. Sinjin Hawke – Onset

Considering the insane quality of Sinjin Hawke’s debut album, First Opus, there was no question it would be represented on this list. Just which track? ‘Onset’ is the obvious nod as it totally took the world by storm. The horns heralded the return of Hawke’s eminence, releasing his own material for the first time since 2013. We already knew what the ‘Wolves’ producer was capable of, but ‘Onset’ brought about a new, wider appreciation for his incredible sci-fi, club trap creativity. It is just about as epic a track as you’ll ever hear, making for a mindblowing opening or killer conclusion.

15. M-Phazes x Alison Wonderland – Messiah (Lido Remix)

Lido may have won the remix game this year. Not only did he spin his sublime sounds around ‘Messiah’ but he brilliantly blended in his own vocals, taking the already awesome original to dizzying new heights. The new duet is a potent punch-for-punch affair as the fiery passion of these two lovers rages on. Much like ‘Murder’ or ‘Crazy,’ Lido’s ingenious ability to navigate the fine line between pure power and restrained resonance is on full display. The emotional intensity of ‘Messiah’ is plenty palpable, but never overwrought. It is a true testament to Lido’s position as one of the greatest artists of our generation.

14. Post Malone – Rockstar (feat. 21 Savage)

It’s only been a few months since the release of this one, yet it’s exploded over multiple forms of media – radio, streaming (already half a billion plays on Spotify alone), as well as cover after cover after cover, with each new artist putting their own unique spin to the chill hip-hop hit. Deep down, we all want to be rockstars though, so it makes sense that they would take to this. Its use of monotone vocals make it a tune you can either choose to sing, or even simply “talk” to, which in return gives covering artists free reign on how to make it their own in a plethora of ways. The new year is definitely going to take the brunt of this song’s radiance.

13. Calvin Harris – Slide (feat. Frank Ocean and Migos)

‘Slide’ has some layers to it that are not at all as sparkly as it’s pop-inspired melody that soaks in after one listen. Harris and Ocean wrote the song just after Ocean left Def Jam, Migos provided their vocals, while Harris mixed a genre-defying, critically-acclaimed hit. Lyrics to ‘Slide include references to buying a Picasso from the Rose Period (after emptying their bank account), as well as dreams of mansions and diamonds and dating women that are both beautiful and college educated. This is song isn’t about having it all but imagining it, which has never really been part of the traditional Pop genre-style. These darker sentiments fuel tension with plucky beat, adding a sarcastic undertone to the entire production. It’s poetic and catchy – a true example of modern music mastery.

12. Mura Masa – All Around The World (feat. Desiigner)

Mura Masa has a knack for crafting the most utterly intoxicating tracks, whether uber bangers like ‘Lotus Eater’ or future bass feels like ‘What If I Go?’ We knew he could kill it with rappers too, after the licentious ‘Love$ick’ with A$AP Rocky, but this turn with ‘Panda’ man Desiigner doubled down on that incredible ability. Desiigner’s bars bring the raw unbridled boldness we’ve come to expect with lines like “Hear the ‘Rari, hear it mumble, hear it roar,” and “Engine farted, she hate monsters, Get retarded, I’ve been chillin’.” But more importantly his ad libs were put to perfect use, adding yet another instrument to Mura Masa’s arsenal. However, no weapon was wielded quite as well as the flute in this track. And while it provides much of the magic at the centre of ‘All Around The World,’ it is each subsequent and supporting sound that completes this captivating craftwork. No matter where you are when this one comes on, you’ll soon find yourself dancing on your dream vacation.

11. Kendrick Lamar – DNA

Linking up with Mike Will Made it, Kendrick delivered the unlikely follow up to ‘Humble’ that quickly turned into one of the biggest tracks of the year. The infectious flow over the hard hitting drums come together perfectly. Mike Will revealed that the second verse on the track was sent back acapella with a request from K Dot to build a beat around it. According to Mike, Kendrick wanted the production to sound like “chaos”. Not only is the song politically charged but the video also furthers the narrative. It’s hard to imagine this track not making every best of the year list as it killed on YouTube and dominated clubs everywhere.

10. Jay-Z – Moonlight

With 4:44 Jay-Z made his triumphant return. The album was his most personal offering in his long career and was heralded by many as an instant classic. With its release Jay proved that his longevity truly knows no end. There’s a handful of tracks that could’ve landed a spot on this list but we had to go with ‘Moonlight.’ Just the title itself is pure genius. Playing on the massive Oscars misstep, the hook rings out “y’all stuck in La La Land, even when we win we gonna lose.” What follows is a sharp critique on the current state of the rap game: from rappers using the same flows and bars, to posing with fake guns and snitching on themselves on the gram’. It’s Hov sonning the game with the swagger and sharpness that only he possesses. It’s not only a call for rappers to do better, but for fans to desire more. Do we want to hear more of the same shit in 2018? Oh na na na na, naw, naw.

9. RL Grime – Era

Normally buildups are used to supplement an upcoming drop. RL Grime is changing that with his recently-released beast of a tune however, in which the buildup and all other elements preceding the drop takes the listener to another realm – almost to the point that they forget that there’s one approaching. You’re brought back at the pinnacle, with lyrics that appropriately suggest such – “Go, keep it alive, we go”. Then enter the drop – a wailing, siren-blaring behemoth which will captivate you as the bassline shakes up the whole room. Slap in a reworked amen break sample to the second drop, and you have a masterpiece which was well-recognized and lauded on the dancefloor, successfully turning any sort of event into a momentary trap throwdown.

8. Goldlink – Crew (feat. Brent Faiyaz & Shy Glizzy)

What a year for Goldlink. At What Cost as an album was a great piece of work but the lead single ‘Crew’ featuring Brent Faiyaz and Shy Glizzy set Goldlink up for a year of success. First, let’s acknowledge how great of a job Brent did with the hook. Brent in his own right is an amazing singer with a voice that drips soul and R&B. Goldlink delivered a verse that is akin to mumble rap but actually is filled with great bars. Shy Glizzy’s opening is one for the crowds (see: “Hey! Nice to meet!”). Let’s not forget that this track was remixed by Lido, Richie Souf, Backyard Band and New Impressionz. Overall, this track was everywhere in the clubs, radio and racked up a Grammy nod with a Platinum plaque. If you don’t feel like dancing as soon as the beat hits – you might need to see a doctor, son.

7. Kaaris x Mr. Carmack – Charge (Boombox Cartel Remix)

As a DJ if you want to set a crowd a fire, you can’t go wrong with Boombox Cartel. The duo is responsible for some of the biggest and hardest records in electronic music. Their remix of Mr. Carmack’s remix of Kaaris ‘Chargé’ pretty much defines epic in the trap space. The low key opening makes way for massive brass that sounds like a medieval war cry. As the drums build and we’re hit wit ah countdown and the following drop, it goes from a war cry to an epic battle. It’s armor clashing, flying arrows and fire breathing dragons scorching the earth. The battle teeters for another massive build that leads into a drop that brings back all of the epicness of the first, but with a more triumphant tone. While we thought “3, 2, 1” drops died with Big Room House, Boombox Cartel resurrected them in the greatest way possible. This is the hardest electronic banger of the year.

6. Lil Uzi Vert – XO Tour Llif3

We fucking called it. Five times platinum, 7th on the Billboard Top 100, more than 500 million views on YouTube (animated video and official video combined), 150 million plays on SoundCloud, winner of the Song of the Summer award at the MTV Music Awards and a Grammy nomination for Best New Artist. ‘XO Tour Llif3’ is our pick for number 6.

5. Cardi B – Bodak Yellow

Cardi B, the unlikely hero turned crowd favourite. ‘Bodak Yellow’ is that essential banger in every DJs arsenal, and if it’s not in yours…you’re doing it wrong. Cardi’s single became a viral sensation when it hit for a few reasons; it’s raw, it’s real and ruthless. The beat, produced by J White is a cold trap banger that lends itself to a no bullshit approach when it comes to the bars. Cardi uses the production so well, almost as if the beat was built around her lyrics. The build and progression in her inflection, lyrics and flow throughout the track are so perfect it’s uncanny. Her honesty on the track (see: “got a bag and fixed my teeth”) and her ruthless reign on these “other hoes” are her claims to fame. ‘Bodak Yellow’ became an internet sensation further propelling Cardi’s career this year (see: ‘No Limit by G-Eazy – she’s got a stellar verse). The single chilled at the top spot on Billboard for 3 consecutive weeks (the first solo single by a female rapper to hit #1 in 19 years), won Single of the Year at BET’s Hip Hop Awards and earned Cardi 2 Grammy nods. Cardi’s single is 3x Platinum in the US with 369+ Million views on YouTube. “Lil’ bitch you can’t fuck with me her, if you wanted to.”

4. Skrillex x Habstrakt – Chicken Soup

There’s been a lot of news circling around Sonny Moore, a.k.a. electronic powerhouse Skrillex, since the start of the year – whether it was focused on Sonny reuniting with From First To Last, he and Boys Noize’s collab, Dog Blood, playing their one and only show for this year during HARD summer, as well as this – a song with simple-to-follow-along lyrics, and a playful yet hard demeanor to it. It was played by seemingly every other DJ during this past festival season. If it didn’t naturally captivate you at first, then it likely annoyed the hell out of you; as event after event passed by, the soup was fed to you over and over, until you became well-accustomed and a little bit favourable to it – if not a lot more. (That, or this track was killed for you entirely.) Hate it or love it though, everytime this song went off on the speakers, so did everybody around you. Hats off to Skrillex and Habstrakt for this one.

3. Cashmere Cat – 9 (After Coachella) [feat. MØ & SOPHIE]

This year saw Cashmere Cat delve deeper into pop music than ever before. Working with artists like Ariana Grande, Selena Gomez, and Camila Cabello, Cashmere went full pop while still staying true to his incredible unique sound. No song showcases that balance better than ‘9 After Coachella’. Connecting with MØ and SOPHIE, the trio defy all genre barriers and quite possibly what your mind can comprehend sonically. What begins with a fun and friendly, almost cartoon-like bounce, stretches into a powerful and emotional ballad. Just as you begin to get comfortable with the emotive vibe, drums saunter in and it drops into a pop meets hip hop hybrid. The evolution continues as the vocals are replaced by mind-bending metallic sounds that build an insane anticipation. When the drop finally hits it’s unbridled insanity. One of the grittiest and filthiest sections you’ve ever encountered. It’s this extraordinary juxtaposition that carries throughout, making this one of the most impressive and astounding releases of the year. ‘9 (After Coachella)’ is at times the most beautiful song of the year and at others the ugliest and most aggressive. And that’s something incredibly special.

2. French Montana & Swae Lee – Unforgettable

Considering his own line of Ciroc Vodka (thanks to pal Puff Daddy), a solid tour run and chart performance, this has been a big year for French. A lot of this years’ success is thanks to the lead single ‘Unforgettable’ from his album Jungle Rules. ‘Unforgettable’ dominated the radio and clubs and became a “must-play” for DJs worldwide. The afrobeat production met with Swae Lee’s infectious hook made the song everything it is – melody and movement. Not only did French celebrate his African roots through the music, but he shot the video for the chart topper in Uganda with a group of up-and-coming child dancers (who absolutely killed it). The single peaked at number 3 on Billboard’s Top 100, has since gone on to be 4x Platinum, has spawned 6 official remixes and garnered 555 Million views on YouTube. Truly unforgettable. Congrats, French!

1. Kendrick Lamar – Humble

When Kendrick Lamar dropped ‘Humble’ it shut the internet down and gave fans a taste of what he had in store with DAMN. Connecting with Mike Will Made-it, the two crafted the hottest record of year. The beat is ice cold and slapping while Kendrick skates over it, illustrating why he’s the best rapper right now. From the production, to his flow and delivery, to the lyrics, this song is pure perfection. Clocking nearly 400 million plays on YouTube alone, Kendrick once again proved that quality music still commands major attention. It’s the record that a DJ would throw on and the entire club would rap bar-for-bar with an electric ferocity. ‘Humble’ was so hot that super-producer Skrillex had to put his own touch on it with what became one of, if not the biggest remixes of the year. From pop appeal, to raw quality, impact and support, this one checks all the boxes making it the clear choice for #1. Oh and the visual was just as impressive. Be Humble.

Word by Colin, ck, Kash, mekabeth, & Oggie James.

The post The Top 50 Songs of 2017 appeared first on FUXWITHIT.

10. Lido – Murder

Lido’s ‘Murder’ isn’t a song, it’s an emotional journey. It’s a piece of Lido’s heart and soul experienced through sound. From the stuttered vocals creating a sense of confusion, to the immense waves of emotional pain conveyed in the drop, it delivers in a way that is both cinematic and forward thinking. Closing the song out, comes a sense of pensive calm, scored by an 80-piece orchestra. Yes, Lido commissioned an 80 piece orchestra for the outro. ‘Murder’ is further proof that Lido is a master composer and is truly a work of art.

09. QUIX & Boombox Cartel – Supernatural

‘Supernatural’ was the track that murdered every set in 2016. Prior to its release, it was the ID everyone was clamouring over. When it dropped, it only became more massive. The combination of moving vocals, rough trap and future feels was not pioneered with QUIX & Boombox Cartel’s collab, but it was perfected. Keeping it 100, above everything else, the first drop was the drop of the year. If a DJ wanted to slaughter a club or festival, they queued this one up and the rest was history. This was the club banger of the year without question.  

[soundcloud url=”https://api.soundcloud.com/tracks/280772877″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

08. Kanye West – Ultralight Beam (Ft. Chance the Rapper)

‘Ultralight Beam’ is undoubtedly a classic Kanye song but he contributes in the periphery while letting legend in the making, Chance the Rapper, take the spotlight with his most triumphant verse to date. Note the bars: “this is my part nobody else speak” he croons as the Kirk Franklin-lead choir chimes in. Chance made himself a staple in the game and as much as this is Kanye’s joint, everyone knows that this was the “passing of the torch” from one Chi-town legend to the next.

07. Flume – Smoke and Retribution (Ft. Vince Staples and Kučka)

One of the things that made 2016 so special was the incredible range of collaborations seen. Defying genres and seeing acts from completely different walks of life connect to create something exceptional. Nothing embodied this feeling more than ‘Smoke And Retribution’. Kučka’s delicate and touching vocals provide the ultimate contrast to Vince Staples’ aggressive and raw style. All the while, Flume showcases his mastery, developing soundscapes that back both dimensions while moving between them so smoothly. If we’re strictly talking quality, ‘Smoke and Retribution’ is tough to top. Add in the immense fan fair and DJ support it received and there’s no questioning its placement.

[soundcloud url=”https://api.soundcloud.com/tracks/244255359″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

06. DJ Snake – Propaganda

If ‘Supernatural’ was the club banger of the year, then this was the festival killer. By the end of 2015 DJ Snake was becoming well known for his poppier leanings (‘Lean On’). With ‘Propaganda’ he reminded the world that he’s still capable of producing some of hardest material out. From the epic build ups, to the chest pounding drops, this was the sure-fire standout in every DJs set and every festival. ‘Propaganda’ once again proved that Snake owns the game, regardless of what sound or direction he chooses to explore.    

[soundcloud url=”https://api.soundcloud.com/tracks/238826724″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

05. Desiigner – Panda

What is there to say about this track? It was literally everywhere. Most loved it, some hated it. Future fans called him a copycat, New Yorkers called him a sellout. Regardless, Desiigner became a star and with Kanye’s co-sign on The Life of Pablo there was no stopping him. The XXL Freshman became a viral hit overnight. ‘Panda’ is the trap banger on 10, the drums hit as hard as the bells and horns. Rounding out the Top 5 is the new kid on the block.

04. DJ Khaled – Holy Key (Ft. Big Sean and Kendrick Lamar)

The third release off of Khaled’s ninth studio album Major Key, ‘Holy Key’ features Betty Wright,  Big Sean and Kendrick Lamar. Wright’s vocals provide an ardent chorus, and each rapper rhymes in their intricate and identifiable styles. The theme of this track is how surreal reality is these days; hipster trends blended with nasty news reports about the most soul-destroying racism. Big Sean expresses the confusion between desiring things in a world inundated with injustices and mistrust. Lamar grounds you in his emotional performance, becoming shrill while he reminds us of how fleeting and unfair life is. The passion in both rappers verses can give you goose bumps. References to spiritualism struggling against the overcomplexity of the times coupled with modern frustrations makes this a powerful anthem for 2016.

03. Chance the Rapper – No Problem (Ft. 2 Chainz and Lil Wayne)

Chance The Rapper is the rapper of the year. His list of accomplishments is so long we dedicated an entire post to it (add in 7 Grammy nominations). In Coloring Book, Chance dropped what is arguably the best mixtape (strikeout) album of the year. The biggest single off the record, ‘No Problem’ is the perfect embodiment of what Chance stands for. It’s an anthemic cut that centres around his frustration and distaste for major labels and the industry in general. With the refrain repeating “If one more label try to stop me, it’s gon’ be some dreadhead niggas in ya lobby, huh huh” ‘No Problem’ doesn’t sugar coat shit. Chance is fed up with labels trying block him recording with friends and he’s telling the world. A bold move that deserves massive level of commendation. Chance is putting his neck on the line in hopes to invoke change and benefit the artists who will come after him.

Off the official video and SoundCloud upload alone ‘No Problem’ clocked nearly 100 millions plays. The popularity and message together is a clear highlight of 2016. And I didn’t even mentioned the guest verses from heavyweights 2 Chainz & Lil Wayne. The latter was especially fitting with Wayne stuck in release limbo due a disagreement with his label. Performing this on Ellen, Wayne directly took aim at Cash Money, while the entire stage set-up was a blatant commentary on the antiquated record industry.

The cherry on top of the incredible track is that it’s produced by Brooklyn based Brasstracks. The fact that the underground (and FUXWITHIT) favorites managed to land a track with such heavy hitters and work it into one of the biggest anthems of the year, is just another a piece of proof that we’re living in the best time ever for music.  

[soundcloud url=”https://api.soundcloud.com/tracks/266129708″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

02. Drake – One Dance

Though it’s number two on our list, ‘One Dance’ earned a whole lot of ones in 2016. The song from Drake’s Views album hit the net early April and quickly reached the top spot on Billboard and streaming outlets. The dancehall inspired track featured Kyla and WizKid but it was Drake’s overall approach that made the song pop (pun intended). From the song’s simple but bumpin’ beat, to the melodious verses and hooks, Drake easily forged the biggest hit of the summer and you could hear it in every car, every bar/club, house party, festival, wedding – literally anywhere and everywhere. Another dominant year for the 6 God and easily one of the best tracks of the year.

01. Oddisee – Lifting Shadows

Usually each year for our #1 song we select a track that best embodies a strong blend of all of our decision criteria (song quality, popularity & impact). The result is generally a song that is both well put together and immensely popular (‘0 to 100/The Catch-up’ & ‘Lean On’). But 2016 wasn’t a usual year; from the global refugee crisis, to the increasing racial division and racism in the U.S., to Trump’s presidential campaign and eventual election. While many of the songs on this list helped us to forget the issues, if only momentarily, Oddisee’s ‘Lifting Shadows’ brought them to the front of our minds.

In less than 5 minutes Oddisee is able to touch on a myriad of social issues, doing so in a way, as Common Sense once put it, “by not preaching to me, but speaking to me.” His method certainly isn’t leisurely, but it’s immensely gripping. The first verse provides insight into what it’s like to be a Muslim in America, “…scared I’m involved in the causing of pain, lost somebody you loved in the towers and looking at me like I boarded the plane, I’m just an artist you’re not a target, no use in arguing we all look the same.” Oddisee builds upon this while shining light on the seemingly, ever-increasing police violence toward citizens, “All in the name – I got a name that’ll scare all the brave in the land of the free, all in the name of protecting a country that’s shooting its citizens dead in the streets.”

As the hook comes in ‘Lifting Shadows’ ceases to relent, delivering a sobering and further eye-opening message that even draws upon the first amendment, “Since 9/11 it ain’t too clear just who the target is, I love my country, hate its politics, can’t just let me be, can’t just let me live, regardless my belief, I thought the fathers wrote it clear”

The second half transports listeners to the other side of the world, “I was on tour when the migrants came, saw their camps on side of the road, I met a boy who arrived in the rain, he lost his folks when they torched his home, that made me want to bring my fam, before they see that side of a drone” Anyone possessing a shred of empathy is sure to be impacted by this. With just a few bars, Oddisee is able to give us a first hand account that helps to truly understand the pain and terror experienced in war torn areas across the globe. And that’s only the first few bars. From there, Oddisee dives into the dark views that tend to surround immigration. Building on the idea of “labor’s cool, neighbours no” he proceeds to list off a number of jobs typically reserved for immigrants while pointing out when it comes to more sought after professions like that of doctor, the idea of an immigrant “taking their jobs” makes Americans uncomfortable. It’s a troubling way of thinking that is disturbingly hypocritical; immigrants are good enough to build the country, but not good enough to live in it. After some clever wordplay around Trump, the song’s close shines light on the fact that America was built by immigrants (and slaves), “And that’s what makes this country great, it’s built by those who bleed, It’s built by those who came on boats, it’s built by those who flee, and you forgot your family tree and we’re just all your leaves, so if you just try to chop us down you only hurt your knees, and we could go in pieces but we’d rather come in peace”. It’s a stark reminder that we are all here as a result of immigration.

‘Lifting Shadows’ pushes all of the year’s biggest issues to the forefront of our consciousness while reminding us of our empathy. For that, it is the most important and greatest song of the year.  

[soundcloud url=”https://api.soundcloud.com/tracks/254246751″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Be sure to check out the rest of the list:

50-41 | 40-31 | 30-21 | 20-11

The post Top 50 Songs of 2016 [10-01] appeared first on FUXWITHIT.

20. Zeds Dead – Stardust (Ft. Twin Shadow)

Off of the latest album Northern Lights Zeds Dead’s ‘Stardust’ keeps fans refreshed. The track’s bouncy beat, sparking electric guitar, and twinkling background vocals help Twin Shadow’s clear choral notes sink into your ear. This song’s nod to pure instrumental sounds attests to this duo’s unique and off-kilter bass music style. With heavy credentials from touring and producing with various other big names in the genre, ‘Stardust’ gives off a galactic glow just like a supernova.  Zeds Dead had an exciting year starting their own label with an announcement in March, which means fans have a lot to anticipate in the (hopefully) near future.

[soundcloud url=”https://api.soundcloud.com/tracks/285269538″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

19. Skepta – Man (Gang)

In 2016, Grime finally made its mark across the pond in North America. Skepta was the leader of this movement and his album Konnichiwa was easily one of the best releases of the year. ‘Man (Gang)’ is signature Skepta, blending a rugged grime beat with his boisterous bars. Featured just before the hyped premiere of Drake’s Views on OVO Sound Radio only furthered its hype. With ‘Man (Gang),’ Skepta cemented his status as one of the breakout rap stars of 2016.

[soundcloud url=”https://api.soundcloud.com/tracks/259247281″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”166″ iframe=”true” /]

18. Destructo x Wax Motif – Catching Plays (Ft. Pusha T and Starrah)

This is genre blurring at its finest. With elements of trap, rap and house ‘Catching Plays’ was an absolute monster. Destructo and Wax Motif are the current kings of G-House and this just underscored their claim to the throne. Pusha T delivered yet another stellar guest verse, blending tales of opulence and criminal activity. Rounding this one out came Starrah’s hype inducing vocals, perfectly bridging the gap between Pusher’s bars and the heavy drops.

[soundcloud url=”https://api.soundcloud.com/tracks/277967757″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

17. YG & Nipsey Hussle – Fuck Donald Trump

‘Fuck Donald Trump’ has over 13 million views on YouTube and has been used by many Americans to work through some stages of grief that they are still coping with after the election. As old as the tradition of voting in America that has been critics of the candidates that have inspired many different forms of art. This politically-themed song propelled YG and Nipsey Hussle into a tour under the same name this fall, and have had dates for performances posted as late as November 30th.

This track is a powerful warning and touches upon the many issues of the hyper-racialized United States. In the beginning of the track’s official video there are a few clips that include anecdotes of discrimination, images alluding to the violent nature of the socioeconomic and ethnocultural conflicts that are televised, and at the end of the video there is a clip of Trump himself promising to build a wall to designate the border between the US and Mexico. This is an audio-visual performance displaying the country’s contemporary harsh-truths. The track’s style is tradition. The rhyming which refreshes the true tradition of Rap and Hip Hop: giving an outlet and a voice to the frustrations of those who are shamefully ignored and discredited.

[soundcloud url=”https://api.soundcloud.com/tracks/266208072″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

16. The Weeknd – Starboy (Ft. Daft Punk)

The Weeknd was a staple in the game last year and this year he proved that he could be consistent and stay at the top with a couple other cats. The title track from his 3rd studio album Staryboy comes in at number 16 of our Top 50 and for good reason. First, let’s start with how he was able to get Daft Punk on the record with him. No easy feat to secure these two, as they are super selective with who they choose to work with. If being a top selling R&B act with a couple sold out tours wasn’t enough to solidify him as a star in the game, featuring Daft Punk on a single definitely was. The production on this track is incredible. It seems simple on first listen, but when you really sit with the song and take it in there are so many nuances from the bass line to the keys and even cadences Abel uses with his voice; that make this song so great. When you take a look at the visuals for this chart topping track, you can start to understand what Abel means when he sings “look what you’ve done, I’m a mothafuckin’ starboy”. In the video, The Weeknd kills off his old self, becoming the alter ego he has referred to as Starboy. Great song, great visuals and the album happened to be just as solid.

15. Chance The Rapper – Summer Friends (Ft. Jeremih and Francis & the Lights)

“0h, oh, oh, incredible,” the opening lyrics perfectly describe the vocal intro crafted by Francis & The Lights. It’s the type of unique sound that makes you sit up straight and say out loud, wow what is this? When the bass and drums start knocking you’re overcome with bliss. Chance’s verses take you back to childhood like a Ray Bradbury novel, reminding you of the magic that was summers off. From ice cream trucks, to summer camp and trips to Blockbuster. Chance manages to craft verses that are deeply personal while being incredibly relatable. Just when you thought the track was peak perfection and couldn’t get any better, Jeremih comes through and elevates it even higher.

[soundcloud url=”https://api.soundcloud.com/tracks/266129639″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

14. Rae Sremmurd – Black Beatles (Ft. Gucci Mane)

You know that song everyone plays when they make a Mannequin Challenge video? This is that song. We’re not exactly sure how this caught fire, but boy did it catch and Rae Sremmurd’s rise to the top hasn’t slowed much. The duo out of Mississippi secured themselves as hit makers this year with their sophomore follow up. Enlisting Guwop to join them on this track with the help of Mike WiLL Made-It, Swae Lee and Slim Jxmmi crafted the perfect party-started that went on to become one of the biggest tracks of 2016.

13. A Tribe Called Quest – We The People

We, the people. The same three words that are notably from the US Constitution, also became the title for a track coming off of the long awaited and anticipated ATCQ album. This joint made our list for a few reasons which we’ll address here but it is important to note that this album is the first major album from Tribe in 18 years. These legends were able to write and record most of the album prior to Phife Dawg’s passing (RIP) after being away from the game for almost two decades. And the best part is, they didn’t miss a beat. ‘We The People’ is a powerful and timely track considering the US Election and all the civil unrest in the US. Over production that could fuel the revolution, ATCQ go in on the conditions of “the people” (representing Blacks, Mexicans, Muslims and the LGBT community) and address how the police have been killing off people in the street. Powerful, timely and unfortunately – completely accurate. ‘We The People’ is number 13.

12. Drake – Controlla

As of this moment Views is 4x Platinum and has spawned some of Drake’s biggest hits. The album was described to be a soundtrack for those who experience the change in seasons like we do in Toronto (Winter and Summer). The album flows as such, starting in the cold and brisk winter, warming up to the summer time vibes and back to winter. Being the title was originally Views from the 6, it makes sense that there are multiple tracks with a dancehall influence as the Caribbean culture in Toronto (or the 6) is vast and beautiful. ‘Controlla’ is one of those tracks and it does not disappoint. When the track leaked earlier in the year, many people expected Popcaan to remain on the album version but that was not the case. Nevertheless, ‘Controlla’ still went on to be a great hit, influencing others to jump on the dancehall bandwagon (no shade, Tory – we fux with you). With Boi-1da, Supa Dups and Di Genius behind the boards, there was no way this wouldn’t be a certified hit.

11. Fat Joe – All the Way Up (Ft. French Montana and Remy Ma)

Coming in just shy of the top 10 is Fat Joe’s undeniable club banger. Featuring French Montana and Remy Ma, Fat Joe returned with a well crafted and certified hit. Produced by Edsclusive with some help form Cool and Dre, ‘All the Way Up’ became Joe’s biggest hit since his ’02 smash ‘What’s Luv’. The infectious beat combined with the chant like hook made for a club hit and naturally spawned several remixes including a verse from Hov.

[soundcloud url=”https://api.soundcloud.com/tracks/249686647″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Be sure to check out the rest of the list:

50-41 | 40-31 | 30-21

The post Top 50 Songs of 2016 [20-11] appeared first on FUXWITHIT.