L.U.X

No stranger to handcrafting pieces that turn-out so heavy Arnold Schwarzenegger in his prime would have trouble lifting them, L.U.X. has been decimating sound systems for years now with absolutely malicious intent. Blessing bass music lovers with immaculate productions like ‘Silence‘, ‘Smash‘, and ‘Death Grip‘, he’s racked up hundreds of thousands of streams worldwide, while also taking hordes of bodies…

Riding high on a string on self-released singles and label originals, collaborations and remixes, L.U.X has continued to drive the momentum he had gained in 2018 to set himself up for a truly breakout year. From the eclectic yet still heavy Delta EP to contributions to Black Label XL 6 and the recent ‘Zoom‘ remix EP, L.U.X’s ceaselessly flawless meshing…

Unshackled from the extensive archive of Spag Heddy’s unreleased material as a commencement to festival season this past July, ‘Zoom’ has remained one of the most enviable tracks of the summer, combining a playful layering of trap horns that builds an inescapable sensation of momentum before catapulting into a merciless siege of bass. For a track that utilizes a simple,…

L.U.X is quickly establishing himself among the greats of heavy music. While 2018 saw the Israeli producer lay his foundations in the dubstep realm through two EPs and many more singles and remixes, this year sees him breaking out of his shell and really climbing the ranks through innovative yet still Earth-shattering releases. High-intensity singles such as ‘Fate‘ and ‘Another…

2018 furnished massive strides in production and technical proficiency for bass devotee L.U.X. Two EPs released via Never Say Die Black Label, an official remix of Ray Volpe’s ‘Showtime’, and a release on the latest Uplink Audio compilation have depicted the voracious style of hybrid-riddim that he totes, generating the necessary momentum to catapult L.U.X into the upper echelon of…